1 631 résultats
191072721London and New York:: John Lane the Bodley Head 1910. publisher's pictorial cloth. Large bookplate on pastedown; small abrasion to the front free endpaper; a bright unworn copy clean tight and sound. 8vo. With Pictures by Percy J. Billinghurst. From the English Version of Sir Roger L'Estrange. Introduction by Kenneth Grahame. John Lane the Bodley Head, hardcover
190072046Boston:: Dana Estes and Co. 1900. First edition. publisher's illustrated cloth. . 1901 ink gift inscription on front free endpaper; two leaves with some marginal damage to the fore-edges; a few gatherings loose; some light use to cloth. 8vo. Illustrated throughout some color. Dana Estes and Co., hardcover
191257786London:: William Heinemann 1912. First edition. publisher's gilt white cloth in publisher's plain paper wrapper neatly titled in ms. on spine by a former owner. Slight bump to one corner and the slightest of soiling to the white cloth; light foxing to endsheets; some shallow chipping and use to the wrapper; a very attractive copy. . Folio. With frontispiece and twelve color tipped-in plates by Arthur Rackham and text illustrations in black and white. A New Translation by V. S. Vernon Jones. With an Introduction by G. K. Chesterton. William Heinemann, hardcover
176073880London:: Printed for J. Rivington R. Baldwin and 12 others 1760. Early edition. 19th c. dark blue straight-grain morocco. Lacking one engraved plate as noted. Tiny old ink name partially effaced from title; old signature practiced on the verso of one plate not visible on recto and ink calculations at the bottom margin of one page of text; neat repair to one torn leaf; some light spots and inoffensive soiling. Joints partially cracked; edges and corners quite rubbed; still sound. . 12mo. Engraved illustrated title page. Containing Two Hundred and Forty i.e. 230 Fables with a Cut Engrav'd on Copper to each Fable. The engravings were printed ten to a page and this copy is unfortunately lacking one of the 24 plates Plate XIII. . And the Life of Aesop prefixed by Mr. Richardson. Printed for J. Rivington, R. Baldwin [and 12 others], unknown
189577609London:: J. M. Dent & Co. at Aldine House 1895. publisher's gilt pictorial cloth; gilt spine; t.e.g. with remnants of ribbon ties at fore-edge. Slight tanning to the illustrated endsheets; cloth soiled. 12mo. Illustrated by Charles Robinson. The Banbury Cross Series. J. M. Dent & Co. at Aldine House, hardcover
181478613Philadelphia:: Printed by James Maxwell 1814. The Second Edition Improved. . old full sheep. Old ink names on the front pastedown; text age-toned throughout; boards a little bowed and leather scuffed; corners rounded; tight and sound. 12mo. With an English Translation as Literal as Possible Answering line for line throughout the Roman and Italic characters being alternately used; so that it is next to an impossibility for the student to mistake. With a Compend of Latin Prosody. Printed by James Maxwell, hardcover
15011859Basel: Jacob Wolff of Pforzheim 1501. First edition thus. An early illustrated edition of Aesop's Fables augmented and edited by Sebastian Brant and the first edition to include his additional 140 sections. Two parts in one volume folio leaves measuring 297 x 208 mm. Collates complete retaining one of the two blank leaves M6 lacking. Collation identical to the Fairfax-Murray copy: a-b8 c6-o8 alternately p-s6 s6 blank and original; A-B8 C-D6 E8-K6 alternately L4 M5 M6 final blank lacking. With the famous woodcut portrait of Aesop on the verso of a1 and a smaller woodcut portrait of Brant on the verso of A1 in part two. A total of 335 woodcuts divided into 194 in part one and 141 in part two inclusive of the portraits. Text in Latin. <br/><br/>Full black straight-grain morocco. Boards ruled in gilt with gilt dentelles. Spine stamped and lettered in gilt. All edges gilt. Marbled endpapers. Generous margins. Previous owner's small bookplate on front pastedown. This copy has been very carefully restored and generally presents quite well. Certain passages were deemed obscene shortly after publication and as a consequence most known copies have a few sections defaced. This copy is no different with a number of passages and illustrations crossed out and/or marked "no legas" "do not read". A number of leaves have had small marginal tears or wormholes repaired occasionally affecting a letter or a word. One leaf C4 with a small hole affecting the woodcut on the recto and two or three words on the verso. A few leaves have been remargined including the title page to part 2 leaf A1. In two places leaves are bound out of order. The flaws notwithstanding a lovely book.<br/><br/>The plan of this edition was conceived by Sebastian Brant. The first part of the book is based on Johann Zainer's first illustrated edition of 1476-77 translated into Latin by Heinrich Steinhöwel. Brant expands the work polishes the language and includes his commentaries to these fables. The second part is an entirely new work by Brant of 140 fables riddles accounts of miracles and other wonders of nature. These 140 new chapters follow the same structure as the first section with a woodcut followed by verse and then prose "some of a very remarkable character" according to Hugh W. Davies Fairfax Murray. These compositions are taken from the works of Stace Juvenal Virgil Ovid Lucien. The first story taken from Hesiod is said to be the oldest known fable.<br/><br/>"The numerous woodcuts in this volume fall into two distinct categories. The woodcuts in the first part with a few exceptions are rather simplistic and naive in execution and are based in reverse on the woodcuts from Zainer's successful Ulm edition of c.1476 incidentally the first illustrated edition of Aesop; the actual blocks were first used in Wolff's edition of not after 1489 Goff A115. The woodcuts of the second part are more sophisticated with the use of hatching and perspective to enliven the images and they were cut specifically for this edition; is it thought they were produced by the workshop of Johann Grüninger in Strassburg" Sotheby's. According to Hugh W. Davies "The remainder of the cuts are by a new artist the style entirely differing from the older blocks. These are heavily shaded by thin close parallel lines amalgamating into a solid mass in the deepest shadows. The perspective as a rule is fair: the faces are well rounded the noses being broad at the bridge but well-shaped. The cuts have the appearance of metal but they nevertheless are probably on wood."<br/><br/>In the past 30 years there have been five other auction results for this book one copy selling twice. The average price achieved in those five sales including the buyer's premium is just under $119000. If we average just the two copies sold in the last ten years that average jumps to over $167000. Of those five results the lowest sale price from 2002 made over $81000. And finally to complete the analysis a particularly fine copy was offered by the trade in 2014 for 200000 pounds roughly $329000. So while our copy has its defects and imperfections as do almost all other copies it is priced competitively for such a lovely and important work. <br/><br/> Fairfax Murray 20. Goed. I 390 24. Adams A291. Jacob Wolff of Pforzheim unknown books
191975838Chicago:: Rand McNally & Co. 1919. First edition. publisher's olive cloth with applied color illustration on front panel. Ink gift inscription at the head of the illustrated front free endpaper; text block slightly over-opened and several openings; contents very nice. Light spotting and rubbing to the applied color illustration on the front panel. Folio. With Pictures in color by Milo Winter. Rand McNally & Co., hardcover
198222689Acorn Press Limited Editions. Very Good. 1982. Limited Edition. Hardback. 0902015168 . VG pale blue boards text & blue & red engravings by Weissenborn inside clean & bright seemingly never read. Beautifully designed. This is copy no 71 of 200 copies signed by Ian Warren at the rear. ; Engravings; 9.3" x 5.6" x 0.2"; 32 pages; Signed by Translator . Acorn Press Limited Editions hardcover
193918196Garden City Publishing. Very Good with no dust jacket. 1939. Hardcover. Red cloth cover with mounted color illustration by Arthur Rackham is sunned on spine with frayed upper corners and modest soiling but in very good condition. Boards and spine are straight. Binding is tight. Pages are toned with modest thumbing on a handful of pages but in very good condition. Illustrated in b&w with color plates. ; 224 pages . Garden City Publishing hardcover
1623ABC_45188Paris: Jean Libert 1623. Contemporary French gold-tooled calf sewn on 2 supports each board with the coat-of-arms of Henri de La Tour 1555-1623 Duc de Bouillon and Prince of Sedan who married the daughter of William the Silent founding father of the Dutch Republic with a French Ducal crown the whole in a wreath of 2 laurel branches with berries the flat spine divided into 4 fields each with a central decoration gilt edges. Marbled paste-downs fine-toothed combed pattern in red blue and white. 16mo. With a woodcut decoration on the title-page and woodcut decorated initials in the text. Very rare 24º edition of 150 prose fables by Aesop and 43 verse fables by Babrius here called Gabrius in Greek and Latin on facing pages remotely based on the text of the illustrated humanistic editions published by Jean de Tournes in Lyons. While the existence of Aesop ca. 620-ca. 584 BCE as a story teller is attested in many early sources the canon that appears under his name contains fables passed down orally and rendered in literary form by many authors over the centuries. Babrius wrote verse fables shortly before 200 CE that were later rendered in Greek prose and added to the Aesop canon. Although the title-page indicates that the fables are illustrated the present edition never contains woodcuts: Libert apparently copied his title from one of the illustrated editions. He does include Maximus Planudess extensive account of Aesops life preceding the fables. Although the earliest European marbled papers appear to have been made in or around southern Germany they were not combed. Wolfe notes that the French first used marbled paper for bookbindings and the present paste-downs closely resemble his earliest example of combed marbled paper. The arms on the binding are quartered with an inescutcheon. The Counts of Auvergne had born the quartered arms of La Tour and the Counts of Auvergne with the inescutcheon of the Counts of Boulogne since 1389. With the Counts of Boulogne extinct the arms passed to another branch of the family descending to Henri de La Tour 1555-1623 who took the title Duc de Bouillon by marriage in 1591 and later inherited the title Vicomte de Turenne from his father. In 1595 he married Elisabeth van Oranje Nassau daughter of William the Silent 1533-1584. Their second son was the famous Marshal Turenne 1611-1675. Early owners inscription on title-page in ink. Lacking the last leaf of the index title-page cut short at the head not affecting the text and a small worm hole in the second half sometime affecting a letter in the first line but otherwise in good condition. Binding rubbed not affecting the arms and backstrip worn a few small chips and holes and hinges cracked.l KVK & WorldCat 2 or 3 copies; cf. Bodemann 29.2 similar 1570 De Tournes ed. Jean Libert, unknown
198963936Harry N Abrams Inc. Near Fine in Near Fine dust jacket. 1989. First. Hardcover. 0810915421 . Crisp clean copy. Binding tight and straight inner pages clean and unmarked. Dust Jacket is flap-intact clean with light edgewear now protected within mylar cover. Includes slipcase.; English And Ancient Greek Edition; 175 pages . Harry N Abrams Inc hardcover
1931125944<p>The First printing published by Harrison of Paris. Minton Balch and Company New York 1931. Number '33' of only 615 copies printed on Auvergne hand-made paper of which twenty copies were not for sale. The BOOK is in Very Good or better condition. The boards are clean. Free from inscriptions and erasures. Light toning to the text-block and the extreme page edges. Many pages remain uncut. The Wrapper is complete and is toned to the edges with a little light spotting in places. The original inner chemise is present and is in Very Good- condition with rubbing to the folds and a small clear tape repair to the upper spine. The printed label to the spine of the chemise is present but rubbed. This copy is missing the original paper knife and slipcase. The book is now housed in a custom cloth slipcase. The fifth publication of Harrison of Paris with 50 striking line drawing illustrations by Alexander Calder. Increasingly scarce to find in collectible condition. More images available on request. Ashton Rare Books welcomes direct contact.</p> Harrison of Paris. Minton, Balch and Company, New York
196858William Heinemann / Doubleday Page & Co. 1912. Octavo green cloth boards with gilt lettering & decorationto front board & spine blind motif to rear board illus eps frontispiece xxix 224pp illus coloured plates have captioned tissue guards G one plate The Lion Jupiter and the Elephant has come loose and been reattatched in the wrong place with ugly brown packing tape 'The Quack Frog' plate is loose but present with sellotape residue staining to gutter 'The Trees and the Axe' plate lacks tissue guard 5cm closed tear to lower front hinge moderate fraying to spine extrems & board corners & around tear faint foxing to spine moderately heavy foxing to page edges occasional foxing to some pages child's scribble in pencil to two pages owner's inscription to prelim tape repair to prelims William Heinemann / Doubleday Page & Co. 1912 hardcover
1979336958Norwalk: Easton 1979. hardcover. fine. Lawson Robert. Illustrated by Robert Lawson. 130 pages. Thin 4to full gilt-stamped brown leather all edges gilt. Norwalk: Easton Press 1979. A fine copy.<br/> <br/> Easton unknown
1975329498Boston: Gambit 1975. First. hardcover. near fine/very good-. David Levine. Selected and illustrated by David Levine with 50 humorous line drawings. 104 pages. Thin 8vo black cloth with red printed labels on cover and spine d.w. price-clipped and lightly chipped at edges with one small stain. Boston: Gambit 1975. First edition.<br/> <br/> A near fine copy in a very good- dust wrapper; inscribed by the artist on the half title along with a large original pen and ink drawing of a lion.<br/> <br/> Gambit unknown
1979299746Norwalk: Easton 1979. hardcover. fine. Lawson Robert. Illustrated by Robert Lawson. 130 pages. Thin 4to gilt-stamped brown leather all edges gilt. Norwalk: Easton Press 1979. A fine copy.<br/><br/> Easton unknown books
1931122334455668<p>The sole UK printing published by the Gregynog Press Newtown : 1931. Number '125' of only 250 copies issued. Illustrated with thirty-seven wood engravings by Agnes Miller Parker and wood-engraved initials by her husband William McCance typographer and sculptor. This title was Parker's first collaboration with the Press. Bound in the publisher's original tanned sheepskin with the title blocked in black foil on the spine. Printed in Bembo Type on Barcham Green hand-made paper. The BOOK is in Very Good condition with minor rubbing to the spine and the extremities else a fine copy with only a very occasional light spot in places. A book that is seldom encountered in such sharp condition. The book is protected in a removable Mylar archival cover. Together with Gertrude Hermes and Blair Hughes-Stanton Parker helped to usher in a period of masterly illustrated editions at Gregynog with the Esope title considered one of the masterpieces of the Press. The illustrations by Agnes Miller Parker are considered by Colin Franklin to rank this book as 'the most conspicuously decorative volume of that kind' the binding is smooth appropriately naturalistic and exceptionally well preserved and the type hand-set by Richard Jones is generous and exacting. Writing in his The Private Presses Colin Franklin concluded that 'the entire work of Gregynog printing and binding produced a better thing that anyone else had attempted'. Jones pp. 30-1. Housed in the original plain card slipcase which is a little age worn rubbed and marked but tight and complete. With the publisher's prospectus loosely inserted. A great rarity. More images available on request. Ashton Rare Books welcomes direct contact.</p> Gregynog Press, Newtown hardcover
1979232296Norwalk.: The Easton Press. 1979. First edition thus. . Gilt decorated hard cover. Dark brown leather binding. Gilt edges. Satin end papers. Fine copy. As new. 4to. Illustrated by Robert Lawson. Important reference work. Very scarce in this condition. The Easton Press. hardcover
193313723AESOP'S FABLES SAMUEL CROXALL'S TRANSLATION WITH A BIBLIOGRAPHICAL NOTE BY VICTOR SCHOLDERER AND NUMEROUS FACSIMILES OF FLORENTINE WOODCUTS Limited Editions Club 1933 first edition thus a tight vg copy with t.p.e.'s in gold-gilt. Profusely illustrated. 1/1500 copies SIGNED by designer Bruce Rogers. Limited Editions Club unknown
181050128Leipzig Weigel 1810. 8vo. Contemp. modest hcloth with handwritten papertitle on spine. 2CCXXXVIII1721801642 pp. A small tear at foot of title-page repaired no loss. Internally fine printed on good paper. Text in Greek and Latin. <br/><br/><em>Second printing the best of De Furia's noted edition. "Reprinted at Leipzig the offered item in a very handsome and more copious manner in the following year 1810. This beautiful and elaborate editions presents us with the Fables of Æsop before they had been corrupted as is supposd by their first editor Planudes. The text is taken from a celebrated and very ancient MS preserved at Florence in the Library of the Cassini Monks; written in a different style and greatly departing from the received text. This appears to be upon the whole the very best edition of Æsop extant." Dibdin I p. 252. </em> hardcover
2013x-1447477472Pook Press 2013. Hardcover. New. 404 pages. 7.00x0.94x10.00 inches. Pook Press hardcover
2012x-1447458435Pook Press 2012. Hardcover. New. 154 pages. 7.00x0.44x10.00 inches. Pook Press hardcover
2021x-1774760975Royal Classics 2021. Hardcover. New. 126 pages. 6.00x0.44x9.00 inches. Royal Classics hardcover
19274iiiDg0026New York & London: Blue Ribbon Books/ Harper & Brothers 1927. Book. Good. Decorative Cloth. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 194 pp. Solidly bound copy with moderate use. A great reading copy. Occassional crayon markings on text. No dj. Last free end page detached from spine. Top and bottom of spine frayed. Blue Ribbon Books/ Harper & Brothers Hardcover