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(Collana : Le Corone della Grande Universale Mursia - n. 1) Edizione del Centenario, con una bella tavola sinottica della Divina Commedia a cura di Fredi Chiappelli (1.XXVII.5). - Il ricavato della vendita di questo libro sarà destinato ai progetti di ricerca e formazione promossi dalla "Fondazione Salvatore Calabrese"
(Collana : Il Giallo Mondadori) Dopo il romanzo: Bersaglio Mobile (1.XI.4). - Il ricavato della vendita di questo libro sarà destinato ai progetti di ricerca e formazione promossi dalla "Fondazione Salvatore Calabrese"
Very light shelfwear to book else fine. Scholar's name to ffep (R. E. Fantham). Very light edgewear to DJ else fine. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
Very light bump to 1 corner. Else book is fine. Sticker residue to front panel of DJ. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
Scratch to front panel of DJ. Minor rubbing to DJ else NF. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
(Collana : La coda di paglia - n. 9) La grande miseria dell'agricoltura italiana, il tradimento dei sindacati, la bancarotta dell'industrializzazione (1.XXIX.10). - Il ricavato della vendita di questo libro sarà destinato ai progetti di ricerca e formazione promossi dalla "Fondazione Salvatore Calabrese"
Jesi, Stamperia Bonelli, 1810, in-16, cartoncino muto coevo, pp. 8.
Jesi, Presso Pietro Paolo Bonelli, Stamp. Vesc., 1806, in-8, cartoncino muto coevo, pp. 8.
AA.VV Trattatti di poetica e retorica del '500. Bari, Laterza 1974 italian, 502 BTT161B Brossura editoriale, volume in buone condizioni, lievi segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda 502 pagine circa Copertina come da foto
In 16 (cm 12 x 18,5), pp. 106 + (2). Macchie alle ultime 10 pagine. Fori di tarlo al dorso e al margine interno dei contropiatti e delle carte bianche di sguardia. Legatura coeva in mezza pelle.
Napoli, Rondinella, 1857, in-16, mezza pelle coeva, titolo e fregi oro al dorso, pp. 214. Leggere consunzioni esterne.
Torino, G. Marietti, 1866, in-16, br. fittizia, pp. 198, (2).
2 voll. in 16°, brossura editoriale, pp. XIX, 194; 198, 593, coll. "Reprints Einaudi 84*-84**", prima ed. nella collana, nota di possesso al frontesp. di entrambi i volumi, lieve brunitura del bordo delle pp. ma per il resto ottimi esemplari. (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
Reprints Einaudi 84 (tomo primo) <BR>ISBN 8806017179
Reprints Einaudi (tomo secondo) <BR>ISBN 8806017179
Bernard Weinberrg, a cura di Trattati di poetica e retorica del '500 (2 volumi). , Laterza and Figli 1970 - TS.8 italian, 2 vol. Opera con copertina rigida in 2 volumi. LF.72.
Milano, Longanesi, 1969, 16mo brossura editoriale, pp. 231 (La fronda, 98) .
Milano, Longanesi, 1969, 16mo brossura editoriale, pp. 231 (La Fronda, 98) .
Coperta cartronata, maggiormente imbrunita al dorso e minimamente segnata da fattore tempo, tagli e pagine con naturale imbrunitura, libro completamente fruibile, n. 98 della collana "La Fronda", numero pagine 231 USATO
(Collana : I Classici del Giallo) A cura di Ida Omboni - tre bambini, sparuti e indifesi come tre topolini ciechi di una famosa filastrocca sono stati seviziati e torturati al punto che uno di loro ha perso la vita...una vicenda straziante (1.XI.3). - Il ricavato della vendita di questo libro sarà destinato ai progetti di ricerca e formazione promossi dalla "Fondazione Salvatore Calabrese"
In-12, plein veau moucheté de l'époque, dos à 5 nerfs orné de caissons fleuronnés et cloisonnés, pièce de titre de maroquin bordeaux, roulette d'encadrement sur les plats et les coupes, tranches rouges, 158, (6) p. titre inclus. Edition originale. Estimé par ses contemporains, loué par Diderot dans l'Encyclopédie, ce traité demeure l'une des sources principales sur la prosodie et les phénomènes de prononciation, d'accentuation et d'intonation du français dans la première moitié du XVIIIe siècle. "Ouvrage, dit Voltaire, qui subsistera autant que la langue française, qu'il venge des injustes reproches qu'osaient lui adresser des écrivains peu exercés dans l'art de la manier" (cité par "France littéraire", VI, 481). Ami de Boileau et professeur de Voltaire, l'abbé d'Olivet fréquenta le salon de la marquise de Lambert. Il fut élu membre de l'Académie française en 1723 et devint l'un des rédacteurs les plus actifs du 'Dictionnaire'. Bel exemplaire, très frais, bien relié à l'époque.
In-12, plein vélin de l'époque de réemploi (acte administratif ancien), 108 p. Estimé par ses contemporains, loué par Diderot dans l'Encyclopédie, le traité de l'abbé d'Olivet demeure l'une des sources principales sur la prosodie et les phénomènes de prononciation, d'accentuation et d'intonation du français au XVIIIe siècle. La "dissertation" de David-Henri Durant (1731-1808), pasteur originaire de Neuchâtel installé à Londres, commence page 71. Bon exemplaire.
(Collana : Biblioteca tascabile) Novellona in 4 parti e 26 capitoli (1.XXIX.10). - Il ricavato della vendita di questo libro sarà destinato ai progetti di ricerca e formazione promossi dalla "Fondazione Salvatore Calabrese"
Fausto Curi Tra mimesi e metafora Studi su Marinetti e il Futurismo. , Pendragon 1995, Copertina cartonata lievemente sporca. Tagli sporchi di polvere e ingialliti, pagine ingiallite lievemente. Buono (Good) . <br> <br> <br> <br> 8886366132
