611 résultats
170153475Liege: Jean-François Broncart 1701. First edition thus. Hardcover. Very good. Two tomes each in two parts bound in one volume folio: 6 lxxix 1 blank 544; 1 title 1 blank 545-957 1 blank xx Cantique des cantiques 96 La sagesse; Ecclesiastique de Jesus fils de Sirach; 1 title 1 blank 468; 1 title 1 blank 430 16 Oratio Manassae; Liber Esdrae - tertius et quartus pp. Main titles for each tome in red and black; secondary titles in black only all four titles with engraved printer's device; each dated 1701. Text in two columns Latin and French. Illustrated with 6 engraved plates: frontispiece Johann Friederich Karg von Bebenburg; folding plate with 16 vignettes 4x4 depicting well-known biblical scenes; 4 folding maps The Holy Land; The Promised Land Apportioned by Tribe; Jerusalem in the Second Temple Era - after Lamy; The World Known to the Evangelists. Quarter-page engraved vignettes at the head of each of the 30 biblical books; historiated initials; printed marginalia. Exquisitely bound in the 19th century in levant morocco extra over wooden boards with mosaic compartments in crimson ochre; and dark brown bordered in fine gilt line; spine with raised bands lightly rubbed; pair of brass mounts finished in black with steel rivets at both covers clasps and catched perished. All edges gilt and elaborately gauffered in textured floral motif; gilt inner dentelles; decorative endleaves renewed in orange and black; crimson silk ribbon marker. The work of a master binder. Expertly repaired at spine caps. Occasional faint embrowning; marginal dampstains beginning in second half mostly at outer corners; expanding to fore-edge and darkening considerably in final 20 leaves. Overall a very good copy with crisp text throughout though incomplete: lacks Antoine Arnould's "Concorde des quatre Evangélistes" along with its accompanying Latin version and the concluding index.<br /> <br /> Amply margined copy of this sumptuous edition of the Bible comprising the Latin Sixto-clementine Vulgate and the Port-Royal French translation printed in parallel columns. Isaac-Louis Lemaistre de Sacy 1613-1684 was the principal translator of the French version which was edited and completed after his death by Pierre Thomas du Fossé 1634-1698 and Henri-Charles de Beaubrun 1655-1723 who also provide annotations throughout. According to Barbier the French controversialist Thierry de Viaixnes 1659-1735 who found himself often at odds with his superiors was the principal editor of the work; at the time of its preparation he was serving as director of an academy at Hautvilliers in the diocese of Rheims McClintock & Strong.<br /> <br /> Dedicated to Johann Friederich Karg von Bebenburg 1648-1719 whose signed portrait was drawn and engraved by C. Gustav of Amling. An advocate of maximal papal power Karg served as Privy Councilor of the Prince-Bishop of Bamberg and Würzburg Peter Philipp von Dernbach then of Elector Max Emanuel of Bavaria. He served as Dean of Our Lady in Munich and was entrusted by Emperor Leopold I with a legation to Pope Innocence XI. By these efforts he secured in 1688 the election of Prince Joseph Clemens of Bavaria as Archbishop of Cologne as a result of which he was made Chancellor and Minister of State here noted on the frontispiece.<br /> <br /> Provenance and annotations: Bookplate of Herman Blum Blumhaven Library & Gallery with his ticket below; two gilt-stamped ex-libris morocco labels: Henry W. Poor oval; Adolph Lewisohn octogonal. References: Darlow & Moule 3779; Deleveau & Hillard Bibles imprimées du XVe au XVIIe siècles conservées è Paris 605; ADB 15 1882 "Karg: Johann Friedrich; Jean-François Broncart hardcover
17562896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. 8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7.Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press.From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the "Salvioni bindery" this appellation is circumstantial: "the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them" British Library Database of Bookbindings. Some of these "Vatican" bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar "spiraling" border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264."Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality" Martin Breslauer Catalogue 107/428.Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other "Salvioni" bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. Gioacchino & Giovanni Giuseppe Salvioni hardcover books
17562896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. <p>8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7.<br /> Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. <br /> <br /> A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press.<br /> <br /> From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the “Salvioni bindery†this appellation is circumstantial: â€the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them†British Library Database of Bookbindings. Some of these “Vatican†bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar “spiraling†border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264.<br /> <br /> “Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality†Martin Breslauer Catalogue 107/428.<br /> <br /> Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other “Salvioniâ€Â bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. </p> Gioacchino & Giovanni Giuseppe Salvioni unknown
171430785AB(Alle) Antwerpen, Nutius 1627, Meursius 1656-84 (7 Bde), Verdussen 1714. 10 Bände. 2°. 5 SchweinsLdrBde der Zt, 4 PgmtBde der Zt, ein LdrBd der Zt.
17711215811771 Par La Compagnie des Libraires Associés, à Paris, Avec Approbation et Privilège du Roi - M.DCC.LXXI (1771) - Nouvelle édition, corrigée et considérablement augmentée - Huit volumes in-folio (41,5 x 27), plein veau marbré de l'époque, dos à six nerfs, caissons et fleurons en doré, étiquette de titre sur fond brun, tranches rouges - Textes sur deux colonnes - 996 p. + 1020 p. + 1000 p. + 948 p. + 1023 p. + 1016 p. + 1063 p. + (544 p. + 456 p.) - Le Tome VIII se termine à la page 544 et est poursuivi par "Dictionariul universale Latino-Gallicum" sur 456 pages - A VENIR RÉCUPÉRER SUR PLACE DE PRÉFÉRENCE (poids élevé)
1767111136bailly 1767 4 in-4 A Paris, chez Bailly, rue Saint-Honoré, barriere des Sergens, 1767-1770, 4 volumes in-4 de 260x190 mm environ, Tome 1. 1f.blanc, faux-titre, 3ff. de dédicace gravées, titre en rouge et noir avec vignette, cx-1f. (approbation et privilège)-264 pages, avec les planches numérotése de 1 à 48, 1f.blanc, - Tome 2. 1f.blanc, viij-355 pages, 1f.blanc, Avec les planches numérotées de 49 à 81, - Tome 3. 1f.blanc, viij-360 pages, Avec les planches numérotées de 82 à 118, - Tome 4. 1f.blanc, faux-titre, titre en rouge et noir, 6 (pages d'Explication des vignettes et fleurons de Métamorphoses)-367 pages, 1f.blanc, Avec les planches numérotées de 119 à 140, et une planche : Fin des estampes des Métamorphoses, avec les noms des artistes dans une guirlande de médaillons tenue par un angelot, édition enrichie de 30 vignettes placées à chacun des livres et de 4 fleurons aux titres des 4 volumes, reliures plein granité fauve, dos à nerfs ornés, portant titres et tomaisons dorés sur pièces en maroquin bordeaux, ornés de caissons à fleurons et motifs dorés, plats encadrés d'un triple filet doré, coupes et chasses dorées, gardes de couleurs, tranches dorées. Une coiffe ébréchée, des coins dénudés, début de fente sur un mors, des rousseurs cernes et pages brunies, petits défauts sur le cuir. Texte bilingue Latin avec la traduction en regard.
1775c2412110474xbvkLouvain / Leuven, Belgium; 1775. Titlesheet (former blank front flyleaf), (9) pages 'Proemium Rhetorica / ...' and 'Deperiodo.', 5 blank sheets, pages 17-257 (of?), 1 blank sheet, blank rear flyleaf. - Vellum binding of the period over 5 raised bands with colour-marble-paper covered panel with vellum corners and red edges; small 4to.(ca. 19 x 16 x 2 cm).
1709CA1100viii24412 pages with engraved map folding plan and four engraved illustrations in text and index. Quarto 9 ¾" x 7½" bound in period calf with modern rebacking original gilt spine leather laid down and ruled gilt edges to cover. Translated by Joh Stevens. First English Edition.<br /><br />This is a highly regarded chronicle of the conquest and colonization of Peru by Spaniards in the latter part of the 16th century and is lauded for its at the time objectivity. Cieza de Leon's Chronica was to appear in 4 sections this translation being the first part only all that was available of the history until the latter part of the 19th century.<br /><br />Pedro Cieza de León was a Spanish conquistador and chronicler of Peru. He is known primarily for his history and description of Peru Crónicas del Perú. He wrote this book in four parts but only the first was published during his lifetime; the remaining sections were not published until the 19th and 20th centuries. Cieza de León was born to a family of Jewish conversos1 around 1520 in Llerena a town in southeastern Extremadura less than 60 mi from Portugal. Although recently converted from Judaism to Catholicism the family enjoyed good social standing in the region because of their networks and business dealings. His father Lope de León was a shopkeeper in the town and his mother Leonor de Cazalla was a native of Llerena. There is scant documentary evidence of the young Cieza de León’s childhood and little is known of his early life before his voyage to the Americas. Given the fact that he left home at 13 it is unlikely that Cieza de León received more than a rudimentary education. In 1536 in Córdoba at 16 Cieza de León was greatly surprised to learn of the discovery of the land of the Incas and so decided to go to Seville to embark on his journey to South America to see for himself the artifacts of precious metals which had been brought to Spain from Cajamarca. In light of the prohibition of entry into the Spanish colonies for Jews and Jewish converts to Catholicism Alonso López and Luis de Torres attested for Cieza de León that he was not prohibited. Jewish converso Pedro López de Cazalla secretary of Spanish conquistador Francisco Pizarro conqueror of the Incan Empire was also his first cousin. He returned to Seville Spain in 1551 and married a woman named Isabel López de Abreu. Here he published in 1553 the first part of the chronicles of Peru Primera Parte. He died the following year leaving the rest of his work unpublished. His Second Part of Chronicles of Peru describing the Incas was translated by Clements Markham and published in 1871 for the Hakluyt Society. In 1909 the fourth part of his chronicle focusing on the civil wars among the Spanish conquerors was published under the title Third Book of the Peruvian Civil Wars. The third part of Cieza de León's Crónicas del Perú which examined the discovery and conquest of Peru by the Spaniards was considered by historians to be lost. The document eventually turned up in a Vatican library and historian Francesca Cantù published a Spanish version of the text in 1979. Though his works are historical and narrate the events of the Spanish conquest of Peru and the civil wars among the Spaniards much of their importance lies in his detailed descriptions of geography ethnography flora and fauna. He was the first European to describe some native Peruvian animal species and vegetables.<br /><br />Condition:<br /><br />Expertly rebacked some light rubbing to extremities foxing old book plate on front pastedown else very good. unknown hardcover books
173120905Douay J.-F. Willerval 1731 -in-4 plein-veau 3 parties en 1 volume, reliure plein veau brun raciné in-quarto (binding full calfskin in-4) (26 x 19 cm), RELIURE D'EPOQUE, dos à 5 nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre frappé "or", pièce de titre sur fond bordeaux foncé avec filet "or" et filet perlé "or" en encadrement, roulette "or" (avec manques de dorure) en place des nerfs avec un filet à froid de part et d'autre des nerfs, filet or en tête et en pied, entre-nerfs au double C couronné "or" dans un encadrement à filet et filet perlé "or" avec rinceaux "or" aux angles, Coiffes absentes, mors supérieur et inférieur du 1er plat fendus sur 3 cm, mors supérieur du 4ème plat fendu sur 6 cm, coins écornés, toutes tranches lisses jaspées rouges, PLATS ARMORIES, plats avec les Armoiries "or" (au centre) de : (Armoiries de Cardinal avec chapeau de prêtre à bords larges, muni de cordelettes à trente glands, L'écu représentant les armoiries de la famille d'Orléans surmonté d'une couronne de comte) LOUIS-ETIENNE DE SAINT-PHAR, légitimé, comte de Saint-Phar, abbé de Livry, prieur à Saint-Martin-des-Champs FILS NATUREL DU ROI PHILIPPE D'ORLEANS (LOUIS XVIII) et de Madame Etiennette Le Marquis, texte en vieux françois, l'APPENDIX est en latin, sans illustrations (no illustration) excepté une vignette "marque de l'Editeur" en bas du titre gravée sur bois en noir + Bandeaux, lettrines et culs de lampes Historiés gravés sur bois en noir, quelques mouillures périphériques claires, plus importante sur les 20 dernière pages, mais ne génant à aucun moment la lecture du texte, (8 p. de préface + 2 p. privilège + 450 + 76 + (2) + 82 + 8 p. de tables) pages, 1731 Douay : J.-F. Willerval Editeur,
17110030381711 Amstelaedami [Amsterdam], Excudit Franciscus Halma, 1711. In-quarto (208 X 258) maroquin vert, triple encadrement de filet doré sur les plats, filets dorés en place des nerfs, urnes dorées dans les compartiments, coupes filetées, tranches jaunes (reliure de lépoque) ; (1) f. blanc, frontispice gravé, titre avec vignette gravée, 10 ff. (dédicace, préface et élégie), 502 pages, (14) pp. (index), (2) ff. blancs.
178540318Parisiis: Excudabat Fr. Amb. Didot natut maj. 1785. 8vo in 4s 19 cm 7.5". 8 vols. I: xvi 501 1 pp. II: 2 ff. 450 pp. III: 2 ff. 393 1 pp. IV: 2 ff. 428 pp. V: 2 ff. 400 pp. VI: 2 ff. 444 pp. VII: 2 ff. 407 1 pp. VIII: 2 ff. 373 1 pp. <br><br>Produced here in fine French bibliophilic style is the most extensive collection of => Old Latin versions which exist only in fragments compiled from manuscripts and the writings of the Fathers by Pierre Sabbathier and continued after his death under the care of Vincent de La Rue Darlow & Moule. This edition following the first Rheims 173949 was issued In the Didot series Collection des auteurs classiques françois et latins.<br>Â Â Â Â Binding: Full red crushed morocco gilt spine and boards; gilt rule on board edges; gilt rolls on turn-ins; marbled endpapers. All edges gilt. => Bindings signed Petit Succs. de Simier.<br>Â Â Â Â Provenance: Bookplates of Casimir L. Stralem Clarence E. Clark and Brian Douglas Stilwell.<br>Â Â Â Â WorldCat locates only six U.S. libraries reporting ownership of => all eight volumes as present here NYPL Cornell Seton Hall Holy Cross College New York Historical Society UC-Berkeley Law and two libraries reporting ownership of incomplete sets Harvard Divinity vols. 1 2 only University of Dayton vol. 3 only. . <br>Â Â Â Â <br>Â Â Â Â Darlow & Moule III 6263; Jammes Les Didot 25. Bound as above some joints outside showing cracking but all intact. All volumes housed in light marbled-paper open-back cases some with tape repairs. => Very good. Excudabat Fr. Amb. Didot natut maj. hardcover books
1772R115349Bruxellis [Brussel], Francisucs t' Serstevens 1772 569pp., with Gregorian music scores, 31cm., text in Latin, the Antiphonarium is complete on itself but this copy does not include the supplement "commune sanctorum" (124pp.), a very rare publication in its original unbound (and mostly uncut) gatherings in perfect (unused) condition, weight: 2kg., R115349
1731102630London: J. Senex W. Innys J. Osborn and T. Longman. 1731. Vol 2 only of 2. Full leather early binding 25 engraved folding platespp xv 285 indx xix. Spine heavily rubbed hinges fragile stitching weak corners rubbed. Worming to bottom edge including through the inner corner of pages heavier at earlier and latter pages but not affecting any of the text with some tanning to these pages. Peter Cowan's the Australian writer copy wih his ownership signature to front paste-down. Good condition. 's Gravesande was a Dutch mathematician and natural philosopher who helped to propagate Isaac Newton's ideas in Continental Europe and laid the foundations for the teaching of Newtonian mechanics through experimental demonstrations. Vol. II of "Mathematical Elements of Natural Philosophy" studies Newton's ideas on fire the refraction and reflection of light opacity and colours the planetary system and celestial motions including universal gravity. The publisher John Senex was one of the principal cartographers of the 18th century. This edition published only a few years after Isaac Newton's death and complete with all twenty-five engraved plates showing experiments. 4th Edition. Leather. J. Senex, W. Innys, J. Osborn and T. Longman hardcover
174820909Paris GABRIEL MARTIN, J. B. COIGNARD & ANT. BOUDET, PIERRE-JEAN MARIETTE, HIPPOLYTE-LOUIS GUERIN 1748-1750 -in-4 plein-veau 14 volumes, reliure plein veau havane marbré in-quarto (binding full calfskin in-4) (26 x 20,3 cm), RELIURE D'EPOQUE, dos à nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaisons frappés "or", pièce de Titre et de Tomaison sur fond bordeaux foncé avec filet "or" et filet perlé "or" en encadrement, (avec en plus pour la tomaison une roulette "fleur de lys" "or" de part et d'autre de la tomaison), roulette "or" en place des nerfs avec un filet à froid de part et d'autre, entre-nerfs à fleuron central "or"au fer évidé (between the raised bands floweret with hollowed out blocking stamp) dans un encadrement d'un filet "or" et un filet perlé "or" avec rinceaux "or" aux angles, roulette "fleur de lys" "or" avec filet "or" et filet perlé "or" en tête et en pied, plats ornés d'un double filet à froid en encadrement, double filets "or" aux coupes avec manque de dorure (blurred gilding), toutes tranches lisses rouges, ETAT DE LIVRES : TOME I : coiffes de tête et de pied manquantes, mors haut et bas de la 1ère et 4ème de couverture fendus sur 2 cm, TOME II : mors haut et bas du 1er plar fendus sur 4 cm, TOME III : léger manque de cuir à la coiffe inférieure (angle) et tache brune légère au 1er plat, TOME IV : légère tache brune au 4ème plat (1 cm2), léger manque de cuir en tête (moins de 1/5 cm 2), petit accident à la coiffe de tête à l'angle, TOME V : légers accidents à la coiffe de tête et de pied, TOME VI : léger accident à la coiffe de tête, TOME VII : petite tache brune en haut du 1er plat (2cm2), TOME VIII : mors haut du 1er plat fendu sur 1,5 cm, pièce de tomaison manquante (à restaurer), TOME IX : léger accident à la coiffe de tête, mors haut du 1er et 4ème plats fendus sur 2,5 cm, TOME X : coiffe de tête manquante, angle gauche bas de la pièce de titre et de la pièce de tomaisons épidermés, TOME XI : coiffes de tête et de pied manquantes, petit manque de cuir en têt et en pied (moins de 1/2 cm2), tache brune en haut du 1er plat (2 cm2), TOME XII : la coiffe de tête manque, épidermures à la pièce de titre, de tomaison et en pied, TOME XIII : coiffe de pied accidentée, épidermure à la pièce de titre et à la pièce de tomaison, mors haut et bas fendus du 1er plat sur 4 cm, mors haut du 4ème plat fendu sur 4 cm, TOME XIV : coiffes de tête et de pied accidentées, 2 épidermures à la pièce de tomaison, mors tachés (tache brune sur toute la longueur), Titre orné d'une vignette gravée sur bois en noir "branches de gui de part et d'autre avec fleur de lys au centre" en bas de la page de titre, orné de 46 planches dépliantes hors-texte gravées sur bois en noir (gravures, cartes, tableaux et plans) , TOME I : (X + 957) + TOME II ((2) + II + 781) + TOME III ((4) + 184 + 592) + TOME IV ((4) + 789) + TOME V((2) +V + 753) + TOME VI((4) + 680) + TOME VII((4) + 924) + TOME VIII((2) + II + 841) + TOME IX (VI + 929) + TOME X ((6) + 110 + 653) + TOME XI(192 + 614) + TOME XII (IV + 248 + 448) + TOME XIII(VIII + 927) + TOME XIV (232 + 187) Pages, 1748-1750 à Paris CHEZ GABRIEL MARTIN, J. B. COIGNARD & ANT. BOUDET, PIERRE-JEAN MARIETTE, HIPPOLYTE-LOUIS GUERIN Editeurs,
173021397Venetiis apud Ballionem, 1730-1735 ; 4 tomes reliés en 6 volumes in-4° ; portrait gravé de Hoffman par J. Rupert aux tome I, IV (1) et tome I de “Consultationum” ; le tome 4 comprend trois parties soit les tomes IV, V et VI . [Suivi de] - Consultationum et responsorum medicinalium centuria prima complectens Morbos capitis et pectoris. 1 vol., 472 pp. - Consultatiomum et responsorum medicinalium centuria secunda et tertia complectens Morbos addominis et arturum externorum. 1 vol., 864, [54] pp. Francofurti ad Moenum, Franciscum Varremtrapp, 1734-1735; soit en tout 8 volumes in-4°, veau brun marbré, dos à nerfs très décorés et dorés, pièce de titre grenat, roulette dorée sur les coupes, tranches rouges ; les 2 derniers volumes sont légèrement plus grand et le décor du dos très légèrement différent.
175811269Augbourg Johann Georg Hertel 1758 -in-4- PLEIN VEAU un volume (album), reliure d'époque plein veau havane raciné (binding full calfskin) in-quarto, dos à nerfs (spine with raised bands), frotté (rubbed), décoré or (gilt decoration) filets or (gilt line) et filets à froid (blind-stamping line decoration) - entre-nerfs - compartiments à fleuron au fer plein (floweret with full blocking stamp) - titre frappé or (gilt title)- pièce de titre sur fond bordeaux + pièce de titre sur fond noir (label of title) avec filet or (label of title with gilt line), coiffe supérieure manquante (head of the spine lightly faded),manque de cuir sur 1/2 centimètre carré en haut du dos + légers manques de cuir aux mors, plats décorés or (gilt decoration), d'un double encadrement au motifs Rococos (coquille saint Jacques + fleurons + glands aux angles avec les lettres P L V P au centre de l'encadrement central), charnière fendue (cracked joints), coins écornés (corners dog-eared) - toutes tranches dorées (all edges gilt) - , marque-page en tissu (bookmark in tissue), orné de 96 gravures sur 100 illustrations (manquent les N° 20-62-63-92) d'Emblèmes baroques et roccocos (Baroque and Rococo Imagery) par EICHLER Gottfried , légère rousseur sur la gravure N° 100, divisé en 5 parties sans pagination, sans date (1758) Augbourg Johann Georg Hertel Editeur,
1703106501703 3 volumes, reliure plein veau havane (binding full calfskin) in-quarto, dos à nerfs (spine with raised bands) décoré or (gilt decoration), entre-nerfs - compartiments or à fleuron fleurette (floweret) - fers spéciaux (specials blocking stamps) - titre frappé or (gilt title) - tomaison (volume numbering) - pièce de titre à filets sur fond bordeaux foncé (label of title with gilt line), léger manque aux coiffes supérieures du tome 1 et 3, ainsi qu'à la coiffe inférieure du tome 1 (head and tail of the spine lightly faded), mors fendus sur le 1er volume, plats et couverture frottés (covers rubbed) reteintés grossièrement en plus foncé (teinte grossière XVIIIème) sur le 1er volume, charnière fendue (cracked joints) et coins écornés (corners dog-eared) pour le 1er volume, gouttière rognée (fore-edge smooth), tranches lisses (edges smoothes) - tranches jaspées (marbled edges) rouges (reds edges), illustrations : le tome 1 est orné (illuminated of) d'une gravure sur Bois (engraving-wood) en bas de la page de titre (engraved title page)+ 1 front-de-chapitre bandeaux (headpiece) et 1 lettrine (dropped initial) gravés en taille-douce (line-engraving) sur bois (wood-cut engraving), les tomes 2 et 3 sont constitués uniquement de 476 feuillets de planches (full page engraving) + 1 frontispice (frontispiece) gravé sur Bois (engraving-wood) sur la page de titre (engraved title page), légères mouillures (lights waterstains) anciennes sur tout le bas des pages du 1er volume (volume de texte), les volumes de planches sont eux en parfait état, pages : tome 1 - (18) + 697 (+ 54 pages + index du volume "Tabulae generum recens..." relié avec en fin de volume) - tome 2 : 250 feuillets de planches tout en illustrations - tome 3 : planches de 251 à 476 tout en illustration, avec Approbation & Privilège du Roi Roy, 1700 Parisiis Typographia Regia (Paris Imprimerie Royale) Joanne Anisson Editeur + 1703 Parisiis Typographia Regia (Paris Imprimerie Royale) Joanne Anisson Editeur ( pour "Tabulae generum recens..." relié avec en fin de volume 1),
1746A0068xxxvi167viii96 pages. Octavo 8 1/4" x 6 1/4" bound in full leather with decorative gilt and lettering to spine. From the library of George M Foster. First edition.<br /><br />Lorenzo Boturini Benaducci born in Italy of noble parentage studied in Milan and lived in Trieste and Vienna. He was a knight of the Holy Roman Empire. Forced to flee Austria because of the war with Spain Boturini arrived in Spain via England and Portugal. In Madrid he met the Condesa de Santibáñez oldest daughter of the Condesa de Moctezuma. The mother authorized him to collect a pension due her as a descendant of the Aztec Emperor Moctezuma II from the royal treasury in New Spain. Boturini went to New Spain in 1736 where he remained eight years. During those years he assembled a vast collection of paintings maps manuscripts and native codices. He copied more than 500 pre-Columbian inscriptions and made his own drawings of monuments and sculptures and he investigated the history of the apparition of the Virgin of Guadalupe on the hill of Tepeyac. He traveled widely and on his travels brought together the largest collection of Mexican antiquities assembled to that time by a European. Not only did he intend to write the history of the Virgin of Guadalupe but he also had plans to crown her image with a gold crown. For that purpose he sought donations from the bishops and from the public. This brought him to the attention of the colonial government which was suspicious of the motives of a foreigner making this proposal. On June 2 1743 after an investigation the recently arrived viceroy Pedro Cebrián y Agustín had him imprisoned and impounded his collection. He was accused of entering New Spain without license from the Council of the Indies and of introducing papal documents without a royal permit. After eight months in prison Boturini was sent to Spain. He fell into the hands of pirates who eventually released him at Gibraltar. From there he traveled to Madrid in miserable conditions. In Madrid he met Mariano Fernández de Echeverría y Veytia another passionate collector of Indian antiquities. Fernández de Echeverría y Veytia offered Boturini a place to live and financial support and got the Council of the Indies to reconsider his case. Boturini was absolved. The king named him royal chronicler of the Indies ordered that his collection be returned to him and extended an invitation for him to return to New Spain. Boturini however declined to return to New Spain and his collection was never restored. It appears that he was granted recompense and a stipend to work on his projected history of the colony. In Madrid he wrote a history of ancient Mexico unpublished at the time of his death in 1753. The library at the Basílica de Nuestra Señora de Guadalupe is named for him. The Boturini Collection was formed between 1735 and 1743 to serve as the basis of a projected Historia de América Septentrional. It consisted of many valuable documents the majority of them of Indian provenance. Among these were hieroglyphic paintings that had belonged to Juan de Alva Ixtlilxochitl a descendant of the rulers of Texcoco. Ixtlilxotchitl bequeathed these documents to Carlos de Sigüenza y Góngora. The collection was confiscated by Viceroy Pedro Cebrián y Agustín at the time of Boturini's arrest in 1743. It was deposited in the office of the secretary of the viceroyalty. The documents were neglected there for years and suffered considerable pilferage. The subsequent viceroy Juan Francisco de Güemes 1st Count of Revillagigedo granted the historian and antiquary Fernández de Echeverría y Veytia Boturini's friend from Madrid the paintings and documents he solicited for his own studies. On Fernández de Echeverría y Veytia's death they passed to Antonio de León y Gama. He died in 1802 and the collection passed to his heirs. Shortly thereafter 16 paintings were obtained by Alexander von Humboldt during his visit to Mexico in 1802-03. He published them in Vues des cordillères et monuments des peuples indigènes d'Amérique. The originals of these are now in the Berlin State Library. Part of the remainder of the collection may have passed to Father José Pichardo an amateur antiquarian. Joseph Alexis Aubin beginning in 1827 or shortly thereafter obtained important parts of the collection from a variety of sources. He sold his collection to Eugène Goupil who was of French and Mexican descent. This part of the collection passed by donation or purchase to the National Library in Paris where it remains under the name Aubin-Goupil Collection.<br /><br />George McClelland Foster Jr born in Sioux Falls South Dakota on October 9 1913 died on May 18 2006 at his home in the hills above the campus of the University of California Berkeley where he served as a professor from 1953 to his retirement in 1979 when he became professor emeritus. His contributions to anthropological theory and practice still challenge us; in more than 300 publications his writings encompass a wide diversity of topics including acculturation long-term fieldwork peasant economies pottery making public health social structure symbolic systems technological change theories of illness and wellness humoral medicine in Latin America and worldview. The quantity quality and long-term value of his scholarly work led to his election to the National Academy of Sciences in 1976. Virtually all of his major publications have been reprinted and/or translated. Provenance from the executor of Foster's library laid in.<br /><br />Condition:<br /><br />Lacks frontispiece portrait. Lacks Foster's stamp or date of purchase. some damp stains to end papers neat old marginalia in Spanish to back end paper worm hole ant head and heal of spine going through spine extremities bumped and rubbed old owner's label to front paste down 1" chip at back head hinge and name to front end paper scuffed else a good copy of a rare item. En la Imprenta de Juan de Zuniga hardcover
1746A0068xxxvi167viii96 pages. Octavo 8 1/4" x 6 1/4" bound in full leather with decorative gilt and lettering to spine. From the library of George M Foster. First edition.<br /><br />Lorenzo Boturini Benaducci born in Italy of noble parentage studied in Milan and lived in Trieste and Vienna. He was a knight of the Holy Roman Empire. Forced to flee Austria because of the war with Spain Boturini arrived in Spain via England and Portugal. In Madrid he met the Condesa de Santibáñez oldest daughter of the Condesa de Moctezuma. The mother authorized him to collect a pension due her as a descendant of the Aztec Emperor Moctezuma II from the royal treasury in New Spain. Boturini went to New Spain in 1736 where he remained eight years. During those years he assembled a vast collection of paintings maps manuscripts and native codices. He copied more than 500 pre-Columbian inscriptions and made his own drawings of monuments and sculptures and he investigated the history of the apparition of the Virgin of Guadalupe on the hill of Tepeyac. He traveled widely and on his travels brought together the largest collection of Mexican antiquities assembled to that time by a European. Not only did he intend to write the history of the Virgin of Guadalupe but he also had plans to crown her image with a gold crown. For that purpose he sought donations from the bishops and from the public. This brought him to the attention of the colonial government which was suspicious of the motives of a foreigner making this proposal. On June 2 1743 after an investigation the recently arrived viceroy Pedro Cebrián y AgustÃn had him imprisoned and impounded his collection. He was accused of entering New Spain without license from the Council of the Indies and of introducing papal documents without a royal permit. After eight months in prison Boturini was sent to Spain. He fell into the hands of pirates who eventually released him at Gibraltar. From there he traveled to Madrid in miserable conditions. In Madrid he met Mariano Fernández de EcheverrÃa y Veytia another passionate collector of Indian antiquities. Fernández de EcheverrÃa y Veytia offered Boturini a place to live and financial support and got the Council of the Indies to reconsider his case. Boturini was absolved. The king named him royal chronicler of the Indies ordered that his collection be returned to him and extended an invitation for him to return to New Spain. Boturini however declined to return to New Spain and his collection was never restored. It appears that he was granted recompense and a stipend to work on his projected history of the colony. In Madrid he wrote a history of ancient Mexico unpublished at the time of his death in 1753. The library at the BasÃlica de Nuestra Señora de Guadalupe is named for him. The Boturini Collection was formed between 1735 and 1743 to serve as the basis of a projected Historia de América Septentrional. It consisted of many valuable documents the majority of them of Indian provenance. Among these were hieroglyphic paintings that had belonged to Juan de Alva Ixtlilxochitl a descendant of the rulers of Texcoco. Ixtlilxotchitl bequeathed these documents to Carlos de Sigüenza y Góngora. The collection was confiscated by Viceroy Pedro Cebrián y AgustÃn at the time of Boturini's arrest in 1743. It was deposited in the office of the secretary of the viceroyalty. The documents were neglected there for years and suffered considerable pilferage. The subsequent viceroy Juan Francisco de Güemes 1st Count of Revillagigedo granted the historian and antiquary Fernández de EcheverrÃa y Veytia Boturini's friend from Madrid the paintings and documents he solicited for his own studies. On Fernández de EcheverrÃa y Veytia's death they passed to Antonio de León y Gama. He died in 1802 and the collection passed to his heirs. Shortly thereafter 16 paintings were obtained by Alexander von Humboldt during his visit to Mexico in 1802-03. He published them in Vues des cordillères et monuments des peuples indigènes d'Amérique. The originals of these are now in the Berlin State Library. Part of the remainder of the collection may have passed to Father José Pichardo an amateur antiquarian. Joseph Alexis Aubin beginning in 1827 or shortly thereafter obtained important parts of the collection from a variety of sources. He sold his collection to Eugène Goupil who was of French and Mexican descent. This part of the collection passed by donation or purchase to the National Library in Paris where it remains under the name Aubin-Goupil Collection.<br /><br />George McClelland Foster Jr born in Sioux Falls South Dakota on October 9 1913 died on May 18 2006 at his home in the hills above the campus of the University of California Berkeley where he served as a professor from 1953 to his retirement in 1979 when he became professor emeritus. His contributions to anthropological theory and practice still challenge us; in more than 300 publications his writings encompass a wide diversity of topics including acculturation long-term fieldwork peasant economies pottery making public health social structure symbolic systems technological change theories of illness and wellness humoral medicine in Latin America and worldview. The quantity quality and long-term value of his scholarly work led to his election to the National Academy of Sciences in 1976. Virtually all of his major publications have been reprinted and/or translated. Provenance from the executor of Foster's library laid in.<br /><br />Condition:<br /><br />Lacks frontispiece portrait. Lacks Foster's stamp or date of purchase. some damp stains to end papers neat old marginalia in Spanish to back end paper worm hole ant head and heal of spine going through spine extremities bumped and rubbed old owner's label to front paste down 1" chip at back head hinge and name to front end paper scuffed else a good copy of a rare item. En la Imprenta de Juan de Zuniga hardcover books
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover books
1750281Venise, Franciscum Pitteri, 1750. 2 volumes in-4 de XVI-544p. et 398-[2]-XLVIIIp., plein vélin ivoire du temps. Petit manque au bas du dos du t. II et d'un coin, coins frottés, rousseurs.
1714X119435Trajecti Batavorum [Utrecht], Ex libraria Guilielmi Broedelet 1714 Complete in 3 parts in one physical volume, part I: pp. [10],391,[1], Part II: pp. [4],396-511, Part III: pp. [4],516-1068,[94], with an additional engraved title, illustrated with engraved vignettes and with 15 engraved plates out of text (of which 13 folding) among which 9 maps and a large folding portrait of the author as well as a large folding genealogical table, 1st edition, text in Latin, 20x17cm., first title in red and black, text is clean and bright, small reference number on first title page, manuscript ex-dono on blanco endpaper (prize book of the School of Zwolle), contemporary brown full-leather binding (intact but with some wear at ends and joints, gilt decorations on boards and spine, gilt title on red label at spine, missing ties), a good copy of this work by the Dutch orientalist Reland (1676-1718) who made the first geographically accurate maps of Palestine and surroundings based upon his own study during his travel to Palestine, weight: 1.5kg., [Content: Part I: "In quo de Palaestinae nominibus, situ, terminis, partitione, aquis, montibus, et campis agitur", II: "in quo agitur de intervallis locorum Palaestinae", III: "in quo de urbibus et vicis Palaestinae agitur" which is in fact a topographical dictionary], X119435
1708000312Amstelaedami (Amsterdam) Ex Officina Wetsteniana (Wetstein) 1708
1795RO80051947PLASSAN P.. 1795. In-8. Cartonné. Etat passable, Couv. défraîchie, Mors fendus, Intérieur acceptable. 360 + 452 + 448 + 452 pages. Nombreuses planches de gravures en noir et blanc, avec serpentes. Pièces de titre bordeaux. Papier à la Forme. Coins frottés. Coiffes légèrement frottées. Mors fendus sur le 2nd Tome.. . . . Classification Dewey : 470-Langues italiques. Latin
