Platus; George E. Duckworth (Ed. )MareMagnum
2 018 résultats
1 corner lightly bumped. Minor shelfwear. Slight spine slant. Former owner's name to inner cover. ; Includes tipped-in bibliography of George E. Duckworth published in 1971. 4 plates. ; 464 pages
Scholar's bookplate to inner cover (G. P. Goold). A few small scratches to front board. ; Includes tipped-in bibliography of George E. Duckworth published in 1971. 4 plates. ; 464 pages
Pencil notes to inner cover. Pencil underlining throught greek text. Pen notes to back inner cover. English commentary is clean. ; Greek Text with English Introduction and Commentary. ; 115 pages
Octavo in offwhite illus original dust jacket; ix pages, 2 leaves, 233 pages 22 cm Contents: Six characters in search of an author -- "Henry IV." -- Right you are! (If you think so). / Drama. Italian drama.
8° leg. ed. con sov. fig. a col. pag.780 con custodia cart. ben tenuto
P., Gallimard "La Pléiade" 1977. In-12 relié pleine peau, jaquette papier sans dos, rhodoïd, étui de carton gris, CXXIII-1404 pp. Parfait état.
P., Gallimard "La Pléiade" 1985. In-12 relié pleine peau, jaquette papier sans dos, rhodoïd, CXXIII-1650 pp. Parfait état.
104p. Hardcover Very good condition very good d.j. good
120p., illus. Hardcover Very good condition good
Large blue Stamp to titlepage. Former classics scholar's name to ffep (E. Kerr Borthwick). Minor shelfwear to wraps. Wraps have DJ with minor shelfwear and slight edgewear. ; Questo studio affronta il problema della stretta interconnessione fra musica e poesia nel teatro di Aristofane, con l’intento di indagare gli aspetti, le qualità, le caratteristiche del commento musicale che accompagnava I brani lirici. ; Letteratura Classica, 9; 138 pages
A play by Pinero that was closed by Lord Clarendon, the Lord Chamberlain, due mostly to the doll involved in the play, described as "grossly indecent". 221 pages. Top page edges gilt. Joints of spine, cover corners worn with worn and bruised 10mm on front fore-edges.
x, 185 pages. Copyright date May 1892. Bookplate of William F. Fladgate on front pastedown. Gilt top page edges. Joint of front cover and spine has cracking particularly at top and base with small loss to top/tail of spine. Wear to cover corners. Covers a little curled.
Arthur Pinero's play set near Regent's Park, London and at Epsom. 292 pages, New Impression, August 1907. Black leather covers, gilt title on spine. Top page edges gilt. Wear to top/tail of spine, joints of spine and cover corners.
188 pages. Red leather covers. All page edges gilt. Wear to top/tail of spine. Gilt and leaf decorated pastedowns. Covers a little curled.
vii; 224 pages. 'Presentation Copy' embossed at top of title page. Front cover worn and split down joint of spine, only held by 25mm of joint; wear to top of spine. Lower front cover corner creased. Back cover and last page have multiple creases on top corner. A hint of browning to page margins.
Arthur Pinero's play set in Venice. 224 pages, 8 pages of publisher's list. Blue buckram covers, dark blue title on spine and title and vignette on front cover. Previous owner's name and a date on front free endpaper. Browning and foxing to pastedowns and free endpapers.
123 pages. 8 pages of Mr Wm Heinemann's List. Red cloth covers with title on front cover and spine. Frontispiece photo of author. Covers a little grubby, light foxing on front free endpaper
165 pages. Red leather covers. Gilt to all page edges. Gilt title on spine. Wear to top of spine with small loss, a little wear to base of spine and cover corners.
215p. illus. Hardcover good head & foot of spine frayed
Third impression. 192 pages. Red cloth covers with black title on front cover and spine. Covers a little soiled, Light foxing on pastedowns and page edges.
444p. Paperback Good condition, partially unopened, paper browned
iii + 237pp., 21cm., Academic dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln)
Dustjacket has minor shelfwear and rubbing. Minor bump to top corner. ; Sandpiper reprint of 1927 edition. ; Oxford University Press Academic Monograph Reprints; 346 pages; One of the major scholars of the 1920s and 30s concerned with the origins of Greek drama, Sir Arthur Pickard-Cambridge focused in particular on the evidence derived from archaeological finds and papyri. He describes this history of the earliest stages of Greek drama as "a dispassionate attempt to ascertain historical truth or probability by methods as logical as the subject permits. "The study begins by bringing together what was known of the dithyramb, and argues against Aristotle's statement that tragedy originated from the leaders of the dithyramb, and against the theory put forward by Sir William Ridgeway that it originated in performances at the tombs of dead heroes.
Upper corners a bit bumped. Scholar's bookplate to inner cover (G. P. Goold). Small Corrections done in ink to a few pages. DJ is tattered and has been crudely repaired with tape. Some tears and chipping to DJ. DJ is price-clipped. ; Original 1927 Edition ; 346 pages; One of the major scholars of the 1920s and 30s concerned with the origins of Greek drama, Sir Arthur Pickard-Cambridge focused in particular on the evidence derived from archaeological finds and papyri. He describes this history of the earliest stages of Greek drama as "a dispassionate attempt to ascertain historical truth or probability by methods as logical as the subject permits. "The study begins by bringing together what was known of the dithyramb, and argues against Aristotle's statement that tragedy originated from the leaders of the dithyramb, and against the theory put forward by Sir William Ridgeway that it originated in performances at the tombs of dead heroes.
Very minor shelfwear to book. DJ has Some tears and chipping to DJ. DJ is price-clipped. DJ is browned. ; Original 1927 Edition ; 346 pages; One of the major scholars of the 1920s and 30s concerned with the origins of Greek drama, Sir Arthur Pickard-Cambridge focused in particular on the evidence derived from archaeological finds and papyri. He describes this history of the earliest stages of Greek drama as "a dispassionate attempt to ascertain historical truth or probability by methods as logical as the subject permits. "The study begins by bringing together what was known of the dithyramb, and argues against Aristotle's statement that tragedy originated from the leaders of the dithyramb, and against the theory put forward by Sir William Ridgeway that it originated in performances at the tombs of dead heroes.