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2008635642008. Hand-written correspondence from Bob Moss to Patrick Eddington aka “Pat the Cat†who was a Utah artist and former high school art teacher who spent over two decades corresponding with numerous artists and authors. Each piece of correspondence is signed by Bob Moss at the foot.<br /> <br /> The archive includes:<br /> <br /> 1 handmade Christmas card.<br /> <br /> 1 postcard which is an advertisement for his exhibit at the Beehive Tea Room.<br /> <br /> 1 card to Patrick Eddington in which Bob describes a cd he will be working on consisting of local history-oriented songs. He writes "Nobody seems to want to help. No local hipster seems to want to do UTAH history songs. Ive sic written a very good one about J. Bracken Lee and an OK one on the Johnson sic Army Utah war."<br /> <br /> 1 four-page letter.<br /> <br /> 1 three-page letter.<br /> <br /> Page 2 of a two-page letter.<br /> <br /> 17 slides depicting various projects by the artist including stoneware collage and ink on wood. Annotations by Bob Moss in the borders.<br /> <br /> 7 color photographs 4 x 6" showcasing Bob Moss's unique creations. Three of the photographs show the artist displaying his work. Folk artist/musician Bob Moss 1953-2011 was born in Logan Utah. He is most known for his wood-burned pieces that often featured the Deseret Alphabet Brigham Young's unique phonetic Mormon language. Bob Moss did his first work in the Deseret Alphabet in 1989 for Joe Stetich's "Hatu Teresed." On his website Bob points out that he has always emphasized his musical side. He has 5 cds out under his own name another one produced as a group and a sixth cd titled "Bob Moss Plays Frank Sinatra on his Five-String Banjo." <br /> <br /> The letters full of personality and humor consist entirely of Bob's unique musings and his honest views of life as well as his art. When one reads these letters one gets a small glimpse of the way in which Bob lived his life. According to his sister Linda Hill "Bob showed you what he chose to show. He lived on the fringe of polite society and he was fiercely independent and true to himself." The Salt Lake Tribune<br /> <br /> In a letter to Patrick he writes "I work pretty hard. Frankly Im sic totaly sic exhausted a lot. Still when I get home I make myself work on art. I'm trying to finish the color backboard to a woodburnt cut out beehive. But mostly Ive sic just been doing words. I figure some people might dig the Deseret Alphabet and would rather have lots of that. But its also somrthing I can manage to do when I'm Dog Tired."<br /> <br /> In another letter he muses "My stuff is kind of goofy maybe. Ive sic met almost no one who shares any of my interest. Anyone elses sic interests are as valid as mine. But I have my path & I intend to keep on following it."<br /> <br /> Moss's obituary published in "The Deseret News' closed with this poignant wish: "Instead of flowers remember that the art of happiness is to serve all and lend a helping hand to someone in need or send a hand-written letter to someone you love."<br /> <br /> His artwork rests in the hands of his family friends and fans. unknown
ill., br. Un volume che va ad affiancare in maniera complementare quelli già a catalogo sullo stesso argomento, proponendo attività di approfondimento più complesse finalizzate ad una maggiore padronanza della scrittura e della lettura dei rispettivi caratteri. Età di lettura: da 5 anni.
ill., br. Un volume che va ad affiancare in maniera complementare quelli già a catalogo sullo stesso argomento, proponendo attività di approfondimento più complesse finalizzate ad una maggiore padronanza della scrittura e della lettura dei rispettivi caratteri. Età di lettura: da 5 anni.
In-8° (cn. 23,5), pp. 34. Bross. edit. Alcune sottolineatura una scritta coeva a matita.
200147360Marburg : Jonas-Verl., 2001. 1. Aufl. 144 S. : überw. Ill. ; 21 cm Pp.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 133 p. The autobiography of Dr. Henri Griladze (b. 1938), one of Turkey's pioneering neuro-psychiatrists, is presented in this book. Beginning with the emigration of his father from Georgia to Turkey in the first years of the 20th century, the book chronicles Dr. Griladze's pleasant childhood years in the then-polyglot Istanbul suburb of Baglarbasi; witnessing the change of the district and the city over the decades; moves on to his education, training and career of over forty years in psychiatric hospitals in Istanbul and beyond; his pioneering research on sleep and psychometrics; his encounters with ultra-nationalists, nosy journalists and other extraordinary characters; and concludes at Dr. Griladze's modern-day clinic, where he has worked privately since 1974. Richly illustrated with photographs and annotated with footnotes that explain local nuances, this book will be interesting to scholars of Turkish medical and psychiatric history; the history of Istanbul's Baglarbasi district; and enthusiasts of the memoir genre in general.
ill., cart. Un libro di 10 pagine e 28 tessere memo per sviluppare la manualità fine, stimolare l'apprendimento e la capacità di concentrazione. Riconosci le immagini e impara le parole giocando! Età di lettura: da 2 anni.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). Articles in Turkish, French, and English. [4], 356 p., 1 plate. Melanges Jean Deny.= Jean Deny armagani. Prep. by Agâh Sirri Levend, Janos Eckman, Mecdut Mansuroglu. First Edition.
194949173ABBerlin, Rastatt, Eos-Verl., 1949. gr. 8. 14 Bl. Kart., Deck.- Minim. berieb., innen leicht gebräunt, sonst sauber u. gut erhalten.
198748008München, Delphin Verlag GmbH, 1987. 14 Seiten , 20 cm, Hardcover/Pappeinband
191073085Nürnberg, J. W. Spear & Soehne, [ca. 1910]. 5 farb. illustr. Pp.-Bll. mit eingedruckten Versen. (= Bilderbuchsammlung "Was ihr wollt" / Verlags-Bestellnr. 10012). 4to (29,5 x 22 cm). OPp. mit farb.lithogr. VDeckel-Illustr.
1870bf5555A. Martin & C°. Paris, Londres Cartonnage d'éditeur 1870 TRES BELLE IMPRESSION POUR CET ALBUM. BEAUCOUP DE CHARME. Masques et bouffons enfantins. Album alphabétique & artistique par A. Coinchon. A. Martin & C°. Paris, Londres, [vers 1870]. In-4 (30,21,8 cm), 1f. de titre, 1f. de titre illustré, 26 planches lithographiées en couleurs, pleine percaline éditeur vert anglais, encadrements noirs estampés sur les plats biseautés, premier plat illustré d'un enfant grimé estampé en doré (plaque de Berger), rosace et riche décor au noir au centre du second. Alphabet des personnages de théâtre finement illustré par Albert Coinchon (vers 1845-1872). Peintre, dessinateur et sculpteur, il illustre l'abécédaire d'une composition par feuillet, imprimé en recto. Deux lettres rouges en tête minuscule et majuscule d'imprimerie, un enfant grimé au centre, personnage de théâtre célèbre : Arlequin, Bobèche, Crispin, Debureau, Eraste... dont le nom est inscrit en écriture cursive en dessous. Une dernière page illustre le W d'un bouffon masqué dont les bras croisent les jambages de la lettre bleu et rouge. ; Très bon exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
In -folio, 2 voll., pp. (4), VIII, 1-224, (2), 223-244, 70 tavv. a colori; (4), XLIX, 464, tela con tassello e titolo al dorso. Sontuosa edizione completa di 70 litografie che riproducono, a colori, il cosiddetto “Codice Troano”, uno dei pochi manoscritti superstiti della lingua maya. Si tratta di uno dei primi cospicui tentativi di decodificare la scrittura della civiltà precolombiana: Brasseur (1814-1874) vi si dedicò per oltre cinque anni con passione, diligenza e competenza ma, purtroppo, partendo dallo sbagliato presupposto che i codici riproducessero un alfabeto fonetico, convinzione che derivava da un metodo cinquecentesco messo a punto da Diego de Landa, monaco spagnolo che sarebbe diventato vescovo dello Yucatàn. La tavola comparativa tra alfabeto latino e caratteri maya era inaffidabile. In base alla decrittazione di questo codice, fra l’altro, si ipotizzò la suggestiva descrizione del continente perduto di Mu, mitica terra collocata nel Pacifico. Il lavoro di Brasseur avrebbe avuto un corso scientifico molto limitato, e la sua teoria fu smentita entro la fine del secolo, ma una serie di miti costruiti sulle sue presunte scoperte, fra tutti proprio quello della terra di Mu, hanno avuto corso fino a oggi in ambito parascientifico e in numerose suggestioni letterarie. La pubblicazione fa parte di una serie di opere commissionate da Napoleone III (“Mission scientifique au Méxique”) intese allo studio del Sud America. A luxury edition, complete of 70 lythographies reproducing, in colors, the so said “Troano codex”, one of the few manuscripts survived to Maya civilization’s destruction. This is one of the first attempts to decipher their writing: Brasseur (1814-1874) studied the matter for five years but he was wrongly convinced that the codex was reproducing a phonetic alphabet. The myth of “Mu” land results from this erroneus interpretation. The publication is part of a collection of works about South America commissioned by Napoleon the III.
2555quatrième édition entièrement refondue in 8 broché,XVI,176 pages,illustration dans et hors-texte, frontispice en couleurs,Mame éditeur sans date
ill., cart. Tutte le lettere dell'alfabeto assomigliano a qualcosa: la S assomiglia a un serpente che dorme su un ramo, la C è come la luna in cielo, la H sembra un ostacolo da saltare e sulla N ci si può scivolare tutti insieme! Mamma Oca e le sue buffe ochette ci insegnano a conoscerle e a riconoscerle tutte! Età di lettura: da 4 anni.
13062in 4 cartonné, dos pincé toilé rouge, plats illustrés en couleurs. Titre illustré en couleurs, 32 pages de dessins en couleurs plus la couverture, de CALVO. Abécédaire lettres A à Z. Editions GP Septembre 1946. Très bon état, proche de l’état de neuf.
1917181761917 un album, reliure demi-toile bleu-marine cartonné illustré éditeur grand in-octavo (hard-back in-8 editor) (21 x 17 cm), dos muet toile bleu-marine (blue percale on the spine - no title), couverture illustrée en couleurs (cover illustrated in colours) par H. ANGENIOL (1917), tranches lisses ( edges smooth), orné de nombreuses illustrations in-texte en noir par H. ANGENIOL , 72 pages, sans date (1917) Paris Librairie Imprimeries réunies L. Martinet Editeur,
9447In 8 broché, faux-titre, frontispice en couleurs, sous serpente, 56 pages, 8 gravures, hors-texte, de Maximilien VOX y compris le frontispice, sous serpent. Gold Starry Paris sans date. Petites rousseurs sur la couverture, sinon bon exemplaire.
10581In 4 broché, couverture illustrée en couleurs, 16 pages y compris la couverture, Supplément du mensuel Roudoudou les belles images. Avril 1952. Roudoudou présente 26 animaux portant chacun en initiale une lettre de l’alphabet. Il ne craint pas de chevaucher une autruche, de nourrir un éléphant, de dompter un jaguar etc
1374822Anvers: Edition du Conservatoire de la Tradition Populaire, 1901 In4, 58 feuillets non chiffrés. Broché cousu à la japonaise, couv, illustrée, impression entièrement xylographiée, bois dessinées et gravés de Max Elskamp. Tiré à 215 ex. num. Un des 100 sur Hollande. imprimé en noir bleu et jaune. Très bel exemplaire.
1901wq668Édition du Conservatoire de la tradition populaire. Anvers Broché 1901 Rare tirage de tête dont les gravures sur bois, mises en couleurs, sont réalisées sur une face des feuillets de papier Hollande. In-4 (26,8 x 21,2 cm). 58 feuillets. Abécédaire entièrement orné, dessiné et gravé par le poète symboliste belge Max Elskamp (1862-1931). Tirage limité à 215 exemplaires : 5 sur Japon, 10 sur Chine, 100 sur Hollande et 100 sur vélin. Un des rares exemplaires sur Hollande n° 58. Est jointe, une lettre de l’éditeur G. Van Oest de Bruxelles, datée du 6 juin 1921, adressée à un ambassadeur et relative au livre dont Elskamp vient de retrouver deux exemplaires ; dos jauni, couverture légèrement salie, intérieur très frais, bon exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1901kk2994Édition du Conservatoire de la tradition populaire. Anvers Broché 1901 RARE. L’Alphabet de Notre-Dame la Vierge. Édition du Conservatoire de la tradition populaire. Anvers, 1901. In-4 (26,8 x 21,2 cm), broché, 29 feuillets doubles repliés sur eux-mêmes, couverture de papier vélin rempliée. Abécédaire entièrement orné, dessiné et gravé par le poète symboliste belge Max Elskamp (1862-1931). TIRAGE LIMITE à 215 exemplaires : 5 sur Japon, 10 sur Chine, 100 sur Hollande et 100 sur vélin. Le présent exemplaire est le n°184 sur vélin. Chaque page présente un encadrement de rubans bleus et coeurs roses, avec pour chaque lettre de l'alphabet le nom d'un symbole religieux, (Arche d'Alliance, Bâton du pèlerin, Consolatrice des affligés, etc.) dont l'initiale est placée au centre de la page, avec en regard un bois gravé illustrant ces symboles ; rares et pâles rousseurs, par ailleurs intérieur très frais, bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
24 unpaginated color plates (plate A to W and then XYZ, most of them loose in editor's cover) printed on recto only, original and first edition (1908), editor's illustrated hardcover, spine in cream cloth, corners slightly bumped, 27cm., title page in red and black, decorated endpapers, small tear in margin of plate V & W (not in illustration), previous owner's ex-libris stamp at first endpaper, plates are bright and clean, good condition, T93582
1908009430London: Frederick Warne & Co. 1908 24 pgs unpaginated. Beige cloth backed pictorial boards with beveled edges light cover soil and rubbing corner wear text block re-glued short marginal tear to one page. Illustrated endpapers. Dulac's most whimsical work quite beautiful and difficult to find. Hughey #18. . First Edition. Pictorial Boards. Very Good/No Jacket. Illus. by Edmund Dulac. 4to. Frederick Warne & Co. unknown
1908T93582London, Frederick Warne & co. 1908 24 unpaginated color plates (plate A to W and then XYZ, most of them loose in editor's cover) printed on recto only, original and first edition (1908), editor's illustrated hardcover, spine in cream cloth, corners slightly bumped, 27cm., title page in red and black, decorated endpapers, small tear in margin of plate V & W (not in illustration), previous owner's ex-libris stamp at first endpaper, plates are bright and clean, good condition, T93582