803 résultats
2106MA291<p>Ilustração de Bernardo Marques. Tradução de Pedro Tamen. Fundação Calouste Gulbenkian. Lisboa. 1980.</p>_x000d_<p>De 32x235 cm. Com 84 ii págs. Encadernação inteira de pele com ferros a ouro na pasta anterior. Com sobrecapa de proteção ilustrada. Ilustrado no texto com desenhos a preto e branco e a cores de página inteira de Bernardo Marques.</p>_x000d_<p>Exemplar n.º 16 de uma tiragem de 50 com marcador de páginas em fita vermelha danos à cabeça da sobrecapa de proteção.</p>_x000d_<p>Desta obra fez-se uma tiragem de 50 exemplares numerados de 01 a 50 em papel offset RAI/150 e encadernados em pele que constitui a edição original e uma tiragem de mil exemplares em papel offset RA/125 encadernados em pano. A composição e a impressão em offset e rotogravura foi executada por Neogravura Lda. A encadernação foi executada por Paulino Ferreira. Arranjo gráfico de Fernando de Azevedo. </p> I-74-A-19 hardcover
19305319DB1930. Paris La Pleiade 1930. 154 S. 1 Bl. mit Lithografien von R. Ben Sussan. Dreiviertel Lederband mit marmorierten Deckeln. N°. 86 von 115 nummerierten Exemplaren. - Sehr gut erhaltenes Exemplar. unknown
feb68179Used. For more details please contact me unknown
1935092825Marcel Lubineau 1935. First Edition. Paperback. Very Good. 1626 / 2000 copies. A very good clean copy in original paper wraps. Illustrated throughout. Creases on the spine with minor loss at the head and tails. No previous ownership markings. Marcel Lubineau, paperback
1926152714to. All orig. wrappers. Uncut. No 79 of 150 "sur vélin de Rives teinté" a total of 176. With 6 full page etchings and 36 charming illustrations in the text etched in colours and an extra suite of the textetchings in black 36 incl. a black title. unknown
192643215Paris.: Editions de la Roseraie. 1926. Full vellum with Yapp edges the binding painted by Martin see below and signed in ink at lower left original silver printed wrappers and backstrip preserved grey silk moiré doublures marbled endpapers t.e.g. polished paper chemise with gilt title and matching wool-lined slipcase. 4to. 255 x 205 mm. Engraved frontispiece decorative printed title with colour vignette 5 engraved plates each in two states and 34 etched vignettes 28 in colour by Charles Martin; a separate suite of all the vignettes with additional title is bound in at the rear of the volume the final illustration in the suite is present in the suite alone. Charles Martin's illustrations for Mérimée's Carmen in a beautiful painted binding.From the edition limited to 176 numbered copies with this one of 150 on vélin de Rives teinté and with an extra suite of the plates printed in black.Martin's painted binding signed on the front cover at lower left and executed in black ink with additional highlights in gilt and colour depicts for the front board a man and a woman the man with a gold earring and a cigarette between his lips the woman - it seems likely that this is a portrait of Carmen herself - with elaborate coiffure and a green leaf between her stylised lips her elaborate mantilla picked out in gilt; the rear cover depicts a landscape with mounted caballero and a hacienda with a cloud in outline behind; the spine features the title in magenta ink and a small vignette at the foot. Editions de la Roseraie. hardcover
2203JS238<p>Ilustração de Bernardo Marques. Tradução de Pedro Tamen. Fundação Calouste Gulbenkian. Lisboa. 1980.</p>_x000d_<p>De 32x235 cm. Com 84 ii págs. Encadernação do editor em tela com sobrecapa de proteção. Ilustrado no texto com desenhos a preto e branco e a cores de página inteira de Bernardo Marques. Exemplar não numerado de uma tiragem de 1000 e com danos à cabeça da sobrecapa. </p>_x000d_<p>Tem junto envelope com dedicatória de oferta. </p> I-245-D-4 hardcover
1941148549New York: The Limited Editions Club 1941. The Limited Editions Club signed limited edition of this novella that inspired Georges Bizet’s famous opera of the same name. Quarto bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine top edge gilt gilt inner dentelles marbled endpapers frontispiece of Prosper Mérimée illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mérimée 1803–1870 was a prominent French writer historian and archaeologist whose literary work reflects the Romantic fascination with exotic locales psychological complexity and the darker aspects of human passion. Though associated with the Romantic movement Mérimée’s prose is marked by clarity conciseness and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works such as Carmen and Colomba often center on violent conflicts rooted in cultural difference honor and personal obsession. As Inspector-General of Historical Monuments Mérimée was also instrumental in preserving French architectural heritage demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France. The Limited Editions Club unknown
70895London:: Hutchinson & Co. no date. publisher's red gilt-decorated cloth. Old ink gift inscription on half-title; spine slightly sunned; light use to cloth at extremities. 4to. Illustrated in color and black and white by Rene Bull. . Translated by A. E. Johnson. Hutchinson & Co., hardcover
192067876London:: Hutchinson & Co. ca. 1920. First edition; Edition De Luxe one of 100 copies this copy unnumbered signed by Rene Bull. publisher's gilt full vellum; a.e.g. Some very light rubbing/soiling to vellum; an attractive copy. Folio. Translated by A. E. Johnson. Hutchinson & Co., hardcover
194323764Paris: Collection "La Renommee" 1943. Limited Edition. Original Wraps. Very Good. Small Quarto. 147pp illustrated. 1/1000 numbered copies this copy #3. A very good copy in printed wraps with original tissue dj. Dj chipped. Laid in is a suite of prints in 6 different colors <br/><br/> Collection "La Renommee" paperback
112723Sydney Southern Cross Books 1984. 80pp. 4to. Original red leather decorated in gilt in dustwrapper with colour illustrated paper onlay. B&w illustrations colour tipped-in plates a near fine copy. First edition. One of the superior issue of 150 bound in leather of which this is number 77. Signed by Peter Lindsay. Sydney, Southern Cross Books, 1984. hardcover
feb97886Used. For more details please contact me unknown
feb23878Eminescu. Used. ; Romanian Edition of Carmen Romanul de dragoste 1970; For more details please contact me Eminescu unknown
BN290108Carmen <br/><br/>Carmen Prosper Merimee unknown
49603Translated by Richard Griffin. With illustrations done in Spain in the summer of MDCCCCII by Lionel Lindsay. Foreword by Peter Lindsay. Sydney : Southern Cross Books 1984. Quarto gilt-lettered morocco in dustjacket discoloured and a little silverfished tear to tipped-on plate pp. 61 19 illustrated. Limited to 250 copies signed by Peter Lindsay son of Lionel Lindsay of which this is one of the 150 copies bound in leather. Presentation copy from the publisher Pat Corrigan Southern Cross Books with warm inscription. hardcover
2008Q-2035839084Larousse Kingfisher Chambers 2008-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Larousse Kingfisher Chambers paperback
19201389963Zürich Switzerland: Rascher & Co 1920. Limited Edition #65/150. Hardcover. Large octavo 92 pages. In Good minus condition. Spine is torn beige and red. Boards have mildew-stained covers moderate shelving wear and fraying along extremities cloth binding torn from spine and moderate bumping chipping and fraying to fore corners. Text block age-toned head edge gilded with mild denting along edges; plates are mildly foxed throughout gilt and black endpapers. Signed flat by Alastair Illustrator in purple ink on publisher's limitation page limited edition #65/150. PO Consignment. 1389963. Special Collections - Downstairs. Rascher & Co hardcover
184594<p>Large 8vo mm 242x160 pp. 48; a good copy in early 20th-century half morocco spine lettered gilt the original printed wrappers and spine bound in; with stamp of the 'Société Démulation du Dept. des Vosges' to upper wrapper; bookplate of Emmy Joubert; <strong>with one page autograph ms. by Mérimée tipped in</strong>. <strong>The first appearance in print of <em>Carmen</em></strong>. Mérimée's short novel was first published in the journal <em>Revue des Deux Mondes</em> in 1845. It passed virtually unnoticed and did not receive a single review. Mérimée reworked the text before publishing it in book form alongside two other novellas the following year. In 1852 <em>Carmen</em> appeared as the first text in a collection of Mérimée's works <em>Nouvelles</em> together with Mérimée's own translation of Pushkin's <em>The Gypsies</em>. In this form it began to enjoy some success and <em>Nouvelles</em> was reprinted regularly throughout the 1850s and 1860s <strong>but it was not until 1875 with the creation of Bizet's opera based closely on Mérimée's text that the Carmen myth was created</strong>.<br /><br />A separate off-print on <em>papier vélin</em> is also known printed in a very small number of copies.<br /><br />The autograph ms. is a memo on the Revolution of 1848 with reference to the recovery of looted material from the museums and national collections in Paris: '… Des ouvriers pauvres ont rapporté au Musée du Louvre des camées d'un prix inestimable trouvés dans les appartements des Tuileries. Ils n'ont accepté aucune récompense et n'ont pas même voulu faire connaitre leurs noms. Déjà par cette improvisation de l'ordre unique chez les Français d'autres citoyens avaient eu l'heureuse idée de porter à leurs musées des objets d'art trouvés dans des résidences royales …' From 1834-1860 Mérimée held the position of inspector general of historic monuments and he published many reports in this official capacity. The present note which has been dated 1848 in pencil in a later hand is evidently a contemporary account of the events of that year.</p> Au Bureau de la Revue des Deux Mondes
1965feb1234151965. Used. For more details please contact me unknown
8420660752.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2005Q-8853003545Educa Books - Cideb 2005-09-15. Paperback. New. In shrink wrap. Looks like an interesting title! Educa Books - Cideb paperback
2005SONG8853003545VICENS VIVES LIBROS 2005-09-15. Pap/Cdr. paperback. Used: Good. 5.71x0.31x8.19. Buy with confidence. Excellent Customer Service & Return policy. VICENS VIVES LIBROS paperback
2218749181.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3847832174.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover