14 639 résultats
5446Paris, chez Dan. Niestlé, 1921. In-4, broché, hors-texte en couleurs.
3780Paris, Chez Dan Niestlé, Editeur, 1921. 1 volume in-4, 201-(5) pages, reliure moderne plein cuir brun, couverture illustrée conservée. Edition originale. Tirage limité à 375 exemplaires, celui-ci No 121. Bon exemplaire enrichi d'un envoi à Joseph Kessel.
6272Paris, Chez Dan Niestlé, Editeur, 1921. 1 volume in-4, 201-(5) pages, reliure plein cuir, plats décorés de liserés, dos à nerfs orné de caissons à fleurons, couverture illustrée conservée mais un peu poussiéreuse, garde de soie. Edition originale. Tirage limité à 375 exemplaires, celui-ci No 318. Très bel exemplaire.
1946R320039032EDITIONS PYRENEENNES. 1946. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 pages augmentées de nombnrux dessins en noir et blanc (bandeaux, lettrines et cul-de-lampes).. . . . Classification Dewey : 398.2-Conte populaire
2006RO20155052RUE DES ENFANTS. 2006. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages augmentées de nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 398.2-Conte populaire
1970mz860Editions Bias Papillons Album cartonné 1970 In-4 (20 x 25,5 cm), album cartonné, non paginé, illustrations en couleurs ; coins, mors et charnières frottés, ruban adhésif aux coiffes, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1944CCC-71131. E.O. Petit in-4 broché, couverture illustrée d'une eau-forte, 79 pages, édition flammarion 1944, six eaux-fortes de ANTRAL hors-texte. Tiré à 475 exemplaires numérotés 1/450 sur vélin à la cuve des papetries de rives, non coupé, tranches dalies, interieur tres bon, seules les pages d'avant garde ont une trace de scotch, photos possibles
188311262Québec Typographie de C. Darveau 1883 In-12, iii, 199p. Cartonnage de l'époque, toile brune ornée.
195024190Arthème Fayard & Cie | Paris 1950 | 12 x 19 cm | broché
191889560Nrf | Paris 1918 | 12.8 x 19.5 cm | Relié
1939va1633J. de Gigord Relié 1939 In-8 (14,7 x 21,2 cm), reliure demi-toile, dos lissé, pièce de titre, couverture conservée, 177 pages, illustrations en noir et blanc ; mouillure dans les marges en début de volume et sur la couverture conservées, papier bruni, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
602594Amiot-Dumont Paris 1953 In-12 broché ( 190x140 mm ) de 198 pages.Sous jaquette illustrée.
1920GIT012bcNîmes Imprimerie malachanne 1920. In-12 broché 98pp. Manques en bordure de la couverture.
2721non précisé 1984
1935R320015865BERGER-LEVRAULT. 1935. In-8. Broché. Etat passable, Livré sans Couverture, Dos abîmé, Papier jauni. 184 pages augmentées de nombreux bois gravés en noir et blanc hors texte.. . . . Classification Dewey : 398.2-Conte populaire
LE LIVRE DE POCHE. 1972. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 186 pages augmentées de quelques illustrations en noir et blanc. tranches couleur bleu. ILLUSTRATION DE SINE - CHOIX DE 43 CONTES
19125Vienna 28 April 1692. In Italian untranslated. 3 pp. 12 x 8 inches in good condition lightly toned. Anton Franz Graf Collalto e San Salvatore 1630-1696 Italian nobleman of the Collalto family which settled in Moravia in the 17th century. unknown
8586755400.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
dl2260Juvenile Productions, LTD. Album agrafé In-12 (13,4 x 19,7 cm), album dos agrafé, non paginé, illustrations en couleur, texte en anglais, sans date ; dos frotté, quelques petites pliures et traces sur les plats, petite déchirure sans manque au niveau d'une des agrafes, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1945107381945. Paris Éditions Bordas coll. « Les Imaginaires » 1945 - Broché 12 cm x 18 cm 269 pages impression bicolore - Contes de Jean Marcenac bel envoi à Gaston (Baissette) - Non coupé bon état
199931986New York: Simon & Schuster 1999. 1st ed. Hardcover. Froud Wendy. 1st ptg. square 8vo cloth-backed boards a charming fairy tale by Terri Windling illustrated with photos of gorgeous doll sculptures created by Wendy Froud art directed by illustrator Brian Froud and photographed by John Lawrence Jones. Signed by Brian and Wendy Froud with small goblin drawing by Brian. Fine in fine unclipped dj no previous owner's marks. Signed by Frouds. Simon & Schuster hardcover
4to., First Edition, with numerous delightful illustrations in the text, half-title lightly browned; original pictorial boards, ivory buckram back, very neatly recased with endpapers to style, covers very lightly age-soiled else a very good, clean copy.
192419001TYPED LETTER SIGNED dated March 28th 1924 on RURAL PUBLISHING CORP. stationery to author and famous member of the Lovecraftian Circle Frank Belknap Long about 375 words stating that Long's story THE DESERT LICH has unfortuantely been delayed as it was decided that one man namely Edust-wrapper in Baird could not possibly have the time to be editor for WEIRD TALES DETECTIVE TALES and their new venture GHOST STORIES and thus he "will assume the editorial helm of WEIRD TALES & GHOST STORIES" that he has "read several thousand manuscripts when he was a reader for Baird and that he knows the thrill that comes of discovering a distinctively written story" that he "wishes to use DESERT LICH Long's accepted tale in the combination summer issue for June July & August which we are making triple size and putting out to clear the deck for the issuance of GHOST STORIES" "that their rates are not yet as high he would like them to be and that by summer he hopes we can pay on a pay on acceptance basis" and that "Our rates at present are one cent a word". He finishes with these plaudits for Lovecraft: "Please thank Mr. Lovecraft for me for turning THE DESET LlICH our way. And I want to thank you also for telling me of other Lovecraft stories that I have not yet seen. I would as soon think of changing a line or a word or a title of Mr. Lovecrat's work as I would rewriting an Edgar Allen Poe story. He is to my way of thinking the supreme master of weird tales whose mastery is not accidental but the result of careful and directed thought. So far I have seen Mr. Lovecraft's works only in print for I have not had the thrill of reading them in manuscript. I have not even read HYPNOS but I am looking forward to reading the page proofs of the May Weird Tales which contains the story. But those that I have read in the magazine-----THE HOUND THE RATS IN THE WALL DAGON----are marvels of writercraft." Letters from Wright the acknowledged foremost editor of Weird Tales are notoriously scarce and I know of none earlier. They rarely surface on the market place. Indeed letters with a full strong signature of Wright are rarer still as he was virtually unable to sign anything due to Parkinsons disease by 1930. So here's your chance to snatch a piece of history from one major player in the Golden Age of Science Fiction and Weird Tales specifically to another. The earliest letter I have seen by Farnsworth Wright. N.p. unknown
