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1531676901.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
193116932Rome: Grottaferrata 1931. In Near Fine condition in exquisite private brinding in half-red leather and venetian marbled boards. 203 pages published by the translator and SIGNED AND INSCRIBED IN LATIN BY THE TRANSLATOR dated Rome 1959. the translator was Ugo Panzoni. Prima Edizione. Near Fine. Grottaferrata hardcover
1970mon0000102548Morris Press Cookbooks 1970-01-01. Plastic Comb. Good. in x in x in. Plastic comb spiral bound paperback. Minor surface and edge wear to cover. Pages are in nice condition! Morris Press Cookbooks unknown
1735038060Rome Cira 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Colored In Shades Of Gray. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1735038059Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Colored In Shades Of Red-Brown. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
182430703NP: I. Mompie 1824. Reprint. Hardcover. g. 8 429 17pp. Original marbled calf with gold lettering and decorative borders on spines. All edges red. Marbled endpapers. Exquisite theological work on the Holy sacraments. Moderate age wear on binding with rubbing along edges and on spines. Previous owner's ex-libris on inside of each front board. Text in Spanish. Binding in overall good- to good interior in good to very good condition. I. Mompie hardcover
1343350190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927M1428WWIRoma: Provveditorato Generale Dello Stato 1927. 58pp. Pictorial paper boards; moderately edge worn covers lightly soil-dusted fore-edges slightly warped else good. Pages lightly age-toned else very good. Half-tone plates and rear folding charts and graphs. Text in English. Development of the Italian navy in war and its activities against the Austro-Hungarian Empire during WWI. . First Italian Edition . Paper Boards. Good to Very Good/No Dust Jacket. 4to - over 9¾" - 12" tall. Provveditorato Generale Dello Stato Hardcover
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover
17562896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. <p>8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7.<br /> Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. <br /> <br /> A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press.<br /> <br /> From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the “Salvioni bindery†this appellation is circumstantial: â€the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them†British Library Database of Bookbindings. Some of these “Vatican†bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar “spiraling†border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264.<br /> <br /> “Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality†Martin Breslauer Catalogue 107/428.<br /> <br /> Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other “Salvioniâ€Â bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. </p> Gioacchino & Giovanni Giuseppe Salvioni unknown
1390620972.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364635002.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
187230612Didier Et Cie. 1872. Hardcover. Very Good in No Dust Jacket dust jacket. Former owner's name in pencil to half-title. Foxing passim. Book has been rebound in 1/2 green leather boards with marbled boards. Marbling to endpapers and pastedowns. 5 raised bands to spine. Intricate tooling to spine with gilt spine. Rubbing and edgewear to spine ends and corners Some leather has flecked off. Review pasted down to front inner cover. Very attractive book.; Traduit de L'Anglais Avec des Additions et des Notes par Paul Allard. 517 pages 20 plates and folding atlas; 517 pages . Didier Et Cie hardcover
271464Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271310Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271440Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271466Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271427Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271453Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271309Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271451Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271452Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271416Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271307Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
271428Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century late 15th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
