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1612U08<p><strong>Description </strong></p><p>Quarto 8.5" x 6.5". The <em>Genealogies </em>by John Speed defective lacking first eleven leaves but with the sought-after double-page map. Lacks the general title page. Text complete in two column Roman font within ruled border and 56 lines to the column. The text follows the 1611 folio Bible including numerous errors though a few mistakes have been corrected. The reading "and she went into the citie" in Ruth 3:15. Apocrypha included as issued. New Testament title page 1612 engraved within woodcut border comprising twenty-four compartments showing the tents of the twelve tribes as well as the figures of the twelve apostles. Title is enclosed within a heart-shaped frame. Ends on colophon 1612. Bound with <em>The Booke of Psalmes</em> by Sternhold and Hopkins lacking title page and all after Psalm 115. First chapter decorative initials and head- and tailpieces. </p><p><strong>Collation </strong></p><p>A-Z8 Aa-Zz8 Aaa-Zzz8 A-M8. Bible text complete. <strong><em>Lacks</em></strong> general title page.</p><p><strong>Binding </strong></p><p>Rebound in brown paneled morocco. Spine with six recessed bands and the words "Holy Bible" lettered in gilt. Renewed marbled endpapers. </p><p><strong>Condition </strong></p><p>Infrequent staining more prevalent to the New Testament with larger stain from 1 Corinthians to Revelation; Map with lower fifth of right half torn away with closed tears and repairs to verso; many leaves of Genealogies repaired to fore-edge margin; trimmed touching outer printed border on occasion; B5 Xxx5 lower corner loss costing a few letters; Ii2 Yyy1 Zzz7 lower corner loss costing a few verses; Uuuu8 Matthew 1 frayed with repaired closed tears but no loss; Psalter stained throughout. A good copy overall of the first quarto She Bible of the King James Version.</p><p><strong>Provenance </strong></p><p>"Richard Tribe his book" to verso of New Testament title page; "Mary Hunter her book May the 4 1746" to verso of final leaf of Revelation.</p><p><strong>Note </strong></p><p>The first quarto edition of the King James Bible printed with both the "He" and "She" variant with the She Bible this edition being more scarce. A close reprint of the first edition He folio and it represents the earliest state of the text. Prices for the first folio edition of the KJV are now such as to be beyond the means of all but the most avid and wealthy collector. While not cheap this quarto represents an opportunity for the collector of more modest means to obtain the first state of the KJV text.</p><p><strong>Scarcity</strong> </p><p>USTC shows only 12 copies in holding with four in North America.</p><p><strong>References </strong></p><p>Herbert 314; STC 2220; USTC 3005300. </p> Robert Barker hardcover
1924371052London: Nonesuch Press 1924. Deluxe edition one of 75 copies on Arnold unbleached rag paper no. XXXIV. First vol. printed ad hominem for H. Malcom Hubbard with ink note below "Transferred to Ion Buchanan Pritchard F. Meynell. Each volume with an engraved title page head piece and tail piece by Stephen Gooden. 5 vols. Folio. Full brown crushed niger by Best with gilt rule borders and spine relatively unadorned raised bands a.e.g. on the rough. Book ticket of Philip Duschnes. Ex-library with labels from General Theological Seminary Rare Book Room to front paste-downs of each volume. Faintest traces of rubbing to board edges spines of vols. I & 3 slightly darkened from smoke interior fine. GOODEN Stephen. Deluxe edition one of 75 copies on Arnold unbleached rag paper no. XXXIV. First vol. printed ad hominem for H. Malcom Hubbard with ink note below "Transferred to Ion Buchanan Pritchard F. Meynell". Each volume with an engraved title page head piece and tail piece by Stephen Gooden. 5 vols. Folio. One of the great early books of the Nonesuch Press and Stephen Gooden's second book commission after the Nonesuch Anacreon of 1923.<br /> The copies on fine paper were offered at 5 guineas bound in full niger or full vellum. The name of the subscriber was printed in the first volume; this copy printed for railway magnate H. Malcolm Hubbard bears a note from Francis Meynell recording the transfer to Ion Buchanan Pritchard another railway executive.<br /> Uncommon and attractive. Dreyfus 21 and 20. The Nonesuch Century 21 and 20. Ransom Selective Check Lists pp. 163-164 nos. 20 and 21. Rumball-Petre 125 "a beautiful work of a famous press". Tomkinson p. 136 nos. 19 and 19a Nonesuch Press unknown
1901T60<p><em>The Boke off the Revelacion off Sanct Jhon the Devine done into Englysshe by William Tyndale</em></p><p><strong>Summary: </strong>A noble private press production of William Tyndale's Book of Revelation under the direction of C.H. St John Hornby. The text follows Tyndale's 1534 translation preserving the language of the earliest printed English New Testament in a setting distinguished by clarity proportion and generous margins.</p><p><strong>Description: </strong>General title page 1587 with printer's device. Each of the four chapters begins within a decorative initial. Text presented in single-column Roman font. Outer margin contains cross-references and few notes. Includes two indexes Tables at the rear.</p><p><strong>Pagination: </strong>1250797 pp.</p><p><strong>Collation: </strong>par8 A4 B-Z8 Aa-Zz8 Aaa-Zzz8 Aaaa-Iiii8 -Iiii2-8. Textually complete lacking final six leaves of Tables and final blank leaf.</p><p><strong>Binding: </strong>Original limp vellum.</p><p><strong>Condition: </strong>Crisp and clean throughout.</p><p><strong>Provenance: </strong>Philip C. Duschnes Rare Books and bookplate of General Theological Seminary to pastedowns.</p><p><strong>Note: </strong>The Ashendene Press one of the great English private presses of the period alongside the Kelmscott Press and the Doves Press is celebrated for its stately typography and uncompromising craftsmanship. Of the press' 132 books nine were biblical in subject.</p><p>This book is printed on Ashendene paper made by Batchelor using Fell types on loan from Oxford University. This is the second book produced by the press and the first in two columns and with black an red throughout.</p><p><strong>References: </strong><em>The Privately Printed Bible</em> pp. 26-27.</p> Ashendene Press hardcover
184441372Milsom Street Bath and 26 Haymarket London: Edmund Francis English Jr. and Thomas McLean. Lithographed and printed at 79 St. Martin's Lane and by Moyes and Barclay Castle Street Leicester Square London 1844. Folio. 24 1/4 x 16 1/2 inches. First Edition. 8 1-10. 18 pp. 12 leaves of plates. Title with hand-colored vignette mounted on card lithographed dedication to Princess Emilia of Baden and the Marchionesses Douglas and Clydesdale List of Subjects and List of Vignettes on Letterpress List of Subscribers "To the Reader" by English Lithograph letter from Beckford to English that is not mentioned in Abbey 6 tinted lithograph "Illustrations of Lansdown Tower Bath" with text on each room of the tower and Beckford's obituary and woodcut epitaph errata note 13 tinted and hand-colored lithograph plates mounted on 12 card leaves with pencilled titles underneath plates. Dark red straight-grained half morocco over publisher's brown moiré cloth title stamped and lettered in gilt on front and on spine with bookplate on pastedown<br/> <br/> Grand first edition folio volume of a fantastical folly with 13 hand-colored lithographs of Beckford's unimpeachable decor.<br/> <br/> Shortly after the eccentric novelist collector bibliophile and plantation-owner William Beckford died in May of 1844 the book Views of Lansdown Tower was published revealing Beckford's extraordinary retreat its luxurious interiors and the exquisite art collection he had assembled inside this fantastical architectural folly just outside Bath in Somerset England. Views was initiated by Willes Maddox under the patronage of Beckford who is found in the book's subscribers list. Beckford had moved to Bath from his estate Fonthill Abbey in Wiltshire in 1822 and remained there until his death. In 1826 Beckford employed a young architect named Henry Goodridge 1797-1864 to build the tower and its adjoining library about a mile away from Beckford's residence in Crescent. Beckford's Tower known initially as Lansdown Tower was built in Italianate neo-classical style on Lansdown Hill. The Tower and its attached railings are now designated as a Grade I listed historic building by the UK. It is the only standing example of Beckford's architecture. Though he did not live there Beckford used the tower as a showcase for his collection of art and fine books and its crowning cupola as a belvedere for taking in picturesque vistas of the surrounding landscape. The book reproduces drawings by Maddox in lithographs by C. J. Richardson. Maddox later gained a reputation for painting the portraits of eminent Turks and took up an invitation from the Sultan to work in Istanbul. Four of the book's 13 plates illustrate some of Beckford's objets d'art including ceramics ivories and metalware alongside his immaculate parlor furniture. The colored plates in order: I. Ornamental Title with View of Tower. II. Exterior of LansdownTower. III. The Vestibule. IV. The Scarlet Drawing Room. V. The Staircase. VI. View of the Belvedere. VII. Objects of Vertu No.1 in Mr. Beckford's Collection. VIII. The Sanctuary. IX. The Crimson Drawing Room. X. Black Cabinet in Crimson Drawing Room. XI. Objects of Vertu No.2 in Mr. Beckford's Collection. XII. The Library. XIII. Objects of Vertu No.3 in Mr. Beckford's Collection. XIV. Ornamental Furniture in Mr. Beckford's Collection. And the Vignettes in Letterpress: XV. Embattled Gateway in Garden. XVI. Italian Cottage. XVII. The Grotto. XVIII. View in Garden where the Sarcophagus stood before removed. XIX. The Tomb of Mr. Beckford. XX. The Tomb of Mr. Beckford's favourite Dog.<br/> <br/> Abbey Scenery 420. Bobins II 682. SP Lohia 626. Edmund Francis English Jr. and Thomas McLean. Lithographed and printed at 79 St. Martin's Lane, and by Moyes and Barclay, Castle unknown
15998636Imprinted at London By the Deputies of Christopher Barker 1599. 1599 4to. 4 434 8 441-554 fols. Black letter text in two columns with sidenotes in a roman font. The text is the Geneva version with Tomson's NT but Junius's Revelation. Contemporary blind panelled calf binding over bevelled oak boards with brass corners and centre pieces. Fittings for clasps remain but the clasps themselves are lacking. Rebacked in the nineteenth century with the original spine re-laid and a title label and date added to the spine. The joints now have short splits. Signatures A and B in the OT are misbound but complete and there are similar misbound leaves in the NT Paul's Epistles. STC 2173. Herbert 247. BOUND WITH Two right profitable and fruitfull Concordances as issued and with a fragment of The Whole Booke of Psalmes . Printed by John Windet for the Assignes of Richard Daye 1598 ends at Psalm xxxiii. There are old paper tape repairs in places to strengthen edges and clear evidence of centuries of use throughout. The 19th century endpapers are inscribed Alfred Holwell The Gift of his Parents 1874 which probably dates the rebacking. There are also two pages of family tree of the Holwell family. The verso of the NT title page has 18th century records of the Raven Norfolk family. A complete and unsophisticated copy of the the actual 1599 printing. Imprinted at London By the Deputies of Christopher Barker hardcover
1739151910Oxford: Printed by John Baskett Printer to the University 1739 & 1751. A large Bible and prayer book for the Georgian lectern An imposing early Georgian lectern bible together with the Prayer Book both preserved in matching contemporary reversed calf bindings and unusual thus. Baskett monopolized English bible production for decades with his folio editions the grandest and most imposing designed for use in churches. His great bible of 1717 was a truly impressive edition of which Harry Carter the historian of Oxford printing writes "only Baskerville's Bible Cambridge 1763 is its equal among English Bibles for beauty of type impression and paper" The History of the Oxford University Press 1975 I p. 171. Two works folio Bible: 464 x 288 mm; Prayer Book: 400 x 246. Engraved frontispiece in Prayer Book. Contemporary panelled reversed calf. Divisional title for New Testament with verso recording births and deaths in the Holgate Family in Whixley from 1809 to 1913. Both with minor repair at foot. Bible: front free endpaper affixed to pastedown light peripheral wear staining to fore margin some worming in gutter of sigs. B and C in the New Testament not affecting text. Prayer Book: slight rubbing and minor wormholes at head of spine. Handsome copies. ESTC T90374 & T216675; Bible: Darlow & Moule 1042. unknown
1668ST19030London: Printed for the Booksellers in London 1668. First Complete Edition Fourth Edition overall. 145 x 90 mm. 5 3/4 x 3 1/2". 1 p.l. blank 3-122 pp. 3 leaves table and final blank. <br/> Contemporary sheep covers ruled in blind smooth spine early paper label with gilt titling. Front blank with the ink ownership inscription of John Drinkwater; inside lower board with the book label of Michael Curtis Phillips. Hayward "English Poetry" 121 this copy; Grolier Club "Wither to Prior" 976; Wing W2136; ESTC R7135. ◆Covers with light scuffing bottom leather thong of two broken but the text block quite secure at the top pastedowns lifted but the insubstantial binding still in remarkably good original condition; internally A VERY FINE COPY especially clean fresh and bright.<br/> <br/> From the library of Richard Jennings noted for the outstanding condition of his books this is an especially fresh and extraordinarily well-preserved copy of poems by a Puritan divine known for his surprisingly biting wit. Dryden dubbed Robert Wild 1609-79 "the Wither of the City" after hearing the Financial District's workers' enthusiastic reception of the title poem here which celebrates General Monck's successful campaign to restore Charles II to the throne: "I have seen them reading it in the midst of 'Change so vehemently that they lost their bargains by their candles' ends." Our collection contains several of Wild's most notable works including "The Recantation of a Penitent Proteus" satirizing Puritan clergy who had conformed to the Anglican Church; "The Loyal Nonconformist" professing his loyalty to the monarchy but maintaining his Puritan religious views; and "The Fair Quarrel" an attack on the 1665 Five Mile Act designed to drive nonconformist ministers out of their parishes. Wild was something of a paradox: he could preach a hellfire Puritan sermon but also write verse sufficiently scandalous to be mistakenly attributed to the notorious libertine John Wilmot Earl of Rochester. Our volume was loaned by Richard Jennings for the celebrated 1947 London Exhibition of First and Early Editions of English Poetry catalogued by John Hayward. It would not be reasonable to expect to find a finer unrestored contemporaneous copy of this imprint. Printed for the Booksellers in London unknown
1613D15149London: Robert Barker 1613. First Edition thus. Full Calf. Good. 4to 8 1/2 x 6 1/8 in.; 216 x 156 mm. Black letter text in double columns 71 lines to the full column New Testament title in heart-shaped center within woodcut border woodcut initials head-and tailpieces. The First Quarto Edition of the King James Bible in black letter with "he" in Ruth 3:15. "This and many subsequent issues were produced in close imitation of those black-letter quarto editions of the Geneva Bible which had proved so popular." Herbert As they are often found our copy is imperfect bound with additional bits and pieces also imperfect Our copy is lacking preliminary quire A including general title scattered browning and staining throughout two tears just touching text two holes costing a few words. Bound before the Bible: An imperfect and defective copy of the Book of Common Prayer lacks all before quire B; and Speed's Genealogies stained throughout without the map of Canaan. Bound after the Bible: the 1615 edition of Herrey's Concordances last two leaves defective; and Sternhold & Hopkins' metrical psalms lacks title-page quite stained and frayed toward the end. Bound in Eighteenth-century tree calf; worn joints cracked but generally sound. Label to spine states it incorrectly as Geneva Bible. Our copy has an interesting line of provenance as follows: William Albin several signatures dated 1727 1729 and 1732 Theophilus Jones gift inscription to Thomas G. Evans dated 1867 Birth records of the Welsh family Evans 18471874 in one hand on flyleaf Christmas Evans inscription dated 1935; Evans's probable namesake and ancestor was the famous Welsh Noncomformist minister Christmas Evans 17661838 $5500 <br/><br/> Robert Barker unknown
1992DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth <br/><br/>Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
17109200United Kingdom various 1710. Second Printing. Hardcover. Very Good. Second Printing. Hardcover. A collection of poetry tracts in the 18th century assembled and bound as a set showcasing typical and popular poetry writing and style in England. This was a common practice to gather political satire and literary tracts and bind them together generally at the discretion of the owner or in some cases the printer and/or bookseller. The majority of these works are poetry written as political satire towards the Tory government. This method of binding separate works 'sammelband' also speaks to contemporary collecting and publishing practices. <br /> The bound volume lists separate works as follows:<br /> attrib. Ward Edward. "The Pleasure of a Single Life or the Miseries of Matrimony. Occasionally Writ upon the many Divorces Lately Granted by Parliment. With the Choice or the Pleasures of a Country-Life." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Wilmot John. Earl of Rochester John Freke. "The History of Insipids a Lampoon By the Lord Roch---r. With his Farewell. 1680. Together with Marvil's Ghost. By Mr. Ayloff." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Blackmore Richard. "The Kit-Cats a Poem. To Which is Added the Picture in Imitation of Annacreon's Bathillus. Also also the Coquet Beauty by the Right Honorable the Marquis of Normanby." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Anon. "A Well-Timber'd Poem on Her Sacred Majesty; Her Marble Statue and Its Wooden Enclosure in Saint Paul's Church-Yard." Psalm XXII. 16. The Wicked have Enclosed Me. London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1712.<br /> <br /> Cavendish William. "The Charms of Liberty: A Poem. By the late Duke of D--. To Which is added Epigrams. Poems and Satyrs." Written by Several Hands. London: Printed in the Year 1709.<br /> <br /> Shippen William. "Faction Display'd. A Poem. From a Corrected Copy." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Dryden John. "Absalom and Achitophel. A Poem." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide For the Benefit of the Poor1708.<br /> <br /> Wilmot Earl of Rochester John. "Poems on Several Occasions: with Valentinian; a Tragedy. To which is added Advice to a Painter. Written by the Right Honorable John late Early of Rochester." London: Printed and Sold by Booksellers of London and Westminster 1710.<br /> <br /> Milton's Sublimity Asserted: in a Poem. Occasion'd by a late Celebrated Piece Entituled Cyder a Poem; in Blank Verse by Philo-Milton. London: Printed for W. Hawes and Sold by J. Morphew near Stationer's Hall and Stephen Fletcher Bookseller in Oxford 1709. Nine sammelband pamphlets bound in blind stamped decorative calf overlay recased with brown cloth boards; apparent shelf wear and toning to leaves each pamphlet constitutes approximately 16 pp. 8vo. Scarce copies of all in disbound condition so this bound aggregate is a rare and singular entity. hardcover
1569R53<p><strong>Description: </strong>Quarto approx. 7" x 5.5". Lacks all before Exodus 11:8. Text in two column black letter. Full-page woodcut of the Tabernacle F1 Table H3. Title before Joshua with large woodcut of Jugge's device. Full-page Map of Canaan Q1. Printed title to the Apocrypha. Map of the Holy Land before Matthew. 1 Corinthians 7 – Revelation 22 shorted and inserted from an octavo Geneva Bible.</p><p><strong>Collation:</strong> E-Z8 Aa-Kk6 A-X8 Y4 Aaa-Mmm8 Nnn6 A-K8 -A1. Begins at E1 Exodus 11:8 and ends at K8 Romans 15. <strong>Lacks</strong> title before Psalms and New Testament title. </p><p><strong>Binding:</strong> Rebacked brown calf. Boards with brown blind-paneled calf and corner fleurons. Two later working clasps. Spine with four blind-lined raised bands and a red gilt-lined morocco label with the words "The Holi Bible" and a date of 1569 lettered in gilt. </p><p><strong>Condition:</strong> Rubbed; intermittent staining; six ff. with marginal closed tears; T6 1 Sam 20 upper piece torn with six lines of text loss; Gg-Hh stain to half of text; D4 Ps 91 half of text torn away; A in NT with frayed edges; B6 lower corner loss of four lines of text. </p><p><strong>Provenance:</strong> Note to front pastedown reads "H.M. This is the 2nd edition of the Bible printed in 4to by R. Jugge the Queen's printer in 1569. This is the 2nd edition of Parker's Bible the 1st edition was a splendid folio in 1568. See Lewis' hist. of the Bible."</p><p><strong>Note:</strong> The first edition of the Bishops' Bible printed in quarto format. This smaller edition was printed just one year after the impressive first folio enabling the clergy to study from this version in their homes. The first quarto retains a few full-page woodcuts in the text. USTC records 13 copies in holdings.</p><p><strong>References:</strong> Herbert 126; STC 2105.</p> Richard Jugge hardcover
1682138282London: Printed by M.W. for Thomas Basset at the George in Fleetstreet and Ralph Smith at the Bible under the Piazza of the Royal Exchange in Cornhill 1682. Third edition in English of Higo Grotius' foundational work on international law. Folio bound in full contemporary paneled calf with a burgundy morooco spine label lettered in gilt title page printed in red and black added engraved title by T. Cross Senior bound opposite the printed title page. Translated into English by William Evats. In good condition. Armorial bookplate and period ownership signature. A pre-eminent contributor to international legal doctrine Hugo Grotius was an influential Dutch jurist philosopher and theologian. In this momentous work Grotius describes situations in which war is a valid tool of law enforcement and outlines principles for the use of force. Though based on Christian natural law Grotius advances the novel argument that his system would still be valid if it lacked a divine basis. In this regard he points to the future by moving international law in a secular direction. Barksdale's translation the first in English includes an original biographical sketch of Grotius. This edition "is perceived to be part of a larger movement in England aimed partly at setting out an ideological alternative to reformation proposals under discussion and to clarifying the relations between civil and ecclesiastical authority in England" Butler xii. Printed by M.W. for Thomas Basset at the George in Fleetstreet, and Ralph Smith at the Bible under the Piazza of the Royal Excha unknown
51-5270London: engraved by W.F. Wells and J. Laporte published by H.R. Young London 1819. Folio. 28 x 42.5 cm. Contemporary black morocco with gilt dentelles on the edges of the covers and hte spine. Spine repaired and repair on lower front cover. 60 soft ground etchings full page plates many handcoloured. References: Abbey Lifein England no. 203.; OCLC Number :9369595. London: engraved by W.F. Wells and J. Laporte, published by H.R. Young, London, 1819 unknown
1581ST15633London: Printed by H. Middleton for George Bishop 1581. 168 x 110 mm. 6 5/8 x 4 1/4". 4 p.l. 792 pp. <br/> Contemporary flexible vellum yapp edges flat spine with ink titling front hinge reinforced with paper. Title page with early ink inscription of Richarde Grosvenor; front pastedown with engraved armorial bookplate of Grosvenor's descendant Hugh Duke of Westminster dated 1884; front free endpaper with bookplate of the Fox Pointe Collection. STC 11448; ESTC S112728. ◆Vellum somewhat soiled small chip to head of rear cover a little soiling to title page isolated faint foxing or small rust spots but an unusually clean and fresh copy internally in a serviceable binding with antique appeal.<br/> <br/> This is an infrequently seen polemical treatise from the English Reformation addressing theological arguments over Purgatory and transubstantiation one of 21 such works Fulke 1528-89 produced to refute Roman Catholic attacks on the doctrines of the Church of England. According to DNB "Fulke conceived the project of answering all works of controversy written in English by papists since 1558 and of doing so by the technique of exhaustive rebuttal answering every point large and small made in the writings of his opponents. . . . Fulke was well equipped for this role by his vast erudition especially in patristic literature and his command of biblical and classical languages as well as his painstaking concern for accurate detail and the rules of logical argument." During the last decade of Fulke's life "no year passed without the appearance of one or more books by him in defence of Protestantism and in confutation of the church of Rome. His language was unmeasured and even in that age he was conspicuous for the virulence of his invective against his opponents. His learning was however extensive and sound and he was an able master of controversy." Our copy resided in the Grosvenor family library at Eaton Hall for more than 200 years and later passed into the Fox Pointe Collection of Howard Knohl who in the 1980s began collecting English language first editions from before 1700 amassing a library of more than 4000 titles one of the largest privately owned collections in this subject area. This is a rare book: ABPC and RBH find no other copies at auction since 1975; ESTC and OCLC locate just two copies in North American libraries. Printed by H. Middleton for George Bishop unknown
9594New Haven: Editions Wequetequock Cove 2006. Full Leather. Fine binding. Small folio 8.5" x 7". 32 pp. illus. Limited edition number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver dyed calf inlays and onlays as well as onlays in lizard. Subtly titled in blind across one of the onlays at the spine. Paper doublures with dyed calf hinges. <br /> <br /> Botehlo writes of this book being "filled with etchings of heavy lined and voluptuous shapes with textures and shade all done in black. The poetry evoked for me the verdancy of rogue plants that spring up between the cracks of concrete. It spoke of the appeal of being a snake allusions to original sin. I wanted the green onlays that have been dyed and embossed to be pillowed the stone inviting touch. I intended to create something that invites a sensory exploration." And here she has succeeded with astonishing grace creating a design that draws and keeps the attention. Wonderfully conceived and executed with exceptional skill. Botelho is among a select group of extraordinary design binders who are graduates from the American Academy of Bookbinding Fine Binding program. Editions Wequetequock Cove unknown
17630OXFORD. LEON LICHFIELD. 1731. A SCARCE ITEM BEING THE FIRST TIME THAT SAMUEL JOHNSON APPEARED IN PRINT. OCTAVO. REBOUND IN HALF LEATHER OVER BROWN CLOTH SPINE AND CORNERS RUBBED VERY TIGHT BINDING MARBLED ENDPAPERS. CONTENTS VERY CLEAN AND BRIGHT APART FROM THE TITLE PAGE WHICH IS BROWNED. MINOR REPAIR TO THE FOOT OF THE TITLE PAGE OF THE PREFACE. THE BOOK COMPRISES: A VERY LONG PREFACE BY HUSBANDS ' CONTAINING SOME REMARKS ON THE BEAUTIES OF THE HOLY SCRIPTURES MORE ESPECIALLY OF THE OLD TESTAMENT WHERE THEY ARE CONSIDERED IN A CLASSICAL VIEW'; A LIST OF SUBSCRIBERS 19 PAGES; THE POEMS 270 PAGES. IN THE PREFACE HUSBANDS SAYS OF JOHNSON ' THE TRANSLATION OF MR POPE'S MESSIAH WAS DELIVERED TO HIS TUTOR AS A COLLEGE EXERCISE BY MR JOHNSON A COMMONER OF PEMBROKE COLLEGE IN OXFORD AND ' TIS HOPED WILL BE NO DISCREDIT TO THE EXCELLENT ORIGINAL'. OVERALL A VERY GOOD COPY OF A SCARCE BOOK. OXFORD. LEON LICHFIELD. 1731 hardcover
1825ST20491London: R. Ackermann 1825. FIRST EDITION. 236 x 144 mm. 9 1/4 x 5 3/4". vii 1 84 pp. <br/> STRIKING DARK GREEN MOROCCO VERY ELABORATELY GILT BY CUNEO stamp-signed on lower front turn-in for Mildred B. Davey named stamped on upper front turn-in covers with geometric Art Deco frame smooth spine in compartments with triangle ornaments gilt lettering git-ruled turn-ins marbled endpapers. Housed in matching green morocco-backed clamshell box lined with fleece. Engraved map and 24 FINE DELICATELY HAND-COLORED PLATES inlaid on heavy stock as issued; original tissue guards. Verso of front free endpaper with engraved bookplate of Mildred Davey and red morocco ex-libris of Paul Edward Chevalier; front flyleaf with 19th century ink owner inscription of William Mitchell. A Large Paper Copy. Abbey Travel 210; Tooley 245; S. T. Prideaux "Aquatint Engraving: A Chapter in the History of Book Illustration" p. 229. See Peter Thorold "The British in France: Visitors and Residents since the Revolution" p. 64. A very small ink spot just intruding on very bottom edge of a handful of leaves a few vague spots of foxing to map isolated faint offsetting from illustrations but A VERY FINE COPY in all other ways--the text clean fresh and bright the plates immaculate the margins spacious the binding lustrous and sparkling.<br/> <br/> This is a lovely copy of a work with plates Prideaux considers "among the most beautiful to be found in aquatint engraving" and it comes in a handsome binding commissioned by Mildred Benson Davey and later owned by Paul Chevalier. Issued by a publisher known for his lavishly illustrated travelogues the volume takes us on a journey through the scenic French Pyrenees escorted by Englishman Joseph Hardy who adds his insights on the local population and government gives recommendations on the best mineral baths and describes in word and image the breathtaking scenery. The views are small measuring approximately 90 x 70 mm. but as Abbey notes "part of their charm is certainly in their small size." Sarah Prideaux praised their composition: "The ground is exceedingly fine and there is no line whatever. The colouring is most delicate and all the twenty-four illustrations are exquisite." We can only be impressed by the achievement of the colorist; the detail is cleanly executed the colors are luminescent and the images do not disappoint even under magnification. Thorold notes that this work was "a great success" and was later translated into French. Our copy was bound in a bold modern design at the Chicago workshop founded by in 1926 by John Cuneo 1884-1977. Cuneo hired fine British craftsmen like the Englishman Leonard Mounteney to create bibliophile-quality bindings for American collectors. After apprenticing at the bindery of G. & J. Abbott in Nottingham and studying ornamental design at the Battersea Polytechnic Mounteney worked as an exhibition finisher for Riviere before emigrating to Chicago where he initially worked with Alfred de Sauty at the R. R. Donnelley bindery before joining Cuneo's hand bindery. The present binding was a commission for Mildred Benson Davey 1890-1953 daughter of the founder of Benson & Rixon men’s clothiers. Cuneo also bound books for Chicago retail magnate Marshall Fields. Later our binding was appreciated by distinguished connoisseur Paul Chevalier whose library of beautiful volumes was uniformly characterized by outstanding workmanship and superb condition. The sale of his books in 1990 represented one of the best collections of 20th century bindings brought to auction in the past half century. Laid in is Christie's slip from Chevalier's 9 November sale where this appeared as lot 23 selling for $935. R. Ackermann unknown
1736elala1162<p>Oxford: Printed by John Baskett 1736-35. 1736. 2 Volumes in 1. undated engraved title by J.Sturt with imprint of Richard Ware. with Apocrypha & index. contemporary dark red morocco wide gilt tooled borders on covers incorporating crown & sceptre ornaments gilt tooled spine with 5 raised bands centre covers with black morocco onlay incorporating letters JHS & winged angel head ornaments within gilt flame border bit rubbed with minor stain on upper cover joints & spine ends repaired short splits in lower joints occasional light spotting. Provenance: Capt. William Wilkie of Montrose d. 1761 his spouse Mrs. Ann Napier d. 1779 William Petrie d. 1834. BOUND WITH: CHURCH OF ENGLAND. BOOK OF COMMON PRAYER. The Book of Common Prayer. 4to. undated engraved title by J.Sturt with imprint of Richard Ware. some marginal dampstaining to first few leaves a few leaves browned. Oxford: Printed by John Baskett 1736. BOUND WITH: DOWNAME John. A Brief Concordance. 4to. London: Printed for R.Ware 1732. BOUND WITH: BIBLE. ENGLISH. The Historical Part of the Holy Bible Or The Old and New Testament Exactly and Compleatly Describ’d in above Two Hundred Historys Curiously Engrav’d by J.Cole From Designs of ye best Masters. 4to. 51 engraved plates containing 204 illustrations. London: Sold by Richard Ware nd. BOUND WITH: SACRED GEOGRAPHY Contained In Six Maps. 4to. title in red & black. 6 folding double-page engraved maps some short map fold tears – no loss. London: Printed for Richard Ware 1725. A handsome copy of an interesting composite bible and prayer book. All of the plates and maps are bound at various intervals throughout the text. The maps depict 1 the situation of Paradise and the country inhabited by the Patriarchs 2 the peopling of the world by the sons of Noah and the Israelites journeying in the wilderness 3 a plan of the city of Jerusalem with a view of Solomon’s Temple and all the sacred utensils therein 4 the Holy Land divided into the Twelve Tribes of Israel in which are exactly traced our Saviour’s travels 5 the land of Canaan and 6 the travels of St. Paul and the rest of the Apostles. Herbert 1032. See Herbert 965 970 974 992 993 & 1116 for similar variously dated combined texts with engraved titles bearing Ware’s imprint as here. Hardcover. Very Good.</p> Oxford: Printed by John Baskett, 1736-35. hardcover
1795ABC_47525Bath: Printed by S. Hazard for J. Johnson Vernor and Hood Ogilvy and Speare J. Sewell H. Gardner and C. and G. Kearsley 1795. Near-contemporary gold- and blind-tooled calf with the title volume number and year of publishing lettered in gold on the spine. 8vo. With a folding engraved map of Arabia 3 genealogical tables including 2 folding 1 plate showing the Kaaba in Mecca all taken from the first editon of 1735. 2 volumes. Fourth edition of the First translation of the Koran into English.a landmark not only in efforts to bring an accurate version of the Quran to the English-speaking world but also in Western Quranic studies in general. Holt notes his "enlightened and objective attitude" in sharp contrast with most Western Arabists of his day or earlier: "His freedom from religious prejudice his obvious conviction that Arabic writers were the best source of Arab history and Muslim commentators the fittest to expound the Quran marks an enormous advance ". In addition to Arabic sources Sale consulted the best Latin translation of the Quran by Ludovico Marracci published in 1698.Rebacked some tears in the folding map repaired.l ESTC T146975; Fück Die Arabischen studien p. 104; P.M. Holt Studies in the history of the Near East 1973 pp. 57-60; McKenzie & Ross eds. A ledger of Charles Ackers p. 41; Schnurrer p. 429. Printed by S. Hazard for J. Johnson, Vernor and Hood, Ogilvy and Speare, J. Sewell, H. Gardner and C. and G. Kearsley, unknown
41185Folio. Contemporary dark brown leather-backed blue/gray boards. Titled "A collection of Songs by several eminent Masters" in contemporary manuscript on recto of first page of music. Engraved throughout.<br /> <br /> Provenance<br /> With "Lucy Gregory July the 6th 1756" and "Prince Gregory" in contemporary manuscript to front pastedown. Manuscript titling and annotation "Ex dono Revd. Dr. Dawson For use of Musical Society Windsor Castle to be returned to Dr. Dawson When ye club ceases viz when it is reduced to three persons" to blank recto of first song along with title and index to blank verso of final song.<br /> <br /> Contains 33 songs including works by Barrett Blow Eccles Galliard Handel 8 Leveridge Orlandini Pepusch Daniel Purcell Henry Purcell 2 Weldon and others. Scored mainly for voice most for one voice and few for two and figured basso continuo with single-line flute arrangements for some songs.<br /> <br /> 1. Handel. "A Favorite song in the Opera of Theseus" "See see your faithfull lover pineing". London ca. 1720. i blank 2 i blank pp. BUC p. 1001.<br /> <br /> 2. Purcell H. "Sing all ye muses. A song set by Mr. Henr. Purcell The Words by Mr Durfey." London ca. 1700. From Part I of The Comical History of Don Quixote. 4 pp. BUC p. 861 another edition. Scored for two voices and figured basso continuo.<br /> <br /> 3. Handel. "Mi brilla in English and Italian" "Be Kind and Love" / "Mi brilla nel seno". London ca. 1720. i blank 2 i blank pp. HWV 10 Silla.BUC p. 93. <br /> <br /> 4. Purcell H. "The Mad Dialogue Sung by Mr. Leveridge and Mrs. Lynsey" "Behold the man with gigantick might". From The Richmond Heiress. London ca. 1700. 3 i blank pp. BUC p. 862.<br /> <br /> 5. Handel. "Vieni torna in English & Italian" "Turn o turn thee dearest Creature / Vieni torna Idolo mio". London ca. 1715. i blank 2 i blank pp. HWV 9 Teseo. BUC p. 1041.<br /> <br /> 6. Handel. "A Favourite Song by an Eminent Master Within the Compass of the Flute" Recitativo: "Lo here my Love" / Aria: "Love in her eyes sits playing". London ca. 1725. i blank 2 i blank pp. BUC p. 624.<br /> <br /> 7. Handel. "A Song with a Symphony for an Octave Flute & Violins" Recitativo: "Ye verdant Plains" / Aria: "Hush ye pretty warbling Quire". London ca. 1722. i 3 paginated 4-6 i blank pp. HWV 49 Acis and Galatea. BUC p. 432 date incorrect; JISC two copies at Oxford and the British Library. In score for piccolo violin voice and unfigured basso continuo. <br /> <br /> 8. Handel. "A song by an Eminent Master" "Would you gain the tender Creature". London ca. 1750. HWV 49 Acis and Galatea. BUC pp. 432 1091.<br /> <br /> 9. Eccles. "Air in the Opera Semele. The words by Mr Congreve" "Come Zephrys". London ca. 1730. i blank 2 i blank pp. BUC p. 309. <br /> <br /> 10. Orlandini. "A favourite Song in the Opera of Arsaces Sung by Sigr. Senesino" "Se sol la mia morte" / "Cœlestial Corinna". London ca. 1721. i blank 2 i blank pp. BUC p. 56. "Lucy Gregory" in contemporary manuscript to upper outer corner of final blank page. <br /> <br /> 11. Anon. "The Ladys Repulse or Favourite Minuet in Hercules" a pasticcio. London ca. 1715. 2 pp. BUC p. 478. <br /> <br /> 12. Barrett. "A Song sett by Mr. Iohn Barrett Sung by Mrs. Lindsey" "Mistake not Nymph". London ca. 1705. 1f. recto music verso blank pp. BUC p. 86.<br /> <br /> 13. Barrett. "Liberia A Song Set to Musick" "Liberia's all my Thought". London ca. 1715. 1f. recto music verso blank pp. BUC p. 86.<br /> <br /> 14. Purcell D. "Lovely Charmer. A song in the Island Princess." London ca. 1700. 1f. recto music verso blank pp. BUC p. 856.<br /> <br /> 15. Leveridge. "A Favorite Song in the new Opera The words by Mr. Leveridge." London ca. 1720. 1f. recto music verso blank pp. BUC p. 339.<br /> <br /> 16. Anon. "Tom a Bedlam" "Forth from my dark and Dismall cell". London ca. 1720. 1f. recto music verso blank pp. BUC p. 345. <br /> <br /> 17. Leveridge. "A Scotch Song Sung by Mr. Leveridge the words by Mr Durfey" "Farewell my Bonny". London ca. 1710. 1f. recto music paginated "10" verso blank pp. BUC p. 325.<br /> <br /> 18. Blow. "Go Perjur'd Man. A Song for two Voices." London ca. 1710. 1f. recto music verso blank pp. BUC p. 115.<br /> <br /> 19. Anon. "A song by a Gentleman" "How charming". London ca. 1730. 1f. recto music verso blank pp. BUC p. 370.<br /> <br /> 20. Weldon. "Orpheus Song to the Waves Sett by Mr. Iohn Weldon Sung by Mrs. Linsey." "Stop O ye Waves". London ca. 1710. 1f. recto song verso version for flute pp. BUC p. 1065.<br /> <br /> 21. Anon. "A Song by a Great Master" "Beauteous Idol charming Creature". London ca. 1720. 1f. recto music verso blank pp. BUC p. 93. <br /> <br /> 22. Turner. "A Song On Mira's Singing and Beauty" "Singing charms The Bless'd above". London ca. 1710. 1f. recto music verso blank pp. BUC p. 1024.<br /> <br /> 23. M. F. "A song in the Italian style by F M" "Ah Crudel prenesto". London ca. 1720. 1f. recto music verso blank pp. BUC p. 638. A humorous song satirizing Italian opera with text in nonsense-Italian.<br /> <br /> 24. Galliard. "Sung by Mr. Pack in The Opera of Circe" "Fairest if thou can'st be King". London ca. 1720. 1f. recto music verso blank pp. BUC p. 358.<br /> <br /> 25. Vanbrughe. "Apollo to Daphne by Mr. Vanbrughe" "My Dearest Daphne". London ca. 1735. Not in BUC but may be from Vanbrughe's collection Mirth & Harmony; see BUC p. 1034.<br /> <br /> 26. Anon. "The Address with The Lady's Answer" "Ah lovely Nymph". London ca. 1725. 1f. recto music paginated "7" verso blank pp. BUC p. 11. <br /> <br /> 27. Handel. "A Song the words by Mr. Kirkland set to a Trumpet Minuet of Mr. Hendell's" "Phillis the Lovely". London ca. 1725. 1f. recto music verso blank pp. HWV 349 Watermusic. BUC p. 781. <br /> <br /> 28. Young and Leveridge. "The Reproach" "Send back my long stray'd Eyes" and "Mr. Leveridge's Tune." London ca. 1720. 1f. recto music verso blank. BUC p. 1098. The instrumental tune appears to be unrelated to the song; here may however be some association as the song incorporates imagery related to the eyes and the tune's name not given here is "Black-eyed Susan." <br /> <br /> 29. Anon. "A Song after the Italian Manner by an Eminent Master" "Lovely cruel charming fair". London ca. 1715. 1f. recto music verso blank pp. BUC p. 632 another edition. <br /> <br /> 30. Handel. "Di godere in English & Italian by Mr. Hendell" "Di godere" / "Oh my dearest". London ca. 1720. 1f. recto music verso blank. HWV 228. Not in BUC; possibly related to an edition in Foundling Museum. JISC "This song appeared in two editions in 1719: the first was in The Yearly Subscriptions a volume of twenty songs advertised on 5 December the second in the Monthly Mask of Vocal Music issued on 24 December".<br /> <br /> 31. Pepusch. "A Song in the Mask of Martillo" "Tender Hearts to ev'ry Passion". London ca. 1716. 1f. recto music verso blank pp. BUC p. 722. <br /> <br /> 32. Carey. "The Midsummer Wish Taken from the Journal" "Waft me some soft and cooling Breeze". London ca. 1725. 1f. recto music verso blank pp. BUC p. 165. <br /> <br /> 33. Leveridge. "A Song in the Beau Demolish'd Sung by Mr. Leveridge" "Whilst I'm carrouzing". London ca. 1730. 1f. recto music verso index in contemporary manuscript pp. BUC p. 615. <br /> <br /> Binding worn rubbed and bumped; spine partially lacking; lower board nearly detached. Minor dampstaining and worming; occasional small stains. John Barrett ca. 1674-ca. 1745 was an English composer and organist pupil of John Blow. "Like many of his contemporaries such as Jeremiah Clarke John Eccles and Daniel Purcell Barrett composed mainly for the theatre and his many songs mostly of the double-barrelled art song variety are both tuneful and attractive." Christopher Powell revised by H. Diack Johnstone in Grove Music Online<br /> <br /> John Blow 1649-1708 was an English composer organist and teacher. "By his mid-20s he had become the foremost musician in England and in later years he was the elder statesman of the Restoration school whose chief luminary was Henry Purcell." Bruce Wood in Grove Music Online <br /> <br /> John Eccles ca. 1668-1735 was an English composer. "Eccles's greatest talent is revealed in his many songs. Remarkable for their beautifully contoured melodies and impeccable prosody they quickly capture the mood and subtleties of the poetry and are eminently singable. His large works are notable for their dramatic pacing and their carefully planned tonal architecture. In the latter respect he surpassed even Purcell and was far in advance of his day. Eccles brought the Restoration tradition to its close. After Purcell's death in 1695 he was undoubtedly the greatest of the Restoration theatre composers." Stoddard Lincoln in Grove Music Online<br /> <br /> John Ernest Galliard ca. 1687-1749 German composer and oboist "certainly played a significant role in London's musical life in the first half of the 18th century." Roger Fiske revised by Richard G. King in Grove Music Online<br /> <br /> George Frideric Handel 1685-1759 English composer of German birth was "one of the greatest composers of his age." Anthony Hicks in Grove Music Online<br /> <br /> Richard Leveridge 1670-1758 English bass and composer was "a leading singer on the London stage and a popular composer of songs." Olive Baldwin revised by Thelma Wilson in Grove Music Online. <br /> <br /> Giuseppe Maria Orlandini 1676-1760 was an Italian composer. "The large number and wide spread of performances of his operas confirm the opinions of Burney La Borde Martini and Quadrio that Orlandini was highly celebrated as a composer of dramatic music. He was best known for his comic intermezzos in which genre his importance almost certainly outweighs that of Pergolesi. Indeed Orlandini's Bacocco e Serpilla under various titles and with added music by various composers appears to have been the most frequently performed piece of musical drama in the entire 18th century." John Walter Hill and Francesco Giuntini in Grove Music Online<br /> <br /> Johann Christoph Pepusch 1667-1752 a German-born composer and theorist active in England is best known for his arrangement of music for The Beggar's Opera to John Gay's libretto; he composed works in all genres including vocal music.<br /> <br /> Daniel Purcell ca. 1664-1717 brother or cousin of Henry Purcell was an English composer and organist. "Although he was a victim of invidious comparison with Henry Daniel was a talented composer whose style while perhaps too ornate is never dull or incompetent." Mark Humphreys revised by Robert Thompson in Grove Music Online<br /> <br /> Henry Purcell 1659-1695 composer and organist "was one of the most important 17th century composers and one of the greatest of all English composers." Peter Holman and Robert Thompson in Grove Music Online<br /> <br /> John Weldon 1676-1736 an English organist and composer "of considerable talent" was a pupil of Henry Purcell. Margaret Laurie revised by Stephen Bullamore in Grove Music Online. unknown
1933ST15997Montgomeryshire Wales: Gregynog Press 1933. No. 37 OF 250 COPIES one of 110 in this binding accompanied by three additional plates on Japon EACH ONE OF 12 SIGNED BY THE ARTIST. 390 x 255 mm. 15 1/4 x 10". 15 leaves. <br/> Fine original dark slate blue Oasis morocco device in blind on front cover blind titling on front cover and spine. In the original paper slipcase somewhat worn and browned but sound. Wood engraved title with device and 21 wood engravings in the text five of them full-page chapter openings by Blair Hughes-Stanton and WITH THREE ORIGINAL SIGNED WOOD ENGRAVINGS ON JAPANESE VELLUM--"The Man Mourns I" 5/12 "The Man Mourns II" 4/12 and "Destruction" 5/12--attractively matted. Printed in blue and black on Japanese vellum; with an additional half-page engraving from chapter I laid in. Harrop 29; De Zilverdistel Cat. II 29; Hughes-Stanton 21. ◆A breath of fading to the spine negligible signs of wear to the binding but a fine copy with only trivial condition issues and the additional engravings pristine.<br/> <br/> This is in Harrop's words "one of the most spectacular books to come from this or any other press" our copy with the bonus of three limited edition wood engravings from the work signed by the artist. "Lamentations" was designed and illustrated by Blair Hughes-Stanton 1902-81 who studied at the school of Leon Underwood at Hammersmith and had a long and productive career producing sophisticated woodcuts as an avant-garde artist. Although he was encouraged to make his expressive sometimes even savage images look more like those of Eric Gill he resisted and successfully established his unique personal style as an illustrator. The three extra engravings here are excellent examples of his dramatic emotional technique; "The Man Mourns I and II" effectively convey overwhelming grief while "Destruction" inspires a feeling of impending doom. From 1930 through 1933 Hughes-Stanton worked for the Gregynog Press in Wales helping to design text layout providing woodcut illustrations and designing bindings. The press was founded in 1922 by two spinster sisters Gwendoline 1882-1951 and Margaret 1884-1963 Davies using a substantial inheritance from their industrialist grandfather; it produced 42 works between 1923 and 1942 eight of them in Welsh. Cave says that the books printed by the Gregynog Press "more than bear comparison with the work of any other private press" and "in the design and execution of bindings the Gregynog Press was far superior to any the Doves Press included.". Gregynog Press unknown
ST18542England ca. 1375. 287 x 198 mm. 11 1/4 x 7 3/4. Single column 32 lines in a small rounded English gothic hand with rubrics in the margins. <br/> Rubrics in red running title in red paragraph marks in red or blue two initials measuring two lines in height and colored blue with red penwork. See: P. E. Beichner "Aurora Petri Rigae Biblia Versificata A Verse Commentary on the Bible." ◆Remnants of mounting tape in top margin of recto but a really excellent specimen the hand very clear the ink especially rich and the vellum extremely clean and quite bright.<br/> <br/> Written in a gothic hand heavily influenced by the English secretarial style this leaf comes from a copy of the "Aurora" a commentary on the Bible in verse form written in the late 12th century by French poet Petrus Riga 1140-1209 a canon of Rheims cathedral. Although little is known about the author's life Riga's text became immensely popular throughout Europe and was routinely studied in Medieval universities. According to Beichner "for those who could read Latin it supplied Scriptural lore in a popular form and it also served as a book of popular theology devotional reading moral instruction and entertainment. Its influence was propagated by teachers preachers and lexicographers by poets and other writers. It was studied imitated translated and quoted. Not only was it widely read in monasteries and convents but it was also recommended reading for the sons of nobles." It is interesting to note that although Riga's work was copied numerous times in the 13th century copies from the later Medieval period such as the present work are uncommonly rare. The parent manuscript containing our leaf was previously in the possession of the Dukes of Westminster and was sold at Sotheby's on 11 July 1966 lot 229 when it was advertised as having 267 leaves missing the first gathering plus 13 other leaves. Bookseller Francis Edwards acquired the manuscript at that sale removed three damaged leaves and sold the remainder. It was thereafter broken up and dispersed. Several sister leaves are now in the collections of Marquette University Lawrence University and the University of South Carolina. unknown
1962ST15876Frankfurt am Main: Ars Libri Verlag Gotthard de Beauclair 1962. No. 93 of 250 COPIES IN ENGLISH SIGNED by the illustrator and designer. 494 x 320 mm. 19 3/8 x 12 5/8". 40 pp. 2 leaves.Designed by Gotthard de Beauclair. <br/> FINE RED CRUSHED MOROCCO BY ROLAND MEUTER signed "R. Meuter Ascona" on rear turn-in upper cover with gilt lettering underlined with four gilt rules smooth spine with gilt titling leather hinges. In the original linen clamshell box backed with matching morocco. With 30 lithographs in the text by Gerhart Kraaz and one additional lithograph in a portfolio. ◆Slight discoloration from a bookmark in the lower gutter of colophon opening otherwise in perfect condition.<br/> <br/> Handsomely bound and beautifully designed and printed this very large folio first publication from the Ars Libri Press later called Ars Librorum exemplifies the kind of high quality work for which leading German publisher and book designer Gotthard de Beauclair was known. Beauclair 1907-92 began his career at Insel Verlag where he rose to art director and according to the Oxford Companion to the Book "turned inexpensive Insel books into collectors' items with excellent typography." He also founded three different publishing houses where he produced special limited editions that made full use of his excellent design and typographical skills. The present item is one such work recognized by the Association of German Book Artists as one of the most beautiful books of 1962. Gerhart Kraaz 1909-71 studied painting and worked as a graphic designer before becoming a serious book illustrator. The present title is considered his first major work in the realm of bibliophilic editions. His illustrations in charcoal are sensuous and shadowy capturing the romance and allure of the most beguiling Old Testament book. This edition in English appeared the same year as the German language edition but is much rarer--apparently the publisher cancelled a number of copies and very few ever made it to market. The binding characterized by an elegant simplicity is appropriate for the subject matter and for the stately large-format volume. Our binder Roland Meuter maintains an atelier in Ascona Switzerland where he continues to produce imaginatively designed bindings that attract considerable attention. Ars Libri Verlag, Gotthard de Beauclair unknown
17229900002372London: James and John Knapton et al. 1722. Hardcover. Maps engravings. Folio. Two large volumes in original full leather bindings. Title pages are printed in red and black with an elegant full-page copper engraving of Camden as the frontispiece of the first volume. There are 50 double-page maps of the English counties Ireland Scotland and 'the Islands'; six of the maps are folding. There are also twelve large full-page engravings and numerous smaller engravings in the text. There is a comprehensive index and the errata page is present. A previous owner has reinforced the hinges with linen-like binding tape. The boards are quite worn and rubbed but a competent bookbinder could restore both bindings. The contents are remarkable clean with only occasional foxing and a few stained pages. The maps by the cartographer Robert Morden and which are usually removed and sold individually are all in excellent condition. Overall a good set. William Camden 1551-1623 was an English antiquary and historian who during the reign of Queen Elizabeth travelled throughout England collecting material for 'Britannia' which was first published in 1586. Initially written in Latin it is a survey of the British islands; its archaeology geography institutions monetary system and inhabitants 'chiefly intended for the instruction of foreigners' or so Gibson states in his Preface to this edition. It was first translated into English in 1610 probably under Camden's direction see Ency. Brit. 11th vol. V p. 101. Gibson's revision was first published in 1695. Our set is the undated 'Second Edition' but by comparing particulars with available bibliographical resources we believe it was published in 1722. Printing and the Mind of Man 101. James and John Knapton et al. hardcover
16084431London: Robert Barker 1608. A very nice copy of a Breeches Bible published by Robert Barker in 1608. Contains: A general title; The Old Testament but no separate Old Testament Title page; The New Testament With Title; Revelation ; 2 Concordances With separate title stating that these were collected by R.F.H. ; Book of Psalms Separate title state that they were collected by Thomas Sternehold & John Hopkins. Bound in full 20th century mottled calf. Plain new endpapers. 4 raised bands to spine blind decorations to compartments. Board edges patterned. Black and gilt label & titles to spine. All title pages present. Final 3 pages Psalms with very old repairs and one page inserted out of order. Psalms complete but Creed incomplete at end of book So ends at page 92. All sections dated 1608. Robert Barker. The noted issues with this copy are: f68 marked as f96; f173 with pasted down border note; f329 last of Ezekiel misbound in Daniel; f330 present but with loss of a large are of text; f434 mispaginated as f435; f435 has large ink stain to verso; f464 small closed tear; f483 torn with some loss; f490 mispaginated as f499; f534 complete but torn; Book of Psalms: 1st 10 pages unpaginated; p28 mispaginated as p27; p86 mispaginated as p66; pps 87/88 exchanged with pps 89/90; The final two leaves have been repaired and the final leaf with moderate loss to the edges. As is inevitable with a Bible of this age there are also tiny tears nicks and edgewear and a general darkening of the pages nevertheless s a very nice example. This edition of the Geneva Bible received the nickname Breeches Bible because on its erroneous translation of Genesis Chapter 3 Verse 7. The text reads: 'Then the eyes of them both were opened and they knew that they were naked and they sewed figge tree leaves together and made themselves breeches.' Each page is numbered to the recto only if at all so these are actually leaf numbers so we refer to fn. To confuse matters further the book of psalms numbers each page not leaf. Full collation: ii 1-554 1-98 1-91.pp Collation: lacks blank q1 q2-Zzz10 A-L2 A-G3. Our copy substantially conforms to Darlow & Moule 225a. The states that it is substantially a close reprint of the 1605 quarto with text ending on fo.554 as does ours for the OT and NT and with Gen. i. 3: 'Then God Sayd.' 240 by 170mm 9½ by 6¾ inches. . Très bel exemplaire d'une Bible en culotte de cheval publiée par Robert Barker en 1608. Contient : Un titre général ; l'Ancien Testament mais pas de page de titre séparée pour l'Ancien Testament ; le Nouveau Testament avec un titre ; l'Apocalypse ; 2 concordances avec un titre séparé indiquant qu'elles ont été rassemblées par R.F.H. ; le Livre des Psaumes avec un titre séparé indiquant qu'elles ont été rassemblées par Thomas Sternehold & John Hopkins. Reliure en plein veau moucheté du 20e siècle. Les pages de garde sont neuves et unies. 4 bandes surélevées au dos décorations aveugles sur les compartiments. Bords de la planche à motifs. Étiquette et titres noirs et dorés au dos. Toutes les pages de titre sont présentes. Les 3 dernières pages Psaumes avec de très vieilles réparations et une page insérée dans le désordre. Les Psaumes sont complets mais le Credo est incomplet à la fin du livre il se termine à la page 92. Toutes les sections sont datées de 1608. Robert Barker. Les problèmes notés dans cet exemplaire sont : f68 marqué comme f96 ; f173 avec une note de bordure collée ; f329 dernière page d'Ezéchiel mal reliée à Daniel ; f330 présent mais avec perte d'une grande partie du texte ; f434 mal paginé comme f435 ; f435 a une grande tache d'encre au verso ; f464 petite déchirure fermée ; f483 déchiré avec une certaine perte ; f490 mal paginé comme f499 ; f534 complet mais déchiré ; Livre des Psaumes : Les 10 premières pages ne sont pas paginées ; p28 mal paginée comme p27 ; p86 mal paginée comme p66 ; pps 87/88 échangées avec pps 89/90 ; Les deux derniers feuillets ont été réparés et le dernier feuillet avec une perte modérée sur les bords. Comme c'est inévitable avec une Bible de cet âge il y a aussi de petites déchirures des entailles et un assombrissement général des pages mais c'est un très bel exemplaire. Cette édition de la Bible de Genève a reçu le surnom de Bible à culotte en raison de sa traduction erronée du chapitre 3 verset 7 de la Genèse. Le texte se lit comme suit : Les yeux de l'un et de l'autre s'ouvrirent et ils connurent qu'ils étaient nus. Ils cousirent ensemble des feuilles de figuier et se firent une culotte. Chaque page n'étant numérotée qu'au recto voire pas du tout il s'agit en fait de numéros de feuilles nous nous référons donc à fn. Pour compliquer encore les choses le livre des psaumes numérote chaque page et non chaque feuille. Collation complète : ii 1-554 1-98 1-91.pp Collation : manque le blanc q1 q2-Zzz10 A-L2 A-G3. Notre exemplaire est en grande partie conforme à Darlow & Moule 225a. Il s'agit d'une réimpression proche du quarto de 1605 avec le texte se terminant sur fo.554 comme le nôtre pour l'AT et le NT et avec Gen. i. 3 : 'Then God Sayd.' 240 par 170mm 9½ par 6¾ pouces. Robert Barker hardcover
