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M., 1938, 20 x 14 cm., tela original, 115 págs. - 2 h.
Texto en gallego, segunda edición.
1984011141<p>Saxonville MA: Picture Book Studio 1984 1984. Wraparound pictorial boards; matching dust jacket is very slightly age-toned original price intact $11.95. Gorgeously illustrated edition of this popular Andersen fairy tale. This copy is signed by Zwerger on the title page. Signed by Illustrator. First American Edition. Pictorial Boards. Fine/Near Fine. Illus. by Lisbeth Zwerger. Oblong 4to.</p> Picture Book Studio
1982011147New York: William Morrow & Co 1982 Boards pictorially stamped in gilt with cloth spine color pictorial dust jacket with original price intact $9.50. A prince disguises himself as a swineherd to learn the true nature of the princess he wishes to marry. Lovely color artwork by Lisbeth Zwerger throughout. . First American Edition. Pictorial Boards. Fine/Fine. Illus. by Lisbeth Zwerger. Small Square 4to. William Morrow & Co unknown
1980009277New York: William Morrow & Co 1980 Blind stamped hard cover corner crease to endpaper else fine; dust jacket price clipped else fine. Library binding but NOT ex-library. Andersen's famous fairy tale beautifully illustrated in color by Austrian illustrator Lisbeth Zwerger. . First American Edition. Hard Cover. Near Fine/Near Fine. Illus. by Lisbeth Zwerger. Small Oblong 4to. William Morrow & Co hardcover
Barcelona, Editorial Roma, sin fecha, 33 x 23,5 cm., cartoné ditorial algo rozado, 4 hojas con ilustraciones a color y texto al pie de página.
4°, pp.39-1 b. + 1 tav. f.t. inc. in rame da Carlo Faucci, su disegno di Giuliano Traballesi, con riprod. di un bassorilievo dei conti della Gherardesca di Michelangelo Buonarroti, cop. muta coeva. Contiene: Il conte Ugolino imprigionato e messo a morte unitamente ai figli e nipoti, non per volontà della Repubblica di Pisa, ma per tradimento dell'arciv. Ruggero; Diverse imputazioni al conte Ugolino non sussistono in fatto e non reggono all'esame della critica... pregiudicabile alla patria non essere stato il suo governo e come l'arciv. Ubaldini istigato da ambizione... lo condannasse a crudel supplizio; Bassorilievo attribuito a Michelangelo; Quadro a olio dal comm. P. Benvenuti.
Very Good Turkish, Ottoman (1500-1928) In modern very aesthetic full leather bdg. Demy 8vo. (22 x 14 cm). In Ottoman script. 197, [2], [1] p. Altin isik. Ziya Gökalp, whose real name is Mehmet Ziya was born on March 23,1876 in Diyarbair. Ziya Gökalp started his education in Diyarbakir, and moved to Istanbul in 1895 to attend the school for veterinary medicine. During this stage of his life, he met important political figures of the era such as Ibrahim Temo and Ishak Sukûti. He was much influenced by the Young Turks movement and joined the political reform movement Ittihat ve Terakki (Committee of Union and Progress). He was arrested in 1898 because of his dissident activities and spent a year in prison. After his release, he was sent to exile to Diyarbakir where he worked on a minor governmental assignments. After the declaration of the second constitutional monarchy, he established a branch of Ittihat ve Terakki in Diyarbakir, and became its representative. He published the Peyman newspaper. In 1909, he attended the Ittihat ve Terakki Congress held in Thessalonica as the Diyarbakir delegate. The next year, he was elected member to the central administrative council of this organization in Thessalonica. He taught sociology courses in Ittihat Terakki's school, which he had helped establish in 1910. In the mean time, he also published the Genç Kalemler periodical. In 1912, he was elected as a representative of Ergani Maden to the Meclis-i Mebusan (Parliament), and he moved to Istanbul. He was also one of the founders of the association Türk Ocagi (The Turkish Hearth). He wrote about nationalism and Turkish nationalism in the publication of this association Turk Yurdu, and in many other publications such as Halka Dogru, Islam Mecmuasi, Milli Tetebbular Mecmuasi, Iktisadiyat Mecmuasi, Içtimaiyat Mecmuasi and Yeni Mecmua. In the mean time, he taught sociology at the Darülfünun-u Osmani (Istanbul University). During the collapse of the Ottoman Empire, Ziya Gökalp sought to fashion a new national identity. In essence, his philosophy consisted of the effort of synthesizing the ethical and cultural values native to Turkish society, and certain values borrowed from the west. He summarized this approach as 'becoming Turkish, Muslim, and modern', and he took the cultural component from Turkish nationalism, and the ethical component from Islam. Gokalp defended that the constructive element of international culture were national cultures and he gave priority to folk literature over court literature. He believed in the importance of positive sciences, which had made the technological and scientific development of the West possible and considered religion as an auxiliary element on the way to reach religious and social unity. His social model was influenced by Emile Durkheim's theoretical concept of 'solidarism'. He opted for this model because unlike liberalism, which was based on the individual, and Marxism, which was based on class struggle, solidarism considered vocational organizations as the essential social unit. He wrote countless articles explaining his social and political views, and he systematized the concept of Turkish nationalism. He played an important role in the establishment and the development of Turkish national literature. In spite of the verse works and the poetry that he wrote in defense of Turkish nationalism, recent history Turkish cultural tends to acknowledge him more as a figure of political struggle. Ziya Gökalp earned great respect on the basis of his life of political activism. Leaving an indelible mark on the development of Turkish national identity, Gokalp died on October 25, 1924 as a citizen of the newly founded Republic of Turkey. Hegira: 1342 = Roumi: 1339 = Gregorian: 1923. First and Only Edition. Extremely rare. Özege 550.; Just five copies in OCLC: 880485512 (x3).; 163023661 (x2). Altin isik (The Golden light) includes the collection of Turkish tales in verse and prosaical which reflected Ziya Gökalp's thoughts. When he was a small child, Z
20003125070Oxford: University Press 2000. XXXII, 601 Seiten. Mit zahlreichen Illustrationen. Gr. 8° (22,5-25 cm). Orig.-Pappband mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].
128 pages. Features: Combining Eastern and Western Techniques; Creating Personally Significant Images; Discovering the Creative Possibilities of Synthetic Paper; An Alternative to the Conventiaonal Painting Excursion; Watercolor Societies; Maurice Brazil Prendergast's Pivotal Watercolors; The Color Red - Part One; The Color Red - Part Two - replacing fugitive reds; Tangling with the Cyclops; Creating Icons on Paper; Floral Painting; Achieving Detailed Realism with Gouache; Telling Tales; Wildlife in Color; Composing with Stripes. Average wear. Prior owner's name atop page 3. A sound reference copy. Magazine
New Persian, Old(ca. 600-400 B.C.) Original bdg. HC. Demy 8vo. (21 x 14 cm). In Persian and Pahlavi. 63 p. [A]Yâdgâr-i Zarîrân: Matn-i hamâsî az dawrân-i kuhan. [= Ayâdgâr-e Zârêrân]. Ayâdgâr-e Zârêrân, or 'Memorial of Zarer', a short Pahlavi text which is the only surviving specimen in that language of ancient Iranian epic poetry. It is preserved in a unique manuscript, written in A.D. 1322. The chief editions are those of J. M. Jamasp-Asana, The Pahlavi Texts Contained in the Codex MK II, Bombay, 1913, repr. Tehran, [1971-72], pp. 1-16; Pagliaro, Il testo pahlavico Ayâtkâr-i Zarêrân, Rome, 1925; and D. Monchi-Zadeh, Die Geschichte Zarêr's, Uppsala, 1981 (reviewed by D. N. MacKenzie, IIJ 27, 1984, pp. 155-63). It celebrates an event in the early history of Zoroastrianism. Wistâsp, having accepted the "pure religion of the Mazda-worshippers" (dên î abêzag i mâzdesnân)), is challenged on this account by Ardjâsp, lord of the Hyôns. The wise Jâmâsp foretells that Wistâsp's brother Zarêr and many others of his kin will die in the coming encounter. Nevertheless battle is joined. Zarêr, after fighting heroically, is foully slain by a Hyôn, Wîdraf the sorcerer. His son Bastwar, forbidden by Wistâsp to go to the battle-field because of his youth, flouts this command, finds his father's body, and utters a moving lament over it. He slays many Hyons in revenge, and shoots an arrow through Wîdrafs' heart. His cousin Spandyâd, Wistâsp's son, ends the battle by capturing Ardjâsp, mutilating him, and sending him abject away. There are numerous traces in the Pahlavi text of an older Parthian version, with Parthian words, phrases and grammatical usages scattered through it (for these see most fully MacKenzie, loc. cit.). Parthian, and other apparently archaic, certainly obscure, elements are most concentrated in passages of reported speech, notably par. 92, Bastwar's incantation over the arrow with which he is to shoot Wîdrafs; par. 41, an oath-taking formula; and pars. 84-87, Bastwar's elegy for his father... (Encyclopediae Iranica).
Gr. In-8, 185p. Edition originale limitée à 3000 exemplaires. Illustré de dessins en noir de Wladimir Gedrinsky. Exemplaire enrichi d'un envoi autographe signé de l'auteur en page de faux-titre.
Primera edición con un retrato del autor.
1973008334New York: Farrar Strauss Giroux 1973 Blue cloth very slightly sunned at edges; color pictorial dust jacket worn at extremities a few edge tears with old tape repair on verso original price intact $5.95. Re-telling of an old Cornish play that was performed at Christmas time. Brilliantly pictured by Zemach in color throughout. Caldecott Medal. Very scarce. Stated First Edition. Cloth Hard Cover. Near Fine/Good Minus. Illus. by Margot Zemach. 4to. Farrar Strauss Giroux hardcover
1986002093New York: Dutton 1986 Illustrated boards in matching dust jacket price-clipped. Retelling of this enduring fairy tale illustrated with breathtaking color paintings by Zelinsky. Caldecott Honor. First Printing. Illustrated Boards. Fine/Near Fine. Illus. by Paul O. Zelinsky. 4to. Dutton hardcover
Madrid, Aguilar, 1969, 32,5 x 24,5 cm., cartoné original con dibujos en colores, 17 hojas con dibujos a color.
2022__3030853179Springer Nature 2022. Hardcover. New. 1494 pages. 9.25x6.10x3.46 inches. Springer Nature hardcover
2022x-3030853179Springer Nature 2022. Hardcover. New. 1494 pages. 9.25x6.10x3.46 inches. Springer Nature hardcover
2019x-3030185710Springer Verlag 2019. Hardcover. New. 279 pages. 9.25x6.10x0.87 inches. Springer Verlag hardcover
Mm 290x415 Fascicolo in folio di 8 pp. con prima e ultima carta illustrate a colori, illustrazioni in nero nel testo. Fioriture ai margini. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 290x415 Fascicolo in folio di 8 pp. con prima e ultima carta illustrate a colori, illustrazioni a colori nel testo. Fioriture ai margini SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Citazione autografa firmata su foglietto volante, cm.6x18 4 righi in chiara grafia: "Se sei geloso di una donna ma veramente l'ami; se dell'arte sei geloso, non l'ami."
199236363Tokyo: Tokumashoten 1992. Softcover. Amano Yoshitaka. Folio softcover 106pp about half of which are text the balance being Amano's lovely paintings including one four panel foldout in rich color. Text in Japanese. Near fine wraps with full color dust jacket no previous owner's marks. Tokumashoten unknown
A clean, unmarked copy with a tight binding. 54 pages. Colorful illustrations. From the novel, "Journey to the West."