Merimee, ProsperBiblio.com
803 résultats
1612428002.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007Q-1934648132Norilana Books 2007-09-16. Paperback. New. New. In shrink wrap. Looks like an interesting title! Norilana Books paperback
19411248371941. New York: The Limited Editions Club 1941. <br /> <br /> 4to. 143 pp. Color lithographs throughout. Quarter cloth and colorful patterned cloth boards backstrip and upper board with slight sunning lacking slipcase internally a fine copy.<br /> <br /> § Copy #1290 of 1500 copies signed by the illustrator. Introduction by Konrad Bercovic. Illustrated with lithographs in color by Jean Charlot. The translation by Lady Mary Lloyd. "Due to the exigencies of that bastard musical form known as opera and the lack of respect librettists the world over have shown for their 'inspirers' Mérimée's tale will be a great surprise to those who know Carmen only from this side of the opera's footlights." Introduction. unknown
1016560117.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1941036151New York: Limited Editions Club 1941. Limited Signed & Numbered . Hardcover. Near Fine/No Jacket. 4to - over 9¾" - 12" tall. Charlot Jean. 143pp.HB quarter-bound; multi-color w/brown & maroon; spine sunned w/clean tight pgs. Original short story of the opera. illus. #1051 signed by Charlot 8.75x11.25" <br/> <br/> Limited Editions Club hardcover
20172-8414009476Editorial Luis Vives Edelvives 2017. Hardcover. New. Spanish language. 11.14x7.87x0.79 inches. Editorial Luis Vives (Edelvives) hardcover
184667758Paris: Michel Lévy Frères 1846. First edition in book form. Octavo 8 x 4 7/8 inches; 204 x 124 mm. 4 363 1 blank pp. With both points for the first printing according to Clouzot "insultée" p. 75 et "c'est eur" p. 86. Bound without the wrappers as usual.<br> <br> Bound in contemporary half red morocco over red basket-weave textured boards. Spine decoratively tooled in gilt and black and lettered in gilt. Marbled endpapers. All edges dyed yellow. Boards and edges a bit rubbed. Title-page with a 2-inch closed tear expertly repaired and not affecting text. Page 175 with a 1-inch closed tear to top margin not affecting text and expertly repaired. A tiny burn hole to page 311 barely affecting two letters. A few minor marginal paper flaws. Previous owner's bookplate to front pastedown. Overall a very good copy.<br> <br> This story is Mérimée's tale of Spanish gypsy life and love which was used by Henri Meilhac and Ludovic Halévy as a basis for their libretto for Bizet's opera Carmen.<br> <br> Vicaire V cols. 724-725.<br> <br> HBS 67758.<br> <br> $4750. Michel Lévy Frères unknown
1930132143Paris France: La Pléiade 1930. stiff paper wrappers all edges uncut. 4to. stiff paper wrappers all edges uncut. 153 3 pages. Text in French. Limited to 110 numbered copies .With twenty-three tissue-protected original lithographs including frontispiece by René Ben Sussan. Endnotes folow text. La Pléiade unknown
194120810New York: Limited Editions Club 1941. Hard Cover. #1042 of 1500 copies signed by the illustrator. VERY GOOD. NO SLIPCASE. LIGHT WEAR TO SPINE AND EDGES OTEHRWISE CLEAN AND TIGHT. BOOOKPLATE. Translation by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated with lithographs in color by Jean Charlot. Limited Editions Club unknown
194185428New York: Limited Editions Club 1941. Hardcover. Near Fine. Jean Charlot. frontis and illustrations by Jean Charlot 143. Decorative cloth. Slipcase. 28cm. Slipcase is slightly soiled and has some browning heavy on top edge. 28cm. Copy #621 of this limited edition which was signed by Charlot on the colophon leaf. Limited Editions Club hardcover
1896266542Boston: Little Brown and Company 1896. Hardcover. Very Good. First American edition. 12mo. Top edge gilt. Very good plus. White cover lightly soiled. All plates are present. Little, Brown, and Company hardcover
1941016354New York: Limited Editions Club 1941. Hardcover. Spine a little darkened much less than usual. About Fine in a complete Very Good slipcase with a split at the bottom edge. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful ORIGINAL LITHOGRAPHS in color drawn on the plates by Jean Charlot. Of a total edition of 1500 copies SIGNED by the artist on the colophon page this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "G.M." are handwritten. Acquired directly from the publisher's files and most likely the publisher George Macy's very own copy. Perhaps the most stunning and underrated of the early books from the press. <br/><br/> Limited Editions Club hardcover
19828930BAHIA 1982. 1. softcover. Maloftege! BAHIA paperback
1896899Little 1896. GARRETT Edmund H. MERIEE Prosper. CARMEN. Translated From The French And Illustrated by Edmund H. Garrett. With A Memoir Of The Author by Louise Imogen Guiney. Boston: Little Brown & Company 1896. Small 8vo. light-green cloth stamped in gilt & dark-green top edge gilt. First American Edition. Signed presentation from Garrett on the front endpaper: "Best wishes to Mrs. Bullard Edmund H. Garrett. Atlantic Club July 1903." Very Good little bumping covers but quite bright & nice! $285.00. Little unknown
18964844<p>First edition thus. Octavo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper.</p> Devinne Press hardcover
194119019New York: Limited Editions Club 1941. Hardcover. Orig. half basket-weave cloth spine with silk covers hand-blocked in colors. Fine in solid slightly rubbed slipcase. Charlot Jean. 144 pages. 28 x 22 cm. Illustrated with thirty-three color lithographs by Jean Charlot. Translated by Lady Mary Lloyd; introduction by Konrad Bercovici. Limited edition copy 3 of 2000 signed by Charlot. NEWMAN & WICHE 124. With the Monthly Letter of LEC laid-in. Remarkably fresh and crisp copy particularly the brilliantly colored silk covers quality of the color plates notable. Limited Editions Club hardcover
193570452Paris: Marcel Lubineau. Very Good. 1935. Hardcover. - Text in French Merimee Prosper. CARMEN Illustrated by Andre Collot. Paris Marcel Lubineau 1935. #231 of 2000 copies on velin d'Arches colored by "La Tradition". Large size 10x8 in. Bound in full red leather spine sunned. with many brightly-colored pochoir plates typical of Paris in the 30s. . Marcel Lubineau hardcover
1941010401New York: Limited Editions Club 1941. Hardcover. Bookplate on the front pastedown. Spine a little darkened as usual. Near Fine in a Very Good slipcase with mild staining. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful lithographs in color drawn on the plates by Jean Charlot. Copy #1205 of 1500 SIGNED and numbered by the artist. Perhaps the most stunning and underrated of the early books from the press. <br/><br/> Limited Editions Club hardcover
1878007129Philadelphia: T. B. Peterson & Brothers 1878 Philadelphia: Peterson 1878. 12mo. Early edition brown cloth binding with fancy lettering in gilt black design in blind black coated endpapers antique library bookplate hand-numbered and hand-dated 150 pp. but mispaginated starting at p. 19 followed by 24 pp. of advertisements. Bang to bottom of front board resulting in indentation but not serious damage. Crisp clean copy in good plus condition. T. B. Peterson & Brothers hardcover
1916011917London: Hutchinson & Co. 1916 203 pp.; HB. Pages: clean bright tight t.e.g. decorative gray eps frontis w/ tissue guard; sfep hinge starting eps offset to adjacent pp also toned tissue guard p 64 loose hinge starting at several locations. . Cover: med red gilt ornamentation and titles front/spine; moderate shelfwear extremities a bit worn some holes in boards from prior residents no one's home now . . . white marks to back board. Numerous b/w illustrations as well as lovely hors texts color plates with captioned tissue guards. Large lovely glorious. For the opera-lover. Hutchinson & Co. hardcover
64460hutchinson london nd. 203pp ills.b/w and col. VG red cloth w.gilt dec.stamps to top boardmod.rubbed and stainedsl.wear to extrems.ill.epsprelims.and content edges sl.foxedtegspine cracked hutchinson london [nd] hardcover
1332725902.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2978uUK: Hutchinson. Good. Hardcover. <br><p>Carmen is a novella by Prosper Mérimée written and first published in 1845 . It has been adapted into a number of dramatic works including the famous oper a of the same name by Georges Bizet</p> . Hutchinson hardcover
1946240502011Chez Jean Porson 1946. First THUS. Loose Leaf Portfolio . Clean & Unmarked. Text in French. Limited. Includes two loose leaf suites of lithographs. The first are two sets of color 13 full page prints and 25 partial page prints amid text and is housed in folded wraps with a glassine jacket.The second is composed of 51 1 black prints with one full page color print and one partial. All housed in the rear in a folded pocket with the 1 black print being the cover print. Limited. This is #43 of a total of 275 copies. Number 43 is in the subset from numbers 31-50 twenty copies on Rives paper same as 1-30 but without the original watercolor. Both suites housed in loose boards. Scattered yet sparse faint foxing throughout. Pockets fraying as well as board hinges. Loose boards then rest in a slipcase with rubbed edges and scuffed corners. See photos. Very scarce in this complete of a package. Chez Jean Porson unknown
feb67887Used. For more details please contact me unknown
