1 307 résultats
19092126057Published by Hodder & Stoughton 1909. 1st edition. Hardback. Good. Illustrated by Detmold Edward J. Almost very good condition with no wrapper. Large format. Brown cloth with gilt titles and illustration to front. Pictorial endpapers. 23 beautiful tipped-in colour plates with tissue-guards. Assumed 1st edition. Spotting/browning to spine; some chipping to cloth at top and tail; a little fraying. Wear along cover edges; a few small nicks at corners. Some foxing and browning mostly to prelims. All plates present. Bottom corner of page 144 has small piece torn off. Published by Hodder & Stoughton hardcover
1936962Z12London: Ward Lock & Co 1936. Cloth. Very Good Indeed. 10" by 7". Harry Rountree. Two copies of Blanche Winder's retelling of Aesop's fables beautifully illustrated with colour plates by Harry Rountree including the very scarce original dust wrapper. The Harry Rountree illustrated edition. Bound in the original cloth with pictorial boards and the original unclipped dust wrapper to one of the volumes. Illustrated by Harry Rountree with a coloured frontispiece and twenty-three coloured plates to both volumes. Collated complete. A charming illustrated collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. A two volume set featuring a complete copy and a smaller incomplete copy with the original dust wrapper. The smaller volume is lacking the pages after pp.44 but contains all twenty-four colour plates. One volume is re-backed and the other has been re-bound with the plates bound to the rear with the original spine bound to the front endpapers. Housed in a cloth clamshell box. In the publisher's original cloth re-backed with pictorial covers. The second volume is re-bound and includes the original unclipped dust wrapper. Housed in a cloth clamshell box. Externally very smart with minimal edge wear and the odd slight mark to the rear covers. Original cloth spine adhered to the front pastedown of the smaller volume. The wrap has archival repairs and a tidemark to the verso and minor creasing. Internally the slightest strain in places otherwise firm. Pages bright with the odd spot heavier to the front and rear. The clamshell has fading to the spine and joint. Very Good Indeed Ward, Lock & Co hardcover
1887962F13London: Frederick Warne 1887 . First edition. Cloth. Near Fine/Very Good Indeed. 7.5" by 8". Walter Crane; Edmund Evans. A vibrant example of the first edition of this charmingly illustrated children's edition of Aesop's moral tales in the scarce original dust wrapper. The first edition of this work.In the scarce publisher's original dust wrapper unclipped.Illustrated throughout in colour by Walter Crane printed in colour by Edward Evans. Crane was an English artist and book illustrator and is considered to be the most influential and among the most prolific children's book creators of his generation.Undated; dated 1887 'Walter Crane' by Isobel Spencer p. 203.Aesop's Fables are a collection of brief moral tales attributed to a storyteller believed to have lived in ancient Greece around the 6th century BCE. These tales typically feature animals as characters who embody human traits and behaviours teaching practical life lessons through their interactions. Classic fables like "The Tortoise and the Hare" "The Boy Who Cried Wolf" and "The Ant and the Grasshopper" use simple narratives to convey enduring wisdom about virtues such as perseverance honesty and hard work. In the publisher's original cloth backed pictorial paper covered boards with unclipped dust wrapper. A touch of shelf wear to back strip tail otherwise externally excellent. Dust wrapper bright with neat restorations to back strip head and tail head of fore edge of front wrap tail of fore edge of rear wrap. Significant closed tear to rear wrap neatly repaired with tape to the reverse. Minor chips to wrap perimeters. Internally firmly bound. Pages clean and bright. Near Fine Frederick Warne hardcover
91880London Hodder and Stoughton no date ca1909 1st. Hardback approx 10.5 x 8 inches. Light brown/tan cloth with gilt lettering to spine eagle illustration to front in red with green lettering and border to front. Plain endpapers. In very good condition. Some minor handling marks and minor rubbing to edges of cloth rubbing to bottom front edge some darkening to top page edges. Some darkening and mild foxing to prelims. Some light foxing spots to title contents pages and p1. Some dark foxing spots to outer page edges. Plates all very clean and bright all tissue guarded. Else a very good clean and tight 1st edition. 152pp. With 23 mounted colour plates and b/w illustrations in text by Edward J. Detmold. The original edition published in 1909 by Hodder & Stoughton. London, Hodder and Stoughton, no date ca1909 1st hardcover
1J9314Biermann Steinbach 1978. 37 Blatt mit 6 ganzseitigen Tafeln und 1 losen Original-Radierung kartoniert Einband mit unwesentlicher Knickspur. - sonst gutes Exemplar / Edition ZWO / Eines von 120 numerierten und vom Künstler signierten Exemplaren / Mit einer Original-Radierung Blatt 28/45 von Benno Geisler unten rechts signiert und datiert 1978 / Benno Geisler 1946 Frankfurt am Main erhielt zahlreiche teils internationale Kunstpreise u.a. den Kunstpreis der Heussenstamm-Stiftung Frankfurt am Main; Kunstpreis Acryl; Maintower Open Air 35. Etage Frankfurt; Silbermedaille Internationale Art Kalender Ausstellung Stuttgart; 2. Preis 1st. Kochi International Trienal Art Competition In-Cho Museum Japan - unknown
180423583Rouen:: A. Lelalain 1804. Nouvelle edition revue corigee & augmentee de la Vie d'Esope. contemporary full sheep. A few old notes on endsheets; some minor staining to text; boards quite scuffed but tight and sound. 16mo. Illustrated with woodcuts throughout. A. Lelalain, hardcover
1954327078New York: The Museum of Modern Art 1954. Hardcover. Near Fine/Near Fine. First edition thus. Narrated by Glenway Wescott. Illustrated by Antonio Frasconi. Small quarto. Quarto red cloth and decorated paper over boards. Spine a little toned else about fine in lightly worn very good cardboard slipcase. copy number 195 of 975 numbered copies printed at the Spiral Press Signed by Frasconi Wescott and printer Joseph Blumenthal. A nice copy. The Museum of Modern Art hardcover
06285London: William Heinemann 1912. Arthur Rackham Illustrates Aesop's Fables<br /> First Trade Edition<br /> <br /> RACKHAM Arthur. Aesop's Fables. A New Translation by V.S. Vernon Jones with an Introduction by G. K. Chesterton and Illustrations by Arthur Rackham. London: William Heinemann 1912. <br /> <br /> First trade edition. Small square octavo 8 x 5 7/8 inches; 202 x 149 mm. xxix 1 blank 223 1 pp. Thirteen color plates including frontispiece with captioned tissue guards fifty-three black and white drawings of which nineteen are full page. <br /> <br /> Publisher's green cloth front cover and spine pictorially decorated and lettered in gilt lower cover with publisher's blind stamp pictorial end-papers printed in green top edge stained green. Spine slightly darkened extremities of cloth slightly rubbed inner hinges cracked but sound. A good copy only.<br /> <br /> "In Aesop's Fables 1912.Rackham's primary intention was to amuse but his illustrations for fables of 'The Moon and her Mother' and 'The Gnat and the Lion' suggest the imaginative refinement that he brought to the task. Rackham was often his own model; there are several self-caricatures to be detected in Aesop's Fables. He is the man who catches the flea the pompous gentleman who scoldsd the drowning boy the credulous slave-owner who scrubs the black boy" Hudson Derek. Arthur Rackham His Life and Work p. 94.<br /> <br /> Aesop's Fables or the Aesopica is a collection of fables credited to Aesop a slave and story-teller believed to have lived in ancient Greece between 620 and 560 BC.<br /> <br /> The 1st century AD philosopher Apollonius of Tyana is recorded as having said about Aesop: ". like those who dine well off the plainest dishes he made use of humble incidents to teach great truths and after serving up a story he adds to it the advice to do a thing or not to do it. Then too he was really more attached to truth than the poets are; for the latter do violence to their own stories in order to make them probable; but he by announcing a story which everyone knows not to be true told the truth by the very fact that he did not claim to be relating real events" Philostratus Life of Apollonius of Tyana Book V:14.<br /> <br /> Latimore and Haskell pp. 38-39; Riall p. 111. London: William Heinemann, 1912 unknown
199228376Milano: Edizioni Rizzardi 1992. In-4 gr. legatura editoriale in brossura sovracoperta astuccio pp. 3911 con un'acquaforte di Cucchi num. e firmata dall'artista. Bella edizione composta con carattere Bembo e impressa con torchio a mano da A. Zanella in tiratura di 150 esemplari numerati. Il ns. 107 è allo stato di nuovo. Edizioni Rizzardi, unknown
1955041168New York: The Museum Of Modern Art 1955. First Edition Thus 1st Printing. Hardcover. Near Fine/Slipcase. Red Cloth Gilt Over Decorative Paper Covered Boards. #528 Of 975 Numbered Copies And 25 Lettered Copies All Signed By Frasconi Westcott And Blumenthal. Near Fine Slight Fading To Spine Cloth Gilt Still Brilliant; Pencil Ownership Signature Of Paco Lagerstrom Dated March 1955 And Small Ownership Label Of Anton Roshko. In The Original Black Slipcase With Cover Label Printed In Red And Black; Slipcase With Rubbing All Along Right Top And Bottom Open Edges 1/4" Splits Along Two Bottom Open Corners And Tiny Frays At Corners Of The Closed End. Paco Axel Lagerstrom 1914 - 1989 Was An Applied Mathematician And Aeronautical Engineer. He Was Trained Formally In Mathematics But Worked For Much Of His Career In Aeronautical Applications. He Was Known For Work In Applying The Method Of Asymptotic Expansion To Fluid Mechanics Problems.3 Several Of His Works Have Become Classics Including "Matched Asymptotic Expansions: Ideas And Techniques". In 1946 Lagerstrom Was Recruited By Hans Liepmann To The Guggenheim Aeronautical Laboratory At Caltech.5 He Was Later Promoted To Professor Of Aeronautics In 1952 And Professor Of Applied Mathematics In 1967 Having Departed Only Briefly To The University Of Paris In 1960-1961 As Visiting Professor On A Guggenheim Fellowship. His Book "Laminar Flow Theory" Initially Published In 1964 In The Theory Of Laminar Flows Edited By F.K.Moore Is Still Considered As The Standard Textbook For Fluid Mechanics. Anatol Roshko 1923-2017 Was The Theodore Von Kármán Professor Of Aeronautics Emeritus At The California Institute Of Technology Pasadena Ca. Roshko Is Known For His Contributions To Gas Dynamics. He Along With H. W. Liepmann Is The Co-Author Of The Widely Used Textbook "Elements Of Gasdynamics". He Has Made Research Contributions To Problems Of Separated Flow; Bluff-Body Aerodynamics; Structure Of Turbulent Shear Flow. He Completed His Undergraduate Education At The University Of Alberta With A B.Sc. Degree In Engineering Physics In 1945 Received The M.Sc. Degree From Caltech In 1947 And The Ph.D. In 1952. Most Of His Academic Career Has Been At Caltech Where He Was The Theodore Von Karman Professor Of Aeronautics Emeritus At The Time Of His Death. He Was Also A Member Of The National Academy Of Engineering; A Fellow Of The American Institute Of Aeronautics And Astronautics The American Physical Society The American Academy Of Arts And Sciences And An Honorary Fellow Of The Indian Academy Of Sciences. Roshko Received Fluid Dynamics Prize By The American Physical Society Aps In 1987. He Was Also Awarded The Timoshenko Medal In 1999. In Fluid Mechanics The Roshko Number Ro Is A Dimensionless Number Describing Oscillating Flow Mechanisms. <br/> <br/> The Museum Of Modern Art hardcover
1804ABC_45449Rouen 1804. 12mo. chez A. Delalain Mottled calf over boards spine gilt in compartments with green title label lettered in gold red painted edges. With a full-page woodcut portrait 97 x 72 mm. of Aesop. and 192 woodcuts of ca 56 x 72 mm. illustrating the Vie dÉsope 28 and 164 out of a total of 225 Fables; woodcut head- and tailpieces. 8 C 314 2 out of 10 pp. Augmented nicely illustrated re-edition of the editions of 1764 and 1787 with the same collation printed by Richard Lallemant in Rouen Bodemann 113.1-2. As in these editions also in our edition there are the 225 fables of Aesop in French prose with the quatrains by the French writer and dramaturge Isaac Benserade 1612-1691. The translation of the Vie dÉsope is illustrated with 28 woodcuts; the other 164 woodcuts illustrate 164 Fables. They are after the series of Bernard Salomon and Marcus Gheeraerts.Our edition is copied page-for-page strikingly accurate from the edition: Rouen chez les libraires An VI =1798 also in 12mo. see nr. 57 using exactly the same type and at least for the greater part the same woodblocks for the illustrations.Library stamp ownerships entries and a note 1805 written on the first fly-leaves.l Cf. Bodemann 113.1-2. hardcover
169010502Bruxelles: Jean Léonard 1690. Provanance: Antonetta Schrassert. In-12° 15 x 9 cm 118 pp et frontispice en taille-douce. Dans la même reliure : Esope comédie accomodée au Théâtre Italien. Par Mr. Le Noble. Paris Guillaume de Luynes 1691. Frontispice 107 pp manquent les pp. 101-104. Illustré de gravures dans le texte. Reliure en plein vélin de l'époque estampée à froid titre en encre sur le dos old books Jean Léonard unknown
1789962Z6London: J. Dodsley 1789. Leather. Fine. 7" by 4". None stated. A beautifully bound copy of Robert Dodsley's edition of Aesop's fables accompanied with charming wood engravings and bound in a quarter morocco with patterned cloth boards and a uniform cloth chemise and slipcase. A new edition. Illustrated with a monochrome wood engraved frontispiece and numerous wood engraved vignettes. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This collection is separated into three 'books' and edited with an account of the life of Aesop by Robert Dodsley. Dodley's edition was notable as the animals spoke in character such as the lion speaking in a royal manner adding personality to the creatures. His addition also included fables from ancient sources and new stories written by himself and other notable writers. Bound in a lovely modern quarter morocco with patterned cloth to the boards and with a uniform cloth chemise and slipcase. Blanks and endpapers renewed. Bound in modern quarter morroco and patterned cloth to the boards with endpapers and blanks renewed with a uniform cloth chemise and slipcase. Externally lovely. The chemise is lovely and the slipcase is very smart with slight spotting to the head. Internally firmly bound with clean and bright washed pages. Fine J. Dodsley hardcover
1813963Z12London: C. Whittingham; Chiswick Press 1813. Leather. Good. 6.5" by 4". None stated. An early nineteenth century copy of Samuel Croxall's noted edition of Aseop's fables bound in full calf and adorned with many wood engravings. An early nineteenth century copy of Samuel Croxall's edition. Illustrated with many monochrome wood engraved vignettes. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in full contemporary calf. Bound in full contemporary calf. Externally front joint tender rear starting with wear to the extremities boards and joints and the odd slight mark to the boards. Internally firmly bound with bright and generally clean pages with only the odd spot and an owner's inscription to the front blank. Good C. Whittingham; Chiswick Press hardcover
1701009305Amsterdam: D'Estienne Roger Amsterdam 1701. Half leather four raised bands with title in gilt remaining four compartments decorated with foliate floral designs in glt. with marbled paper boards. Frontispiece engraving title page. The book opens with a lecture on the subject of the fables there follows an account of the life of Aesop from pages 11 to 93 over 30 chapters with a wood engraved illustration to each chapter.Then the 117 fables each one illustrated with charning wood engravings. The book runs to 473 pages. plus 7 pages: contents by chapter to the Life of Aesop section and an index of the fables plus an advertisement. "Table des chapitres de la vie d'Esope" and Table des fables .Pieter van der Borcht. 3.5 X 6.25 inches. Externally well rubbed al around with wear to corners edges and spine ends. Some cracks appearing at the joints boards attached. Internally quite good with offsetting to pastedowns. Armorial book plate of previous owner and ink name to front pastedown and endpaper. A good copy. Nouvelle Edition. Half Leather. Good/No Jacket. D'Estienne Roger Amsterdam Hardcover
197452755London: William Heinemann 1974. 8vo xxix i 223 1 pp. 13 coloured plates marbled endpapers. Handsomely bound by Bayntun in maroon calf a.e.g. gilt spine with grey and green morocco labels a lovely copy. London: William Heinemann unknown
190977135London: Hodder and Stoughton 1909. 4to.Illustrated. xvi 152 pp. 23 tipped-in colour plates by Edward J. Detmold. Publisher's brown cloth lettered and decorated in gilt. A little edge-wear marking and rubbing to binding. A little splitting at hinges and staining to half title otherwise with just a handful of spots throughout. Early ink name to prelim. VG save for the minor shaking to the binding. 28cms tall. . Good. Gilt-decorated Cloth. 1909. Hodder and Stoughton [1909] hardcover
1737mon0000999124J. and R. Tonson 1737. Hardback. Very Good. in x in x in. Lacks frontispiece. The 4th edition improved. Pages clean with some light spotting light wear to edges. Binding tight. Smartly Rebound with renewed endpapers. Missing the frontispiece. J. and R. Tonson hardcover
46263o. Angaben 1967. 4° 29 x 15.5 cm 80 S. 36 Orig.-Holzschnitte als Vollbilder Brosch. m. OU u. Transparent-OU Tadellos. EA. Ex. Nr. 38 von insgesamt 200 Exempl. = 6. Angelus-Druck. Vom Künstler im Impressum signiert. Gestaltung von Max Caflisch. 010 o. Angaben, 1967 unknown
1791013739Mitriti: Apud Hilarium Santos 1791. Red leather spine label. Spine floral designs in gilt. Old marbled endpapers. Title-page with illustration. All edges red. Spine extremities worn as are corners. Writing in a very old hand on title-page with small area of brown spotting. See photo. Text is quite clean with occasional brown spots. 88 illustrations through the text indexed at the conclusion. 324pp. index. A rather elusive edition of Aesop's Fables published in Madrid text in Latin. Not listed in OCLC or APBC. We have seen a 1788 Madrid edition with same number of plates but a different publisher. This edition was mentioned in Blake's "Ninth Catalogue of Second-hand Books" on p.312. . Later Edition. Full Mottled Calf. General Moderate Wear/No Jacket. 5 1/2" x 3 1/2". Apud Hilarium Santos Hardcover
18154763Madrid: Imprenta de Lopez y Hermano 1815. Hard cover. Good. Small octavo 16 cm; 24 352 pages. Woodcut vignette on title page and 62 woodcuts vignettes many of them captioned with proverbs or "dichos" illustrating the fables. Bound in rustic contemporary vellum over boards in Latin American style laced to text block with headband cores titled in ink on spine worn peeling at fore-edge of upper board; scorched on lower board. Old sewing on spine. Title page loose. Damp stain in lower margin of first 20 leaves affecting title page. Sewing is inexpert yet holding. Protected in clamshell case. <br /><br />Charming well-thumbed American copy of the popular compilation of fables. Imprenta de Lopez y Hermano hardcover
181875623Newcastle: Printed by E. Walker for T. Bewick and Son 1818. First edition; Royal octavo issue; Variant B. contemporary old polished calf; all edges marbled; both covers detached and spine absent. Three attractive old bookplates on pastedown; aside from the binding flaws noted a very attractive copy. . 8vo. Added engraved frontispiece portrait; illustrated throughout from wood engravings by Thomas Bewick. Roscoe 45b. With the "thumb-mark receipt" page with printed facsimile signatures of Thomas Bewick and Robert Elliott Bewick and seaweed in red over wood-engraved landscape bound before title. This is one of the few copies that bear the autograph signature of Thomas Bewick above the thumb-mark. Printed by E. Walker, for T. Bewick and Son, unknown
16-5882Paris: P. Mongie aiÌ‚neÌ 1826. Oblong 8vo. 20.5 x 22.5cm. Contemporary qtr. coth and marbled boards urestored. viii 208pp. and14 lithographs hors texte. OCLC Number / Unique Identifier:763198381. Morgan Library Accession number: PML 87033. Expertise by : Amaury BONNETAIN. Paris: P. Mongie aiÌ‚neÌ ,1826 hardcover
19339026593New York: Limited Editions Cub 1933. Hardcover. fine. Samuel Croxall's translation with a bibliographical note by Victor Scholderer. With forty six Florentine woodcuts reproduced from a rare sixteenth century Aesop in the library of Wilfred Merton and redrawn by Rogers. One of 1500 numbered copies designed by Bruce Rogers and signed by him printed by John Johnson at the University Press Oxford.Bound in quarter vellum and marbled paper boards. Slipcase worn at the edges. Former owner's bookplate. Publisher's informational postcard laid in. <br/><br/> Limited Editions Cub hardcover
1875962F15London; Stockholm: Cassell Petter and Galpin; Familj-Journalens Boktryckeri-Aktiebolag 1875 . Cloth. Very Good Indeed. 12" by 9". Enerst Griset. A charming collection of two editions of Aesop's fables both featuring the striking illustrations of painter and illustrator Ernest Griset. Present here are two 1875 editions of Aesop's works both of which are illustrated by Ernest Griset.The first of these volumes is the scarce 1875 edition 'Aesopiska Fabler' the first Swedish language edition to feature Griset's illustrations with the text drawn from the editions of Binder Lafontaine Rundell etc.Illustrated with a frontispiece thirty plates and further vignette illustrations all the work of Griset. Collated complete.Also present is the 1875 second edition of J. B. Rundell's 'revised and re-written' edition of the fables illustrated with a frontispiece thirty-one plates and numerous further vignette illustrations from Griset. Collated complete.Contemporary inscription to front free endpaper of Swedish edition and to title page head of English edition.Both volumes are rebacked with original boards restored and back strip laid down retaining the original endpapers. Both volumes are housed in a clamshell box. Aesop's Fables are a collection of brief moral tales attributed to a storyteller believed to have lived in ancient Greece around the 6th century BCE. These tales typically feature animals as characters who embody human traits and behaviours teaching practical life lessons through their interactions. Classic fables like "The Tortoise and the Hare" "The Boy Who Cried Wolf" and "The Ant and the Grasshopper" use simple narratives to convey enduring wisdom about virtues such as perseverance honesty and hard work. Rebacked in the publisher's original cloth bindings with back strip laid down retaining the original boards and endpapers. Externally bright with instances of rubbing to board perimeters. In a fine clamshell case. Inscription to front free endpaper of Swedish volume and to title page head of English volume. Internally firmly bound. Leaves of English language volume bright with only the odd spot and with pages of Swedish volume lightly age toned but clean. Very Good Indeed Cassell, Petter and Galpin; Familj-Journalens Boktryckeri-Aktiebolag hardcover