2 510 résultats
19651685041965. Not in Schwarz DUCHAMP Marcel. Not Seen and/or Less Seen of/by Marcel Duchamp/Rrose Selavy 1904-64. Mary Sisler Collection. With a foreword and catalogue texts by Richard Hamilton. Unpaginated thoroughly illustrated in black and white and with 3 tipped-in colour plates. 4to. bound in original wrappers designed by Duchamp with original glassine. No. 21 of 100 copies. In a cloth folding box. New York: Cordier & Ekstrom 1964. With: The Second Version. With Mary Sisler's name enlarged and in a different position on the title page. No. 5 of 100 copies. With: The Regular Version without limitation. With the title-page as in the second version. "The Mary Sisler Collection was the most important private collection of works by Duchamp; and the exhibition a historical event. It was the first and the most inclusive Duchamp retrospective to be held by a private gallery in the United States" Schwarz. When Mary Sisler saw the first version of the catalogue she was incensed that her name was not only much smaller than Duchamp's but at the bottom of the title-page and demanded that the catalogue be withdrawn and be reissued. As a result surviving copies of the first version are extremely rare. Both deluxe editions contain an original print by Niki Ekstrom of a photograph of Duchamp and are from the original edition of 100 signed and numbered by Duchamp who also boldly wrote his name in brown marker on the cover of the suppressed version and put his signature and Mary Sisler's name in brown marker on the front cover of the replacement version. The first version comes from the collection of the publisher of the catalog Arne Ekstrom and is reproduced in Etant Donne No.10 p. 86. Schwarz The Complete Work of Marcel Duchamp No. 616 for the second and third versions only. hardcover
192332048Chicago: Rural Publishing Corporation 1923. Text paper tanned but supple light edge wear creasing closed tear to right front edge paper loss at spine ends not affecting title lettering or date cover appears to have been separated and re-glued small loss at upper and lower left corners a good copy. 32048. Octavo single issue pictorial wrappers. Pulp Magazine. The first issue of this important 20th century magazine. Includes stories by Anthony M. Rud Otis Adelbert Kline R.T.M. Scott Joel Townsley Rogers Howard Ward and many others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Rural Publishing Corporation unknown
154525180Vinegia: Figlioli di Aldo Aldus 1545. A very early and rare printing of Castiglione by Aldus in the original folio format mirroring the 1528 printing. Elaborate Aldine device impressed on the title and at the end on the verso of the colophon leaf. Dedication to Michel de Selva vescovo di Viseo. Folio handsomely bound in fine Italian vellum. 122 ff. pp. A beautifully preserved copy handsome and clean. RARE ALDINE EDITION OF THE CLASSIC LANDMARK IL CORTEGIANO. Castiglione’s great work is one of the most famous books of the Italian Renaissance and represents the highest level of committment to the prince and the new political and social order. The Courtier is the prototype of the courtesy book written as conversation between members of the court. At the time of its composition Castiglione was at the court of Guidobaldo de Montefeltre and Elizabetta Gonzaga at Urbino together with Bembo Giuliano de' Medici Federico Fregoso and other Renaissance luminaries; members of that court feature as speakers in the conversation. <br> Castiglione after serving the Sforzas at Milan and the Gonzagas at Mantua came to the Court of Urbino in 1504 where de Montefeltre and his consort Elizabetta Gonzaga were the center of the most brilliant court in Italy which counted among its members Bembo Bibbiena G. de’Medici and many other eminent men. This brilliant book is based on Castiglione’s experience of life among these dazzling figures.<br> ‘The Courtier’ depicts the ideal aristocrat and it has remained the perfect definition of a gentleman ever since. It is an epitome of the highest moral and social ideas of the Italian Renaissance and is written in the form of a discussion between members of the court. The fundamental idea that a man should perfect himself by developing all his faculties goes back to Aristotle’s ETHICS and many of the Aristotelian virtues reappear---honesty magnanimity and good manners. The ideal man should also be proficient in arms and games be a scholar and connoisseur of art; he should develop graceful speech and cherish a sense of honour. Relations between the prince and the courtier forms of government and rules for the conduct of a lady are also discussed and the book ends with the celebrated pronouncement on platonic love by Bembo.<br> This Renaissance ideal of the free development of individual faculties and its rules of civilized behaviour formed a new conception of personal rights and obligations in Europe. The book was translated into most European languages and between 1528 and 1616 no less than one hundred and eight editions were published. It had great influence in Spain where traces of it can be found in DON QUIXOTE and in France in Corneille’s writings. But its most potent influence was probably in England. Its influence can be seen in Shakepeare Spenser Ben Jonson Sir Philip Sidney Robert Burton and Shelley. It had a great impact on the development of English drama and comedy.<br> The beautiful and highly important printings of the house of Aldus are exceptional and revered in their own right. This one of the most exceptional of Italian Renaissance works published by the great Renaissance printer of Italy. Figlioli di Aldo (Aldus) hardcover
1528007941Firenze Florence: Li Heredi di Philppo di Giunta 1528. Second Edition. Full Vellum. Very Good. This second edition the first edition octavo in size was issued the same year as the genuine first edition which was published in Venice. 8vo. 158 by 102 mm. Unpaginated 220 leaves. Decorative vignette or device on title page with two seraphs on side of large fleur-de-lys. Same device in somewhat fainter print on final leaf with no other printing on page. Full vellum is contemporary or early at least with yapp edges. Leather straps used to create raise bands on spine also exposed deliberately on boards by joints. Title written by hand on spine. Two vellum leaves both narrow strips in front and rear. Both of these vellum pieces have ancient printed matter in Latin or very old and now faint hand-writing. Also some ancient hand-writing on final leaf some of it upside down. Part of title "Conteg" written on lower fore-edge. The vellum boards are a limp vellum and they now curve out as typical of vellum. The rear board is detached from the text block. The vellum has a moderate amount of soiling but not a level that should be concerning. It is an amount one would expect for a binding of this age and might be regarded almost as desirable "seasoning". Some of this will submit favorably to a cleaning even with a simple eraser if one so desires. The first and last leaves are somewhat gritty but overall the pages are comparatively clean and the text is entirely legible. [Li Heredi di] Philppo di Giunta unknown
154719132Vinegia: Figlioli di Aldo Aldus 1547. Early Printing by Aldus. Elaborate Aldine device Impressed on the titlepage and at the end on the verso of the colophon leaf. Dedication to Michel de Selva vescovo di Viseo. 8vo bound in 17th century stiff vellum red morocco lettering label gilt. ff. 5 195 8. A fine example with the title label with a bit of chipping and with some light loss. RARE ALDINE EDITION OF THE CLASSIC LANDMARK IL CORTEGIANO. Castiglione’s great work is one of the most famous books of the Italian Renaissance and represents the highest level of commitment to the prince and the new political and social order. The Courtier is the prototype of the courtesy book written as conversation between members of the court. At the time of its composition Castiglione was at the court of Guidobaldo de Montefeltre and Elizabetta Gonzaga at Urbino together with Bembo Giuliano de' Medici Federico Fregoso and other Renaissance luminaries; members of that court feature as speakers in the conversation. <br> Castiglione after serving the Sforzas at Milan and the Gonzagas at Mantua came to the Court of Urbino in 1504 where de Montefeltre and his consort Elizabetta Gonzaga were the center of the most brilliant court in Italy which counted among its members Bembo Bibbiena G. de’Medici and many other eminent men. This brilliant book is based on Castiglione’s experience of life among these dazzling figures.<br> ‘The Courtier’ depicts the ideal aristocrat and it has remained the perfect definition of a gentleman ever since. It is an epitome of the highest moral and social ideas of the Italian Renaissance and is written in the form of a discussion between members of the court. The fundamental idea that a man should perfect himself by developing all his faculties goes back to Aristotle’s ETHICS and many of the Aristotelian virtues reappear---honesty magnanimity and good manners. The ideal man should also be proficient in arms and games be a scholar and connoisseur of art; he should develop graceful speech and cherish a sense of honour. Relations between the prince and the courtier forms of government and rules for the conduct of a lady are also discussed and the book ends with the celebrated pronouncement on platonic love by Bembo.<br> This Renaissance ideal of the free development of individual faculties and its rules of civilized behaviour formed a new conception of personal rights and obligations in Europe. The book was translated into most European languages and between 1528 and 1616 no less than one hundred and eight editions were published. It had great influence in Spain where traces of it can be found in DON QUIXOTE and in France in Corneille’s writings. But its most potent influence was probably in England. Its influence can be seen in Shakespeare Spenser Ben Jonson Sir Philip Sidney Robert Burton and Shelley. It had a great impact on the development of English drama and comedy.<br> The beautiful and highly important printings of the house of Aldus are exceptional and revered in their own right. This one of the most exceptional of Italian Renaissance works published by the great Renaissance printer of Italy. Figlioli di Aldo (Aldus) hardcover
192332049Indianapolis IN: Rural Publishing Corporation 1923. Text paper mildy tanned vertical crease to front cover series of small holes along left edge-likely from being bound at some point a little paper loss to spine ends some rubs to spine edge a good to very good copy. 32049. Octavo single issue pictorial wrappers. Pulp Magazine. The second issue of this important 20th century magazine. Includes stories by Howard Ward Anthony M. Rud Otis Adelbert Kline Francis Grierson Ted Olson and many others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Rural Publishing Corporation unknown
189724<i>This book is over 122 years old. <br />"The Raven"</i> in particular—Poe investigates the loss of ideal beauty and the difficulty in regaining it. These pieces are usually narrated by a young man who laments the untimely death of his beloved. <i>"To Helen"</i> is a three stanza lyric that has been called one of the most beautiful love poems in the English language. The subject of the work is a woman who becomes in the eyes of the narrator a personification of the classical beauty of ancient Greece and Rome. <i>"Lenore"</i> presents ways in which the dead are best remembered either by mourning or celebrating life beyond earthly boundaries. In <i>"The Raven"</i> Poe successfully unites his philosophical and aesthetic ideals. In this psychological piece a young scholar is emotionally tormented by a raven's ominous repetition of "Nevermore" in answer to his question about the probability of an afterlife with his deceased lover. Charles Baudelaire noted in his introduction to the French edition of <i>"The Raven"</i>: "It is indeed the poem of the sleeplessness of despair; it lacks nothing: neither the fever of ideas nor the violence of colors nor sickly reasoning nor drivelling terror nor even the bizarre gaiety of suffering which makes it more terrible." Poe also wrote poems that were intended to be read aloud. Experimenting with combinations of sound and rhythm he employed such technical devices as repetition parallelism internal rhyme alliteration and assonance to produce works that are unique in American poetry for their haunting musical quality. In <i>"The Bells"</i> for example the repetition of the word "bells" in various structures accentuates the unique tonality of the different types of bells described in the poem.Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories poems and critical theories which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story Poe was also the principal forerunner of the "art for art's sake" movement in nineteenth-century European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities Poe focused his criticism on the specifics of style and construction that contributed to a work's effectiveness or failure. In his own work he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly influenced the French Symbolists of the late nineteenth century who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance in literary history.<br /><br />This book contains the first collection of Poems Poems and Tales. See Pictures Houghton Mifflin Company hardcover
192731906Camden NJ: Personal Arts Company Publishers 1927-1928. Issues slightly trimmed for binding otherwise quite fine with little tanning to text paper mostly cream colored. At the base of the spine is stamped "Dunninger Collection." A lovely presentation. 31906. Octavo five issues pictorial wrappers bound in blue boards with gold stamping to spine. A bound volume of all five issues that were noted magician Joseph Dunningers copy with his signed name and also inscribed and signed by editor/author Walter Gibson to Joe Dunninger. Gibson wrote several books about magic for Dunninger they were lifelong friends. This is likely a presentation volume to Dunninger. Tales of Magic and Mystery was a short lived magazine which published stories and articles about magic and the occult as well as some short fiction. The March 1928 issue published the H. P. Lovecraft short story "Cool Air." Other authors of fiction include Frank Owen Miriam Allen de Ford Archie Binns Robert Leslie Bellem and others. Gibson wrote most non-fiction material under his own name and also using the pseudonyms Alfred Maurice and Bernard Perry. Personal Arts Company, Publishers unknown
177612401Venice: s.n. 1776. Modern vellum mostly uncut. <p> The paintings 181 drawings 1211 and books 350 owned by Francesco Algarotti a true Enlightenment figure. He was a widely recognized philosopher a popularizer of Newtonianism an intimate of Frederick II of Prussia and art advisor to Augustus III Elector of Saxony. Francesco's wide ranging love affairs involved i.a. John Hervey 2nd Baron Hervey 1696-1743 and Lady Mary Wortley Montagu 1689-1762. On his death his collections passed to and were augmented by his brother Bonomo 1706-76 whose daughter put this catalog to press. Its authorship is attributed to architect Giannantonio Selva 1753-1819 and conservator and curator Pietro Edwards 1744-1821. A French translation appeared immediately and a German version in 1780.<br /> The paintings and drawings are organized by artist giving birth and death dates and principal places of activity. Predominantly Italian 15th- to 18th-century the paintings are carefully described the support and dimensions noted and an aesthetic judgement historical note or scholarly reference often added. Handled summarily the drawings - even those of Michelangelo - are designated watercolor red crayon pen and ink etc. with those on colored paper so indicated. The books cover architecture lives of artists curiosity cabinets views coins and medals anatomy travel guides archaeology perspective monuments pattern books color.<br /> Internally fresh some scattered red crayon marginal marks.<br /> ¶Dall'Orto "Algarotti Francesco" in Who's Who in Gay and Lesbian History edd. Aldrich & Wotherspoon I: 16-8; Schlosser-Magnino La Letteratura artistica 564.</p> s.n. unknown
20087281Belluno Venezia: Colophonarte 2008. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Four poems by Giuseppe Conte Antonio de Villena Sebastiano Grasso Titos Patrikios and four works by Mimmo Paladino linoleumgraph Eduardo Arroyo serigraph Nicola De Maria etching Medhat Shafik etching numbered and signed by the Artist. Text set by Rodolfo Campi on Garamond c14 printed on Amatruda pure cotton 200g by Tipoteca Italiana Fondazione. Binding by Sandro Francescon.<br /> Proposte d'arte Colophon Colophonarte has emerged as a major force publishing new artist's books-in lavish limited editions-illustrated by noted European artists. The goal being to bring create living testimony to contemporary artististic-literary culture. The editor/publisher Egidio Fiorin-animated by an equal passion for literature and visual art-explained his intentions thus: ". the book has been and is still now one of the fundamental pillars of advanced societies. But the book can be something more: it can be a work of art . an object which in its paper the composition of its text its printing the involvement of literary figures artists and artisans of quality represents an exaltation of human activity of human capacity for reflection sublimation and synthesis". Tight bright and unmarred. Blue suede leather boards pale blue paper onlay black ink lettering laid in plates. fo. np. 32pp. Illus. color plates. Numbered limited edition this being 38 of 90. Colophonarte hardcover
1870140096London: Henry Sotheran & Co. nd. 1870s. Hardcover. Very good. 2 vols.: xxiv 412; iv 814 p. 25 cm. 54 coloured plates at rear of vol. I. Plates engraved by C. Tiebout after W. W. Wood C. A. LeSueur T. R. Peale and H. Bridport. Lacking engraved title page. Quarter black leather with marbled boards. Gilt and blank impressing to spines. Professional repairs to vol. I title page. Moderate thumbing. Ink notations on title page versos. A few small tears. Lacking third volume published later. <br/><br/>Say's American Entomology was the first of several major natural history publications by American men of science following the tradition of Alexander Wilson's American Ornithology. As with Wilson's mangnum opus American Entomology includes beautiful colour illustrations. The artist Titian Peale whose illustrations are noted for their beauty and accuracy created more than half of this book's plates. Praised by naturalists on both sides of the Atlantic American Entomology is considered a monumental work in the field. Memoir of the author by George Ord. Sabin 77370. Henry Sotheran & Co. hardcover
6204xiv 415 pp.; xiv one leaf 333 lxxvii 1 pp. Two vols. 8vo cont. marbled boards minor wear & foxing uncut orange & green morocco lettering pieces on spines. Pisa: N. Capurro 1821.<br/> <br/> First edition of “the catalogue of the vast library on archaeology and art history collected by Cicognara himself a notable art historian. It is tantamount to a bibliography of the pre-1820 literature on these subjects owing to the detailed bibliographical and critical notes to the 4800 works and is still frequently consulted and quoted.â€â€“Grolier Club Bibliography 121.<br/> <br/> In 1824 Cicognara 1767-1834 sold the entire library to Pope Leo XII who incorporated it into the Vatican Library.<br/> <br/> Very good uncut set. From the library of Helmuth Domizlaff the great German bookseller with his discrete small stamp on each title. unknown
1925010664<p>New York: George H Doran 1925 310 pgs. Red cloth with pictorial pastedown in metallic gold black & red a few spots to edge of text block else a fine copy housed in the original pictorial box which is worn and soiled with a couple of breaks but complete. A gorgeous copy of Kay Nielsen's magnificent illustrated edition of Grimm's fairy tales featuring 12 tipped-in color plates and 10 full page b&w plates and decorative initials. This was the last of Nielsen's lavish gift books and no British trade edition was issued. . First Trade Edition. Pictorial Cover. Near Fine/No Jacket. Illus. by Kay Nielsen. Large Thick 4to.</p> George H Doran hardcover
181743772Foligno: Feliciano Campitelli 1817. Submarine warfare before Fulton First edition to include the section on underwater navigation illustrated with a wonderful etching of a submarine propelled by oars including a cut-away view. Count Gaetano Marchetti Tomassi 1774-1857 a nobleman born in Foligno near Perugia was an amateur scientist. He devised one of several methods of squaring the circle which constitutes the first part of the first treatise of the present book the second part containing a discussion on conical sections. The most interesting part however is the second treatise where the author proposes a new model of submarine moved by the tides and able to submerge and resurface with the use of a mechanism similar to the swimbladder of fish. Marchetti Tomassi claims to have first described this boat in a publication issued in Ancona in 1800 though in a very imperfect form. Apparently a boat built to those specifications was given a trial at Rouen under the eye of Napoleon. Thus Marchetti Tomassi anticipated Fulton at least in the concept of a submarine though he does not appear to have heard of him. Marchetti proposes military applications for his submarine though he has no conception of a torpedo and only mentions the use of classical artillery kept dry in his submarine. Quarto 204 x 144 mm. 6 etched plates. Contemporary bottle green half roan patterned paper boards crudely marbled edges. A little light toning some worming at the spine with trails penetrating through the text-block largely marginal but minor loss to text and plates rear hinge cracked but holding remains very good. Cat. Weil 6 275: "very uncommon seems to be very rare". hardcover
1875224<p>First edition. Very good in contemporary three quarter leather. Marbled endpages. Three different ownership inscriptions on preliminary blanks. Leather corners and gutters rubbed. Firmly bound inside with clean bright pages. With only four of nine albumen photographs tipped in. Present are the first four images: Great Yosemite Fall frontis The Grizzly Giant opposite p. 27 The High Sierras p. 33 The Gates of the Valley p. 40. No evidence that other 5 plates were bound in as leaves where they should be are not present. Included photographs are fresh and bright.</p><p>Rare account of a camping trip in the High Sierra undertaken by University of California professor of geology and history Joseph Le Conte in July and August 1870 accompanied by Professor Frank Soule Jr. and eight members of the student body. This was Le Conte's first trip to the Yosemite region to be followed by ten more over the next thirty years. The work is notable for the excellent photographs some featuring members of the party in the marvelous setting of Yosemite others the scenic wonders uncluttered by human presence. Farquhar speculates that the pictures were taken by "one or more of the professional photographers who operated in Yosemite Valley." There were ten members of the party and according to Joseph N. LeConte the author's son 12 copies of the book were produced for each member making a run of 120 copies in all.</p><p>Cowan 1914 p.137; Farquhar 14a; Currey & Kruska 230; Howes L175. Kurutz California Books Illustrated with Original Photographs p.16 and item 27; Zamorano 64.;Cox Classics 64; Robinson High Sierra Classics 1; Rocq 16596; Eberstadt 124:38.</p><p>A classic California photobook and a cornerstone of any Yosemite collection. Steeply discounted price reflects lack of five of the nine photographs.</p> Francis & Valentine hardcover
198980775Pictorial Histories; Et Al. New. 1989. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- -- Corresponds to ASIN: B001KV5F94. Vii 1 222 pages; many color illustrations 4to. -- with a bonus offer-- . Pictorial Histories; Et Al hardcover
198954009Trans Allegheny Books. New. 1989. Hardcover. 0929521145 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 178 pages -- with a bonus offer-- . Trans Allegheny Books hardcover
18831709020008Boston: S.E. Cassino 1883. Hardcover. Very Good. 2 volumes. 24 cm. Collated: xxiv 412; 2 iv 814 6 pp. 54 hand-colored plates. Rebound in modern green cloth with gold lettering. Pages generally clean with a few scattered spots. Say was one of the most important early American Entomologists. He founded the Entomological Society of America and described over 1500 new species of insects. ABPC 23 S.E. Cassino hardcover
193632955New York: The Carwood Publishing Co. 1936. Some darkening to text paper slight edge wear a nearly fine set. 32955. Large octavo two issues illustrated by Elmer Stoner pictorial wrappers side stapled. Pulp magazine. All published. Inspired by a radio program started in May 1931 with the same title. Several original stories were adapted from the radio program. Many of the stories were reprints from much earlier magazine publications. Reference: Parnell and Ashley Monthly Terrors pp. 296. Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 742-3. The Carwood Publishing Co. unknown
AQ32533s.i.: s.n. s.d. 8pp. With numerous woodcut illustrations in the text. Bound with: Drop-head title: The waggon load of gold. Part II. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head title: The house that jack built. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Jack jingle. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The child's new year's gift. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Little red riding hood. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Nursery rhymes. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of the children in the wood. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: History of jumping joan. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Death & burial of cock robin. s.i. s.n. s.d. 7pp 1. With numerous woodcut illustrations in the text. And: Drop-head tile: Tom tucker. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: Cinderella s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of simple simon. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of Mother Goose. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: London cries. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. And: Drop-head tile: The history of old Mother Hubbard. s.i. s.n. s.d. 8pp. With numerous woodcut illustrations in the text. 16mo. Contemporary red morocco richly tooled in gilt and blind lettered in gilt 'Tales and stories' to upper board A.E.G. A trifle rubbed and marked. Internally clean and crisp. An attractively bound sammelband of sixteen diminutive chapbooks intended for a juvenile readership. The titles within all illustrated with crude yet charming wood-engravings include staples of the Victorian street literature market; compendious retellings of perennially popular nursery rhymes such as Cinderella Little Red Riding Hood and the Children in the Wood. An exception is a remarkably rare version of a recherché didactic verse curiosity The Waggon Load of Gold. Issued in two seemingly separately published parts; the work is comprised of a total of sixteen unassociated stanzas calculated to amuse the young reader and each - unusually for chapbook fare of the era - accompanied by illustrations which actually relate to the text; for example the opening couplets of the second part a celebration of the library is partnered with a depiction of a bookcase: 'The chief prize of the whole Here you now may behold 'Tis a library of choice books From the Waggon Load of Gold.' OCLC records a single copy of The Waggon Load of Gold. Part II. at Richmond Public Library Virginia Part I. is apparently unrecorded. The copy retains the original publisher's wrappers bearing the imprint 'London: Printed and published at 60 St. Martin's Lane' with the date recorded as '1820'. This would suggest that the other titles contained within this sammelband - all printed on similar paper stock and some reusing woodcut ornaments - where issued contemporaneously from the same location. . [s.n.], [s.d.] unknown
192419001TYPED LETTER SIGNED dated March 28th 1924 on RURAL PUBLISHING CORP. stationery to author and famous member of the Lovecraftian Circle Frank Belknap Long about 375 words stating that Long's story THE DESERT LICH has unfortuantely been delayed as it was decided that one man namely Edust-wrapper in Baird could not possibly have the time to be editor for WEIRD TALES DETECTIVE TALES and their new venture GHOST STORIES and thus he "will assume the editorial helm of WEIRD TALES & GHOST STORIES" that he has "read several thousand manuscripts when he was a reader for Baird and that he knows the thrill that comes of discovering a distinctively written story" that he "wishes to use DESERT LICH Long's accepted tale in the combination summer issue for June July & August which we are making triple size and putting out to clear the deck for the issuance of GHOST STORIES" "that their rates are not yet as high he would like them to be and that by summer he hopes we can pay on a pay on acceptance basis" and that "Our rates at present are one cent a word". He finishes with these plaudits for Lovecraft: "Please thank Mr. Lovecraft for me for turning THE DESET LlICH our way. And I want to thank you also for telling me of other Lovecraft stories that I have not yet seen. I would as soon think of changing a line or a word or a title of Mr. Lovecrat's work as I would rewriting an Edgar Allen Poe story. He is to my way of thinking the supreme master of weird tales whose mastery is not accidental but the result of careful and directed thought. So far I have seen Mr. Lovecraft's works only in print for I have not had the thrill of reading them in manuscript. I have not even read HYPNOS but I am looking forward to reading the page proofs of the May Weird Tales which contains the story. But those that I have read in the magazine-----THE HOUND THE RATS IN THE WALL DAGON----are marvels of writercraft." Letters from Wright the acknowledged foremost editor of Weird Tales are notoriously scarce and I know of none earlier. They rarely surface on the market place. Indeed letters with a full strong signature of Wright are rarer still as he was virtually unable to sign anything due to Parkinsons disease by 1930. So here's your chance to snatch a piece of history from one major player in the Golden Age of Science Fiction and Weird Tales specifically to another. The earliest letter I have seen by Farnsworth Wright. N.p. unknown
185849019Firenze M. Cellini 1858. 8vo. In three uniform contemporary half vellum over marbled boards with black and red title label to spine amd gilt ornamentation. Occassional brown spots throughout otherwise fine. XXVI 383 2 pp.; IV 550 2 pp.; IV 498 2 pp. <br/><br/><em>First edition of Massei's important work which constitutes one of earliest attempts in Italy to link health problems and poverty. In the present work Massei examines the various health problems that can be linked to poverty and proposes a number of remedies chiefly linked to hygiene. He argues against the notion that almsgiving can provide a solution proposing instead a system whereby municipal aid is offered in people's homes.Previously Massei had done extensive work on public education in Bologna and was involved in a project to reform public charities in the light of the increasing numbers of poor people. His work with the Società agrarian of Bologna initiated much research on rural poverty and its causes. </em> hardcover
1119493412New. Brand new and still unused unknown
50192 p.l. 77 pp. 8vo modern red sheep-backed marbled boards spine lettered in gilt. London: “which will be sold by Auction by Mr. Evans…on Friday February 7 and Saturday February 8 1817.â€<br/> <br/> After Borromeo’s death in 1813 his library was purchased en bloc by Payne and Foss who sold it by auction through Evans. The catalogue most interestingly is written in Italian throughout with its own title-page the only English sale catalogue in that language. The catalogue was based on Borromeo’s own catalogues of 1794 and 1805 but with additional notes marked with three asterisks. It contained the true first edition of the Decameron GW 4440 bought by Lord Spencer for 121.6.0 pounds now in the John Rylands Library. <br/> <br/> Fine copy priced throughout in a contemporary hand with buyers’ and prices realized. Small embossed stamp on titles and elsewhere of the Athenaeum Library 1850. Bookplates of Wilfred Merton and A.R.A. Hobson. <br/> <br/> â§ Gustave Brunet Dictionnaire de Bibliologie Catholique col. 560. unknown
186919141-2New York: J. W. Bouton 1869 Hardcover 2-Volume set in publisher's original green cloth t.e.g. gilt spine titling and blind embossed ruling to spine & panels second issue of edition first published 1859 by Bailliere in New York with all of Say's published writings on entomology gathered by Le Conte; includes the justly-celebrated 'Description of North American Insects' first published 1824-28 with all the 54 hand-colored plates comprising Volume I of the set as well as all his miscellaneous writings on entomology Volume II; the set is exceptionally nice & tight with no hinge issues and only slight signs of wear to the green cloth boards and a small area of discoloration to front panel corner of Volume II many of the text pages in both volumes still unopened no markings other than penciled name to pastedown no foxing a truly exemplary set of the writings of "the father of entomology"; 8vo; xxiv 412pp indexed 54 plates I and vi 814pp indexed II. The set is heavy and oversize and may incur an additional shipping charge particularly for overseas delivery. First Edition. Hard Cover. Near Fine. New York: J. W. Bouton hardcover