MÉRIMÉE (Prosper) ; MARTIN (Charles, ill.)Livre Rare Book
3 051 résultats
1172Paris : 1926. UNE RELIURE AUSSI ROUGE QUE LA ROBE DE CARMEN, EXEMPLAIRE DE LA BIBLIOTHÈQUE PERSONNELLE DE RENÉ KIEFFER
182886036Brissot-Thivars | Paris 1828 | 21.20 x 12.70 cm | relié
183370286H. Fournier jeune | Paris 1833 | 13 x 20 cm | relié
182787958Paris: F.G. Levrault 1827. Fine. F.G. Levrault Paris 1827 11.30 x 17.50 cm relié sous étui First edition. Bradel binding red half Russian morocco smooth spine elaborately decorated in gilt and black date stamped in gilt at foot title label in brown morocco tiger eye patterned boards yellow endpapers and pastedowns original wrappers preserved marbled paper slipcase. Frontispiece portrait on chine paper of Hyacinthe Maglanovich a guzla musician. A very intimate creation by Prosper Mérimée the Guzla is a literary interpretation of slavic ballads. Only one of them is authentic titled ""the sad ballad of the noble bride"". Handsome copy elegantly bound. F.G. Levrault hardcover
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. With A.L.s. from Louise Guiney to the Illustrator. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br/><br/>With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br/><br/>With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown books
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br /> <br /> With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br /> <br /> With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown
1872CLL-112Bruxelles, Librairie de la place de la Monnaie, 1872 In-8 de VII, 59 pp.,vélin à la Bradel, pièce de titre en long de maroquin rouge, entièrement non rogné, couverture bleue conservés (L. Pouillet).
1950LIQ-1493P. Imprimerie Aranéenne 1950. In-4° en ff, sous chemise et étui (infimes rousseurs sur le dos de la chemise).
194346413Le Vasseur et Cie | Paris 1943 | 23.30 x 28.70 cm | en feuilles sous chemise et étui
1929ws1215René Kieffer, éditeur Sélection Abraxas-libris Broché 1929 In-4 (25,5 x 33 cm), broché, couverture rempliée, 95 pages, 1 des 15 exemplaires sur Japon (ici le n°15), avec une suite en noir in fine et une aquarelle originale d'Hermann Paul ; plures au dos, mors inférieur fendu aux coiffes, par ailleurs assez bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1828WRCLIT46299Paris: Imprimerie de H. Balzac for Brissot-Thivars Libraire 1828. 84221pp. Octavo. 20th century three-quarter fawn calf and marbled boards raised bands lettered in gilt t.e.g. ribbon marker. Early ink authorship attribution on title light foxing binding a bit rubbed but a very good copy. First edition of Mérimée's third original book notable as well for being one of the principal works of literary substance printed by H. Balzac's firm. Unsold sheets from the first edition also appeared later with a cancel title and the imprint of Alexandre Mesnier represented as the "Deuxiéme édition." CARTERET II: 137-8. TALVART & PLACE MÉRIMÉE 4a. VICAIRE V:705-6. [ Imprimerie de H. Balzac for] Brissot-Thivars, Libraire hardcover books
191319030Par Prosper Mérimée. Compositions de Gaston Vuillier, gravées à l'eau-forte par Omer Bouchery.Edition tirée à 1200 exemplaires. Celui-ci N° 407, un des exemplaires sur vélin d'arches.Paris, Librairie des amateurs, A. Ferroud, F. Ferroud, successeur - 1913 - 222 pages.Splendide reliure plein cuir marbré, de l'époque, signée E. Colle au dos. Dos à nerfs orné en long filets et fers dorés. Petites mosaïques de maroquin. Large bordure intérieure. Encadrement de filets dorés avec fer d'angle mosaïqués et dorés sur les plats. Tête dorée. Couverture illustrée et dos, conservés. Pas de rousseur. Parfait état. Format in-8°(24x18).
191155706Paris Librairie des Amateu 1911 In-8, maroquin rouge orn sur le premier plat d'une composition mosaque en maroquin havane et brun, rehausse de dtails pousss or, reprsentant des castagnettes et un tambourin transperc d'une pe ensanglante, dos nerfs; larges encadrements intrieurs orns de roulettes et filets dors, doublures et gardes de papier marbr, doubles gardes de papier marbr, tte dore, non rogn, couverture illustre (Edmond Leclerc). 28 compositions de Gaston Vuillier, dont 2 en couleurs (une sur la couverture et une sur la page de titre) et 26 en noir (dont 6 hors-texte et 20 in-texte). Tirage limit 1.000 exemplaires numrots. Un des 50 exemplaires sur japon imprial ou vlin d'Arches (ici sur japon), contenant trois tats des eaux-fortes dont l'tat avec remarques et l'tat avant la lettre. Edmond Leclerc exera en tant que relieur et doreur jusque dans les annes 1930 Saint-L.
14155P., Imprimé pour les Amis des Livres par Georges Chamerot, 1876 ; 2 vol. in-4. 4 ff. (dont frontispice)-XV-213 pp. - 2 ff. (dont frontispice)- pp. 215-422. Plein maroquin marron, dos à 5 nerfs, titres et filets dorés, encadrements de 8 filets dorés sur les plats et les chasses, doubles filets dorés sur les coupes, tranches dorées sur témoins, les deux plats de couvertures conservés. (Rel. Chambolle-Duru). Vignette ex-libris gravée à l'eau-forte par Baduc, inspirée par Ch. Eisen, au nom d'E. Bruel avec la devise "La pazzia regina del mondo" et "L'éloge de la biblio Folie". Petite et discrète rayure sur le second plat du premier volume. Transfert d'encre assez pâle en regard des gravures. Très bel exemplaire.
183920759Paris: Imp. royal 1839. Fine. Imp. royal Paris 1839 20.50 x 27 cm relié First edition. Half caramel sheep binding smooth spine decorated with gilt and blind fillets showing some rubbing. Work written in collaboration with Albert Lenoir and Charles Lenormant. Rare work dealing with Gallic Roman Greek and Christian monuments and illustrated with in-text engraved figures. Imp. royal unknown
182786130Paris: F.G. Levrault 1827. Fine. F.G. Levrault Paris 1827 11.50 x 17.50 cm reliure de l'éditeur First edition presented in its rare publisher's binding. Full cream cardboard binding smooth spine black frieze border on covers bookplate pasted on one pastedown. Smooth spine decorated with 2 black fleurons and fillets. Spine slightly yellowed. Upper joint narrowly cracked at head. Spine and covers lightly browned without consequence some minor foxing as usual slight black ink trace on one endpaper. Some light browning on otherwise white paper. Good copy. The work is illustrated with an engraved portrait on China paper of Hyacinthe Maglanovitch guzla player. Literary mystification of these Slavic ballads of which only one is authentic: the sad ballad of the noble wife. Nevertheless a very personal creation by Mérimée the collection experiments with a new form of violence in literature through an exotic language. F.G. Levrault unknown
502613Le Vasseur Et Cie Paris 1943 In-4 carré ( 300 X 240 mm ) de 148 pages, en feuilles sous couverture illustrée, chemise et étui. 27 eaux-fortes originales par Jean TRAYNIER, dont 15 hors-texte rehaussés en couleurs et 12 compositions en noir ( une vignette sur la couverture, 6 culs-de-lampe et 5 en-têtes ). Tirage limité à 450 exemplaires numérotés, celui-ci 1 des 5 exemplaires de collaborateur tiré sur JAPON IMPERIAL ( exemplaire N°II nominatif imprimé spécialement pour Marcel LUBINEAU ), enrichi d'une suite en noir des illustrations sur Japon, d'une aquarelle originale signée, des 2 dessins originaux en noir signés. Très bel exemplaire agréablement enrichi.
182787958F.G. Levrault | Paris 1827 | 11.30 x 17.50 cm | relié sous étui
1371586Paris: Magen et Comon, 1841 in-8, 465 pages. Demi basane vert à coins de l'époque, dos lisse, titre, filets et roulettes dorés, motif doré en long, double filet doré de séparation sur les plats, dos passé, titre et dernier feuillet habilement restaurés, qq piqûres aux premiers ff., sinon bel exemplaire. Couvertures non conservées . Édition originale rare de l’une des œuvres les plus célèbres de Prosper Mérimée. (Carteret II, p. 144 ; Vicaire V, p.719). Le volume contient aussi les nouvelles La Vénus d'Ille et Les Ames du purgatoire.
2018x-1138554154Taylor & Francis 2018. Hardcover. New. 683 pages. 8.50x5.43x1.18 inches. Taylor & Francis hardcover
18270063-06-7aParis/Strasbourg: Chez F.G. Levrault 1827. First Edition. Boards. Very Good. 257pgs small octavo original pale blue boards frontis portrait of Hyacinthe Maglanovitch boards show some edgewear and bumping some chipping slong the edges of the spine some foxing minor scuffing binding tighta very good copy in original state This is Merimee's anonymously published 2nd book. Very scarce. Digital photos provided upon request. Chez F.G. Levrault hardcover
1876888641876. MORIN Edmond. MERIMEE Prosper 1803-1870. CHRONIQUE DU REGNE DE CHARLES IX. RUBAN binding. Paris: Georges Chamerot pour les Amis des Livres 1876. Quarto. Two volumes. 4to. xv422 pp. Number 43 this one for M.G. Masson of an edition of 115 copies of the 100 numbered for subscribers. With thirty-one etchings by Edmond Morin 1824-1882. A portrait of Merimee is inserted in two full-page states. Carteret says "belle illustration cotee" "beautifully illustrated desirable". Carteret 1946: IV p. 278. Bound by Petrus Ruban 1851-1929 in maroon levant gilt in a classic and elegant design of 9 gold fillets repeated in the spine compartments and dentelles. With lovely blue silk floral embroidered doublures and marbled endpapers. T.e.g. 28 cm large paper. Original wrappers bound-in. A few faint scratches on the leather otherwise fine throughout. unknown books
1941148549New York: The Limited Editions Club 1941. The Limited Editions Club signed limited edition of this novella that inspired Georges Bizet’s famous opera of the same name. Quarto bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine top edge gilt gilt inner dentelles marbled endpapers frontispiece of Prosper Mérimée illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mérimée 1803–1870 was a prominent French writer historian and archaeologist whose literary work reflects the Romantic fascination with exotic locales psychological complexity and the darker aspects of human passion. Though associated with the Romantic movement Mérimée’s prose is marked by clarity conciseness and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works such as Carmen and Colomba often center on violent conflicts rooted in cultural difference honor and personal obsession. As Inspector-General of Historical Monuments Mérimée was also instrumental in preserving French architectural heritage demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France. The Limited Editions Club unknown
187470984Paris: Michel Lévy frères 1874. Fine. Michel Lévy frères Paris 1874 14.50 x 21.80 cm relié First edition. The first edition was so rapidly exhausted that a new one had to be printed a few months later. Contemporary half red shagreen binding. Spine with raised bands decorated with 3 fleurons and blind fillets gilt title and volume number. Some traces of rubbing. Handsome copy almost free from foxing with fresh paper. These famous letters were addressed to Jenny Jeanne Françoise Dacquin from 1841 to 1870 the last of which was written two hours before the author's death. Hippolyte Taine's preface constitutes one of the first and best testimonials about the writer. While Mérimée complained of being unable to devote time to a true work he unknowingly conceived his ultimate masterpiece with this collection of letters. Library stamps on title page: Ecole Cardinal Pie Montmorillon. Bibliothèque diocésaine Poitiers. Michel Lévy frères hardcover
1949LIQ-1Montrouge, chez Beltz et Schmied 1949. 2 volumes in-4° sous chemises et étui de l'éditeur.
