Pancrazi PMareMagnum
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[Esopo favole](15x21) pp. 200. Questo libro si compone di ben 430 favole, 354 di Esopo, altre di La Fontaine ed altre ancora dello stesso Pancrazi, ma tutte sembrano scaturite da un'unica mente, impossibile distinguerne i vari autori. Diversamente dalla favole di Esopo, riportate in tante antologie, queste non hanno la morale, tolta volutamente da Pancrazi per renderle di più immediato approccio per il lettore. Anche il titolo per molte è stato cambiato; ridotto ad una o due parole sole parole, esprimenti in sintesi il concetto del racconto. Nelle pagine iniziali "Invito all'Esopo", leggiamo, tra l'altro, la tanto particolare, quanto leggendaria vita di Esopo. L'opera è inoltre impreziosita dalla prefazione della giornalista Marina Corradi e dall'introduzione del filosofo Edoardo Mirri. L'editore in dieci pagine finali ha voluto catalogare queste favole, raggruppandone i titoli sotto gli analoghi concetti che, a suo parere, esprimono, come: adulazione, affetto deleterio, ambiguità, ecc.
19292082702114909669Kindai-sha 1929. Soft Cover. Fine. Number of pages: 570p Plate size: 20cm Kindai-sha paperback
2090502126903446Sekaibunkasha N.A. Soft Cover. Fine. The book is in fine condition. Sekaibunkasha paperback
299Verona: Officina Bodoni 1972. Limited Edition. Fine. Octavo 9 7/8 x 6 1/2 in 250 x 165 mm; 2 volume set in slipcase. Vol. 1 pp. 280 with 68 hand-colored woodcuts; Vol. 2 pp. 120. Set in Centaur type and printed on hand-made Magnani paper with goose watermark. Original morocco-backed vellum with strapwork border and title in gilt t.e.g. remaining uncut; number 146 of 160 sets; text in Latin Italian and English. Woodcut illustrations by Anna Bramanti after Liberale da Verona ALL HAND-COLOURED AFTER A COPY OF THE 1479 EDITION IN THE BRITISH MUSEUM BY THE ATELIER DANIEL JACOMET OF PARIS list of woodcuts loosely inserted. <br /> Mardersteig 182. An exquisite and beautifully-executed edition of Aesop's FABLES richly illustrated with newly-cut wood engravings after a copy of the 1479 edition in the collection of the British Museum whose woodcuts are attributed to Liberale da Verona 1441-1526. The illustrations are beautifully carved and hand-colored with a rich scale of colors and shadings that remind us of illuminated miniatures.<br /> <br /> The Latin text comes from the Giovanni Alvise 1479 edition and was translated from the Greek by the Veronese poet Accio Zucco who possibly also used some earlier medieval translations. Each fable is followed by two sonnets by Zucco: the first tells the story Sonetto materiale and the second point the moral of the fable Sonetto morale. For this edition the Latin and Italian texts were revised by the philiologist Giovanni Battista Pighi. <br /> <br /> The second volume contains the William Caxton translation 1484 into English of the first 60 fables. The remaining 6 fables are here translated from Latin by Betty Radice. Prefatory note by Tanya and Hans Schmoller who carried out the revision of the text. <br /> <br /> Vol. 1 frontispiece: "THE FABLES OF AESOP. Printed from the Veronese edition of MCCCCLXXIX in Latin verses and the Italian version by Accio Zucco with the woodcuts newly engraved and coloured after a copy in the British Museum." Vol. 2 frontispiece: "The first three books of CAXTON'S AESOP containing the fables illustrated in the Verona Aesopus of MCCCLXXIX"<br /> <br /> Commenting on the making of this edition Giovanni Madersteig wrote: "At the end of the epilogue I examine the different illustrated editions of the fables printed in Italy during the fifteenth century. This comparison proves that the Verona Aesop was the model for all of them. Even the better-known Aesop from Naples printed by Tuppo contains quite a number of scenes with the same composition but in mirror image. The watermark of the goose which identifies the paper used in the first edition of the Aesop and in other Veronese books as having come from Toscolano was revived for this and other books printed at the Officina Bodoni." Barr John. The Officina Bodoni Montagnola Verona: Books Printed By Giovanni Mardersteig on the Hand Press 1923-1977. London: The British Library 1978. pp. 170-174<br /> <br /> Giovanni Mardersteig Weimar 1892 - Verona 1977 was a printer and typographer who as head of Officina Bodoni created books exemplifying the highest standards in the art of printing. The press began in 1922 in Montagnola Switzerland and moved to Verona in 1927. It printed and published some 200 books and pamphlets including Politian's Favola d'Orfeo; Shelley's Epipsychidion Shakespeare's Tempest and Dante's Vita nuova. There are good collections in many major European and American libraries. The Bodleian Library at Oxford holds a particularly rich collection. Following Mardersteig's death in 1977 his son Martino Mardersteig took over and still occasionally used the Officina Bodoni imprint for works he printed on his father's hand-presses. Officina Bodoni unknown
173076Verona: Officina Bodoni 1973. A fine set First Officina Bodoni edition number 86 of 160 copies on handmade Magnani paper. The Officina Bodoni was founded in 1922 by Hans Mardersteig and his press became the most important 20th-century private press on the Continent. This edition was published to mark the fiftieth anniversary of its founding. John Barr notes that this edition was Mardersteig's "reinterpretation of a fine illustrated book printed in Verona in 1479 by Giovanni Alvise. For the Officina Bodoni edition the original woodcuts were. recut by a contemporary engraver and coloured by hand". This copy includes five leaves of prospectuses issued by the press or The Bodley Head who were the sole agent for distribution in the UK. It is recorded that 70 copies each were reserved for The Bodley Head and the Chiswick Book Shop Sandy Hook Connecticut. All other copies were reserved for the Officina Bodoni. 2 vols octavo. With 66 hand-coloured woodcut illustrations by Anna Bramanti after Liberale da Verona. Original green morocco-backed vellum boards spines and front covers lettered in gilt covers with decorative borders in gilt top edges gilt. With acetate dust jackets and brown paper slipcase. List of woodcuts loosely inserted. Acetate slightly toned at spine: a fine set in near-fine jackets and fine slipcase. Barr 91. hardcover
163103Verona: Officina Bodoni 1973. with the woodcuts newly engraved and coloured after a copy in the British Museum. Epilogue in English by Giovanni Mardersteig. Two volumes. Volume I: Pp. 2782blank colophon 68 pochoir woodcuts attributed to Liberale da Verona recut by Anna Bramanti; Volume II: THE FIRST THREE BOOKS OF CAXTON'S AESOP containing the fables illustrated in the Verona Aesopus of MCCCCLXXIX. Pp. 1202blank colophon; med. 8vo; green morocco spines lettered and decorated in gilt 'cloudy' vellum boards lettered and decorated in gilt the spines uniformly faded; t.e.g. others uncut; together within a brown card slipcase edges slightly worn; bookseller's small stamp at top edge of upper pastedowns; Officina Bodoni Verona 1973. One of 130 sets thus total edition 160. Barr 91. Printed on handmade paper watermarked with a goose like that of the original edition this reinterpretation of an early illustrated book printed in Verona in 1479 by Giovanni Alvise was published to mark the 50th anniversary of the Officina Bodoni. A list of the woodcuts with page numbers is loosely inserted in Volume I together with the publisher's prospectus. Volume I contains the Latin text of the 1479 edition with Accio Zucco's Italian translation. Volume II contains the fables in Caxton's translation with the first fable and the final six of the Veronese edition which Caxton did not include translated from the Latin by Betty Radice. The illustrations were coloured by hand at the Atelier Daniel Jacomet Paris. 'The Aesop cuts show a rich spectrum of colours with delicate hues that recall miniatures. Mardersteig maintained that only a great master could have made the preliminary drawings for the fable illustrations and had in mind at the outset the colouring which would give life to the linear woodcuts. This artist he identified on stylistic grounds with the miniaturist Liberale da Verona whose paintings are to be seen in the large choir-books in the Piccolomini Library in Siena Cathedra and elsewhere' Barr page 90. Officina Bodoni unknown
29532408like new. unknown
29532408-nnew. unknown
2017__0198418558OUP Oxford 2017. Paperback. New. 32 pages. 7.87x5.04x0.67 inches. OUP Oxford paperback
1994Q-0673361950Celebration Pr 1994-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Celebration Pr hardcover
1985102885Holt Rinehart and Winston 1985. First Edition/First Printing. Hardcover. Fine/Fine. SIGNED by author on title page. The best copy currently being offered online. Clean tight and bright pictorial boards. Dust jacket is preserved in an archival grade Mylar sleeve. GIFT QUALITY COPY! Ships from the U.S. can ship int'l. TRACKING INCLUDED ON ALL DOMESTIC AND PARTICIPATING INT'L DESTINATIONS. Other titles available in this and other like series. Please inquire. We would be happy to pull and list items upon request. 100% SATISFACTION GUARANTEE ON ALL PURCHASES.TRUST AN EXPERIENCED DEALER WITH 30 YEARS IN THE CHILDREN'S BOOK TRADE! Trust an experienced independent bookseller since 1988. Orders are shipped daily via USPS with delivery confirmation. Holt, Rinehart, and Winston hardcover
95p., illus. Hardcover Very good condition good
2011Q-0745962009Lion Hudson 2011-09-23. Hardcover. New. In shrink wrap. Looks like an interesting title! Lion Hudson hardcover
1927272598München Georg W. Dietrich, 1927. 152 Seiten. Oranger Originalleinenband mit Deckelillustration und Rückentitel. 21 cm
19342002070039Paris : Philippe Gonin 1934. First Edition. Paperback. Very Good. The Iconography of Aesop's Fables First edition. Limited edition of only 213 copies. Folio 38 cm 15". Held in original printed cream wrappers in custom-made mylar slip cover. 91 leaves. Clean unmarked pages. 20 full-page lithographs by Hernandez loose as issued. Printed on Japan paper. L. Carteret Le Tresor du bibliophile t. 4 p. 151. Paris : Philippe Gonin paperback
1924365994New York: John Martin's Book House 1924. First Edition. Hardcover. Very good. A children's book attractively printed in black and orange.<br /> <br /> Illustrated by George L. Carlson and W. Fletcher White. First edition no statement of later printings. Mounted paper label on front cover with surface wear especially at the edges thus very good lacking the scarce dust jacket. With a few small stray pen marks in the text. John Martin's Book House hardcover
8vo., First Edition thus; original buff wrappers printed in black, wire-stitched as issued, a near fine copy. Augustan Reprint Society, Publication No. 120. This facsimile is a high-quality photographic reprint of the copy in the William Andrews Clark Memorial Library. VERY SCARCE.
1951155421Zürich: Artemis-Verlag 1951. 368 Seiten. Mit 97 Illustrationen im Text. Kl. 8° (15-17,5 cm). Goldgeprägter Orig.-Leinenband. [Hardcover / fest gebunden].
2006Q-0794513786Usborne Pub Ltd 2006-06-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Usborne Pub Ltd hardcover
1993Q-0809474468Time Life Education 1993-07-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Time Life Education hardcover
19971-0295976411Univ of Washington Pr 1997. Hardcover. New. subsequent edition. 55 pages. 10.25x8.25x0.50 inches. Univ of Washington Pr hardcover
199752913Seattle: University of Washington Press 1997. Fine in near fine jacket. First edition thus re-issued with five new images of this beautifully illustrated take on Aesop's classic fables featuring stunning pen-and-ink illustrations by Lawrence "one of America's most celebrated artists." This book was originally published in 1970 and fell out of print before being redesigned for this new edition which features five additional illustrations by Lawrence. 10'' x 8''. Original black cloth stamping to front board lettered in red to spine. In original pictorial jacket. Grey endpapers. Illustrated throughout in black and white. 56 pages. Jacket with touch of edgewear and rubbing faintest toning to top edge of front panel. Interior fresh and bright. University of Washington Press unknown
199785803University of Washington Press. New. 1997. Hardcover. 0295976411 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 56 pages; 23 illustrations. -- with a bonus offer-- . University of Washington Press hardcover
4755petit in folio reliure d’éditeur pleine toile rouge,titre doré sur le premier plat,dos toile rouge,factice,muet,à caisson à froid.Faux-titre,portrait de LA Fontaine dans un médaillon,en frontispice.Titre,LX,864 pages,texte encadré d’un double filet noir,332 illustrations de Gustave DORE dont 84 hors-texte.L.Hachette & Cie 1868.rousseurs très éparses,un petit manque coin inférieur de la page de garde. Poids 5kg
14475Petit in folio demi cuir fauve, dos lisse, titre et filets dorés . Faux-titre, portrait de LA Fontaine dans un médaillon, en frontispice. Titre, LX, 864 pages, texte encadré d’un double filet noir, 433 fables,332 illustrations de Gustave DORE dont 84 hors-texte .L. Hachette & Cie 1868 Des .rousseurs, principalement en marges plus concentrées, en début et fin de volume. A signaler : une trace brune en marges intérieures, en partie supérieure, pages 180/181 (fleur séchée ?) Superbes illustrations de Gustave DORE. Poids 5kg
