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2017x-1433650541B & H Espanol 2017. Paperback. New. lea edition. 1232 pages. Spanish language. 8.50x6.50x1.50 inches. B & H Espanol paperback
040620011Script Format reprint. Like New. / I HAVE MORE TITLES LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /SHIPS WITHIN 24HRS!! unknown
G1543331297932Vistas Higher Learning. 9781543331295 9781543331295 Descubre 3 Lengua y Cultura del Mundo Hispanico Teacher's Edition c.2022 9781543331295 1543331297 WE HAVE NUMEROUS COPIES. TEACHER EDITION HARDCOVER. PLEASE NOTE THAT CD-ROM components access cards/codes digital license and other supplemental materials are NOT guaranteed to be included for used items. If their inclusion is essential please inquire before purchasing to determine whether they are included. Light to moderate wear to cover/edges/corners. School markings and writing on/inside covers. Minimal markings/highlighting on/inside book none of which detracts from content. Binding and cover solidly connected. . Used Very Good. Vistas Higher Learning hardcover
1334494150.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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20151001468<p>NEW ~ Edicion bilingue espanol-frances. Original title: <em>Code Rural d'Haiti</em>. This 1826 code attempted to radically modify agricultural production on the island. Prologue by Wenceslao Vega Boyrie. Introduction includes transcribed letters. Appendix: Table of French and Spanish words and their meanings with corresponding page numbers. 189 pp. Edition of 1000 / 1000 ejemplares. Bilingual Spanish and French. In stock. Usually ships in 3 days.</p> ARCHIVO GENERAL DE LA NACION paperback
194283012London: Faber and Faber Limited 1942. Second Edition stated Third Impression stated. Hardcover. Good. Format is approximately 5.25 inches by 8.25 inches. Cover has some wear and soiling. 249 3 pages. Contains 37 Diagrams. May be missing front end paper as pagination is 'off' by one sheet two page numbers. Preface; Introduction by Tom Wintringham; Two Doctrines; The Spanish Laboratory; Thrust and Pocket Tactics; Battle on Narrow Fronts; The Air Arm Over Battle; The Panzer Divisions; Panzers at Work; Tactics of Combat Teams; Artillery Decentralized; Principles of Defence; Islands of Resistance; Web Defence; The Counter-Blitz; Appendix 1; Appendix II; Appendix III; and an Index. This copy once belonged to Lt. Edgar T. Martin Signal Corps who was assigned to the U.S. Embassy in London in June 1942. Notation of same on half-title page. Ferdinand Otto Miksche was an officer in the Czechoslovakian Army the British Army and ultimately the French Army; and was also a prolific author on politico-military subjects. He attended the Austro-Hungarian Imperial Military College and also the LudovMore. Born in Karvinna Teschen Austrian Silesia 1904; education included the Schiller-Gymnasium Teschen Oberrealschule Kaschau and the Imperial Military College; enrolled as a Cadet Ludovika Military Academy Budapest Hungary 1924; conscripted into Czechoslovakian Army 1927; service as a Reserve Officer in an artillery regiment Kosice and Mukacevo Slovakia 1927-1930; Lt 1930; served in the International Brigades Spanish Civil War Spain 1936-1939; Capt 1936; Maj 1938; commanded artillery battalion Battle of the Ebro 1939; served in World War Two 1939-1945; evacuated from France to UK with Czech Legion 1940; appointed Capt in the British Army 1940; service with the Czechoslovak Independent Bde Group 1940-1941; joined Free French forces as a Maj 1941; served on personal staff of Free French Brig Gen Charles de Gaulle and in the Troisième Bureau assisting in the development for the planned invasion of Normandy France 1941-1944; author and military strategist 1941-1992; awarded French Légion d'Honneur 1944; Assistant to the Czech Military Mission and adviser on central European affairs to the Supreme Headquarters Allied Expeditionary Force SHAEF 1945; awarded US Medal of Freedom 1946; Czechoslovakian Military Attaché Paris France and Brussels Belgium 1946-1947; joined French Army 1948; Lecturer in Tactics Instituto de Altos Estudos Militares Caxias Portugal 1950-1955; awarded Order of the Portuguese Empire 1955; In 1955 he went back to France and was posted as a Military Engineer Officer in the French Army Defense Office DEFA Direction des Etudes et fabrication d'Armements. He continued to write on politico-military affairs right up to the late 1980s and his widely read & influential books were eventually published in at least ten different languages. He died in 1992. His papers are held at the Liddell Hart Centre for Military Archives King's College London. Faber and Faber Limited hardcover
2005026490Albuquerque New Mexico - Dallas Texas: Thne Albuquerque Museum - In Collaboration with - The Meadows Museum Southern Methodist University 2005. Trade Paperback. Very Good/No Dust Jacket As Issued. 12" x 12. Dawson Tom - Design and Composition. 361 Pages. Stiff flexible covers. Book has wear to covers and edges that is difficult to see in the scans. Interior text and illustration pages are near flawless. The second book in a series that presents an overview of the history of Spanish culture through major works of art. A study of the cosmopolitan development of Spanish painting in the latter half of the 19th century and beginning of the 20th century covering the time period between the death of Goya in 1828 and the rise of Picasso. Highlighted are the successful careers of artists whose works rival those of their better-known French British Dutch and German contemporaries. Parallel text in English and Spanish. Full page images. Taste is cyclical. According to an old saying taste is generational as well: that which we like is what our grandparents liked not what our parents or our children would prefer. If this is true it provides a reason for nineteenth-century Spanish cosmopolitan painting's great popularity and admiration by its contemporary audience and for its subsequent falling out of favor in the next generation. It is said that the intelligent connoisseur will want to develop his power of discrimination and his sense of values. In the Humanities mere facts remain colorless without a proper evaluation whether it is an intellectual a moral or an aesthetic one. It has often been said that the standard of a civilization depends to a large degree on the power of discrimination by its leading individuals and in a democracy like ours of the average citizen. Happily for today's audience the talents of such artists as Mariano Fortuny y Marsal and Joaquin Sorolla are once again beginning to be appreciated. Value judgments must not be placed arbitrarily on the representations of a lost and perhaps old-fashioned society but must evolve from a simple reading of the works. Contemporary critics use such terms as breakthrough experiments or innovations in a series of new developments new tendencies and new directions frequently separating these trends from the succession of styles as well as the evolution and continuity of the art of earlier times. Nineteenth-century Spanish artists embraced the new cosmopolitanism of Parisian society enabling them to attract a larger more appreciative clientele but they were also greatly influenced by their native traditions and values openly admitting the influence of Spanish Old Masters like El Greco and Diego de Velazquez. Virtually unrecognized in Spain these artists developed a profound ambivalence toward their native country while achieving international acclaim and financial success elsewhere. Large heavy book 1 ½ inches thick that will incur additional shipping charges to some locations. <br/> <br/> Thne Albuquerque Museum - In Collaboration with - The Meadows Museum, Southern Methodist University paperback
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