1 592 résultats
0282131981.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259919365.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1709V64598Lucca: per i Marescandoli. 1709 from imprimatur. Hardcover. Good. Printer's mark woodcut on titlepage a few decorated small intials and a few printer's ornaments as headpieces. Small 12mo vellum head and foot of spine worn/some marks but neat and tight 454pp privilege leaf dated 1709. Two small holes to blank endpaper & titlepage leaving the attributed name as GRSOE privilege leaf mentions Gerson also. Some edge dusting but mainly to endpapers and first and last pages. Print very clear and legible. per i Marescand[oli]. hardcover
199333113Novecento. 1993. Softcover. Very Good. Minor edgewear to wraps with faint chipping.; 249 pages . 8837302215 . Novecento paperback
1801475695.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1801475911.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
26746September 25th 1907"; no place. See her entries in Encyclopaedia Britannica and the Oxford DNB. Decorative page extracted from Autograph Album 19 x 16cm two small closed tears not impinging on text fair condition. Text: "A beautiful voice is the gift of God. - Adelina Patti Sederstrom September 25th 1907". Sederstrom or Cederstrom being her married name. SEE IMAGE. On verso details of two other parities unknowns. September 25th 1907"; no place. unknown
RGW18727etching from 'Recueil de 283 estampes gravees a l'eau forte d'apres les dessins originaux . . .que Mons. Evrard Jabach de Cologne' small tear in left margin where it was removed from album From a series of plates reproducing the drawings that used to form the Jabach collection. The original drawing is now in the Louvre. unknown
RGW17833No Binding. Engraving and etching good margins One of three engravings published by Boydell after drawings made John Hamilton Mortimer of seventeenth century paintings in the collection of the Duke of Devonshire. unknown
196911819Adolf M. Hakkert. 1969. Hardcover. Near Fine in No Dust Jacket dust jacket. 1 corner very lightly bumped. Light foxing to foredge of textblock. Else fine.; Text in Italian. Looks at Sicily and in particular Palermo from the beginning of the Byzantine period down through the Arab conquest and finally under the Normans.; Zetemata Byzantina. Heft 1; 129 pages . Adolf M. Hakkert hardcover
51-4296Circa 1860-1870. Cartes-de-visite 4x2⅜" of soldier posing against a column prop appearing to be in a Zouave uniform which has been completely hand colored along with the photograph prop and background. Enclosed in a brass mat and preserver inserted into half of a Quarter plate 4¼x3¼" case embossed with a delicate grape cluster motif.During the Civil War numerous Zouave regiments were organized from soldiers of the United States of America who adopted the name and the North African–inspired uniforms during the American Civil War. The Union army had more than seventy volunteer Zouave regiments throughout the conflict while the Confederates fielded about twenty-five Zouave companies.The Zouave uniform was sometimes quite elaborate to the extent of being unwieldy. Some Zouave regiments wore a tight fitting short jacket some without buttons baggy pantaloons or "chasseur" trousers white leggings and a short leather cuff for the calf called jambieres. The sash was especially difficult to put on often requiring the help of another zouave. The zouave uniform was better suited for warm climates and rough terrain. The loose pantaloons allowed for greater freedom of movement than trousers while the short jacket was much cooler than the long woolen blouse worn by most armies of the time. One of the reasons for the smaller number of zouave units in the U.S. and Europe was the expense of the specialized uniform over that of mass-produced uniforms of a single color and cut. Circa 1860-1870 hardcover
303535Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1540 after. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303536Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1540 after. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303537Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1540 after. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303534Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1540 after. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1964#BIBLIO-1277The Lost Boy by Alberto Arbasino translated from the Italian by Bernard Wall Hardback published by Faber and Faber 24 Russell Square London 1964 first UK/English edition 186 pages. Octavo/8vo measures around 5 1/8" by 7 1/2" by 7/8". A scarce copy. Dust jacket is a bit tattered with some tearing and creasing particularly at tail of spine section. Marking scuffing and toning with a little staining. Rust-coloured cloth binding gilt lettering to spine. A little discolouration to spine and upper edges of boards but very clean. Signs of wear a little rubbing at edges. Binding reasonably firm. Page edges with some minor scuffing and marking but quite clean. Page surfaces generally clean no underlining marginalia etc. See pictures for further information. Faber and Faber Limited hardcover
1972020247Panther 1972. Soft cover. Very Good -. Soft cover book in very good condition. Light wear to wraps age-toning to pages. Overall a lovely copy. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally please be aware that additional charges may apply for heavier books. We guarantee a safe quick and secure transaction. 10 years in online bookselling experience. <br/> <br/> Panther paperback
1759788 Newman Street London . 4 February 1850s . 1p. 12mo. In fair condition on aged paper. Reads: 'Dear Sir I returned yesterday only from a long journey. I hope to see you in he present week in the City.' In 1850 Gavazzi began a course of political and religious sermons in London; first at the Princess's Court Rooms Great Castle Street Oxford Street and then from 1854 in an open chapel at King's Cross. In 1859 he returned to Italy to take up a post as chaplain for Giuseppe Garibaldi serving in that role during the Expedition of the Thousand to Sicily in 1860. 88 Newman Street [ London ]. 4 February [ 1850s ]. unknown
209921863. Clearly given in response to a request for an autograph. On one side of a 7 x 11 cm piece of paper. In good condition. In a good firm hand reading: 'Dio e Patria Alessandro Gavazzi 1863'. 1863. unknown
21338On letterhead of 16 Park Avenue Golders Green London. 13 August 1947. 1p 12mo. In fair condition lightly aged and worn. Folded twice. Signed over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. August 13th. 1947'. Above this the receip in Compoli's autograph reads: 'Received £500 five hundred pounds in full £200 deposit – and £250 in cash – also cheque value £50 dated August 11th. 1947 for Sale of Music Library Salon Orchestra & Trio'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper reading: 'April 28th. 1947 Received from Jack Salisbury Esq. The sum of £200 two hundred pounds as a deposit on Music purchased for £500 five hundred pounds'. On letterhead of 16 Park Avenue, Golders Green, London. 13 August 1947. unknown
188815357Boston MA: Roberts Brothers 1888. First edition. Hardcover. Good. First of this American edition. Decorated cloth boards. 228 pages. Scarce. Printed by University Press Cambridge. Copy of Jessie Binford with her bookplate and signature on the front endpapers. Binford was known as “the conscience of Chicago” a social worker who worked closely with Jane Addams at Hull House where she lived and worked for 32 years. From the preface by the translator" This is a "series of legends collected 200 years after his death having been handed down orally until that time; they form an excellent biography of him & his disciples told with quaint simplicity & grace". Roberts Brothers hardcover
0259145653.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259052442.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197417850Società Editrice Napoletana. 1974. Softcover. Very Good. Light creasing to wraps. Pages unopened. Minor foxing to spine.; Studi E Testi Di Letteratura Italiana II; 183 pages . Società Editrice Napoletana paperback
2026__153151359XFordham University Press 2026. Hardcover. New. 432 pages. 9.00x7.00 inches. Fordham University Press hardcover
