3 051 résultats
190339060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. <br/><br/> Librairie de la Collection des Dix / A. Romagnol paperback
19041452Paris: Librairie L. Conquet L.Carteret et Cie 1904. Limited Edition. Near fine. Daniel Vierge. Large 8vo 10 1/2 x 7 inches 270 x 177 mm; viii 298 pp. adv. 4; rubricated title page. 63 wood engravings by Noël et Paillard from drawings by Daniel Vierge. Handsome red pebbled morocco binding by Bretault in gilt on front dentelle with raised bands and gilt titling; turn-ins with elaborate gilt scrolls marbled endpapers t.e.g. rest uncut. Hinges professionally repaired scratch at bottom of rear cover. Original illustrated paper wrappers and strip bound in as well as the subscription advertisement with first spread. Paper evenly toned with very occasional foxing; binding square and tight. Copy 83 of 100 grand luxe copies on Japon ancien as stated on the limitation page. <br /> <br /> BNF30930179. An elegant large paper edition on lush Japon paper of Prosper Mérimée's short novel Colomba which first appeared on 1 July 1840 in the Revue des Deux Mondes. Through the lens of historical fiction the novella examines the Corsican vendetta. The story has been adapted on a number of occasions for the screen including the 1950 film "Vendetta" directed by Mel Ferrer. Librairie L. Conquet, L.Carteret et Cie unknown
194239112Paris: La Tradition Paul Durupt 1942. THE PUBLISHER'S COPY. A wonderful livre d'artiste published during the Occupation with 24 ORIGINAL ETCHINGS with drypoint by Jean Traynier an important printmaker and book artist. From an edition of 540 copies printed on very fine Arches wove paper THIS IS THE UNIQUE PUBLISHER'S COPY BELONGING TO PAUL DURUPT the founder and director of La Tradition. With a remarque suite of the 24 etchings in the first state on wove paper; a remarque suite of the 24 etchings in the second state on wove paper; a remarque suite of the 24 etchings in the second state on Japanese paper; NINE ORIGINAL DRAWINGS each matted and SIGNED BY TRAYNIER; a mounted ORIGINAL DRAWING inscribed to Durupt and SIGNED BY TRAYNIER; a handcolored proof etching inscribed to Durupt and SIGNED BY TRAYNIER; a proof etching SIGNED BY TRAYNIER; THIRTEEN AUTOGRAPH LETTERS FROM TRAYNIER TO DURUPT relating to the production of the book all of which are SIGNED BY TRAYNIER and one of which features a small sketch; and a carte-de-visite from intellectual JACQUES GUIGNARD 1912-1980 with a long inscription thanking Durupt for sending him a copy of this book. 4to. Original wraps with board chemise and slipcase. FINE AND BRIGHT with the additional material in a separate chemise. UNIQUE AND IMPORTANT. <br/><br/> La Tradition (Paul Durupt) paperback
1946240502011Chez Jean Porson 1946. First THUS. Loose Leaf Portfolio . Clean & Unmarked. Text in French. Limited. Includes two loose leaf suites of lithographs. The first are two sets of color 13 full page prints and 25 partial page prints amid text and is housed in folded wraps with a glassine jacket.The second is composed of 51 1 black prints with one full page color print and one partial. All housed in the rear in a folded pocket with the 1 black print being the cover print. Limited. This is #43 of a total of 275 copies. Number 43 is in the subset from numbers 31-50 twenty copies on Rives paper same as 1-30 but without the original watercolor. Both suites housed in loose boards. Scattered yet sparse faint foxing throughout. Pockets fraying as well as board hinges. Loose boards then rest in a slipcase with rubbed edges and scuffed corners. See photos. Very scarce in this complete of a package. Chez Jean Porson unknown
1841935Paris, Magen et Comon, 1841 ; grand in-8 de [2] ff., 463 pp., demi-maroquin rouge à grain long à coins, filet doré, dos lisse orné en long de motifs dorés avec petite pièce de maroquin olive au centre, tête dorée, non rogné (Semet & Plumelle).
18891731Sous étui bordé cuir. Reliure plein maroquin marron. Dos lisse au titre doré dans un écusson et marqueterie d'une hallebarde et blason de France. Premier plat orné en marqueterie de cuirs de couleurs d'une épée traversant les pages d'une Bible, d'un poignard et d'un chapelet avec un encadrement d'un quadruple filet doré. Tête dorée. Couverture conservée. Reliure signée VERMOREL. Intérieur très propre.
7783"P., Chez Levrault, Rue de la Harpe, n° 81; et rue des juifs, n° 33, à Strasbourg, 1827. Petit in 8 cartonnage lithographié de l’éditeur, frontispice lithographié, XII-257 pp."
182886036Paris: Brissot-Thivars 1828. Fine. Brissot-Thivars Paris 1828 21.20 x 12.70 cm relié First edition from Balzac's printing house. Between 1826 and 1828 Balzac purchased a printing house and partnered with a typographer but the enterprise went bankrupt in 1828. Books printed for Balzac show a concern for typography and fine book production. Bound in half burgundy long-grain morocco with corners ca. 1840. Spine with raised bands decorated with 5 tools blind and gilt fillets head and tail rolls. Double fillet border on boards and corners. Some scattered browning. Louis Gillet bookplate. Very fine copy. La jacquerie and La famille de Carjaval are two dramatic and historical pieces that evoke Schiller's theatre. These dramatic scenes were intended to be read rather than performed. In La Jacquerie Mérimée reverses the vision of this peasant revolt through the prism of new romantic historiography and the peasants are no longer perceived as bloodthirsty barbarians but as victims of absolutism. With economy of means and a clear concise style Mérimée brings this feudal epic to life before our eyes. Brissot-Thivars hardcover
183370286Paris: H. Fournier jeune 1833. Fine. H. Fournier jeune Paris 1833 13 x 20 cm relié First edition. Half-shagreen binding of the late 19th century. Smooth spine decorated with repeated romantic tooling title and date in gilt. Top edge gilt. Spine uniformly sunned. Light scattered foxing. Bookplate with crowned cipher Alfred and Blanche de Curzon. Alfred de Curzon was a French painter deceased in 1895. This collection contains important short stories by the author including Mateo Falcone L'enlèvement de la Redoute Vision de Charles XI Le vase étrusque. H. Fournier jeune unknown
1841185851841 Paris, Magen et Comon, 1841, in-8 de (4)-463-(1) pp., rel. pastiche de l'époque romantique réalisée vers 1900, demi-veau vert, dos lisse (uniformément passé), orné de double-filets dorés soulignés de filets à froid, fleurons romantiques à froid, relativement peu de rousseurs, entièrement non rogné, bon ex.
194645356Paris Jean Porson 1946 In-8, en feuilles, couverture illustre (embotage de l'diteur).39 lithographies originales en couleurs de Clav, dont une sur la couverture, un frontispice, 8 hors-texte et 29 in-texte. Tirage limit 275 exemplaires numrots. Un des 185 exemplaires sur vlin d'Arches. Exemplaire dans son embotage d'diteur recouvert de compositions par Clav, et complet du prospectus illustr de l'diteur.
19460044911946 Paris, Jean Porson, sans date [1946]. In-8 couronne (200 X 252 mm) en feuilles, couverture rempliée illustrée, étui et chemise illustrés de l’éditeur; 154 pages, (3) ff.. Rousseurs sur l'étui et les plats de la chemise ; quelques rares rousseurs dans les barbes et une petite rousseur répétée en marge du faux-titre, du frontispice et du titre.
183338060Reliure demi-maroquin long grain bleu nuit à petits coins. Dos lisse avec mosaïques dorées en long.Tête dorée. Reliure signée THIERRY. Intérieur très frais.
194346413Paris: Le Vasseur et Cie 1943. Fine. Le Vasseur et Cie Paris 1943 23.30 x 28.70 cm en feuilles sous chemise et étui Edition with illustrations by Jean Traynier printed in 425 copies ours one of the 325 numbered on Arches vellum unnumbered includes a manuscript justification by the illustrator: ""Exemplaire d'artiste réservé pour Monsieur . avec la sympathie de l'illustrateur."" ""Artist's copy reserved for Mister . with the illustrator's regards."" It is also enhanced with an autograph dedication page by Jean Traynier and 20 original watercolors by the artist in the text margins. Spine of the chemise slightly faded. Beautiful illustrated adaptation of Jean Traynier's etchings superbly heightened with watercolors by the artist. Le Vasseur et Cie hardcover
11498Eleutheropolis, de l’An MLCCCLXIV, de l’Imposture du Nazaréen. [Bruxelles, Poulet-Malassis, 1864] 1 vol. petit in-12. Demi-chagrin bleu, dos à nerfs orné, titre et auteur dorés.
1876ST20760-01Paris: Georges Chamerot pour les Amis des Livres 1876. No. 43 OF 100 COPIES numbered for subscribers this one for M. G. Masson from a total edition of 115. 272 x 172 mm. 10 3/4 x 6 3/4". Two volumes. <br/> HANDSOME CHOCOLATE BROWN LEVANT MOROCCO GILT BY PÉTRUS RUBAN stamp-signed on front turn-in covers framed by multiple gilt rules raised bands spine compartments similarly framed gilt lettering WITH gilt turn-ins framing LIGHT BLUE GOLD PINK AND WHITE JACQUARD SILK PASTEDOWNS AND ENDLEAVES marbled flyleaves top edges gilt volume II with neat repair to head of spine. Original paper wrappers bound in. With etched portrait of the author by Lalauze and 31 etchings by Edmond Morin composed of two frontispiece plates 28 vignette headpieces and a tailpiece. Carteret IV p. 278 "Belle Illustration Cotée"; Beraldi "Les Graveurs du XIXe siècle" X pp. 144-45 "un grand succès pour la Societe des Livres". For the artist: Houfe "Dictionary of British Book Illustrators and Caricaturists" pp. 394-95. Spines just lightly sunned bindings with very light signs of use boards with a hint of dulling from leather preservative faint offsetting from etchings onto titles and pages opposite each chapter opening otherwise very fine internally--entirely clean and fresh with spacious margins and in well-preserved attractive bindings.<br/> <br/> This substantially-sized stately set offers a winning combination of handsome bindings charming illustrations and a deluxe bibliophile's printing in a limited edition. A novel of historical fiction Mérimée's "Chronique" is set in the 16th century during the reign of Charles IX and the French Wars of Religion. The plot revolves around two brothers one Catholic and one a Protestant convert whose conflict in the end the Catholic brother is responsible for the Huguenot brother's death mirrors the wider discord of the period's French Wars of Religion. The novel is known for its meticulous descriptions and faithfulness to historic fact most notably its depiction of the St. Bartholomew's Day Massacre in which thousands of Huguenots were murdered by Catholic mobs. First published in 1829 the novel appears here with illustrations by Edmond Morin "a spirited French Artist" in Houfe's words who worked as a painter illustrator and etcher in Paris and London. Our author Prosper Mérimée 1803-70 would later become a pioneer of the novella and is best known for his work "Carmen" upon which Bizet's famous opera was based. In addition to his literary contributions Mérimée also played a key role in the conservation of French history. As Inspector-General of Historical Monuments from 1833-52 he travelled extensively around France documenting the country's architectural treasures and facilitating plans for their repair and preservation. His more well-known projects include the restoration of the facade of Notre-Dame de Paris saving Vézelay Abbey from collapse and conserving the six tapestries collectively known as "The Lady and the Unicorn." The attractive bindings here are the work of Pétrus Ruban 1851-1929. Praised by the bibliophile Octave Uzanne for taking inspiration from everything around him--flowers birds architecture--and for his facility with colors Ruban became quite a fashionable binder who worked largely for the great collectors of the day among them Beraldi Baudin Granjon de l'Espinay and Romagnol. Flety notes that "with a fertile imagination he practices all genres of binding with equal felicity"--a talent that is very much on display here. Ruban won silver medals at the Palace of Industry and at the Universal Exposition in 1889 with judges at the latter praising his careful study of both historic master binders and modern artists noting that Ruban would "soon achieve the rank he so rightly seeks.". Georges Chamerot, pour les Amis des Livres unknown
18964844<p>First edition thus. Octavo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper.</p> Devinne Press hardcover
18391726411839. MERIMEE M.J.F.L. The Art of Painting in Oil and in Fresco. With Original Observations. By W.B. Sarsfield Taylor. xliv 371 pp. illustrated with 2 hand-coloured plates - the English chromatic scale of M. Harris and the French chromatic scale of Merimee. 8vo 190 x 115 mm. bound contemporary half morocco London: Whittaker & Co. 1839. First Edition in English; originally published Paris 1830; translated into English by W. B. Sarsfield Taylor. It was called by Faber Birren "perhaps the most important book on painting of the early 19th century." History of color in painting p. 55. The subtitle states the work is "a history of the various processes and materials employed from its discovery by Hubert and Jan Van Eyck to the present time.with original observations on the rise and progress of British Art the French and English chromatic scales and theories of colouring by W.B.S.T." Chapter six deals with conservation and restoration and is given a good analysis in Ruhemann/Plesters pp. 384-5. Noted also by Mayer in The Artist's handbook: "one of the first of the carefully written books on methods and materials; an authentic account of the knowledge of the present day." p. 352. Also contains information on pigments; multiple references in R. D. Harley Artist's pigments. Birren Collection 455. The Book of Colour Concepts 170. unknown
06431London: Hutchinson & Co. 1916. Edition de Luxe<br /> One of 100 Copies Signed by René Bull<br /> <br /> BULL René illustrator. MÉRIMÉE Prosper. Carmen. Translated by A.E. Johnson. With Pictures by René Bull. London: Hutchinson & Co. n.d 1916. <br /> <br /> Edition de Luxe. Limited to 100 numbered copies this copy being No. 55 signed by the artist. <br /> <br /> Quarto 10 3/4 x 8 7/16 inches; 273 x 214 mm. 2 blank x 204 pp. With color frontispiece and fifteen fine color plates each with descriptive tissue guard together with seventy-four black and white illustrations in the text. The plates richly colored and often heightened with a decorative sensibility drawn from both Orientalist and theatrical traditions form one of Bull's most accomplished book illustration cycles.<br /> <br /> Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine a particularly handsome and appropriate binding for a deluxe issue. Gray and white pictorial endpapers all edges gilt. Spine a little darkened as often with vellum; otherwise an excellent and well-preserved copy of this very scarce signed limited edition.<br /> <br /> A distinguished illustrated edition of Mérimée's Carmen the novella that inspired Georges Bizet's opera here interpreted through Bull's dramatic and highly stylized visual language. His illustrations capture both the exoticism and psychological intensity of the story blending elements of Art Nouveau theatrical design and early twentieth-century decorative illustration.<br /> <br /> René Bull d. 1942 "was born in Ireland and went to Paris to study engineering but left this for art work in London 1892. After working for various magazines he was appointed 'special' for Black and White 1896 attending the Armenian massacres and the Graeco-Turkish War as artist.He served in the First World War in RNVR 1916 and RAF 1917. Bull was one of the most versatile specials because his stature as an artist was above average. Not only an accurate reporter he was a talented comic draughtsman and a brilliant illustrator of fairy stories" Houfe The Dictionary of 19th Century British Book Illustrators p. 81. Works illustrated by Bull include: La Fontaine's Fables 1905 Uncle Remus by Joel Chandler Harris 1906 The Arabian Nights 1912 The Russian Ballet by A.E. Johnson 1913 Rubáiyát of Omar Khayyám 1913 Carmen by Prosper Mérimée 1916 and Travels into Several Remote Nations of the World by Jonathan Swift 1928. London: Hutchinson & Co., 1916 unknown
1889mon0000155653Paris: Emile Testard 1889. 1 volume quarto limited to 75 copies on Japon title-page printed in red and black illustrated by Edouard Toudouze. Bound in full red morocco ribbed gilt decorated spine covers ruled in gilt and blind spine and cover panels blind tooled with a repeating crest gilt dentelles all edges gilt by French binder Lortic. "Marcelin Lortic binder and gilder; b. 26 Feb. 1852; d. 2 Sept. 1928; apprenticed and collaborated with his father Pierre Marcelin Lortic 1822-1892; he and his brother Paul b. 30 June 1853 succeeded their father in 1884; worked in conjunction with his brother until 1891 as Lortic fre`res and then alone as M. Lortic and Lortic fils. "rn--from Dictionnaire des relieurs francais ayant exerce de 1800 a` nos jours 1988 Paris: Emile Testard unknown
182821351828 Paris, Brissot-Thivars, 1828, in 8, reliure postérieure demi-maroquin cerise à coins, dos lisse finement orné de caissons dorés séparés par des guirlandes dorées imitant des faux-nerfs, date en pied, tête doréee, rel. signée DURVAND, très bel exemplaire.
15470Paris, Ferroud, 1913. Grand in-8, 222 pp., plein maroquin émeraude, dos à nerfs janséniste lavallière, tête dorée, bordure ornée d'un jeu de fils d'or sur les contres plats, gardes en satin imprimé, sous étui, reliure signée Lisette Godart (petit accroc à l'intérieur de l'étui quelques pages de décalage pour certains hors-textes par rapport à la table des illustrations).
193534898Paris Marcel Lubineau 1935 In-4, demi-maroquin rouge coins, plats de papier marbr, dos nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture illustre.33 illustrations en couleurs d'Andr Collot, dont une sur la couverture, un frontispice, 15 hors-texte et 16 in-texte. Tirage unique limit 2.000 exemplaires numrots sur vlin d'Arches.
193538988Paris Marcel Lubineau 1935 In-4, demi-maroquin rouge coins, plats de papier marbr, dos sans nerfs orn d'une rose pousse or; doublures et gardes de papier marbr, tte dore, non rogn, couverture illustre.33 illustrations en couleurs d'Andr Collot, dont une sur la couverture, un frontispice, 15 hors-texte et 16 in-texte. Tirage unique limit 2.000 exemplaires numrots sur vlin d'Arches.
190646961Paris L. Conquet 1906 In-8, demi-chagrin rouge, plats de papier marbr, dos sans nerfs orn de fers et filets dors; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Flammarion Vaillant).16 compositions dessines par Alexandre Lunois et graves sur bois, dont une vignette de titre et 15 in-texte. Tirage unique limit 250 exemplaires numrots sur vlin blanc.