8 080 résultats
4970One of the pencil sketches on reverse of envelope addressed to Wyatt and postmarked 1833. ITEM ONE: pencil sketch roughly three inches square of pensive woman in full dress seated on chair beside table with vase. Good. On reverse of part of envelope addressed to 'H. Wyatt Esqre. Newman Street Oxford Street' and postmarked in red ink oval '2 . A NOON . 2 MY 4 1833'. Another postmark in black ink and wafer still adhering. ITEM TWO: pencil sketch roughly one inch by one and a half of trees around long wall with spire in distance. On visiting card of 'Mr. Henry Wyatt' the sketch over the word 'Wyatt'. Good though aged and with traces of blue paper mount adhering to reverse. Pencil calculation on other part of card and the words 'Mr. Burn's' in ink below sketch. ITEM THREE: charcoal roughly three and a half inches by four and a quarter of man's head and shoulders in black picked off in red and white a crude suggestive portrait of a pensive individual. Unobtrusive crease line in bottom left-hand corner. Surrounded by cardboard mount on which attribution to Wyatt in pencil. One of the pencil sketches on reverse of envelope addressed to Wyatt, and postmarked 1833. unknown
2008L3 box708 b6Brill's New Pauly: Encyclopedia of the Ancient World; Classical Tradition Volume 3. JAP - ODE. Edited by Manfred Landfester in cooperation with Hubert Cancik and Helmuth Schneider. English Edition: Managing Editor: Francis G. Gentry; Consulting Editors: Craig Kallendorf Daniel C. Mack; Assistant Editors: Michael Chase et al. 2008 by Koninklijke Brill NV. Hardcover 700 pages. Koninklijke Brill NV hardcover
17994Two from Highfield Lodge Wise Lane NW7 London and two from Broadstairs Kent. Dated items from between 1946 and 1954. The collection of seventeen items in fair condition with light signs of age and wear. Two of the letters are signed 'Frank Pettingell' the others signed 'Frank P.' and 'Frank'. Two of the letters are in their original envelopes. They total 5pp. 12mo. On 22 August 1947 he writes regarding his collection of playscripts mostly acquired from the son of the comedian Arthur Williams and now at the Templeman Library University of Kent: 'We are on holiday here in Broadstairs since "Fifty-Fifty" finished . When I get back next month I would like to sort the old M.S. 26 feet high of which we spoke so if you are still desirous of assembling the plays to match your assignment book from Arthur Williams I will be glad to help'. The letter of 13 August 1954 finds Pettingell doing a some book business himself: 'I am expecting to return soon to do a television show . I must very certainly pull my "Eras" - Sketches - and other items out for disposal - and have to make out a list of items to get out and submit eventually to Alec Clunes !! and another prospective purchaser.' He asks for the return of 'the 4 vols of "Era" I loaned you' as it is 'essential I should have these to include in the run I possess. I am charging 2 : 10 : 0 per volume for these and 5/- to 7/6 for the Sketch. This I fear will be too dear for you to contemplate purchasing - please forgive the remark - . I will be busy with the television play at rehearsals and studying until transmission so will not be able to sort things until I'm through with this.' An undated letter and the unsigned note both concern Duncan's gift of a necklace with the note asking Duncan to bring it 'to stage door'. The nine undated Christmas cards are variously signed 'Frank' 'Frank and Family' 'The Pettingells' and 'Frank Ethel and the Family'. The carbon copies of Duncan's three letters to Pettingell each 1p. 4to date from between 1945 and 1954. The first discusses Gladys Colthorp as well as 'the Arthur Williams scripts': 'I do hope that when you have time to look them and any of the other items over that you will decide you can spare some of them if not all for me to purchase. For that matter if for sentimental reasons you really want to keep some of the scripts which you very well might I could tempt you in the matter with the offer of the Assignments of the ones you would like to keep couldn't I' And replying to Pettingell's letter of 13 August 1954: 'Twenty-six feet high eh What a job you're going to have with the MSS. I'd love to be able to do something in the matter of them and the assignment book .'. Previously on 4 August 1954 he writes regarding a legal action against Clunes: 'I had so much trouble on top of me just at the time that I lost that case that Clunes brought against me - the man I got to take the shop over instead turned out to be a dreadful person too and I can't get rid of him! . C. at the moment is threatening to put the bailiffs in or make me bankrupt! for the £50 and costs of £39 my own were £27 or so. Did you hear that he was in Minorca or somewhere like that before the case and he flew here and back for it at a cost of over £70 to try to get £50! If I had emphhasized that "feeding the cats" was automatically included in "looking after them" the Judge would have decided in my favour! .' Two from Highfield Lodge, Wise Lane, NW7 [ London ], and two from Broadstairs, Kent. Dated items from between 1946 and 1954. unknown
11954All from 22 Batchwood View St Albans Hertfordshire. One from 1938 two from 1942 one from 1943 and the rest undated. Totalling 36pp. 4to. In fair condition bound by Escott with brown paper into paper wraps with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory" amended in February 1948 to "Back to the Fountain."' An interesting correspondence casting light on the workings of the mid-twentieth century publishing industry from the point of view of a successful traditional poet strongly opposed to modernism. Four of the earlier letters concern Escott's anthology 'Minstrels of Christ' published by the Epworth Press in 1941 with Palmer discussing the copyright of his poems mostly divided between Dent and Benn and offering 'two poems over which I have entire control'. He gives his opinion that a 'carefully compiled anthology sells anything from 2000 to 20000 copies and as I know of no Post-Victorian anthology of Religious Verse you might sell considerably more than 20000.' He adds: 'Poets like myself who have no other means of livelihood save literature are naturally chary about giving poems much as they desire to do and their publishers are generally rather tiresome.' He has gives a long list of poets he has marked down 'as "religious" in a greater or lesser degree' while compiling a 'history of Post Victorian Poetry for Dent'. On 21 March 1942 he accuses Escott of having 'so curiously let me down' over the use of his poems in the anthology which Palmer was handed by Mary Winter Were while 'reading from my little book "The Gallows-Cross" to the Poetry Society': 'I did not want them re-printed in anybook exactly as they stood . I had written some new poems which were rather more suitable'. He claims to have been 'slighted and snubbed and boycotted' because of his writing of 'religious and Christian verse . and not only because I have opposed Eliot in satire and parody - whom I do not believe in as a Christian poet and whom I regard as a dessicatory and disintegrating influence especially in the Technique of Poetry . I have no income beyond the £100 Civil List Pension I get for "distinction as a poet" whatever that may mean and my reviewing and meagre literary journalism brings me in very little as owing to my increased age I do things very slowly nowadays. As a leading poet said to me a few months ago "It is strange that so lean and bitter a trade as poetry should attract hypocrites but it does" - and that has been my chief cross as poet and critic for over 20 years. My wife of course has been the chief sufferer and at present seems to be doing most of the work - school teaching for which her age is now unfitting her.' A letter to which Escott replied on 7 April 1942 discusses religious matters in general beginning: 'What are you Are you a Methodist Minister or Church of England Parson My father was a Wesleyan Methodist Minister and my brother who lives at Leeds is a Wesleyan Methodist Minister.' On being asked to look over Escott's book of verse Palmer responds as follows: 'I have during the last 3 months been battered to death by poet's sic MSS books etc and I have not had time to do more than glance through your book. And I now have to review books for a livelihood. If you like to pay me a fee of two guineas I will go through your book in detail and report on it three guineas however it it takes me too long It is impossible conisdering my circumstances to do otherwise.' Three of the letters discuss Escott's book in detail over seventeen pages. He writes a preface for the volume and advises Escott on which magazines to send poems to 'Now I must charge you a Guinea fee but I think you ought to get it back - out of one of the periodicals I have mentioned.'. In the seventh letter in the folder Palmer tells Escott that he is 'a newcomer always with a first book of verse even when you have been publishing for years in periodicals'. In editing Escott's work Palmer summarises his own approach: 'I think that inspiration detached form art is the poet's greatest enemy. I know this personally to my cost You ought to get all the poems right with a little application. Poetry is largely a physical thing - it is only 50 per cent content. A little inspiration and a lot of art goes further than a lot of inspiration and a little art. Keats I know would tell you this and certainly Tennyson and the aesthetic singers of the Yellow nineties would agree with me. Very few poems are got right in the week in which they were written and scarcely any of the famous ones.' Elsewhere Palmer renews his attack on modernism: 'A great deal of modern poetry is no more poetry than a jelly-fish is a fish or the first green corn is a harvest. And this is not merely because the verse has been insufficiently revised but equally often because in the first moments of creation the poet if you can always call him that has experienced no sense of exaltation or spiritual or aesthetic excitement'. In the last letter dated 9 November 1943 he writes that he is 'carrying the War into the Enemy's Country. Not only am I publishing a selection of my verse in Faber's Seasame Series but I am trying to get them to publish my new volume of Verse part of which is a downright straight forward attack on Faber's own poets. But Geoffrey Faber the head of the firm is a very fine traditional poet and does not appear to really approve of much that he has published and I believe wants a re-statement of the other side of the matter. Most of these publishers have been forced into publishing modernist Verse. It had to be either that or threadbare conventional verse or nothing at all. All the same I feel like David in the land of the Philistines and Edward Thompson goes even further and writes to me "You are David in the land of the Philistines" - a strange reincarnation.' He does concede that he has 'discovered a very fine religious poet among the young men. Who could you imagine it is Well it is actually David Gascoyne the one-time upholder of Surrealism. Things are now changing in spite of Geoffrey Faber's gloomy prophecy.' All from 22 Batchwood View, St Albans, Hertfordshire. One from 1938, two from 1942, one from 1943, and the rest undated. paperback
20890Without words and music. 4pp. 4to. In red ink on bifolium of printed music paper. In fair condition on lightly aged and worn paper with a few minor smudges. The song is andante and the lyrics begin: 'Pierrot lovesick And out of tune Took his guitar and sang to the moon. Sang all night With mouth awry Whilst light clouds drifted across the sky.' Also included is a Post Office Telegram from 'Aunt Margery' to 'Lady Catherine Sackville Fishers gate Withyham' 29 July 1946: 'Terribly disappointed held up missed train by one minute best love'.From the Sackville papers. No trace of this piece has been found either on OCLC WorldCat or elsewhere and nothing has been discovered regarding the composer Ann Pearce. According to the article which broke the news of Lady Margaret Sackville's affair with Ramsay Macdonald Daily Telegraph 2 November 2006 she was 'a poet who mixed with writers such as W B Yeats and Wilfred Scawen Blunt was a friend of Lady Ottoline Morrell a leading member of the Bloomsbury Set'. Without words and music. unknown
26050The draft of the meeting with Mehmet Ali after his return from his travels in April 1837 and published in November of that year. One of the other items dated 18 April 1841 from 103 Westbourne Terrace London. Another from Midhurst 20 June 1856. See his entry in the Oxford DNB. ONE: Autograph draft of conclusion of description of his meeting with Mehmet Ali ‘Mehemet Ali’. The ODNB states that in July 1836 Cobden produced a pamphlet ‘which analysed the Russo-Turkish dispute . attempting to play down the Turcophilia that was rife in Britain in the 1830s. In October Cobden embarked on a long tour sailing via Lisbon Gibraltar and Malta to the eastern end of the Mediterranean as far as Constantinople meeting Mehmet Ali in Egypt before returning via Greece in April 1837.’ The present text is the conclusion of the draft manuscript of the account he gave of that meeting and had published in Tait’s Edinburgh Magazine in November 1838. 1p foolscap 8vo. The page is headed ‘20’ and carries ten lines of text one and a half lines of which are deleted. Lightly aged worn and creased. On reverse in pencil in a contemporary hand: ‘Cobden / M. S. S His work in Turkey’. The text reads with deleted passage in square brackets: ‘Often in recurring to my interview with this extraordinary man - the spring-like elasticity of whose mind evinces its power in proportion as it is pressed - and recollecting the eagerness of his enquiries upon practical subjects - as well as the vehemence of manner with which he sustained his opinions - evincing the spring-like elasticity of mind which manifests its power in proportion as it is pressed - I think with pleasure of the refreshing & animating scene not unmixed with regret that I shall probably never again have the opportunity of chatting with old Mehemet Ali’. TWO: Slip of paper cut from the beginning of a letter in the third person with reverse blank. In fair condition lightly aged. Reads: ‘Mr Cobden presents his compliments to Mr Cornwall Lewis & begs to forward for presentation to the Lords of the Treasury a memorial’. THREE: Printed form response with thick black border. 1p 32mo. In fair condition on discoloured paper. Reads with manuscript text in square brackets: ‘Mr & Mrs Cobden return thanks for the favor of Mr Smiths kind enquiries. / Midhurst 20 June 1856’. The word ‘return’ has been altered from ‘returns’. The draft of the meeting with Mehmet Ali after his return from his travels in April 1837, and published in November of that year unknown
15396All five on his letterhead 37 Langton Way London SE3 7TJ. 26 May 12 and 17 July and 10 and 20 August 1973. Each letter 1p. 8vo. In very good condition lightly aged and worn. The first two letters in autograph the other three typed. ONE 26 May 1973: He condoles with her on her husband's death. 'I always greatly admired his poetry & then his work as a critic. I've just been writing down hisname in the index of my second book of Oxford lectures where I refer briefly to both these activities of his. It is a sad loss particularly to those of us who admire creative & sensitive scholarship so rare & so much needed now. He & I never met - you remember how we were thwarted when I came to Liverpool three or four years ago. That will be a constant matter of regret to me.' TWO 12 July 1973: He 'would be honoured to write a foreword to the poems' and offers his help if 'the Liverpool. University. Press. baulk at doing the book': 'There is always the possibility of an Arts Council grant to a publisher'. He hopes she will be 'able to make another book or books even of a miscellaneous kind. The question of fulfilment or non-fulfilment of talent is not straightforward. Sometimes the talent is fulfilled unbeknown to itself particularly with those who refuse to exaggerate their gifts. J. R. Ackerley is a good example. Everything I saw of Kenneth's was individual & true. There is no rubbish - as there is with most of us! - to drop away out of an inflated picture.' THREE 17 July 1973: He urges her to produce an edition of her husband's complete poems and suggests individuals to approach Charles Monteith 'T. G. Rosenthal of Secker & Warburg' 'lordly Fabers' and Carcanet Press 'doing some excellent things'. FOUR 10 August 1973: 'Anthony Thwaite who advises Secker & Warburg on their poetry list is interested in Kenneth's collected poems. . No thanks are due to me! Thwaite asked for a poem for Enounter's 20th anniversary number and I sent him the only suitable one I had - one written recently which I've dedicated to Kenneth's memory.' FIVE 20 August 1973: He has heard from Thwaite who 'wants to see the complete MS but I think one can say firmly that he will recommend to Secker that they do a Collected Poems. . One can never be absolutely sure about the destiny of a book of poems but I am quite hopeful'. The letter concludes: 'Can't imagine why I mentioned Faber in previous letters. I should have said Hogarth.' Secker & Warburg did indeed publish Kenneth Allott's 'Collected Poems' with a 'Foreword' by Fisher in 1975. All five on his letterhead, 37 Langton Way, London SE3 7TJ. 26 May, 12 and 17 July, and 10 and 20 August 1973. unknown
5046London; 1871-1878. The collection is in good condition with each letter entirely legible. Two items particularly aged and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy at Cambridge of Robinson's piece published by W. Sprague of Westminster in 1874 copied by F. C. Wood 'words by permission of Messrs. Hopwood & Crew'. All items 12mo. ITEM ONE one page with slight loss at head: 'Willm Haslam' of 41 Middleton Road Dalston to 'Master Robinson' 21 March 1871. He will not require 'the services of yourself & Friend - on Thursday at Hounslow'. ITEM TWO one page: Theodore Distin 'Theo Distin' to Robinson 28 March 1872. 'I shall be happy to sing for you for whatever you can afford to give - & be pleased to help you in any way'. He will also 'look over' Robinson's 'Hymn': 'I have not yet had time'. Distin member of a family of musical entertainers is notable as the man who brought the first of Adolphe Sax's Sax Horns to Britain. ITEM THREE one page: 'Chas. F. Combe' of 17 Westbourne Terrace North Bayswater to Robinson. Offers to engage Robinson in employment and gives details in four parts. ITEM FOUR one page: Combe to Robinson. 'I find I shall be obliged to make an attendance at S. Olaves at the end of the present quarter There appears to be a feeling which we cannot quite overcome - . I write therefore to tell you that I shall be obliged to terminate your engagement at the expiration of your next month . I am sorry I have been unable to offer you a better position .'. ITEM FIVE one page: Letter of Robinson 'W. W. Robinson Jnr.' 64 Murray Street New North Road Hoxton to firm of music publishers asking whether you may 'use the words of one of your songs entitled "Gently down the Stream" for new music seeing no Writers name to sic the words. . I am anxious to get it Published'. Undated reply from individual with indecipherable signature one page on reverse stating 'If you have any desire to be implicated in a suit at law by all means make use of the words of the song published by Messrs Hopwood & Crew they have nothing to do with us'. ITEM SIX two pages: Letter to Robinson from 'F. C. WOOD Lithographical Music Copyist 32 VINCENT SQUARE WESTMINSTER S.W.' 27 October 1873 on Wood's letterhead giving an estimate 'for 2 pages of music & title'. 'My former estimate was for 12 stave pages & I see by putting the song on 1 page 15 staves will be required . Work done by this system is always cleaned off the stones as soon as finished so that the entire number of copies is likely to be required are always ordered at once. This makes it so much cheaper than engraving. Proofs also cannot be given but accuracy is insured by my having a correct copy & thoroughly examining the work before printing a single copy. If your copy is correct you need have no fear.' Discusses details of legal deposit and asks to be informed on some matters relating to the song. 'What will you do . You may depend on the work being thoroughly well done.' ITEM SEVEN two pages: Wood to Robinson 30 October 1873. 'I always enquire whether copies sent me are correct because proofs not being given it is not at all likely I can take responsibility of mistakes in copies sent me. When I have a good copy to work from parties need not fear for my work because I take good care to do it right. But as you seem rather fearful of the result I have taken the trouble to copy the whole out and send it herewith for your approval. NOT PRESENT Please see if it is correct & the music arranged as you desire to the two verses and if you return it at once I shall at once proceed. You will thus see that I have done all that can be expected to insure correctness & if I can turn out 70 pages of Band music with only the omission of one crescendo - and no mistakes surely 2 pages may be done properly.' ITEM EIGHT two pages: Wood to Robinson 10 November 1873. Sends receipt for his work of £1. 8. 6 and undertakes to forward a receipt from Stationers' Hall for five shillings. 'I am glad you are satisfied with the work as in fact I was sure you would be. But I am sorry to say theh work is cleaned off the stones. It is always so to make way for other work.' Offers to copy another hundred at £1. 4. 0. Signed receipt on verso of second leaf of bifolium. ITEM NINE one page: Margaret Bucknall 21 York Place Newport to Robinson. 'My sundays are all arranged for! Many thanks for so kindly offering to help me.' ITEM TEN four pages: F. T. Barnard 9 Cambridge Terrace Salcombe Road Sidmouth Devonshire to Robinson 19 August 1876. 'The Wedding takes place on Saturday next at Eleven o'Clock. Play some thing bright and pretty until the Bride arrives upon her arrival at Altar finish immediately. After ceremony whilst they are in Vestry similar music leading into Wedding March.' Gives further instructions and asks Robinson to discuss with the verger. 'Respecting terms of course it ought to be One Guinea ask about it and try hard for it but if any demur is made do not object as something was mentioned to me a short time since about obliging a friend for such a ceremony but I gave no decided answer; of course I being away alters the case . but take what is offered and I will arrange with you afterwards'. ITEM ELEVEN two pages: Distin of 96 Penrose Street Sutherland Square S.E. to Robinson 2 January 1877. He is pleased Robinson has 'succeeded in gaining the appointment' and hopes 'it may be only the beginning of a successful Career for you. & if my word has been the means of helping you towards it I am very pleased.' Thinks it 'rather strange' that he has 'not yet heard from Ryle who promised to send me my Fee "sharp."' ITEM TWELVE two pages: F. Jones 'per RG.' 27 Doynton Street Highgate New Town N.W. to Robinson 22 June 1878. Thanks him 'on behalf of my troupe' for sending 'Gently down the Stream' with band parts 'which we shall have the greatest pleasure in singing at our next entertainment; I with-held myself from writing before as I wished to put your letter &c before a special committee last evening they unanimously thanked you for your great kindness and agreed to have the song tried by the band this evening; they the band tried it & the Musical Director & the whole of the Troupe pronounced it a very pretty and suitable song'. Asks if Robinson would insert 'on the title page of a new edition "As sung by Mr. R. S. Austin of the original Lilian Minstrels". I have Grafton Hall Grafton Street Tottenham Ct. Road in view for our next concert'. ITEM THIRTEEN one page: Jones again 'per RG. to Robinson 9 July 1878. He 'cannot get Grafton Hall for a Saturday evening which night is most convenient for the vocal portion of my troupe the majority of which reside out of London.' Consequently he intends 'suspending all further concerts till September' but will let Robinson know if the Troupe perform before then. London; 1871-1878. unknown
2021SKU0211230West Academic Publishing 2021-05-24. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking West Academic Publishing hardcover
1832D4411England probably Beckenham 1832-1862. Hardcover. Good. Written in several varying hands with 6 fine pencil drawing vignettes one laid-in loose one of Napoleons grave signed Chas. Cadby one pen and ink landscape vignette. A fine painting of sparrow and rose; several laid in drawings of architectural views mainly pastoral English scenes one view labeled Beckenham one view for the stake of William Hunt of Brentwood Protestant Marytyr died 1555 and landscape. Few clippings from publications stationery postcard views including those for Rydal Lake Westmoreland Beckenham Arundel Castle Grange Bridge Bolton Abbey Exeter Coniston Old Man and some Welsh landscapes loose or laid-in. two full-page pasted in photographs unidentified portraits likely of Bird or Cadby family and seven other photographs loose or laid in. Original paneled calf; covers detached but present spine mostly perished some contents loose. Written contents include copied poems of: Sun of the Sleepless by Lord Byron; From the Recesses by Sir John Bowring 1792-1872; a hymn: If all our hopes and all our fears by Sir John Bowring; Sweet is the balmy evening hour by Miss Mitford; It is not that my lot is low by Henry Kirke White; Byrons lament to H.K. White Unhappy White! While was in its spring And thy young muse just waved her joyous wing The spoiler came; and all thy promise fair Has sought the grave to sleep for ever there copied by Alfred Bird and dated 1862. Other original work by the Bird family include To the First of my brother Anemonies When Aging some lines from a memorial for Charles Cadby signed by Bird dated 1846 3 pages in memoriam of Albert Prince Consort died 1861 in the hand of Emily Bird dated 1862. Pasted to paper and mounted on doilies are 2 preserved dissected ivy-leaves said to be taken from Brompton cemetery. Commonplace books were collections of proverbial wisdom. Such books were essentially scrapbooks filled with items of every kind: medical recipes quotes letters poems proverbs and prayers. Many of the Bird familys commonplace book themes encircle death and mourning. Alfred Bird perhaps later Bird family member composed Fair but False in 1867 on unrequited love and in that same year The River of Life love poem to nature and another The Lords of Lochleaven. A memorial page left unfinished is for Emily Bird. Alfred and Emily Bird daughter born 1827 to Charles Cadby married at Westminster in April 1847. The book was passed between the two after their marriage where some nice Victorian themes are realized in the collection. Fine Victorian anthology tied to a single family. <br/><br/> hardcover
1800D6751circa 1800. Hardcover. Very Good. Full red morocco arms of George III stamped in gilt on boards lettering "Standing Orders" and ornament stamped in gilt on spine a.e.g. inside gilt dentelles; 8vo 5x7 inches; approx. pp. 200 entries beautifully handwritten in ink with numbered subject headings in the margins and an index at rear. Scuffing along joints and edges of boards; joints tender. Recorded by one or two scribes addressing parliamentary procedures in the 17th and 18th centuries. <br/><br/> hardcover
1939146184Hollywood: Paramount Pictures 1939. Draft script for the 1939 film. With a few manuscript pencil annotations on the title page.<br /> <br /> An unpopular college student pushes for the establishment of a crew boat racing team in order to win back his ex-girlfriend by receiving a letter in a sport.<br /> <br /> White titled self wrappers noted as production No. 1218 dated March 25 1939. Title page integral with the front wrapper as issued. 119 leaves mimeograph duplication. Pages Near Fine wrapper Very Good plus with fading and edgewear on the front binding bound with three gold brads. Paramount Pictures unknown
18204532London: T Cadell & W. Davies 1820. Eighth edition Enlarged. Hardcover. Very Good. 8vos modern fine 3/4 brown morocco marbled boards scuffed; ex libris Frank Bridge Hitchcock. <br/><br/>To Which are Added Some Further Particulars of the Author's Life New Notes Illustrative of His Poems and Letters and Many Other Additions by his brother Gilbert Burns. Egerer 222 . With engraved portrait and facsimile. WITH RELIQUES OF ROBERT BURNS; Consisting Chiefly of Original Letters Poems and Critical Observations on Scottish Songs. Compiled by Robert H. Cromek. London1817. 4th edition. In matching binding. T Cadell & W. Davies hardcover
17572222049<p>First French edition. Octavo. Translated by Robert Towneley. With English text on opposite pages. Frontispiece portrait and 14 engraved b/w plates three of which are folding. Contemporary speckled leather edges stained red spine labels joints partially cracked. Good. 3 volumes each with errata. No signatures.</p><p>Each volume with heraldic bookplate.</p> hardcover
19873112733Tahiti/new York: Foundation. Fine with no dust jacket. 1987. First Edition; First Printing. Hardcover. First edition thus Facsimile edition of Gauguin's original Tahitian diary featuring his text with faithfully reproduced illustrations. Folio 16' X 11 1/2" unpaginated Fine copy in Dutch linen covers with pictorial color plate laid-onto front cover. Lacks the plain card slipcase. Printed in Paris. A lovely production. BC ; 8vo 8" - 9" tall . Foundation. hardcover
1944146004Hollywood: Republic Productions 1944. Shooting script for the 1944 film. Single manuscript pencil notation on the front wrapper.<br /> <br /> A physician researching life-after-death is possessed by the spirit of an executed murderer who uses the doctor's body to exact vengeance on those involved in his death. A Jekyll-and-Hyde-style supernatural horror B-movie unusual for Republic Productions who were better known for their Western pictures.<br /> <br /> Tan partial titled wrapper noted as SHOOTING SCRIPT on the front wrapper noted as production No. 1463 dated October 3 1944 with credits for screenwriter John K. Butler. Title page integral to the first page of text dated October 3 1944. 82 leaves with last page of text numbered 80. Mimeograph duplication rectos only with blue revision pages throughout dated 10/14/44. Pages Near Fine wrapper Very Good plus with splashes on the front wrapper bound with two gold brads. Republic Productions unknown
19482221952<p>First edition thus. Thin octavo. Foreword and 12 wood engravings by Averil Mackenzie-Grieve. Original gilt stamped brick red morocco over green and red marbled boards t.e.g. other edges stained light green. No dust jacket. Fine. 63 pages. No signatures or bookplates.</p><p>One of 100 numbered copies this copy is unnumbered and out of series designed by Christopher Sandford.</p> The Golden Cockerel Press hardcover
1875052767Westminster: Manuscript ALS. ca. 1875 1875. No Binding. Very Good. Original autograph letter signed ALS 'W. Gifford Palgrave' to "Dear Joseph" regretting he is unable to make the journey William Palgrave Gifford. Speaker's Court the Palace Westminster undated. 15x10 cm. In English. 2 pp. in good condition with a separate photographic portrait of Palgrave. William Gifford Palgrave was an English priest soldier traveller and Arabist author of A Personal Narrative of a Year's Journey through Central and Eastern Arabia 1862-1863. Palgrave was born in Westminster. He was the son of Sir Francis Palgrave and Elizabeth Turner daughter of the banker Dawson Turner. His brothers were Francis Turner Palgrave Inglis Palgrave and Reginald Palgrave. He was educated at Charterhouse School then occupying its original site near Smithfield and under the head-mastership of Dr Saunders afterwards Dean of Peterborough. Among other honours he won the school gold medal for classical verse and proceeded to Trinity College Oxford where he obtained a scholarship graduating First Class Lit. Hum. Second Class Math. 1846. He went straight from college to India and served for a time in the 8th The King's Regiment of Foot Bombay Native Infantry H.I.C. Shortly after this he became a Roman Catholic was ordained a priest and joined the order of the Jesuits Society of Jesus and served as a member of the order in India Rome and in Syria where he acquired a colloquial command of Arabic. He convinced his superiors to support a mission to the interior of Arabia which at that time was terra incognita to the rest of the world. He also gained the support of the French emperor Napoleon III representing to him that better knowledge of Arabia would benefit French imperialistic schemes in Africa and the Middle East. Palgrave then returned to Syria where he assumed the identity of a travelling Syrian physician. Stocking his bags with medicines and small trade goods and accompanied by one servant he set off for Najd in north-central Arabia. He travelled as a Christian. The service he would do for the Society of Jesus and the French empire would be as a spy not a missionary. Palgrave became friendly with Faisal bin Turki bin Abdullah Al Saud while in Riyadh Saudi Arabia. Faisal's son Abdul Rahman bin Faisal asked Palgrave to get him strychnine. Palgrave believed that Abdul wanted to poison his father. Palgrave was accused of espionage and was almost executed for his Christian beliefs. <br/> <br/> Manuscript ALS., [ca. 1875] unknown
2026x-1805967320Liverpool University Press 2026. Hardcover. New. 416 pages. 6.00x0.24x8.00 inches. Liverpool University Press hardcover
2016x-1138016780Routledge 2016. Hardcover. New. 225 pages. 9.25x6.25x0.75 inches. Routledge hardcover
36813LES FRANCS BIBLIPHILES 1966. LIMITED EDITION EXEMPLATIVE NUMBER 165. BOUND AS A SELECTION OF LOOSE GATHERINGS WITH PAPER AND BLUE BOARD COVERS IN A MATCHING SLIPCASE. ILLUSTRATED BY JACQUES HALLEZ. VERY GOOD. LES FRANCS BIBLIPHILES, 1966 unknown
1911RUBAIYAT002019Thomas B. Mosher Portland Maine. 1911. Tenth Mosher edition printed on Van Gelder paper. Narrow octavo. pp xxiv 118. 925 copies printed. Fine period binding of full dark brown crushed morocco with art nouveau gilt decorations to spine gilt rules and red morocco onlays to covers marbled endpapers top edge gilt. On the first blank is the blindstamp of Fitzgerald collector Peter J. Wills.Spine professionally repaired with backstrip sympathetically relaid. Thomas B. Mosher, Portland, Maine. unknown
2025__103284177XCRC Pr I Llc 2025. Hardcover. New. 14 edition. 750 pages. 10.00x7.00x1.57 inches. CRC Pr I Llc hardcover
1986933115<p>Varanasi India : Prachya Prakashan 1986. SIGNED/INSCRIBED with a finely drawn OM to fellow AMOOKOS member "Kalibhaganatha". Appears Unread light age light wear and consistent with Indian book publishing paper stock binding quality. Dust Jacket extremity wear splitting loss to english spine title although Sanskrit titling remains complete. First Edition In English/First Printing. Hard Cover/Full Cloth/Sewn. Near Fine/Good. 8vo size - over 8¾" tall.</p> Prachya Prakashan hardcover
2004L3 box708 b7<p>Brill's New Pauly: Encyclopedia of the Ancient World; Antiquity Volume 5. EQU - HAS. Edited by Hubert Cancik and Helmuth Schneider. English Edition: Managing Editor: Christine F. Salazar; Assistant Editors: Simon Buck et al. 2004 by Koninklijke Brill NV. Hardcover 600 pages.</p> Koninklijke Brill NV hardcover