1 124 résultats
20065299Chevreuse France: Biennales Mondiales de la Reliure D' Art 2006. Limited Edition/Unique Binding. Hardcover. Fine in Fine Slipcase. Limited Edition/Unique Binding. Hardcover. Text in French. This binding was produced for an international competition/exhibition in France for which this textblock was specially produced the signatures provided to the binders "in sheets". The artist chose collage as a means to bring the various tales to light the endpages and balancing block in the front was chosen as the various colors and feeling of the marbled papers tie all the various panels together. The stories/panels are: Front Board: "Red Riding Hood": Red wool cloth & wolf/coyote fur. "Sleeping Beauty": William Morris paper. "The Faries": Snakeskin ostrich skin for the toads Redoute rose paper the prince rhinestones. Sample of the endpaper's marbled paper. "Griselidis": Finely-curled sheepskin the shepardess and a Florentine paper the prince. "Cinderella": Fabric used in Cinderella's dress for a play over fleur de lys paper. Back Board: "Bluebeard": Blue-dyed curly fur over a Gibson Girls paper in red. "The Silly Wishes": The peasant's elongated nose in flesh leather over paper. "Riquet of the Tuft": Paper with an 18th cent. courtly scene over a formal paper. "Donkey Skin": Fabrics of sky-blue moire gold lace and cloth of silver under ratty gray leather. "Puss-In-Boots": Rabbit fur in a course linen "sack" over a paper with cat. A whimsical and beautifully excuted binding. Tight bright and unmarred. Slipcase bright and clean. Full celadon green goatskin boards 12 recessed panels each decorated in various media fabrics fur paper leather snakeskin etc to illustrate one of the 11 stories plus one with the endpage as a unifying element black ink lettering at spine on green and red leather labels custom silk headbands top of textblock colored to match endpages marbled endpages leather hinges; slipcase has in blind tooled leather label lined with padded brushed white denim. 8vo. 171pp. Illus. b/w plates. Limited edition this being copy 246. Biennales Mondiales de la Reliure D' Art hardcover
195021024Paris: Jean Porson 1950. Limited Edition. Full Morocco. Gilt and silver blindstamped modernist decoration. Slipcase with morocco trim. Fine/Very Good. Henry Lemarié. Magnificent and striking Art Deco full morocco binding by J. Lambert of a lush edition of the most classic fairy tale. No. 25 of 30 copies with illustrations in two states apart from text as well as several of the 39 illustrations shown in their progressive stages of the coloring process. states but then also presented as a progressive with the each step of the coloring process presented. 4to. 24.5 by 16.5 cm. Although the story is short with pagination running from 1 to 33 with the last page not paginated and there are two pages of verse two pages describing the pagination the book is thick thanks to the thickness of the paper -- the leaves could fairly be described as of a card stock. There are about 140 leaves in all with heavy gilt edges. Original wraps bound in. Notwithstanding the occasional light fox mark we can comfortably grade this copy as Fine. The slipcase remains very solid. Its paper pastedown does have a few scratches and spme schmutz. Jean Porson unknown
51-5694Paris: Jean Baptiste Coignard1684. Folio. 27 x 41.5cm. Original calf covers laid onto new goatskin binding by the artisan binder Sasha Mosalov. 20 3254 16pp. Numerous engravings.Very good.OCLC Number / Unique Identifier:493493105 Paris: Jean Baptiste Coignard,1684 unknown
51-3900London: Eragny Press 1899. 8vo. Original boards and decorative paper slight worn on spine. 38 2 pages illustrations some color 20 cm.Sold by Hacon & Ricketts London and Floury Paris. OCLC: 38654052.Bookplates of Crosby Gaige and Albert Sperisen collectors. One of 224 copies of which this is one of 220 copies on paper 3 wood-engraved illustrations border initials and pictorial device by Lucien Pissarro one double-page illustration printed in gold green and black Tomkinson Eragny 5; Le frontispice les bordures les illustrations et les lettres ornees ont ete dessines par Lucien Pissarro et graves sur bois par Esther & Lucien Pissarro et le livre fut acheve d'imprimer sur leurs presses a Londres le 16 Juillet 1899.""Il a ete tire de cet ouvrage 224 exemplaires dont 200 pour la vente."Printer's device Eragny Press on last page.Esther Levi Bensusan 1870–1951 the daughter of a Jewish merchant in London became a leading book illustrator during the height of the Arts and Crafts movement in England. As a teenager studying at the Crystal Palace School of Art she met Lucien Pissarro 1863–1944 son of the French Impressionist painter Camille Pissarro. Married in 1892 she and Lucien Pissarro shared a deep admiration for William Morris and the artistic ideals embodied by his Kelmscott Press books. Following the birth of their daughter Orovida in 1893 the couple established the Eragny Press which specialized in high-quality literary editions illustrated with wood-engravings. London: Eragny Press, 1899 hardcover
19693228DISNEYLAND 1969. 1. LP. Die große Langspielplatte mit buntem Bilderbuch! DISNEYLAND unknown
188076522London: Millikin & Lawley 1880. Fine. Millikin & Lawley London 1880 S.d 9 x 14.50 cm autre Complete series of illustrations the tale of Red Riding Hood hand-painted on 12 glass plates intended for a magic lantern the ancestor of the projector and the cinema. Publisher's cardboard box with the titles on the top board: 12 Superior English Made lantern slides. Handwritten: Red Riding Hood. Signs of rubbing on the box. A stop in the split lid at 2cm. On plate 9 paper is missing which circles the plate in a border. On plate 12 the black part has a small scratch this part encircling the medallion which is projected by the lantern. Otherwise collection in excellent condition. Millikin & Lawley carried out their trade in magic lanterns and plates between 1860 and 1900. Millikin & Lawley unknown
167686815Paris: Chez Jean-Baptiste Coignard rue Saint-Jacques à la Bible d'or 1676. Fine. ""For you know that I myself am a labyrinth where one easily loses their way"" Chez Jean-Baptiste Coignard rue Saint-Jacques à la Bible d'or Paris 1676 9.80 x 16 cm relié Second edition. Bound in full roan spine with five raised bands framed in gilt and decorated in gilt edges framed in gilt partially faded in places all edges speckled. Lower corners bumped worming visible on the first seven leaves. A rare edition of this work which include Dialogue de l'amour et de l'amitié Critique de l'Opéra La Peinture Le Miroir ou la métamorphose d'Orante La Chambre de justice de l'amour une Critique de l'opéra Alceste. Also featured is Charles Perrault's description of the now-lost Labyrinth of Versailles a creation by the great Le Nôtre. This remarkable labyrinth boasted thirty-nine fountains each illustrating one of Aesop's fables and accompanied by verses from Isaac de Benserade. Provenance: Library of Henry Bertrand dry stamp on the first endpaper.  Chez Jean-Baptiste Coignard, rue Saint-Jacques, à la Bible d'or hardcover
1800130531Chez Henry Tardieu 1800. Hardcover. Good. Chez Henry Tardieu Paris 1800 small hardcover 4.25" x 6.5" loss to base of back strip 1" pencil to end papers missing one of the 12 called for plates. Text is in French. Please email for photos. Chez Henry Tardieu hardcover
201299997University Press of Florida. New. 2012. Hardcover. 0813041872 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 150 pp. ; 70 illus. 10 in color. -- with a bonus offer-- . University Press of Florida hardcover
200691911Skira. New. 2006. Paperback. 8876242694 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages. Description: "Dominique Perrault erupted into the European architecture landscape in the early '90s winning the competition for the Paris National Library-and then the French National Prize for Architecture in 1996 followed by the Mies van der Rohe Prize in 1997. Perrault developed a revolutionary design production balanced between a sophisticated rationalism and an elegant use of technology as seen in the Berlin Velodrome and in the Mediateque of Venissieux. This richly illustrated volume examines the complete work of Perrault and concludes with an interview with the master. Moving from Perrault's early international projects Capitanucci reviews his creative production focusing her essay on the recent works by dividing it into thematic sections: Architecture and Contemporary Public Space-Five Projects Boxes Late Nineties-Competitions and Design Experiments and Urban renewal." -- with a bonus offer-- . Skira paperback
201198046Actar. New. 2011. Paperback. 8461506413 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 208 pp. ; 247 illus. 161 in color. -- with a bonus offer-- . Actar paperback
200873587Editions HYX. New. 2008. Hardcover. 2910385531 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- WITH DVD. Text in French and English. 208 pp. -- with a bonus offer-- . Editions HYX hardcover
200688935Walther Konig. New. 2006. Paperback. 3865601081 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 96 pp. ; 113 ills. -- with a bonus offer-- . Walther Konig paperback
198867469Picard. New. 1988. Paperback. 270840377X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 304 pp. With 219 ills. 26 x 24 cm. -- with a bonus offer--; 0.94 x 10 x 9.37 Inches . Picard paperback
1899007161France: Eragny Press 1899. Book. Very Good. Hardcover. Limited Edition. 8vo - over 7¾" - 9¾" tall. Published in an edition of 224 copies 200 of which were for sale. In original pale blue decorative paper boards gilt lettering front cover 2 gilt decorations at spine with lovely wood engravings and decorative initials designed by Lucien Pissarro and engraved by Lucien and Esther Pissarro printed on handmade paper. Very Good spine a bit darkened endpages with usual toning small bookseller's stickers bottom edge front and rear paste downs. A quite charming edition of these classic fairy tales. Eragny Press Hardcover
185074207Paris: Magnin Blanchard & Compagnie 1850. Fine. Magnin Blanchard & Compagnie Paris 1850 S.d. 17.50 x 27.20 cm relié This illustrated edition originally appeared from Curmer but the frontispieces of each tale were only printed in black whereas they have been printed in bistre in this edition. The text of the tales is entirely engraved in italics and superbly printed on strong laid paper. The illustrations in the text are finely engraved on steel they are due to the imagination of Pauquet Marvy Jeanron Jacque Beaucé Jules Compagnon and engraved by Monin. The 15-page notice on the life and works of Perrault by Paul Jacob appeared for the first time in the 1836 edition the same is true for the dissertation in fine on fairy tales. One general title in bistre and 9 frontispieces in bistre; each page of each tale entirely engraved with text and composition framing the text or as headpieces tailpieces. Publisher's binding in half dark green shagreen. Spine with false raised bands richly decorated with ornate compartments. All edges gilt. White glazed watered paper for the endpapers. Signs of rubbing. 2 frontispieces partly detached. Some small scattered foxing on paper that is quite white with full margins. A handsome copy. ""It is one of the most beautiful illustrated books of the 19th century and perhaps the rarest in fine condition."" Carteret Le trésor du bibliophile romantique et moderne. This edition is very rare and is encountered only very infrequently just like the one published by Curmer it found itself as Carteret affirms in the hands of children with little bibliophilic sense. Magnin, Blanchard & Compagnie hardcover
1688216881688. A Paris chez Jean-Baptiste Coignard 1688. Un vol. au format in-12 163 x 98 mm de 1 f. bl. 20 ff. n.fol. 252 et 19 ff. Reliure de l'ÂŽpoque de plein veau marbrÂŽ havane filet ˆ froid encadrant les plats dos ˆ nerfs ornÂŽ de filets gras ˆ froid jeu de petits filets obliques dorÂŽs sur les nerfs doubles caissons d'encadrement dorÂŽs fleurons dorÂŽs piÂce de titre de maroquin caramel titre dorÂŽ palette dorÂŽe en tÂte et queue filet dorÂŽ sur les coupes tranches rouges. Edition originale rare de cette important ouvrage. Tome Ier seul sur 4 cependant complet en tant que tel. Le prÂŽsent volume est dÂŽvolu aux Sciences et aux Arts. Les suivants qui parurent de 1692 ˆ 1697 ˆ L'Eloquence puis ˆ la PoÂŽsie et enfin ˆ l'Astronomie la GÂŽographie la Navigation la Guerre la Philosophie la Musique et la MÂŽdecine. ''CÂŽlÂbre ouvrage ˆ l'origine de la Querelle des Anciens et des Modernes l'un des ouvrages marquants de l'histoire littÂŽraire du XVIIe siÂcle.'' Exemplaire bien pourvu de son feuillet d'Errata souvent absent. ''L'auteur estime que les Modernes sont supÂŽrieurs aux Anciens et conclut sur le principe positif d'une progression constante des arts et des lettres ˆ travers les siÂcles visant ˆ donner ˆ la France la capacitÂŽ d'occuper la premiÂre place dans le temps comme dans l'espace en dÂŽmontrant la supÂŽrioritÂŽ des artistes et auteurs modernes sur les anciens ''. PÂŽrouse de Montclos in L'Art ˆ Paris. ''Au nom de la raison Charles Perrault entreprend d'examiner ici en un vaste panorama les lettres la philosophie les sciences et les arts pour dÂŽmontrer qu'ils sont soumis au progrÂs que le beau n'est pas immuable et que peut s'y affirmer un gÂŽnie proprement franÂais libÂŽrÂŽ du carcan de la comparaison avec l'AntiquitÂŽ et l'Italie. Manifeste de l'esprit moderne et de la foi dans le progrÂs tout en restituant sa place ˆ l'imagination et la sensibilitÂŽ le "ParallÂle des Anciens et des Modernes" ouvrait la voie au siÂcle des LumiÂres.'' in Tchemerzine-Scheler V 169. Tchemerzine IX Bibliographie d'ÂŽditions originales et rares d'auteurs franÂais 170 ne dÂŽcrivant qu'une ÂŽdition de 1690 - Brunet VI Manuel du libraire et de l'amateur de livres 18296 - Graesse V TrÂŽsor de livres rares et prÂŽcieux p. 206. Coiffe supÂŽrieure arasÂŽe. Marque brune en tÂte du premier plat. Rares rousseurs dans le texte. Infime manque angulaire affectant un feuillet. Manque au dernier feuillet de la PrÂŽface avec disparition de la derniÂre lige du texte. Les 5 derniers feuillets Du SiÂcle de Louis le Grand ici absents. Nonobstant bonne condition. b42961 unknown
172242537London: Printed for John Senex and R. Gosling W. Taylor W. and J. Innys and J. Osborn 1722. Second edition thus. Folio. viii xxii ii xii 42 45-131 1 pp. Later period style full calf with blindstamped decoration to both boards spine with raised bands twin gilt lettered red labels marbled endpapers late 20th century ownership inscription to the original front flyleaf. Engraved title and dedication and 6 plates plus numerous head and tail piece vignettes historiated initials and other diagrams in the text by John Sturt. Spine a little sunned very good overall. First published in France in 1683 the first English edition appeared in 1708. Pages 43/44 are not called for. London: Printed for John Senex and R. Gosling, W. Taylor, W. and J. Innys, and J. Osborn unknown
193324878George G. Harrap & Co. 1933. Limited ed. Hardcover. Very Good. Limited edition # 55 of four hundred and sixty copies signed by the illustrator Arthur Rackham very good hardcover full vellum ruled in gilt with gilt letter and decorationno jacket or slipcase with top page edges gilt that shows soiling to covers exposure toning to white from off white along top edge of rear cover about an inch deep mild wrinkling and touch of darkening along spine tiny closed tear at spine head foxing along top edges and bit of same at top edges inside covers gift inscription at top of front blank touch of soil at rear pastedown mild spot of occasional soil to pages within and some other very minor trace wear including unattached ribbon marker laid-in. 287 pages have been cut in a fairly clean manner with decorative endpapers eight illustrated color plates and over 50 illustrations to text. Still a solid and pleasing copy of this limited edition featuring new illustrations and signature by Rackham that compliment some of the great fairy tales of all time including Jack and the Beanstalk Beauty and the Beast the Ugly Duckling Cinderella Puss in Boots Rip Van Winkle and many many others. Signed. George G. Harrap & Co. hardcover
139920Baton Rouge: Published by the Friends of the LSU Library 1987. full leather binding housed in a cloth clamshell box with leather spine label. Etherington Don. small 4to. full leather binding housed in a cloth clamshell box with leather spine label. xvi 280 pages with xvi pages of plates. A catalogue of the Mcilhenny natural history collection which describes 1388 items. A fine copy in fine clamshell box. Signed in ink by the compiler author of the preface and author of the introduction on the half-title page. This particular copy has been bound in a full leather artists' binding by Don Etherington which is unsigned. The binding is full olive green calf with green navy blue white brown dark blue tan olive red and purple leather onlays with the title stamped in black. Handmade metallic pastepaper pastedowns and endpapers. <BR> <br /> <BR> <br /> The collection which consists of art and books about nature was formed as a result of a gift from the descendants of Mcilhenny of Avery Island in Louisiana owned by the family since 1813. It is illustrated with 16 pages of beautiful color plates and several black-and-white plates and drawing throughout. Indexed. A fine copy. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. Published by the Friends of the LSU Library unknown
122445London William Heinemann 1913. . First edition deluxe issue one of 1110 copies signed by Rackham on the limitation page; 4to 285 x 230 mm; William Heinemann windmill watermark to half-title 13 tipped-in colour plates with captioned tissue-guards illustrations throughout text offset to front and rear free endpaper due to binding some foxing to front and rear endpaper the occasional minor spot to a few pages very small tear to edge of ix leaf otherwise very good; contemporary green crushed morocco for Hatchard's spine in 6 gilt compartments decorative panelling and floral quatrefoil corner pieces incorporating red morocco onlays to covers all edges gilt very mild rubbing to extremities small light scratch to rear board otherwise a most attractive period binding; xii 160pp.<br /> A beautifully illustrated edition of Mother Goose Old Nursery Rhymes including many well-known ones such as Hickory-Dickory-Dock. This copy is number 716 of only 1110 copies printed in this deluxe issue and signed by the illustrator Arthur Rackham. Rackham was a leading figure in the Golden Age of Illustration as exemplified by this book.<br /> London, William Heinemann, 1913. unknown
1902123847London: Printed at the Eragny Press for Hacon & Ricketts 1902. Hardcover. Very Good. London Printed at the Eragny Press for Hacon & Ricketts 1902 first thus. Octavo 40 pages printed in red and black on Arches handmade paper with a wood-engraved vignette for the Mother Goose stories title vignette borders initials and printer's device plus 2 wood-engraved illustrations. Original quarter contrasting plain and patterned papered boards lettered in gilt; edges uncut and partially unopened; covers lightly sunned and rubbed with brown marks to the rear cover apparently from prolonged contact with another book; endpapers browned; a very good copy internally in fine condition. One of only 230 copies of which 200 were offered for sale printed at the Eragny Press of Lucien and Esther Pissarro. The title vignette and two illustrations were drawn and engraved by T. Sturge Moore; the frontispiece borders and initials were designed by Lucien and engraved by him and Esther. This is the fourteenth book of the press. Printed at the Eragny Press for Hacon & Ricketts hardcover
1768963F12London: Printed for ye editor 1768 . First edition. Leather. Very Good Indeed. 12" by 9.5". George Bickham. The very scarce first edition of Daniel Bellamy's translation of this satire about Aesop navigating the 'labyrinth' of the French court illustrated with engraved plates by George Bickham. A very scarce first edition extracted from Daniel Bellamy's 1768 work 'Ethnic Amusements'.Illustrated with a total of forty-two engraved plates including a map of the labyrinth and an engraved title page forty plates and a vignette engraving.Collated complete.Illustrated by English writing master and engraver George Bickham.This satirical and allegorical work that uses the character of Aesop as a mouthpiece for social and political commentary on the French court particularly the intrigues and excesses of Versailles. First published in the original French by Charles Perrault this is the first English language edition translated by Daniel Bellamy.ESTC No: T83830In a quarter morocco binding with marbled paper covered boards and with endpapers renewed. Housed in a felt lined chemise and matching slip case. Rebacked in marbled paper covered boards with endpapers renewed. Externally fine. Housed in a felt-lined chemise and matching slip case. Chemise in fine condition with slip case near fine with instances of light fading to board perimeters. Internally firmly bound. Minor loss and neat restoration to tail of final leaf. Small closed tears to fore edge of title page. Pages lightly age toned with the odd spot and instances of light handling marks. With light offsetting to pages facing plates. Very Good Indeed Printed for ye editor hardcover
150990N.p.: N.p. 1970. Collection of nine vintage reference photographs from the 1970 film including eight borderless and one with narrow margins and wide bottom margin. Two bear provenance stamps on the verso and one bears the stamp of photographer Andre Marinie.<br /> <br /> Three in the collection are on the set photographs featuring director Jacques Demy.<br /> <br /> Based on the 1695 French fairytale in verse by Charles Perrault and loosely based on Jean Cocteau's 1946 "Beauty and the Beast." <br /> <br /> Shot on location in Chambord Ecuille Gmabais Manche and Oise France. <br /> <br /> Photographs range in size from 7 x 5 inches to 10.5 x 7 inches. Generally about Near Fine. <br /> <br /> Criterion Collection 718. N.p. unknown
1804881F49London: Tabart and Co 1804 . Paperback. Good. 5.5" by 3.5". Not Stated. Benjamin Tabart's very scarce 1804 edition of Charles Perrault's classic fairy tale the first separate printing of this work in English. This is a very scarce early single volume English language edition of the classic tale; Tabart is known to have printed sixteen editions in 1804 alone all of which are now very scarce. This is the sixth edition from Tabart published in the same year as their first.Illustrated with a hand-coloured copper plate frontispiece and with one further hand coloured plate. Collated lacking the third plate referred to by the title page.Ink inscriptions to verso of front wrap and recto of rear wrap.With a publisher's advertisement to the verso of the title page.Jisc lists only three institutionally held copies of this work: eleventh and twelfth editions held by the University of Cambridge and a fourteenth edition held by the V&A Museum libraries. In the original paper wraps. Paper repair to back strip. Original title label to front wrap detaching to head and with spotting. Spotting and handling marks to wraps. Ink inscriptions to verso of front wrap and recto of rear wrap. Internally binding strained and somewhat tender. Pages lightly age toned but generally clean with only the odd spot. Good Tabart and Co paperback