The Timber Trades JournalMareMagnum
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Fifteenth Edition, December 1950, 8vo black cardboard (editor's binding), The Timber Trades Journal Office, 1950, 779 pp. Good (ex-libris stamp). Bon état (cachet d'ex-libris) Anglais
8vo., First Edition; handsomely bound in blue full morocco, back with raised bands ruled in gilt, second compartment lettered in gilt, all other compartments tooled in gilt, a most attractive copy ideal as a gift or for presentation.
Signed and glowingly inscribed upon front free endpaper by author to A.W. Reed, the author of 'Early Tudor Drama'. Laid-in is a double-sided handwritten letter from the author to Reed explaining how his significant research and support were partly responsible for this book. 337 pages. Index of Passages. General Index. "A history of the book trade from Caxton to the incorporation of The Stationers' Company" - subtitle. Maroon cloth-covered boards. Slight traces of foxing to endpapers and edges. Unmarked with moderate wear. Binding intact. A sound and special copy. Book
1 vol. in-8 reliure spirale, Published by Caltex (Philippines) Inc. (Manila, Cebu, Iloilo, Davao), 1957, 47 pp. Scarce map, un english, published by Caltex Philippines. Caltex is the petroleum brand name of Chevron Corporation used in 29 countries in the Asia-Pacific region, the Middle East, and Southern Africa. Caltex was established in Philippines since 1917. With the owner's car inscribed on verso of cover : Restituto Barnat, living in French Embassy, with his Cadillac model 1947. Good condition. Anglais
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
In english, with the arabic text 1 vol. in-8 br., Heidelberg, 1976, 94 pp. Exceptionnel exemplaire dédicacé par Yvonne Dold-Samplonius au mathématicien René Thom Honoré par la Médaille Fields en 1958, le mathématicien français René Thom (1923 - 2002) est le célèbre fondateur de la théorie des catastrophes. Bon exemplaire Anglais
Acquaforte e puntasecca, 1910 circa, firmata in alto a sinistra Fisher f. Dedicata dall'artista a Malcolm Salaman; iscrizione con inchiostro marrone in basso a destra: "To Malcolm Salaman from A. Hugh Fisher". Una bella impressione, stampata su carta avorio, con margini, in buone condizioni. Malcolm Charles Salaman (Londra 6 settembre 1855 - 22 gennaio 1940) è stato un autore, giornalista e critico inglese. Fu educato alla University College School e all'Owens College di Manchester. Anche se aveva studiato ingegneria meccanica per quattro anni, divenne un giornalista e pubblicò due settimanali. I suoi scritti critici erano dedicati principalmente alle stampe e alle opere teatrali. Dal 1883 al 1894 fu critico drammatico e d'arte per il Sunday Times, e dal 1890 al 1899 fu nello staff di The Graphic. Scrisse regolarmente sulle stampe per le riviste d'arte The Studio e Apollo. Salaman scrisse anche le introduzioni ai 33 volumi della serie Modern Masters of Etching pubblicati tra il 1925 e il 1932 da The Studio, ognuno dei quali conteneva riproduzioni di 12 stampe di un grande incisore. Questa serie includeva volumi su Frank Brangwyn, Alphonse Legros, Ernest Stephen Lumsden, Malcolm Osborne e Edmund Blampied. Hugh Fisher si dedicò inizialmente all'incisione paesaggistica e architettonica, ma fu anche un abile incisore e incisore di ritratti, studi di figure e raffigurazioni di animali. Bibliografia H. Fisher, 'Catalogue of Etchings and Drypoint by A. Hugh Fisher', 1927. Etching and drypoint, circa 1910, signed at upper left Fisher f. Dedicated by the artis to Malcolm Salaman; inscribed woth brown ink at lower right: “To Malcolm Salaman from A. Hugh Fisher”. A fine impression, printed on ivory wove paper, with margins, good condition. Malcolm Charles Salaman (London 6 September 1855 – 22 January 1940) was an English author, journalist and critic. He was educated at University College School and at Owens College, Manchester. Although he had studied mechanical engineering for four years, he became a journalist, and edited two weekly papers. His critical writing was devoted chiefly to prints and to plays. From 1883 to 1894 he was dramatic and art critic for the Sunday Times, and from 1890 to 1899 was on the staff of The Graphic. He wrote regularly on prints for the art magazines The Studio and Apollo. Salaman also wrote the introductions to the 33 volume series Modern Masters of Etching published between 1925 and 1932 by The Studio, each of which contained reproductions of 12 prints by a great etcher. This series included volumes on Frank Brangwyn, Alphonse Legros, Ernest Stephen Lumsden, Malcolm Osborne and Edmund Blampied. Hugh Fisher initially dedicated himself to landscape and architectural engraving, however he was also an accomplished etcher and engraver of portraits, figure studies and animal depictions. Bibliografia H. Fisher, 'Catalogue of Etchings and Drypoint by A. Hugh Fisher', 1927.
1 vol. in-4 br., Printed in Japan, 1969, 252 pp. Very interesting collected works, translated in english, from Nobuo Ishimori, and collected as he was nominated to the Andersen Medal. He was born in 1897 at Sapporo (Hokkaido) and grew up in the nrthern city surrounded by the great plains of Ishikari, an environment that must have exercised considerable influence over his impressionable mind. He taught successively at Seisho Middle School of Aichi Prefecture and Kagawa Prefectural Normal School. As member of Publication Bureau of Education Ministry participated in compilation of state textbooks (from 1939). Worked after the war as leader in teaching of Japanese language. Following retirement from Government service (1950) became professor of Showa Women’s University. Among his works of juvenile literature are a children's novel Sakidasu Shonengun (Children Coming to Bloom) which was awarded the Shincho Prize. Good condition. Anglais
Second edition revised, 4to vol., paperback, The Oriental Institute of the University of Chicago, Studies in Ancient Oriental Civilization, n°45, Chicago, Illinois, 1991, 126 pp. Good condition. Anglais
88 pages. Features: Humourous cover art by Oscar Cahen; The Censorship that Helps the Enemy - The bad events of March 17, 1951 in the Korean War involving the Princess Patricias - Editorial; There'll Always Be a Massey - Canada's most famous family started on the road to wealth from a tiny implement forge near Port Hope, Ontario - article with photos; You Laughed at My Father - story by James Aldridge; The Hottest Square Mile in the World - under the humpland between Ace Lake and Beaverlodge lies an abundance of Uranium, and here Uranium City will be built - article with photos; The West Coast's Worst Disaster - The Tragedy of the Princess Sophia which disappeared off Vanderbilt Reef and took 343 people to their deaths in icy Alaskan waters - a Maclean's flashback; How to Raise Ten Kids in Six Rooms - Frank and Helen Teskey of Toronto have ten kids under fifteen and they'd welcome more; One-Man Powerhouse - John Deagle of Whitefish Falls, Ontario runs his own electric power company! - article with many photos of this incredible man; Sherbrooke, Quebec - where French and English share a city in harmony - nostalgic article with photos; The Battle to Beat Leukemia - doctors search for a cure; Footlights Round My Heart - story by Ronald R. Smith; Sensational full-page colour Coke ad features illustration of young lady and the caption "Want Something Good?"; Nice colour Chevrolet ad; DeSoto car ad; Full-page ad for Birks Jewellers features watches including the Challenger Eterna-matic; Plymouth car ad; Canada Savings Bond ad features James F. Johnston, Superintendant of Palm Dairies Limited in Regina; Great colour photo Caterpillar ad inside back cover shows horses pulling vintage auto through the mud. Light wear. Unmarked. Center page loose but present. A quality copy. Book
685 pages. Index. Text in English. Reprint of the 1922 first edition. "Information about economic conditions in China is furnished and, in addition, an attempt has been made to provide material that will make possible constant comparison of the East with the West and of one Eastern country with another." - from Preface. Contains chapters by a multitude of contributors on topics such as The Gold Exchange Standard, A Chinese Corporation, The Story of the Jade Industry, The Bank of China; and many more. Above-average wear and soiling. A library label appears to have been removed from backstrip, otherwise unmarked. Binding aging but intact. Small Chinese-language label inside back board may be original price sticker. A worthy copy of this fascinating and informative work from a time before China reached her modern-day industrial might. Book
32 pages. Features: A Preacher Tells The Inside Story of Sinclair Lewis and His Preacher Book; A $20,000,000 Bond Issue That Will Cost the Taxpayers $49,500,000 (second in a series presenting some of the hidden features of modern finance underlying public bond issues); Gibson Girls, Gibson Men and the Chicago World's Fair; Japan Looks to America to Prevent Wars - Freedom from Extra Taxation for Armaments What They Most Want - article with wonderful photos; Every Person Has At Least One Book in Him; Henry Ford's Page - Finance Must Get Into Step; Editorials - Professor E.W. Kemmerer and Polish debt, Conspiracy, Fraud, the Elk Hills Oil Reserve, and Messrs. Doheny and Fall, attempt to impeach Judge Frank Cooper for upholding the country's prohibition law; People of the British Isles - The English; A Doctor Looks at Doctors - and sees them as they cannot see themselves; The True Story of Mary's Little Lamb - article with illustration of Mary Elizabeth Sawyer (Mrs. Columbus Tyler) and teacher Miss Polly Kimball; One-page ad (with photo) for Edison - Columbia - Victor recordings of the Old American Dances, as played by the Henry Ford Dance Orchestra; What is a Dollar Worth? (short piece); Chats with Office Callers - Smedley Butler cleans liquor from the San Diego Marine Barracks; Q & A; I Read in the Papers - Controversial play entitled "The Captive" and Otto H. Kahn of Famous Players, Ripon College student Lynn Wells operates a bookstore but carries no inventory, with nearly all his orders going to foreign countries; News Bits; photos of large sailboats inside back cover. Somewhat above-average wear with nibbling along coverfold. Unmarked. A worthy vintage copy. Book
. 16mo. pp. 48. . Ottimo (Fine). Firma di appartenenza alla prima pagina bianca. Prima edizione (First Edition). . Secondo libro dell'Autore.
737 pages. Provisional Index. Clean and unmarked with moderate wear. Binding intact. A sound copy. Book
48 pages. Features: The Bumper Crop that's changing life in the dust bowl; How Rene Levesque May Soon Make Jean Lesage His Puppet; M.P. Ralph Cowan Hates the CBC; Lester Pearson Proposes a New Kind of Peace Force; Native Canadian Kahn-Tineta Horn - Portrait of a Beautiful Segregationist; K.C. Irving - The Last of a Breed of Kings (Part 2) - article with photo; Handsome Young Playboy Peter Lerch - article with photos; The Public Nightmare of Professor Roland Haumont - accused of the murder of his wife and children; Writing by W.O. Mitchell; The French Fact You Can't Explore in English Canada; Canadian Taxes are Not Too High. Average wear. Unmarked. Binding sound. A quality vintage copy. Book
Features/Photos: The most daring and fruitful mail robbery in English history - The Great Train Robbery; Karsh photo of Nikita S. Khrushchev; Looking back on the test ban treaty; the probably base for Vespasian's western campaign during the Claudian invasion of Britain - new discoveries at the new Fishbourne site; The new British Chieftan tank compared to tanks of four other nations; the Farmobil - a light multi-purpose cross-countyr vehicle; and more. Clean and unmarked with moderate wear. Quality copy. Magazine
8vo., on India paper, with 9 coloured engraved maps on 6 and a double-page chronological chart; attractively bound in publisher's black roan portfolio with drop sides all round, covers framed and blocked in blind and blocked and lettered in gilt, back with five raised bands ruled in blind, second compartment lettered in gilt 'Bagster's Teacher's Bible', gilt edges, black endpapers, portfolio mildly scuffed and rubbed at extremities else a remarkably well-preserved, bright, clean copy. Bagster's Teacher's Bible is a facsimile reprint, with larger types, of the English Version of Bagster's Polyglot Bible first published in 1817 and which made Bagster's name. It corresponds page for page, and line for line, with the two well-known Pocket Editions. The text is that of the Authorized Version, printed in double column with the references in a third central column in Bagster style. In addition to the Old and New Testaments, this edition contains Cruden's Concordance, Chronology, Tables of Weights & Measures, Tabular Harmony, Comparative View of Quotations, and a set of maps engraved and coloured expressly for this edition. A particular feature is the set of Four Thousand Short Scripture Question with Answers, designed expressly for the use of teachers. The Teacher's Bible is an edition uncommon at best, and scarce indeed in this condition with wholly unrestored portfolio in unusually sound state. See Darlow & Moule 1081.
By the late Mr. Thomas Martin, of Palgrave, Suffolk, F.A.S., frontispice et 9 planches hors texte, 1 vol. in- 4 rel. anglaise d'époque plein veau, dos lisse orné, coupes ornées, filet doré d'encadrement aux plats, Printed by and for J. Nichols, London, 1779, 1 f., frontispice, XVIII-320 pp. et 135 pp. (Appendix), 2 ff. Bon état (rel. lég. frottée avec petits mq. en coiffes, traces d'anciennes étiquettes au dos en tête et queue, plats lég. frottés, ancien ex-libris décollé, petites fentes en mors, lég. rouss., ) pour ce rare ouvrage posthume de Thomas Martin ("Honest Tom Martin"). L'ouvrage fut publié par Richard Gough. With frontispiece and the 9 plates. 4to, contemporary english binding, full calf, Printed by and for J. Nichols, London, 1779 Good (binding rubbed with small lackings, hinge a bit cracked, some foxing) Anglais
Edinburgh and London / Edinburgh, T.N. Foulis / The Good European Society, 1907, in-8, legatura editoriale in piena tela nera con iscrizioni in oro, pp. [2], XV, [1], 268, [4 di pubblicità editoriale]. Prima edizione inglese d'uno dei testi fondamentali della filosofia del XIX secolo, che sviluppa e approfondisce i concetti espressi in "Cosi parlò Zarathustra". Doppio frontespizio (il secondo riporta come dati editoriali: The Good European Society). Esistono tre varianti di questa prima edizione nel Regno Unito: una con dati editoriali "Edinburgh, T.N. Foulis", una con dati "Edinburgh, The Good European Society" e una recante ambedue i frontespizi (come la nostra). In quest'ultima variante il formato dei fogli dovrebbe essere leggermente più grande rispetto a quello presente nelle altre due. Poche lievissime sbiaditure esterne: bell'esemplare.
1 vol. in-4 cartonnage éditeur pleine percaline rouge, Sampson, Low, Son and Marston, London, 1867, 492-24 pp. avec portrait en frontispice Avec une belle dédicace à "Mr Henry de Carayon La Tour, with the affectionate regards of an old Confederate", signée "Rh [ ?] Corbin". Bon exemplaire. Very good copy. Anglais
First edition, 8vo (205 x 120 mm), [8], 266pp., the 8 preliminary pages were issued with the final number and are often missing, several neat circular library stamps, numbers in ink to verso of title page, endpapers brown from turn-ins, cont. half calf, rubbed, upper cover detached. A complete run of thirty-three weekly numbers, edited and largely written by Thomas Middleton, published October 1792 - May 1793, bound up with an additional half-title, general title, dedication leaf and table of contents. Middleton was Coleridge's protector and mentor at Christ's Hospital and later at Jesus College, Cambridge.
First Edition, 4to, [iv],20pp., with half-title, upper blank margin of B2 torn away, small single worm pinhole running throughout, recent marbled boards, uncut. Edward Moore (1712?1757), playwright and writer. Moore's anonymous panegyric verse in defence of Lord George Lyttleton (Selim), clearly an attempt to secure his patronage. Foxon, M433.
[6], [3]-11, [3]pp., with half-title, inscribed presentation copy to author's brother. 5 works bound in one, 8vo, 210 x 130 mm), cont. half crimson morocco, marbled boards, rubbed, tear repair to upper joint of spine. Rev. Thomas Edward Hankinson (1805-1843), born in King's Lynn and educated at Corpus Christi College, Cambridge (M.A. 1831) where he won the Seatonian prize for poetry nine times. Curate at Castle Rising, Norfolk (1828?9), and St Nicholas Chapel, King's Lynn (1829?35), he became incumbent of St Matthew's Chapel, Denmark Hill (1835?43). Hankinson spent much of his leisure time in writing for the Seatonian prize at Cambridge for English verse, of which he was nine times the winner between 1831 and 1842. Provenance: From the Norfolk library of Ron Fiske.
First Edition, 4to, iv,45,[1]pp., without the final advertisement leaf for Johnson's school, title page rather dusty with a small hole repair to blank margin, title within a triple line manuscript border, rebound in marbled boards. Samuel Johnson (1738-1798), a Shrewsbury schoolmaster, wrote several poems between 1768 and 1782.
