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193313723AESOP'S FABLES SAMUEL CROXALL'S TRANSLATION WITH A BIBLIOGRAPHICAL NOTE BY VICTOR SCHOLDERER AND NUMEROUS FACSIMILES OF FLORENTINE WOODCUTS Limited Editions Club 1933 first edition thus a tight vg copy with t.p.e.'s in gold-gilt. Profusely illustrated. 1/1500 copies SIGNED by designer Bruce Rogers. Limited Editions Club unknown
181050128Leipzig Weigel 1810. 8vo. Contemp. modest hcloth with handwritten papertitle on spine. 2CCXXXVIII1721801642 pp. A small tear at foot of title-page repaired no loss. Internally fine printed on good paper. Text in Greek and Latin. <br/><br/><em>Second printing the best of De Furia's noted edition. "Reprinted at Leipzig the offered item in a very handsome and more copious manner in the following year 1810. This beautiful and elaborate editions presents us with the Fables of Æsop before they had been corrupted as is supposd by their first editor Planudes. The text is taken from a celebrated and very ancient MS preserved at Florence in the Library of the Cassini Monks; written in a different style and greatly departing from the received text. This appears to be upon the whole the very best edition of Æsop extant." Dibdin I p. 252. </em> hardcover
2013x-1447477472Pook Press 2013. Hardcover. New. 404 pages. 7.00x0.94x10.00 inches. Pook Press hardcover
2012x-1447458435Pook Press 2012. Hardcover. New. 154 pages. 7.00x0.44x10.00 inches. Pook Press hardcover
2021x-1774760975Royal Classics 2021. Hardcover. New. 126 pages. 6.00x0.44x9.00 inches. Royal Classics hardcover
19274iiiDg0026New York & London: Blue Ribbon Books/ Harper & Brothers 1927. Book. Good. Decorative Cloth. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 194 pp. Solidly bound copy with moderate use. A great reading copy. Occassional crayon markings on text. No dj. Last free end page detached from spine. Top and bottom of spine frayed. Blue Ribbon Books/ Harper & Brothers Hardcover
20169781776668168-2025IDB Productions 2016. Hardcover. New/New. <p><strong>Author:</strong> AESOP c. 620 BCE - 564</p><p><strong>Publisher:</strong> IDB Productions</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781776668168</p><p><strong>Release Date:</strong> 2016</p> IDB Productions hardcover
20169781776668168-2025IDB Productions 2016. Hardcover. New/New. <p><strong>Author:</strong> AESOP c. 620 BCE - 564</p><p><strong>Publisher:</strong> IDB Productions</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781776668168</p><p><strong>Release Date:</strong> 2016</p> IDB Productions hardcover
190936569London: Hodder & Stoughton 1909. 1st. Hardcover. Detmold Edward J. 4to full brown cloth elaborate gilt-stamped cover and spine 23 mounted color plates with letterpress tissue guards and numerous line drawings by Edward J. Detmold. Wear to tips fraying to spine heavy chipping to head and foot of spine interior near fine no previous owner's marks. Hodder & Stoughton hardcover
19921-0679417907Everymans Library 1992. Hardcover. New. 336 pages. 8.50x6.50x1.00 inches. Everymans Library hardcover
1768ABC_45190Mannheim: Typis Academicis 1768. Contemporary vellum with spine label red edges. 8vo. With a frontispiece and 15 engraved plates by Egid Verhelst 1733-1804. 2 parts in 1 volume. First illustrated edition of the vast complete collection of Aesop fables arranged in 15 books to give a total of 532 fables in Latin verse with extensive footnotes brought together by Francois Joseph Terrasse Desbillons 1711-1789 a Jesuit and poet from Chateauneuf who studied with the Jesuits at Bourges and who became a professor of rhetoric in Nevers and Caen. After the dissolution of the Jesuit order in France he moved to Mannheim. Earlier editions containing fewer fables appeared in Glasgow published by the famous printers Robert and Agnew Foulis in 8vo 1754 first edition and in Paris by Guerin & Delatour 1756 second edition. J. Barbou in Paris also published editions with fewer fables around 1750.With the armorial bookplate of Duke R.H. St. Maur on front paste-down. A very good and clean copy.l Bodemann 152.1; not in Fabula docet. Typis Academicis, hardcover
16435227Trevigi: Girolamo Righettini 1643. Contemporary sheepskin parchment. 12mo. With 137 small woodcuts in text illustrating the fables including some repeats. 2 parts in 1 volume. Rare edition of the Italian translation by the philosopher Giulio Landi 1498-1579 of Aesop's fables and the Life of Aesop including no less than 400 animal fables some collected from other sources. The fables are illustrated with numerous small anonymous woodcuts that appeared for the first time in 1569 in the fables collected by Cesare Pavesi and became very popular through Landis translations of Aesop beginning in 1580. They have been attributed to Johann Krieger a German working in Italy where he was known as Giovanni Chrieger. Several woodcuts are repeated especially at the end for the fables taken from other sources. All fables close with a moral here called "Sentenza" intended for the instruction and amusement of the youth.With 2 holes in the last few pages some water stains throughout and some restorations with now discoloured tape. With the binding slightly stained partly detached from the bookblock and with 2 holes in the back board.l WorldCat 2 copies; cf. Fabula docet 14. Girolamo Righettini, unknown
1912IYC132297London: William Heinemann 1912. 1st thus. hardback. Very good 1st thus edition original white cloth spine and front board lettered and decorated in gilt top edge gilt others untrimmed 13 tipped-in colour plates with tissue-guards spine darkened finger-soiling to covers endpapers spotted mounts offset onto adjacent text-leaves as often qty: 1 First edition thus number 743 of 1450 copies signed by the illustrator. 4to 300 x 240 / 12"" x 9_. "The peculiar secret of Rackham's success in seizing upon the essence of the human and portraying it in animal form which is after all the basic device of the morality is unwittingly touched upon in Chesterton's delightful introduction to the 1912 edition of Aesop's Fables: 'There can be no good fable with human beings in it. There can be no good fairy tale without them.' Rackham's genius is such that it bridges the two and carries the didactic fable into the realm of fairy story and lends to the imaginative world of fairies a tangible and convincing reality"" Gettings pp. 83-84. Limited numbered edition signed by Rackham. William Heinemann hardcover
1701ABC_45394Amsterdam 1701. 4to. François Halma Contemporary half calf brown sprinkled paper sides brown spine label with title in gold red sprinkled edges. With an engraved frontispiece by P. Boutats after J. Goeree an engraved printer's device on the title-page a folding portrait of the dedicatee Johan Willem Friso van Nassau-Dietz by P. van Gunst after B. Vaillant and 18 engraved plates with 6 roundels on each plate illustrating the 99 fables and 5 prologues 3 portraits of Aesop and tailpieces and historiated initials all by Jan van Vianen. 32 160 84 pp. Gorgeous edition of the 94 Aesop fables with 5 additional fables found by the German philologist and classical scholar Marquart Gudius together with his extensive and scholarly notes printed in two columns below each fable the whole prepared by David van Hoogstraten 1658-1724 the conrector of the Latin School of Amsterdam 1694-1722. Apart from being a prolific Dutch and Neo-Latin poet he was an esteemed linguist and philologist who edited a number of classical authors. His present splendid Phaedrus edition intended for and dedicated to the young Stadholder of Friesland and Groningen the crown-prince Johan Willem Friso of the Nassau family is magnificently printed in the style of the French in usum Delphini editions made for Le Grande Dauphin. With the bookplate of John Blackburne on the front paste-down. Spine damaged front hinge weak paper sides worn and partly torn off some small marginal tears in the portrait of Johan Willem Friso but otherwise in good condition.l Bodemann 94.1; Fabula docet 42; Landwehr F163; Schwabe/Barbier pp. 69-70. unknown
37421Boston: Lothrop Lee & Shepard n.d. Hardcover. Griset Ernest. 4to full light green pictorial cloth printed in brown and black undated but circa WW1. Four chromolithographs including frontis 30 full page wood engravings and multiple half page engavings by Ernest Griset. Frederick Loeser & Co. Circular book store stamp to front pastedown lovely bright copy without previous owner's marks. Lothrop, Lee & Shepard hardcover
1998067837The Easton Press. A beautiful crisp clean leather bound hardcover in fine condition. Photos available upon request. We are a brick-and-mortar store and sell our own inventory. . Fine. Hardcover. 1998. The Easton Press hardcover
1972HH5187Gregg International 1972. Facsimile reprint of 1699 edition. Green cloth gilt. No dustwrapper. No ownership marks. ~Robust packaging. All UK orders with tracking overseas orders on request. Used books are exempt from USA tariffs. Hardback. Hardback. Fine. viii 476 xiv 238pp. 4to: 18 x 27.5cm. Gregg International Hardcover
1912763<p>Aesop's Fables - First USA Edition published by Doubleday Page & Co 1912<br />Great clean collectable condition throughout see images.<br />Book Condition: Very Good small ownership inscription to front end papers no foxing present and clean tight binding. pictoral cover has minor bumps and rubbing only and is protected by removable archival cover</p> Doubleday Page & Co hardcover
0870-23Ulm Johann Cornad Wohler Druck: Johannes Gassenmeyer 1714. Zum andern mal vermehrter in Druck verfetiget" 2. Auflage. 1. Teil von 3 apart. 12°. Gefalt. Kupfertitel gefalt. Titelbl. in Schwarz u. Rot 2 Bll. 400 S. 2 Bll. mit 50 gefalt. Kupfertaf. Ldr.-Bd. d. Zeit über Holzdeckeln mit 2 intakten Schließen. Rücken mit verblasstem handschriftl. Titel Deckel mit reicher Rollstempel- und Streicheisenverzierung. Blauschnitt. Einband etwas berieben. Innen leicht gebräunt und stockfleckig 5 Tafeln mit Einrissen oder kl. Ausrissen im w. Rand. Titel mit zeigen. Nummer in Tinte. vgl. Wegehaupt I 18; vgl. VD17 12:646391S - Erster von 3 Teilen der 2. Auflage der in Ulm gedruckten überarbeitenen Fabeln des Aesop 6. Jhd. v. Chr. Die Überarbeitung und die zumeist an die Fabeln anschließenden Kommentare "Nutzen dieser Fabel" stammen laut Vorwort von Matthäus Schultheiß gest. vor 1714 der möglicherweise mit dem Drucker früherer Ulmer Ausgaben und Auflagen Matthäus Schultes aktiv 1652-1692 ident ist. Die Kupferstiche stammen vermutlich von dem Augsburger Kupferstecher Christoph Schmidt der nach Aegidius Sadelers 1570-1629 Fabel-Illustrationen gearbeitet hat. Für die vorliegende Ausgabe wurden wohl teils die Kupferstich-Platten der Ausgabe Ulm 1679 verwendet bzw. überarbeitet jedoch wurde die Signatur "Aegid. Sadeler inventor; Christ. Schmidt sculp. Augsp." aus den Platten gelöscht. Die ersten 127 S. enthalten eine Lebensbeschreibung Aesops. Ulm, Johann Cornad Wohler (Druck: Johannes Gassenmeyer) 1714. unknown
46263o. Angaben 1967. 4° 29 x 15.5 cm 80 S. 36 Orig.-Holzschnitte als Vollbilder Brosch. m. OU u. Transparent-OU Tadellos. EA. Ex. Nr. 38 von insgesamt 200 Exempl. = 6. Angelus-Druck. Vom Künstler im Impressum signiert. Gestaltung von Max Caflisch. 010 o. Angaben, 1967 unknown
49499o. O. Schweizerische Graphische Gesellschaft 1953. 4° 28.5 x 20.5 cm 11 Doppelbl. m. 7 Orig.-Radierungen Lose Bl. in kart. Mappe in Schmuckschuber. Schuber min. lichtrandig sonst tadellos. EA. Ex. Nr. 107/130. Von H. Fischer im impressum signiert. Jahresgabe der Schweizerischen Graphischen Gesellschaft 1953. 010 o. O., Schweizerische Graphische Gesellschaft, 1953 unknown
191217231London: William Heinemann 1912. Limited Edition; First Edition Thus. Hardcover. Very Good bound in full white buckram with gilt titles and decorations. Minor wear toning weak smudges and a weak/faint stain to crown of front panel does not affect interior. Interior clean and unmarked binding strong. 4to 11 3/4"h x 9 1/4"w. Beautiful edition with twelve full-page color illustrations in-laid on brown paper 53 black & white in-text illustrations. Limited to 1400 copies signed by Rackham. William Heinemann hardcover
70097München J. Michael Müller 1920. 8° Titelkupfer IX 9 - 349 S. 146 Orig.-Kupferstiche Nach den Originalen neu gestochen Reich goldgeprägter Ganzledereinband Lesebändchen Büttenpapier Exlibris a. Vors. Kopfschnitt min. stockfleckig Nr. 4 von 200 Exemplaren. Text franz. Der prachtvolle Einband ist einem Einband der Bibliothek des Britischen Museums nachempfunden. Er wurde in der zweiten Hälfte des 16. Jahrhunderts durch den berühmten Pariser Buchbinder Nicolas Eve für ein "Breviarum Romanum Ex Decreto Sacrosancti Concilii Tridentini Restitutum Pii V. Pont. Max. Jussu Editum" im Jahr 1588 geschaffen. Mit ausführlicher Einleitung 110 S. zu Leben und Werk Äsops. - Die Kupferstiche sind nicht zuweisbar. Ähnlichkeiten bestehen mit Äsop-Illustr. des berühmten Nürnberger Stechers Virgil Solis. Sie erschien erstmals 1566 in einer lateinischen Übersetzung- Jean Baudoin 1590 in Pradelles; † 1650 in Paris französischer Autor und Übersetzer. Er war Mitglied der Académie Française. An Gicht leidend starb er 1650 an Hunger und Kälte. - Michael Josef Maria Birkenbihl 1877-1960 deutscher Philosoph und Professor der Handelsakademie in München Buchautor von Erzählungen Novellen und Biografien und Übersetzer. 010 München, J. Michael Müller, 1920 unknown
198012172Norwalk: Easton Press 1980. First Edition Thus; Collector's Edition. Hardcover. Book condition is Very Good bound in full genuine leather with gilt accents 22kt gold page edges and a hubbed spine. Smyth sewn interior vaunts moire end papers acid-neutral paper won't yellow or become brittle over time and silk ribbon page marker. A few tiny blemishes to pages edges. Text is clean and unmarked. ; Small 4to 9" - 11" tall. Easton Press hardcover
1840173764Canton: Canton Press Office 1840. The first full Chinese translation of Aesop's Fables First edition association copy inscribed by William Jardine one of the three "generous patrons" named in the dedication on the front wrapper "R. Goff Esqr. 105 Piccadilly from the compiler with Mr. Jardine's compliments". Jardine 1784-1843 co-founded the successful trading firm Jardine Matheson & Co. and held significant sway over the course of Anglo-Chinese relations either side of the First Opium War. This Chinese translation was intended as a primer to help the growing number of British students of Chinese working for Jardine Matheson the East India Company and other concerns in Canton. Robert Thom 1807-46 who adopted the pen-name "Sloth" honed his language skills while working for Jardine's and acted as a translator for British forces during the First Opium War 1839-42 and at the 1843 Supplementary Treaty negotiations. He was later British consul at Ningbo. Each page offers three columns of English Chinese characters and romanized Chinese. For each fable Thom dictated the Chinese to his teacher who brushed them in a legible hand. According to the introduction the volume was the first time Chinese wooden blocks and European metal type were used side-by-side during printing. Thom's translation was later reprinted in various modified editions by the Anglo-Chinese College the Shanghai Free Hospital and the Wenyutang Chinese Printing and Publishing Company. This edition is well represented institutionally but is uncommon in commerce - we have traced only five appearances at auction in the past six decades. Of these only one retained both of the original wrappers as here. Provenance: Robert Goff 1801-1866 was an antiquarian who travelled widely in the Middle East and Asia presenting a collection of Egyptian antiquities to the British Museum in 1847. This copy was later in the Bibliotheca Lindesiana one of the most impressive private collections of the 19th century its bookplate is on the front pastedown. Alexander Lindsay 1812-80 later 25th Earl of Crawford and 8th Earl of Balcarres met Goff while the latter was travelling and at the sale of Goff's art collection in 1866 Quaritch acquired a collection of Chinese drawings and sold these to Lindsay. This copy entered the Lindsay library either via Quaritch or via the dispersal of the Goff library in the 1890s. It is recorded in the 1910 Bibliotheca Lindesiana catalogue. Quarto 295 x 202 mm. With engraving of Chinese character styles furnished by Elijah Coleman Bridgman the compiler of the Canton Chrestomathy. Late 19th-century brown hard-grain half morocco by Henry Wood raised bands ruled in gilt spine lettered in gilt Papier Tourniquet-pattern sides marbled endpapers with design of Spanish moiré on Turkish with overprinted gold vein pattern top edge gilt original yellow printed wrappers bound in. Binding a little worn corners and extremities recoloured light foxing neat tissue repairs at foot of wrappers and title page loss at lower corner of p. 103 a few tide marks to fore edges: a very good copy. Bibliotheca Lindesiana 1910 80 this copy; Cordier 1683; Lust 1065. hardcover