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Very Good Armenian Paperback. Cr. 8vo. (20 x 14 cm). In Armenian (Western Armenian). 136 p. No ills. Small chippings on the upper corners of front and back covers. Otherwise a good copy. First Armenian edition of Carroll's legendary book "Alice in Wonderland". "This is the first Armenian translation of Alice's Adventures in Wonderland. It is in the Western Armenian dialect.". (Source: The University of Maryland Alice in Wonderland Early Editions Catalogue). Yervand Kopelian, (1923-2010), was an Armenian translator and writer among Istanbul Armenians. He has worked for the diaspora newspapers like "Luys, Ayg, Jamanak, Kulis and Marmara". He also translated Boris Pasternak's novel "Doctor Zhivago" published in "Marmara" newspaper as an appendix and a serialization. OCLC 974926802. Very scarce.
12 vols., 8vo., First Edition thus and Best Edition, on laid paper, some endpapers mildly browned; original series binding of dark blue cloth, gilt backs, gilt tops (save Beazley), uncut, a very good, bright, firm set. Ten volumes have a uniform pictorial personal bookplate on front paste-down, two volumes have the fine armorial bookplate of the Signet Library [Edinburgh].This valuable compilation of tracts, poetry, prose and other contemporary documents was first assembled under the editorship of Edward Arber and published in eight volumes between 1877 and 1896. Here the entire collection is reissued in greatly expanded form, rearranged and reclassified under the general editorship of Thomas Seccombe. There is much new material and the series as a whole benefits from fresh critical apparatus from some of the finest scholars of the day. The collection comprises: Aitken (G.A). Later Stuart Tracts (1903); Beazley (C.R). Voyages and Travels mainly during the 16th and 17th Centuries (2 vols) (1903); Bullen (A.H). Shorter Elizabethan Poems (1903); Bullen (A.H). Some Longer Elizabethan Poems (1903); Collins (J.C). Critical Essays and Literary Fragments (1903); Firth (C.H). Stuart Tracts 1603-1693 (1903); Lang (A). Social England Illustrated. A Collection of XVIIth Century Tracts (1903); Lee (S). Elizabethan Sonnets, newly arranged and indexed (2 vols; 1904); Pollard (A.F). Tudor Tracts 1532-1588 (1903); Pollard (A.W). Fifteenth Century Prose and Verse (1903). Scarce as a set, especially in this condition.
12 vols. Hardcover Very good condition in green cloth #260 of limited edition of 1000 copies. Each vol. with hand tinted frontispiece
First edition, 4to (310 x 250 mm), [12], 240pp., photographic frontispiece, photographic vignette to title page and an additional 22 mounted albumen photographs, 4 lithographed plans, front inner hinge a little tender, orig. publishers brick red pebbled cloth, blocked in gilt, some light wear, all edges gilt. Gernsheim, 545.
Tela blu rigida con bella sovracopertina illustrata da Hans Tisdall, pp 127. Jonathan Cape, 1964. First British Edition. Hardcover, pp 127. Wraparound dustjacket illustration by Hans Tisdall.
Litografia, 1896, disegnata su carta transfer bianca con una trama di pietra granulosa; unico stato; stampata con inchiostro nero sulla carta vergata color crema usata per l'edizione The Art Journal. Nella pietra a sinistra il monogramma a forma di farfalla. La bambina che posò per questo accattivante ritratto era la figlia di tre o quattro anni dell'amico di lunga data di Whistler, David Croal Thomson. Thomson si era interessato al lavoro dell'artista per molti anni e aveva organizzato la retrospettiva di grande successo dei suoi dipinti alla Galleria Goupil nella primavera del 1892. Era stato redattore di The Art Journal dal novembre 1892 e aveva già pubblicato una delle litografie di Whistler, Les Bonnes du Luxembourg" nel numero di dicembre 1894 del periodico. Whistler probabilmente fece il disegno di trasferimento di Evelyn quando visitò la famiglia Thomson nel gennaio 1896 nella loro casa fuori Londra. Qualche ossidazione, altrimenti in buone condizioni. Bibliografia Margaret F. MacDonald, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow , 2012, cat. no. 146. Transfer lithograph, 1896, drawn on white transfer paper with a grained-stone texture; only state; printed in black ink on the cream laid paper used for The Art Journal edition. In the stone at left: butterfly monogram. The child who posed for this engaging portrait was the three - or four-year - old daughter of Whistler’s longtime friend, David Croal Thomson. Thomson had taken an interest in the artist’s work for many years and had organized the very successful retrospective of his paintings at the Goupil Gallery in the spring of 1892. He had served as editor of The Art Journal since November 1892 and had already published one of Whistler’s lithographs, Nursemaids: “Les Bonnes du Luxembourg” in the December 1894 issue of the periodical. Whistler probably made the transfer drawing of Evelyn when he visited the Thomson family in January 1896 at their home outside London. Some foxing, otherwise good condition. Bibliografia Margaret F. MacDonald, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow , 2012, cat. no. 146.
A LARGE-PAPER COPY of the original edition of this massive bibliography of printed and manuscript sources on heraldry, genealogy, nobility and other matters pertaining to the British aristocracy. About 1,000 items cited and described in detail, plus a short-title catalogue of continental works on the same subjects. Beautifully printed on fine wove paper. Folio. Attractively bound in recent cloth. Frontispiece engraving stained (mainly marginal), else uncut, fine, and bright.
First edition, 40pp. 3 vols., bound in one, 8vo (215 x 135 mm), some light dampstaining and browning, nineteenth-century half calf, marlbed boards, red morocco title label to spine. Provenance: Contemporary signature 'Rich. Booth, Basing' to title of each; bookplate and signature of James Wells.
8vo, x, [2], 59, [25]pp., large folding engraved plan, orig. boards, spine taped. A very scarce Norwich directory, Copac listing 3 copies (Leicester University, Oxford and Institute of Historical Research) giving various collations and tentative dates between 1801-83, ours conforms to the Leicester University copy.
4to (280 x 200 mm), [2], lxxvii, v-xvi, 736, [2]pp., front inner hinge shaken, cont. Roxburghe quarter morocco, rubbed, uncut. Provenance: Circular bookplate of Eric Gerald Stanley, Rawlinson and Bosworth Professor, University of Oxford. Barker, The Publications of the Roxburghe Club, 145.
Published in association with the Surrealist Group in England. Texts by Alfred Jarry, Benjamin Peret, F. J. Brown, Patrick Waldberg, Serge Ninn, Antonio Pedro etc. Illustrations by Lucian Freud, E.L.T. Mesens, Roland Penrose, Robert Baxter, John Banting etc. Cover by Conroy Maddox . 8vo. pp. 48. . Molto buono (Very Good). Qualche piccolo strappetto alla copertina (Small lacks to cover). Prima edizione (First Edition). . In una nota in seconda di copertina l'Editore dichiara che il materiale di Free Unions fu raccolto durante il secondo conflitto mondiale e che i problemi dovuti alla guerra ritardarono la pubblicazione fino al 1946.
Very Good English Original red cloth bdg. Roy. 8vo. (23 x 16 cm). In English. [xiv], 277 p., 5 military plans, (3 foldings), and 1 folding map of Sudan Campaign's military plan (57x39,5 cm). Fading on cloth, an ex-library stamp on colophon, light soiling to extremities. Otherwise a good copy. First edition of the first volume of this rare set on the Sudan Campaign, including an eyewitness account of Colvile, an English colonel (later major-general) during the campaign. The presented first volume includes that the forces of the Mahdist movement spreading across Sudan, and threatening General Charles Gordon in Khartoum, while Lord Garnet Wolseley moves slowly south down the Nile. The second and third volumes (including maps only) are missing. By 1882 the Mahdist Army had taken complete control over the area surrounding Khartoum. Then, in 1883, a joint British-Egyptian military expedition under the command of British Colonel William Hicks launched a counterattack against the Mahdists. Hicks was soon killed and the British decided to evacuate Sudan. Fighting continued however and the British-Egyptian forces which defended Khartoum in a long siege were finally overrun on January 28, 1885. Virtually the entire garrison was killed. General Charles Gordon, the commander of the British-Egyptian forces, was beheaded during the attack. In June 1885 Ahmad, the self-proclaimed Mahdi died. As a result the Mahdist movement quickly dissolved as infighting broke out among rival claimants to leadership. Hoping to capitalize on internal strife, the British returned to Sudan in 1896 with Horatio Kitchener as commander of another Anglo-Egyptian army. In the final battle of the war on September 2, 1898, at Karari, 11,000 Mahdists were killed and 16,000 were wounded. (Source: Black Past online). Henry Edward Colville was born at Kirkby Hall, Leicestershire, as the son of Charles Robert Colville and Hon. Katherine Sarah Georgina Russell. Trained at Eton, Colville entered the Grenadier Guards in 1870, followed by his assignment in 1880 as A.D.C. to General Sir Leicester Smyth commanding the forces in South Africa. Colville served in the Intelligence Department of the Suakin Expedition of 1884, distinguishing himself at the Battles of El Teb and Tamai. He was employed on special service in Sudan prior to the Nile Expedition of 1884-85 and after having served in that Expedition, he received the assignment of Chief of the Intelligence Department of the Frontier Force. Following the Battle of Ginnis in the Mahdist War, Colville was promoted to the rank of Colonel and was attached to the Intelligence Department at headquarters. In 1893 he was appointed Commissioner (Acting) for Uganda where he commanded the Unyoro Expedition receiving numerous awards and a promotion to Major General on April 12, 1898. Prior to his retirement in 1901, Colville served as Commander, Infantry Brigade, Gibraltar and Guards Brigade, and 9th Division, South Africa 1899-1900. (Source: Ladysmith & District Historical Society Online).
Good English Original 1/4 leather bound with five compartments at spine, half-title on second. Four pages was damaged, so used support transparent and special papers to repair by a skillful binder. Roy. 8vo. (23 x 17 cm). In English and Turkish with Arabic letters. [ii], [13], [4], 827 p. Rare Second Edition. Özege: 10950. This second edition no in Özege. Kitab-i lehcet ül-maâni.= A lexicon English and Turkish; shewing in Turkish, the literal, incidental, figurative, colloquial, and technical significations of the English terms, indicating their pronunciation in a new and systematic manner; and preceded by a sketch of English etymology, to facilitate to Turkish students the acquisition of the English language. Gift of William Wheelwright Esq., of Newburyport U.S.A., to the American mission at Constantinople.
This is a very good hardcover set of the two volumes bound in gray blue cloth ruled and titled in gilt. They are both very clean inside and out. One volume belonged to the R.H. Macy Company and has a number of marks including blindstamps to a number of plates, a sign-out card on the rear endpaper, and a small paper label at the base of the spine. The other volume has a ghost of a circle on the front cover. Volume 1 is devoted to exteriors and volume 2 covers interiors and details. 200 black & white plates (100 per volume), both photographs and some measured drawings in volume 2. Volume 1 published in 1923. Volume 2 in 1924. 13" high X 8 1/2" wide, 16 & 19 text pages + plates. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Seven Volumes in Fourteen. Illustrated with mounted proofs on India paper with original tissue guards. Title pages printed in red and black. Text printed on Japanese Vellum. Uncut and unopened. LIMITED EDITION. Number 29 of only 100 copies. Printed and inked ownership of Dr. Wm. M. Findley. Tall 8vo. Original full cloth bindings. Original paper spine labels. Head and tail of some volumes lightly chipped. Hardbound. Very good set of an extremely scarce edition. **PRICE JUST REDUCED! HAKESPEARE BOX 3
8vo., First Edition thus, with portrait frontispiece (original tissue guard present); handsomely bound in full dark green morocco, sides with gilt frame border, back with raised bands, second and fourth compartments ruled and lettered in gilt, all other compartments tooled in gilt, gilt top, hand-made endpapers, original backstrip gilt mounted on new leaf at front, a most attractive copy ideal as a gift or for presentation.
12mo., neat contemporary signature on front paste-down, some light and intermittent age-staining to text, title and first two leaves of Table open awkwardly; contemporary mottled calf, sometime rebacked in calf to style, backstrip with black leather label lettered and tooled in gilt, boards rubbed at edges and corners else a bright, clean copy. Bright copy of the most famous herbal in English, first published in 1652 and commonly known as 'Culpeper's Herbal'. In the following year the author altered the format of his work, apparently to differentiate it from the two well-known piracies issued by Bentley immediately after first publication. VERY SCARCE. Henrey 102.
Veduta della riva di un fiume a Chelsea; in primo piano a sinistra, persone con cani, due che portano lunghi bastoni; chiatte ormeggiate vicino alla riva; la casa di Whistler vista a sinistra. Iscrizione in lastra, in alto a sinistra: "Whistler's House at Old Chelsea Seymour Haden ft. an[no] 1863". Acquaforte e puntasecca; secondo stato di due (Harrington); settimo stato di sette (Schneiderman). "All the foreground boats have vertical reflections. There is now a line at the base of the house most to the left, which extends almost to the margin of the plate. This plate 'wore out very soon and had to be destroyed before it had given its full quota of impressions. Published in Études à l'eau-forte (No. VIII.), under the title of 'Old Chelsea,' some copies having the First, others the Second State. Exhibited at the Royal Academy, 1865." [cf. Harrington, p. 28] "There are several preliminary drawings for this print […] similar in composition though the view point is from farther into the river. State VII. Published in Études à l'eau-forte (N. VIII). Line added at base of house on left and a few lines to indicate modeling at right on the wall. The smoke, rising from the chimney of the house, second from the right of Whistler's house, is no longer visible." [cf. Schneiderman, p. 143] Seymour Haden era l'improbabile combinazione di un chirurgo e un incisore. Sebbene abbia perseguito una carriera medica di grande successo, è ricordato soprattutto per i suoi lavori all'acquaforte e per i suoi scritti sull'acquaforte. Fece parte di un gruppo di artisti, tra cui James McNeill Whistler (1834-1903) e Alphonse Legros (1837-1911), il cui appassionato interesse per questo mezzo portò al cosiddetto revival dell'acquaforte, un periodo che durò fino al XX secolo. L'esaltazione dell'acquaforte per le sue intrinseche qualità spontanee raggiunse il suo apice durante questo periodo. Mentre la linea dell'ago da acquaforte, scrisse Haden, era "libera, espressiva, piena di vivacità", quella del bulino era "fredda, costretta, poco interessante" e "senza identità". Stampata su carta vergata coeva, con margini, condizioni perfette. Bibliografia Henry Nazeby Harrington The Engraved Work of Sir Francis Seymour Haden, P.R.E.: an illustrated and descriptive catalogue. Liverpool, 1910, cat. no. 54 ii, p. 28, ill; Richard S. Schneiderman A Catalogue Raisonné of the Prints of Sir Francis Seymour Haden. London, 1983, cat. no. 50 vii, p. 143, ill. View of a river bank in Chelsea; in the foreground at left, people with dogs, two carrying long sticks; barges moored near the bank; the house of Whistler seen to the left. Lettered in plate, lower left: "Whistler's House at Old Chelsea Seymour Haden ft. an[no] 1863". Etching and drypoint; second state of two (Harrington); seventh state of seven (Schneiderman). "All the foreground boats have vertical reflections. There is now a line at the base of the house most to the left, which extends almost to the margin of the plate. This plate 'wore out very soon and had to be destroyed before it had given its full quota of impressions. Published in Études à l'eau-forte (No. VIII.), under the title of 'Old Chelsea,' some copies having the First, others the Second State. Exhibited at the Royal Academy, 1865." [cf. Harrington, p. 28] "There are several preliminary drawings for this print […] similar in composition though the view point is from farther into the river. State VII. Published in Études à l'eau-forte (N. VIII). Line added at base of house on left and a few lines to indicate modeling at right on the wall. The smoke, rising from the chimney of the house, second from the right of Whistler's house, is no longer visible." [cf. Schneiderman, p. 143] Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity." Printed on contemporary laid paper, with margins, perfect condition. Bibliografia Henry Nazeby Harrington The Engraved Work of Sir Francis Seymour Haden, P.R.E.: an illustrated and descriptive catalogue. Liverpool, 1910, cat. no. 54 ii, p. 28, ill; Richard S. Schneiderman A Catalogue Raisonné of the Prints of Sir Francis Seymour Haden. London, 1983, cat. no. 50 vii, p. 143, ill.
Acquaforte e puntasecca su carta vergata, 1878, firmata a matita in basso a destra Hubert Herkomer. Una bella impressione, con margini, buone condizioni. Il berretto arruffato e il grande cappello nero indossati da questa donna sono tradizionalmente gallesi. Herkomer era attratto dai soggetti umili, concentrandosi all'inizio della sua carriera sui residenti della sua nativa Baviera – suo padre era un artigiano che emigrò prima in America, poi in Inghilterra nel 1863. Alla fine degli anni 1870 Herkomer iniziò ad esplorare temi britannici e probabilmente si interessò al Galles attraverso la sua amicizia con il pittore e proprietario terriero gallese Charles William Mansel Lewis. Il nucleo familiare dell'artista comprendeva, dal 1874, Lulu Griffiths, un'infermiera gallese che divenne sua moglie nel 1884. Un'impressione di questa stampa fu esposta da M. Knoedler & Co, New York nel 1882 (n. 2) con la seguente didascalia dell'artista: "Un altro tentativo giovane e audace di fare qualcosa di insolito. Le linee sono troppo mordaci e non si fondono con il lavoro a puntasecca". Sir Hubert von Herkomer era un artista britannico di origine tedesca, e anche un regista e compositore pioniere del cinema. Sebbene fosse un ritrattista di grande successo, soprattutto di uomini, è ricordato soprattutto per le sue prime opere che avevano un approccio realistico alle condizioni di vita dei poveri Bibliografia Algernon Graves The Royal academy of arts; a complete dictionary of contributors and their works from its foundation in 1769 to 1904. London, 1905, vol. IV, p. 83, 1878, no. 1176: A Welsh woman, etching. Etching and drypoint on laid paper, 1878, signed on pencil at the bottom right Hubert Herkomer. A fine impression, with margins, good condition. The ruffled cap and large black hat worn by this woman are traditionally Welsh. Herkomer was attracted to humble subjects, focussing early in his career on residents of his native Bavaria–his family were craftspeople who emigrated first to America, then to England in 1863. In the late 1870s Herkomer began to explore British themes and likely became interested in Wales through his friendship with the painter and Welsh landowner Charles William Mansel Lewis. The artist's household included, from 1874, Lulu Griffiths, a Welsh nurse who became his wife in 1884. An impression of this print was exhibited at M. Knoedler & Co., New York in 1882 (no. 2) with the following caption by the artist: "Another young and bold attempt to do something unusual. The lines are too heavily bitten and do not blend with the drypoint work." Sir Hubert von Herkomer was a German-born British artist, and also a pioneering film-director and composer. Though a very successful portraitist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Bibliografia Algernon Graves The Royal academy of arts; a complete dictionary of contributors and their works from its foundation in 1769 to 1904. London, 1905, vol. IV, p. 83, 1878, no. 1176: A Welsh woman, etching.
xv + 1217pp., 27cm., original 1960-edition, cloth, G, rare, [the dictionary contains the Mongolian vocabulary of all periods from 1940 on, and offers the English transliteration, the modern Cyrillic transcription, the old Mongolian script form and an English definition of the Mongolian words. Added: Combined index to the supplements to Lessing's Mongolian-English dictionary, Bloomington, The Mongolia Society, 1975, 23pp.], X68994
Pages 265-304. Features: Cover photo of fire damage at the English Hollywood, Elstree film studios; Photo of the archduke Otto leaving a Paris hotel; Photo of M. Flandon with prince Starhemberg; Photo of smiling Canadian Olympians offering Nazi salute as they march past Hitler during opening ceremonies of the fourth Winter Olympics in Garmisch-Partenkirchen, Bavaria; Four additional photos of the Garmisch winter Olympics; Photos with the Italians in North and South - battles on both fronts, with photo of Gen. Graziani on horse; Capt. Bligh's own account of the mutiny on the "Bounty" - a chapter from his narrative describing the whole voyage, with illustrations; Dancer Anna Pavlova's "Dying Swan" immortalized in rare sequence of 15 images; Two-page illustration of Parisien opera fashions; A new Mycenaen beehive tomb - discoveries at Berbati, near Mycenae, some of the finest painted vases to be found in Greece, in a tomb dating from about 1400 BC - photo illustrated article; Photo of state funeral of general Kondylis in Athens; Two-page centrefold illustration of Hopi Indians dancing with live and venomous snakes in their mouth and hands; Two pages of photos of naval vessels "Renown", "Greyhound", "Repulse", and "Gotland"; Photos of personalities in the news include Mrs. Henry Sidgwick, Sir C. E. Corkran, Sir Charles Ballance, Herr Gustloff (German Nazi leader in Switzerland), Dr. Wilhelm Solf, I. H. D. Rolleston, Lieut. T. Rose (record-breaking aviator), vice admiral E. R. G. Evans with Cmdr. Rudberg, Walter Runciman, commander A. D. Cochrane, members of the new Egyptian government, including Ali Pasha, and British Nurses for Abyssinia; Four amazing photos illustrate construction of the Olympic Bob-run - bricklaying with ice from a lake; One page photo portrait of the highest waterfall in the world, Gersoppa Falls, in southern India; One page illustrated ad for the Austin Sherborne car; One page illustrated ad for Kenistas cigarettes features dame Sybil Thorndike; Handsome halfpage Rolls-Royce ad; Halfpage illustrated ad for Hooper & Co.; Halfpage photo ad for Morris Motors Limited features their Big Sixes; Photo of the British Continental Airways liner "St. George"leaving Croydon as it initiates air service between London and Sweden; Colour-illustrated back cover ad for Black-and-White Scotch whisky features The Scots Guards. Centrefold holding by one staple. Unmarked with moderate wear. A quality vintage copy. Magazine
Thomas Nelson & Sons Ltd. Non daté. In-16 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 25 tomes d'env. 450-500 pages chacun. Illustrés de nombreux dessins en noir et blanc dans et hors texte et de cartes en couleur dans le tome 25. Texte sur 2 colonnes. Titres et tomaisons dorés sur les dos. Tranches mouchetées. Etiquettes de code sur les dos. Tampons et annotations de bibliothèque en pages de titre. Volumes 1-23: A-Z. Volume 24: Dictionary. Volume 25: Atlas.
12mo, later full morocco havana binding signed by Worsfold, original frontcover conserved, Printed and Sold by F. Vigurs, Stroud, 1817, 2 ff., 56-2 pp.. Rappel du titre complet : The Chronicles and the Lamentations of Gotham, to Which are added, John, a model for volunteer Captains, the address of Captain Hollings to the loyal stroud Volunteers, and other historical Documents, illustrative of the character of the Gothamites Good condition (binding slightly rubbed) for this first edition, binded by the bookbinder William Worsfold. Anglais
289-392, [4] foldout drawings, 128 [ads] pages. Profusely illustrated with detailed drawings and black and white photos. Printed upon glossy stock. Includes dozens of magnificently illustrated ads. Features: The Residence of George Arents, Jr., Esq., Rye, N.Y., Lewis Colt Albro, Architect; The Stillman Theatre, Cleveland, Ohio, Geo. B. Post & Sons, Architects; The Greek System of Architectural Polychrome Decoration; English Architectural Decoration - Part V - text and mesaured drawings; Industrial Housing Developments in America - Part II - The Government's Standards for War Housing; Portfolio of Current Architecture; Suburban Landscape Planning in Cleveland, Ohio; The Architect's Library; Notes and Comments. Somewhat above-average external wear. Part of backstrip missing. Two small binding holes near spine. Faint library stamp upon front cover which is partially loose. Binding intact. A worthy vintage copy. Book
489-584, [8] index to Vol. XLIII, 112 [ads] pages. Profusely illustrated with detailed drawings and black and white photos. Printed upon glossy stock. Dozens of magnificently illustrated ads. Features: The Sixtieth (60th) Street Branch of the Guaranty Trust Company of New York, Cross & Cross, Architects; Examples of the Country House Work of William Adams; Principles of Polychrome in Sculpture Based on Greek Practice; English Architectural Decoration - Part VII - Text and Measured Drawings; Industrial Housing Developments in America - Part IV - A Colony in the Blue Ridge Mountains at Erwin, Tennessee - Grosvenor Atterbury, Architect and Town Planner; Portfolio of Current Architecture; The Architect's Library - War Books on the French Cathedrals; Notes and Comments. Somewhat above-average external wear. Openings along backstrip. Covers beginning to loosen. Library markings upon front cover. Binding intact. A worthy vintage copy. Book
