Anonymous, Italian, 17th centuryBiblio.com
1 592 résultats
345347Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
343885Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
343897Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19947227The Finnish Society of Sciences and Letters / Societas Scientiarum Fennica. 1994. Softcover. Near Fine. Gift inscription from author to scholar Fergus Millar on ffep. Slight creasing to front wrap.; The aim of this study is to analyse the population of Naples during a given period and to examine the bilingualism which existed.; Commentationes Humanarum Litterarum 102; 236 pages; Signed by Author . 9516532721 . The Finnish Society of Sciences and Letters / Societas Scientiarum Fennica paperback
193752262New York Italian Chamber of Commerce 1937. Hardcover. Extremities slightly frayed; covers dust-soiled; scuff mark at top edge of rear cover; endpapers browned; pages slightly toned; otherwise very good condition no dust jacket. No markings. . 199p. Folio. Illus. New York, Italian Chamber of Commerce hardcover
17508801750. Ink wash in gray and black with heightening in brown pen and ink on cream laid paper laid down to an archival matrix 9 3/4 x 7 inches 247 x 178 mm. In good condition with some minor surface soiling and slight attenuation especially visible in the areas with brown ink. Adhesive residue on the verso at the top corners and bottom center margin does not effect the recto. The name "Argentini." appears in ink on the recto in the lower right margin. unknown
196279930London: George Allen & Unwin Ltd . This is a Very Good Copy of this Book in olive green cloth with white title lettering to spine and with white design to the upper coverin a Very Good Dust-Jacket which has NO chips or tears to the outer edges of the dust-wrapper but with some patchy browning to the covers.Not Price clipped and this copy has no previous owner's inscriptions present.The binding of the book remains firm with no hinge weakness and there is no leaning or rolling to spine.Illustrated with 60 b&w photographic plates and one map.rare in original dust-wrapper8vo 96pp First Edition 1st Impression 1964 . Very Good. Hardcover. First Edition. 1st Printing. 1962. George Allen & Unwin Ltd hardcover
20022090502113718202Not Available 2002. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2013254913<p>First printing of the First Canadian edition. An as new unread copy. Signed by Nigella Lawson on title page "Love Nigella". Illustrated throughout with glossy full page full-colour photos. 263 pages Notes & Index.</p><br /> Knopf Canada hardcover
2005Q-0310935717Zondervan 2005-07-25. Imitation Leather. New. In shrink wrap. Looks like an interesting title! Zondervan hardcover
R8-JH5X-KTDINew. unknown
17-3137London: 19th Century British Publisher 1800s. Original color gravure. 10 x 7 inches. Very Good. Half inch tear on left edge not affecting image. Text on verso. Light matting. [London?]: [19th Century British Publisher], [1800s]. unknown
1721ABC_49346Venice: Sebastiano Coleti 1721. Near-contemporary vellum. 12mo. With a small woodcut vignette on the title page and a woodcut ornamental tailpiece. 2 volumes bound as 1. Two volumes from the very rare first Italian edition of the Arabian Nights based on Gallands liberal but highly influential French translation. Adapted to Parisian tastes it had been first published in 12 volumes between 1704 and 1717. The present translation was the main vehicle for the circulation of the Nights in Italian culture through the 18th- and 19th centuries and via Venice also influenced Modern Greek literature which had access to the work only in the Italian translation. The history of the Italian reception of the Arabian Nights is characterised by the hegemony of Gallands work in Italian translation which circulated first via Coletis edition and its various new editions and later in the translation by Armando Dominicis in 1893 Christian-Muslim relations p. 859.Volumes V and VI contain respectively Nights CLXVI-CCIII and CCV-CCCXXXIV. The work is of great rarity: only two complete sets of the present work are traceable in libraries worldwide Arezzo City Library and National Central Library Florence and only two other libraries have an incomplete set volumes 11 and 12; Biblioteca Saveriana Conforti Parma and Biblioteca comunale Alessandro Cialdi Civitavecchia. Thus only two other copies of the present fifth and sixth volumes are known!The binding is slightly soiled internally slightly soiled with small repairs to the title page. Otherwise in good condition.l Burton VIII 104; Chauvin IV p. 46 no. 104A; OPAC SBN ITICCURMSE061932 4 copies incl. 2 incomplete; cf. Christian-Muslim relations A bibliographical history 37; this ed. not in WorldCat. Sebastiano Coleti, hardcover
1791ABC_49348Venice: Giuseppe Orlandelli per la dita del fu Francesco di Nicolò Pezzana 1791. Contemporary half calf marbled paper sides with vellum corners a title label lettered in gold on the spine. 12mo. With a small vignette built up from typographical ornaments on the title page of each volume and with some headpieces built up from typographical ornaments. 6 volumes. Second Pezzana edition following that of 1784. That Niccolò Pezzanas company which in the meantime had been succeeded by Giuseppe Orlandelli returned to print the Arabian Nights testifies to the great favour the stories had found among readers in Venice. Also in 1791 the "Continuation of the Thousand and one nights" left its presses in a major publishing project to rediscover oriental fables.With the black ownership stamp of Ettiénne della Valle on the title page of each volume. Overall in good condition.l OPAC SBN ITICCUPUVE023925 4 copies incl. 3 incomplete; WorldCat 960425061 and other numbers for vols. 2-6 1203593861 3 copies; cf. Callegari Le edizioni veneziane delle Novelle arabe divise in mille ed una notte nel XVII secolo in Antoine Galland 1646-1715 et son journal: Actes du colloque international organise a lUniversite de Liege 16-18 fevrier 2015 a loccasion du tricentenaire de sa mort 2020 pp. 105-116 here at 108. This edition not in Chauvin. Giuseppe Orlandelli, per la dita del fu Francesco di Nicolò Pezzana, hardcover
1784ABC_49347Venice: Francesco di Nicolò Pezzana 1784. Near-contemporary gold-tooled half calf marbled paper sides with a red morocco title label lettered in gold on the spine. 12mo. With a small vignette built up from typographical ornaments on each title page and some headpieces built up from typographical ornaments. 6 volumes. First edition by Pezzana a both prolific and diligent publisher of exotic tales. After Coletis first Italian edition of 1721-22 and that of Domenico Occhi between 1741 and 1743 Nicolò Pezzana was the third to issue the "Arabian Nights" in Italian: the text is the same as Coletis as is the size 12mo. From the time of their appearance the Novelle Arabe had been considered a work of literature for wide consumption and circulation . It was no coincidence that as early as 1780 the stories had been included in the group of works released from their privilege and subsequently raffled off among the less affluent members of the Guild. The printer Pietro Piotto who owned only a print shop without a bookshop was awarded the rights to the publication on 22 October; when he failed to exploit that privilege it was quickly seized by Pezzana Callegari. A very rare edition recorded in only six copies in the Italian OPAC SBN.The bindings are a little rubbed and the spines show some signs of wear around the head and foot. The work is somewhat browned throughout. Otherwise in good condition.l OPAC SBN ITICCULO1E019227 6 copies; Cf. Callegari Le edizioni veneziane delle Novelle arabe divise in mille ed una notte nel XVII secolo in Antoine Galland 1646-1715 et son journal: Actes du colloque international organise a lUniversite de Liege 16-18 fevrier 2015 a loccasion du tricentenaire de sa mort 2020 pp. 105-116 here at 108; this ed. not in Chauvin; WorldCat. Francesco di Nicolò Pezzana, unknown
1783ABC_49354Venice = Naples: Giacomo Antonio Vinaccia 1783. Contemporary grey paper wrappers with manuscript volume numbers on the spines. Stored in a brown decorated paper slipcase. 12mo. With vignettes built up from typographical ornaments on each title page and some ornamental headpieces. 5 volumes. Very rare highly remarklable pirated edition in five volumes of the Heyaryek-Rouz or Thousand and One Days so called to give the work an air of originality Chauvin IV 124. A Persian manuscript of this work was given to Francois Petit de la Croix in Isfahan in 1675 but enjoyed far fewer editions and translations than the Alf layla wa-layla. As Chauvin notes it cannot be determined whether the Thousand and One Days or the Thousand and One Nights was composed first nevertheless to this day the Heyarek-Rouz is much less well-known to the Western world IV 123f. Chauvin quotes one commentator who declares the Heyarek-Rouz much more ingenious and more realistic as it sometimes includes marvels following the taste of the Oriental.The place of printing given on the title page of the present edition is Venice but the costs were borne by the well-known Neapolitan publisher Giacomo Antonio Vinaccia and the books were also sold in Naples in the Corridoio del Consiglio. It is known that Vinaccia drew on the great publishing pool of Venice for many of his publications creating actual counterfeits and it is thought that even Venetian publishers themselves relied on his presses to encourage the distribution of their works in the south as well without having to pay duties or apply for printing licences cf. A. Scannapieco. In 1784 the following year an identical edition appeared giving Naples as the place of printing.The wrappers are worn mainly around the spines the edges of the leaves are somewhat frayed. Otherwise in good condition.l OPAC SBN ITICCUNAPE028513 4 copies incl. 3 incomplete; WorldCat 955557595 1 copy also in OPAC SBN; cf. A. Scannapieco Un editore goldoniano nella Napoli del secondo Settecento in Problemi di critica goldoniana IV 1997 pp. 7-152; This edition not in Chauvin. Giacomo Antonio Vinaccia, unknown
1815ABC_49356Milan: Pietro Agnelli 1815. Contemporary half beige cloth marbled paper sides with the title lettered in gold on the spine. 12mo. With a small woodcut vignette on each title page. 5 volumes bound as 2. First and only Milan edition of the Heyaryek-Rouz or Thousand and one days so called to give the work an air of originality Chauvin IV 124. A Persian manuscript of this work was given to Francois Petit de la Croix in Isfahan in 1675 but enjoyed far fewer editions and translations than the Alf layla wa-layla. As Chauvin notes it cannot be determined whether the Thousand and one days or the Thousand and one nights was composed first; nevertheless to this day the Heyarek-Rouz is much less well-known to the Western world IV 123f. Chauvin quotes one commentator who declares the Heyarek-Rouz much more ingenious and more realistic as it sometimes includes marvels following the taste of the Oriental.The bindings show signs of wear some occasional browning and foxing. Otherwise in good condition.l OPAC SBN ITICCULO1E019449 4 copies incl. 1 incomplete; WorldCat 799553244 1 copy; cf. this edition not in Chauvin. Pietro Agnelli, hardcover
ABC_49355Venice: Santini 1810. Contemporary gold-stamped half brown cloth marbled paper sides with the title and volume number stamped in black on the spine. 12mo. 5 volumes bound as 2. Charming Italian edition of the Heyaryek-Rouz or Thousand and One Days so called to give the work an air of originality Chauvin IV 124. A Persian manuscript of this work was given to Francois Petit de la Croix in Isfahan in 1675 but enjoyed far fewer editions and translations than the Alf layla wa-layla. As Chauvin notes it cannot be determined whether the Thousand and One Days or the Thousand and One Nights was composed first; nevertheless to this day the Heyarek-Rouz is much less well-known to the Western world IV 123f. Chauvin quotes one commentator who declares the Heyarek-Rouz much more ingenious and more realistic as it sometimes includes marvels following the taste of the Oriental.With the bookplate of Luciano Perez mounted on the front pastedowns. The spines incl. the hinges are worn with some loss of material on both spines. A slight stain in the upper blank margin of a few pages of vol. 4. Otherwise in good condition.l OPAC SBN ITICCUTO0E074381 11 copies incl. 5 incomplete; WorldCat 57504717 1040084656 2 copies incl. 1 incomplete; cf. this edition not in Chauvin. Santini, hardcover
1783ABC_49353Venice: Niccolò Pezzana 1783. Later vellum with the manuscript titles and volume numbers in red on the spines. 12mo. With small vignettes built up from typographical ornaments on the title pages and some headpieces built up from typographical ornaments. 5 volumes. Extremely rare charming five-volume Italian edition of the Heyaryek-Rouz or Thousand and One Days so called to give the work an air of originality Chauvin IV 124. A Persian manuscript of this work was given to Francois Petit de la Croix in Isfahan in 1675 but enjoyed far fewer editions and translations than the Alf layla wa-layla. As Chauvin notes it cannot be determined whether the Thousand and One Days or the Thousand and One Nights was composed first nevertheless to this day the Heyarek-Rouz is much less well-known to the Western world IV 123f. Chauvin quotes one commentator who declares the Heyarek-Rouz much more ingenious and more realistic as it sometimes includes marvels following the taste of the Oriental.The present edition is printed by Niccolò Pezzana who only the following year would produce the Thousand and One Nights part of an ambitious publishing project catering to the Venetian public which at the time was rediscovering a taste for exotic fairy tales.With an owner's stamp MN on each title page and a manuscript inscription "Dot. Marco Nardi on the title page of vols. I and II. Both the inscription and the stamp belong to Dr. Marco Nardi. Further with some manuscript annotations in brown ink on the blank flyleaves. The endpapers are slightly worn some marginal worming to vol. V not affecting text some leaves are very slightly dust soiled. Otherwise in good condition.l OPAC SBN ITICCULO1E019364 3 copies incl. 2 incomplete; cf. this edition not in Chauvin; WorldCat. Niccolò Pezzana, hardcover
71-1108Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 27.3 x 17 cm. image. 33 x 22.7 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
68-2822Roma: ca. 1550. Print. 32 x 16 cm. Color print cut out and pasted on black background. VG. [Roma: ca. 1550?]. unknown
1938005975Milano: Sperling & Kupfer 1938. First Edition thus. Wraps. Very Good Minus. 8vo. 23 by 15.5 cm. 65 pp. And unpaginated middle section 33 leaves with generally four photos per page that are each part of a moving image when the leaves are quickly flipped. In total eight separate moving images as the moving manipulation works when flipping forwards with the recto photos or backwards with the verso photos. All of these demonstrate diving and swimming technique. Thus with four different moving images vertically arranged we have a rather novel flip book. Glucker was a German author of other books on various subjects of physical fitness and this survey first appeared two years earlier in its original German. Condition: moderate wear to cover and age toning of pages. Sperling & Kupfer unknown
17992539<p>Lipsia 1799. Hardback. Very Good/No Jacket. 1874 8vo. disposto con Ordine Etimologico da Cristiano Giuseppe Jagemann Socio Corrispondente dell'Accademia Fiorentina. 2 volumes: 'Parte Prima ove le voci italiane si convertono in tedesco Parte Seconda ove le voci tedesche si convertono in italiano con una raccolta di voci italiane che hanno affinita colla lingua tedesca o con altre lingue settentrionali'. Lipsia 1799 appresso Sigefredo Lebrecht Crusius. Half leather. Condition notes: Sound clean volumes although with age-tanning to pages especially to earliest and last. External page edges protected by red tinting. Leather somewhat rubbed boards a little knocked but attractive copies.</p> hardcover
3384526139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
338453316X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
