SophoclesMareMagnum
SofocleMareMagnum
Il mito di Edipo - Edipo Re - Edipo a Colono - Antigone
BUONE CONDIZIONI
Libreria Tara s.n.c. · Roma, IT5,50 €
2 018 résultats
Contains : Oedipus the King, Oedipus at Colonus and Antigone translated by E.F Watling. 168p. Book
Contains : Oedipus the King, Oedipus at Colonus and Antigone translated by E.F Watling. 168p. Book
Contains : Oedipus the King, Oedipus at Colonus and Antigone. Robert Fagles' translation conveys all of Sophocles' lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. Introduction by Bernard Knox.430p, Book
Pages tanned. Prelims a little browned. Cracking to backstrip. A few chips to wraps. Browning to wraps. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 1; 266 pages
Pages tanned. Cracking to backstrip. Browning and small waterstaining to wraps. Rear wrap almost detached. Some chipping and tears to wraps. Reading copy only. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 1; 266 pages
Pages tanned. Chipping and small tears to spine ends. Browning to wraps. Small bookseller's stamp to inner cover. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 250 pages
Pages tanned. Chipping and small tears to spine ends. Browning to wraps. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 250 pages
Pages tanned. Cracking to backstrip. Rear wrap detached and missing. Front wrap detached but present. Browning and Some chipping and tears to backstrip. Reading copy only. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 250 pages
Pages tanned. Pages unopened. Chipping and small tears to spine ends. Former owner's name to ffep. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 250 pages
Pages a little tanned. Minor creasing to wraps. Some pages unopened; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 196 pages
Pages a little tanned. Minor creasing to wraps. Some pages unopened; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 3; 157 pages
Neues Exemplar - „Alle Liebesfreude liegt in der Abwechslung. Man empfindet den höchsten Genuss darin, [...] nach und nach all die kleinen Hindernisse zu überwinden.“(Don Juan, Molière). Diese Lebenseinstellung Don Juans ist unvergleichlich. Er „verliebt“ sich schnell, schneller jedoch „entliebt“ er sich auch wieder – um die nächste „Schönheit“ zu erobern. Beginnend mit dem sogenannten Ur-Don Juan von Tirso de Molina aus dem 17. Jahrhundert wird in diesem Buch die Figur Don Juan, sein Umfeld, aber auch die legendäre Höllenfahrt beleuchtet. Darüber hinaus stellt Daniela Sommer dies in lebendige Beziehung zu theoretischen Mythoskonzeptionen. Bis hin zu Max Frisch im 20. Jahrhundert zeigt er sich in allen Facetten – aber der Kern eines Don Juan, der Mythos, bleibt! – Inhalt: Der Mythos Don Juan – Die Begriffe ,Mythos' und ,Variante' – Mythoskonzeptionen aus der Psychologie (Jung), Ethnologie (Levi-Strauss) und der Literatur- und Kulturkritik (Barthes) – Jungs Archetypen – Barthes" Mythen des Alltags – Die Struktur der Mythen nach Levi-Strauss – Der Versuch einer Anwendung der Mythoskonzepte auf die Don Juan-Figur – Zu Jung – Zu Barthes – Zu Levi-Strauss – Bearbeitungen des Don Juan-Stoffs - Die Don Juan-Figur im Wandel – Tirso de Molina und der so genannte Ur-Don Juan – Zur Figur des Ur-Don Juan – Die Frauen – Die betrogenen Männer – Schlüsselfiguren und die Bedeutung des Himmels – Molieres ,Don Juan' – Zur Figur des Don Juans bei Moliere – Die Frauen – Andere Betrogene – Schlüsselfiguren und die Bedeutung des Himmels – Mozarts und Da Pontes ,Don Giovanni' – Zur Figur des Don Giovanni – Die Frauen – Die betrogenen Männer – Schlüsselfiguren und die Bedeutung des Himmels – Grabbes ,Don Juan und Faust' – Zur Figur des Don Juan – Die Frau – Schlüsselfiguren und die Bedeutung des Himmels und des Übersinnlichen – Zwischenfazit: Der Wandel der Don Juan-Figur -- Der traditionelle Don Juan und der Don Juan von Max Frisch: Varianten eines Mythos - Ein Vergleich – Lebenseinstellung – Verführungsstrategien – Das Umfeld Don Juans – Die Höllenfahrt – ,Don Juan oder die Liebe zur Geometrie': Eine Dekonstruktion des Mythos Don Juan? – Dekonstruktion: Definition und Theorie. ISBN 9783828896765
Analysis and criticism of Aristophanes as a working dramatist written by a noted Greek director of Aristophanic comedy, this book offers a unique and refreshing approach to the eleven extant plays of the great dramatist. The author's purpose is to bring Aristophanes to life for the modern theatre.Translation and adaptation by Alexis Solomod and Marvin Fellhem,320p.notes, index. Book
BUONE CONDIZIONI
Minor shelfwear. Scholars' bookplate to inner cover. ; Beiträge Zur Klassischen Philologie Heft 57; 295 pages
Ex-library copy with usual stamps, call numbers and pocket. Clippings pasted to front pastedown. Pages a bit tanned. ; Sather Classical Lectures 34; 147 pages
Foxing/dustsoiling to top of textblock. Light foxing to endpapers. Scholar's bookplate to inner cover (G. P. Goold). DJ has some browning along edges and to spine. DJ has light edgewear and rubbing. ; Sather Classical Lectures 34; 147 pages
Slight soiling to glazed boards. Date-stamped on fly-page. Otherwise Fine. ; This book examine's honor in Gottfried's Tristan in relation to love, sexuality, the role of the artist, and Isolde, as well as identifies certain structures that carry the poet's concept of honor. These structures allow for transcending of earthly love to join in the mystical union of the soul with Christ. This is Gottfried's highest notion of honor. ; Studies on Themes and Motifs in Literature; 252 pages
No marks or inscriptions. Minor creasing to upper edge of front cover, none to spine. A clean tight copy with rubbed boards, tanned page edges and no bumping to corners. 157pp. Story about a deadly laboratory virus which escaped and would eventually wipe out all life forms.
A clean, unmarked book with a tight binding. Full black cloth boards. Slight wear to dust jacket. 10 1/4"w x 11 1/4"h. 128 pages. Black and white photos throughout.
Very light shelfwear to wraps else fine. ; Penn Greek Drama Series; 296 pages
A couple of corners are lightly bumped. Former owner's bookplate to ffep (name has been deleted). Dustjacket has minor shelfwear and rubbing with chipping to one corner. ; Roman Theater & Society; 9.75 x 0.75 x 6.5 Inches; 200 pages; William Slater's new volume Roman Theater and Society brings an important perspective to the much-maligned status of the Roman theater, which has only recently been reappraised and appreciated as uniquely Roman rather than criticized for not being Greek. From this point of embarkation, William Slater and the nine contributors discuss theater in Rome and the Greek east with a definition of performance incorporating not only stage performances but also dinnertime entertainment, sporting events, and political events. Contributors are T. D. Barnes, K. M. Coleman, J. C. Edmonson, E. R. Gebhard, J. R. Green, E. J. Jory, W. D. Lebek, and D. S. Potter. Individual chapters combine literary evidence with archaeological, thereby engendering a deeper appreciation for the social and political roles of Roman theater. It becomes clear that these roles were of great influence in giving voice to the popular demands of the average Roman. In examining the roles of theater the contributors turn to the players and audience themselves for deeper understanding.
DJ spine is lightly sunned. ; Roman Theater & Society; 9.75 x 0.75 x 6.5 Inches; 200 pages; William Slater's new volume Roman Theater and Society brings an important perspective to the much-maligned status of the Roman theater, which has only recently been reappraised and appreciated as uniquely Roman rather than criticized for not being Greek. From this point of embarkation, William Slater and the nine contributors discuss theater in Rome and the Greek east with a definition of performance incorporating not only stage performances but also dinnertime entertainment, sporting events, and political events. Contributors are T. D. Barnes, K. M. Coleman, J. C. Edmonson, E. R. Gebhard, J. R. Green, E. J. Jory, W. D. Lebek, and D. S. Potter. Individual chapters combine literary evidence with archaeological, thereby engendering a deeper appreciation for the social and political roles of Roman theater. It becomes clear that these roles were of great influence in giving voice to the popular demands of the average Roman. In examining the roles of theater the contributors turn to the players and audience themselves for deeper understanding.
DJ has very light shelfwear. ; Roman Theater & Society; 9.75 x 0.75 x 6.5 Inches; 200 pages; William Slater's new volume Roman Theater and Society brings an important perspective to the much-maligned status of the Roman theater, which has only recently been reappraised and appreciated as uniquely Roman rather than criticized for not being Greek. From this point of embarkation, William Slater and the nine contributors discuss theater in Rome and the Greek east with a definition of performance incorporating not only stage performances but also dinnertime entertainment, sporting events, and political events. Contributors are T. D. Barnes, K. M. Coleman, J. C. Edmonson, E. R. Gebhard, J. R. Green, E. J. Jory, W. D. Lebek, and D. S. Potter. Individual chapters combine literary evidence with archaeological, thereby engendering a deeper appreciation for the social and political roles of Roman theater. It becomes clear that these roles were of great influence in giving voice to the popular demands of the average Roman. In examining the roles of theater the contributors turn to the players and audience themselves for deeper understanding.
