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1825AQ33924Cambridge: Printed by J. Smith printer to the University 1825. Unpaginated. Contemporary black morocco ruled in gilt and blind and lettered in gilt to spine A.E.G. Rubbed with wear to extremities and light scoring to boards. Later book-label of Lowther Castle library to FEP. Leaves lightly browned light scattered spotting. A Regency edition of the Holy Bible printed by John Smith at the Cambridge University Press and bound for the use of the Lonsdale family of Lowther Castle Cumbria. Provenance: from the library at Lowther Castle. . 8vo. Printed by J. Smith, printer to the University hardcover
1856AQ29759London: Printed by G. E. Eyre and W. Spottiswoode.for the Religious Tract Society 1856. viii 4 223pp 1. Contemporary gilt-tooled brown morocco A.E.G. A trifle rubbed and sunned. Ticket of the Religious Tract Society of Birmingham to FEP scattered spotting. This edition of the English Bible is 'a correct reprint of the Authorized Version in general use; but it differs from other editions in two particulars namely:- First it is divided into paragraphs according to changes or divisions in the subjects treated of and the pauses in the narrative. Secondly the Metrical parts such as the Psalms and Prophetical Books are printed in Parallelisms; according to the natural order of the original' preface. . 8vo. Printed by G. E. Eyre and W. Spottiswoode...for the Religious Tract Society unknown
64098London: Printed by George E. Eyre and William Spottiswoode Printers to the Queen's Most Excellent Majesty for the British and Foregin Bible Society 1849. 4to. 26.5 x 20 cm. Contemporary full red morocco by Watkins their ticket to front pastedown sides richly gilt-decorated spine with raised bands and richly gilt-decorated compartments gilt inner dentelles yellow-coated endpapers all edges gilt. Text printed in two columns. With an inscription to flyleaf reading: 'Presented to Mr. & Mrs. R. Balfour Stevenson with the kind regards and good wishes of the Revd. James C. and Mrs. Herdman. Calcutta 7th March 1853'. Lower front joint with slight crack minor indent at top edges of binding generally a very goodhandsome copy. London: Printed by George E. Eyre and William Spottiswoode, Printers to the Queen's Most Excellent Majesty, for the British and hardcover
1780AQ19597Chester: Printed by J. Poole 1780. Unpaginated. 2 b-h2 A-3B4 3C2-Yyy2. With A companion to the altar and Tate and Brady's A new version of the Psalms both with separate title pages but continuous register. Without frontispiece and 10 engraved plates. Contemporary gilt-ruled calf all edges red. Rubbed corners bumped. Occasional light spotting. The sole Chester-printed edition of a devotional vade-mecum for Anglican clergymen issued by prolific Cheshire printer John Poole 1735-1793. Two other equally scarce editions were printed at Manchester and Liverpool likely around the same time. Intriguingly every eighth leaf is numbered sequentially up to 'No. 29' perhaps suggesting that the book was issued in parts as an affordable way acquiring a copy of the liturgy. ESTC records copies at six locations in the British Isles Birkenhead BL Canterbury Cathedral Manchester NLW and Oxford and none elsewhere. ESTC T81411. Quarto. Printed by J. Poole unknown
RGW20140Hand-coloured lithograph title also in French coats of arms in imprint from 'The English and French Fleets in the Baltic 1854' slight spotting two tears repaired When war against Russia seemed inevitable in February 1854 a squadron commanded by Sir Charles Napier was sent to the Baltic to try to blockade the Russian fleet when the ice melted. It was also hoped their presence would persuade Sweden to fight Russia. Oswald Brierly the artist who had also trained as a naval architect was on board HMS 'St Jean d'Acre' as Henry Keppel's guest. unknown
1747AQ26635London: Printed for M. Cooper 1747. 47pp 1. Modern buff paper boards contrasting red morocco lettering-piece to spine. Small paper flaw to imprint. The sole edition of an anonymous pamphlet attempting to persuade British parliamentarians to reconsider the alliance with Savoy and Austria during the War of Austrian Succession 1740-1748 following their devastating siege of Genoa 1746 that had decimated international commerce and threatened access to capital upon which Britain so heavily relied. ESTC T47263. First edition. 8vo. Printed for M. Cooper hardcover
42464LONDON THE BODLEY HEAD 1978. OCTAVO FINELY BOUND BY BAYNTUM IN ROYAL BLUE CALF TWIN MOROCCO TITLE LABELS GILT DECORATION TO THE SPINE RAISED BANDS TWIN RULES TO BOARDS INNER DENTELLES GILT MARBLED ENDPAPERS ALL EDGES GILT. WITH BLACK AND WHITE ILLUSTRATIONS BY REX WHISTLER. A FINE COPY EXCEPT FOR SLIGHT WEAKNESS TO THE FRONT HINGE. SCARCE. WITH A PLATE BY PETER HARRINGTON ADVERTISING THE BOOK PRICED AT �375 TIPPED ONTO THE FEP. LONDON, THE BODLEY HEAD, 1978 hardcover
36485LONDON MURRAY 1833. TWO VOLUMES ORIGINAL RED BLIND-STAMPED CLOTH GILT DECORATION TO FRONT BOARD AND SPINE. WITH A TOTAL OF 126 FINE ENGRAVINGS. A.E.G. WEAR TO THE TOP AND BOTTOM OF THE SPINES FRONT HINGES WEAK BUT INTERNALLY CLEAN WITH THE PLATES IN NICE CONDITION. NO DATE BUT CIRCA 1833. LONDON, MURRAY, 1833 hardcover
1886DICKSENG001108John Dicks London. 1886-1887. First edition thus. Quarto. 416 pages. Frontispiece garland of portraits of the authors. Fifty-seven illustrations by various artists including F. Gilbert H. �my D.H. Friston and T. Rowlandson. Wrappers. Triple-column text. An example from one of the series of popular reprints issued by the highly successful John Dicks. Despite their large sales among a wide readership these are now far from easy to find as they were not built to last. Pages unopened.Spine slightly splitting. Covers a bit chipped at the edges. 5cm closed tear to bottom of rear cover. Very good indeed. Preserved in a custom card slipcase. John Dicks, London. unknown
2496312 March 1950; ‘P.O. Box 143 Westville Natal South Africa.’ 19 August 1955; Caroline Cottage 1st Avenue Inanda Johannesburg. Good letters the second with biographical content about a prolific yet elusive author. The recipient Eileen Margaret Cond 1911-1984 was an enthusiastic collector of autographs with the ability to draw a more than perfunctory response from her targets. Both letters in good condition on lightly aged paper folded for postage. Each bearing large stylized signature ‘Francis Gerard’ and addressed to ‘Dear Miss Cond’. ONE 12 March 1950. 1p 4to. He reports that he is ‘busy on a new thriller which I have given the provisional title of HORNED HAVEN’ the title does not show up among Gerard’s published works. ‘The General Election in England was followed by us out here with an almost unbearable feeling of tension and for my part I realised that though I am now officially a citizen of this country that I will never make a good South African.’ He reports ‘a tremendous flap about the Seretse Khama business which seems to have been handled just about as stupidly as it could have been’. He is returning her bookplates ‘with Gérard his mark upon them though I still don’t know when you’ll be able to stick the second one into TRANSPARENT TRAITOR. I gather the whole printing and publishing trade is in a parlous condition in England thanks to machinery being worn out and not replaced owing to Cripps’ insistence on all such new tackle being for export only.’ He ends with a warning regarding ‘the temperature in Durban’ for her father. TWO: 2pp foolscap 8vo. A long letter. He has been ‘wandering around Central Africa with a bunch of geologists and mining engineers’ and finding her letter is ‘touched by the continuance of your long-range friendship’. There is ‘little chance’ of his producing another book for some time. ‘When I do it will be a very different kind of book from what I have written in the past.’ The next two paragraphs describe his employment with the Anglo American Corporation of South Africa. ‘My job is a peculiar one half industrial relations and man management half public relations. The AAC is the biggest mining group in the world. It is also an enormously powerful finance house. At the head of it sits Sir Ernest Oppenheimer who despite his fantastic wealth is a most charming and delightful old boy.’ He describes how in his first year with AAC he ‘travelled nearly 30000 miles about Southern and Central Africa by aircraft car jeep horse or on my own flat feet. I went underground in diamonds gold coal copper and base metals. I stayed in palatial guest-houses or at lonely Jesuit missions in the bush. I went through malaria tsetse-fly country where you shot for the pot and kept a wary eye open for crocodile leopard or buffalo and once was fortunate to have my pygmy friends drive a gorilla for me. You do not shoot these. They are Royal Game and if you kill one it costs you a £600 fine.’ He continues for a while before describing his family. A paragraph follows in which he claims not to have ‘sold myself to Mammon’. He praises the ‘Ernest Oppenheimer hospital for Africans at Welkom’ as ‘the finest thing of its kind in the Southern Hemisphere’. He winds up with a paragraph on his ‘financial benefits’ and another on his children’s school results the former beginning ‘Well there it is. This is why Francis Gerard has not appeared on the back of a book for some time.’ 12 March 1950; ‘P.O. Box 143, Westville, Natal [South Africa].’ 19 August 1955; Caroline Cottage, 1st Avenue, Inanda, Johann unknown
40038LONDON STRAHAN et al 1772. TWO PARTS IN ONE VOLUME. RECENT FINE FULL LEATHER BINDING WITH RAISED BANDS NEW ENDPAPERS GILT DESIGN TO THE SPINE. A MOST ATTRACTIVE VOLUME. EACH FABLE ILLUSTRATED USUALLY 2 TO A PAGE. PART ONE CONTAINS 50 FABLES WITH ILLUSTRATIONS FOR 8 MISSING. PAGES 41 TO 46 HAVE BEEN PROFESSIONALLY STRENGTHENED. PART 2 CONTAINS 14 FABLES ALL ILLUSTRATED. 240 PAGES. LONDON, STRAHAN et al, 1772 hardcover
34904NEWTON THE GREGYNOG PRESS 1938. REPRINTED FROM THE EDITION OF 1651 WITH AN INTRODUCTION BY HENRY THOMAS AND WOOD ENGRAVINGS BY REYNOLDS STONE. PUT INTO ENGLISH BY H VAUGHAN SILURIST. LIMITED TO 400 COPIES THIS BEING NUMBER 340. BOUND IN HALF LEATHER OVER GREEN BOARDS. A VERY GOOD COPY NEWTON, THE GREGYNOG PRESS, 1938 hardcover
9988London: Printed for T. Payne Mews Gate; J. Edwards Pall-Mall; W. Otridge and Son Strand; and R. Faulder New Bond Street. 1793. 4to xiv 479 Appendix: 56 Index: lxxx pp. Uncut in original quarter-binding of grey paper boards and green cloth spine with chipped red paper label gilt 'CATALOGUE OF BRITISH PORTRAITS'. Internally sound and tight on aged paper apart from detached half-title and flyleaf. In worn boards with closed tears to hinges. Ownership inscription of 'F. Walker' on flyleaf and armorial bookplate of Captain Neville Rodwell Wilkinson Ulster King of Arms and Principal Herald of All Ireland on front pastedown. Annotated throughout in a contemporary hand making brief additions to entries and giving notes of prices fetched at auction for example 'at Kings 1 - 11. 6 Gs. 2. 8. 0'. and 'W L with the Book of prints 3: 3: 0 - 2: 14: 0 Edward Brother to Edmd Kneeling'. Loosely inserted is a corrected typescript possibly by Wilkinson headed 'PREFACE: Authors to a book on 'the glories of great palaces'' and written in an entertaining style with reference 'the unscientific picture-lover whose quiet waters of contemplation will be stirred by the squalls of controversy'. London: Printed for T. Payne, Mews Gate; J. Edwards, Pall-Mall; W. Otridge and Son, Strand; and R. Faulder, New Bond Street. 179 hardcover
12097Moore's letter and the directions on separate Hoglands letterheads the letter dated 29 March 1973 and the directions undated. Copies of four Juda letters dated 13 May 1965 23 March and 3 April 1973 and 29 August 1974. ONE: Typed Letter Signed 'Henry' from Moore to Juda 'Dear Hans'. On letterhead of Hoglands Perry Green Much Hadham Herts. 29 March 1973. 1p. 12mo. He thanks Juda for telling him about 'the ART AUCTION in aid of "Save the Children Fund." I do know about it as some years ago I gave a sculpture and then a lithograph for this fund.' Moore has given so much work 'for these worthy causes . that the Inland Revenue people realising that they were losing a lot of tax through my work not being sold in the normal way made a ruling which I think applies only to me that I can only give work "to the Tate Gallery or any other public gallery or for a public monument of national importance." I was relieved when they made this ruling it solved many problems for me.' He concludes with best wishes to Juda and his wife the photograph Elspeth Juda. TWO: Autograph driving directions from Hoglands to Hoddesdon drawn in blue ink by Moore. On Hoglands letterhead. 1p. 12mo. Representing along the right-hand margin a snaking road route up from Hoglands in the bottom right-hand corner joining the A10 which is drawn vertically across the page below the letterhead to Hoddesdon in the top left-hand corner from which an arrow points leftwards off the page. THREE: Copy of typed letter from Juda to Moore. 13 May 1965. 1p. 8vo. Attached to Item Two. He thanks Moore for a 'wonderful afternoon'. 'Last night at Victor's Retrospective Exhibition - impressive and beautifully staged - we looked at our favourite Moores; the knife-edged two-piece which was bought by the Tate in 1963 appealed to Elspeth who remembers that you showed us part of this knife-edged piece last Tuesday; the other part you looked for was not there.' He concludes by askigng whether there is 'a possibility of your letting us have a similar piece as the one at the Tate' FOUR: Copy of typed letter from Juda to Moore. 23 March 1973. 1p. 8vo. The letter to which ONE replies. He realises that 'the flood of begging letters for worthy causes' Moore receives 'must increase daily' but is writing on behalf of his 'dear and old friend' Mrs Lola Hahn-Warburg who is in charge of the Save the Children Fund art auction. 'If you could see your way to part with a little sketch or drawing it would certainly be the highlight of the Auction.' FIVE: Copy of typed letter from Juda to Moore. 3 April 1973. 1p. 8vo. Moore's letter 'makes it very clear that you cannot possibly be as generous as you would like to be'. SIX: Copy of typed letter from Juda to Moore. 29 August 1974. 1p. 8vo. He is approaching the age of seventy 'I think you might still remember the event.'. 'I have given myself one gift: to thank you personally for the enlightenment you have given for all those years. The more my eyesight deteriorates the more vision there seems to be and "to see things" is a quality which you have given not only to me but to many thousands if not millions of people.' He describes three of his own sculptures which he is sending Moore under separate cover one of which 'is of course based on an objet trouve which I only slightly manipulated before it was cast at the Central School of Art and Design in which I still take a very active interest as you know. . To send you these three items is my only birthday present. What you should not do is to clutter up further your huge collection of similar if not more congenial items.' Moore's letter and the directions on separate Hoglands letterheads, the letter dated 29 March 1973 and the directions undated. C unknown
15482Place and date not stated. London circa 1932. Printed in black on one side of piece of 33 x 20 cm thick paper full page containg image 20 x 13cm. Dimensions of print 23 x 13.5 cm largest image in book 15 x 9.5cm . In good condition on lightly aged and creased paper with slight foxing. The image depicts: on the left and extending the height of the print an athletically-built black man naked but for wreaths of flowers across his brow and his groin penis and scrotum evident leaning forward to proffer a flower to a naked black girl the "Black Girl in Search" 17cm high viewed from the back whose left arm is raised while her right is behind her back holding a flower. According to Farleigh's entry in the Oxford DNB he 'achieved wide acclaim and recognition for his illustrations to The Adventures of the Black Girl in her Search for God written by George Bernard Shaw and published by Constable in 1932. Shaw commissioned Farleigh after requesting a trial drawing and was closely involved in the designs. Farleigh duly acknowledged Shaw's input in his partly autobiographical work Graven Image 1940 where he gave a detailed account of the progress of the book. Shaw's witty satirical text and Farleigh's quasi-erotic depictions of the African girl ‘a fine creature whose satin skin and shining muscles made the missionary folk seem like ashen ghosts’ Shaw The Black Girl 1932 8 guaranteed its success. The first edition of 25000 copies priced inexpensively at 2s. 6d. was sold immediately. This was the first mass-produced book of the period to contain wood-engravings and it was effective in popularizing the medium for commercial book illustration as well as for the private presses.' No information has been found concerning this woodcut in Farleigh's "Graven Image" or elsewhere but one reviewer found "sexual symbolism" which he didn't know if Farleigh was aware of ! "Graven Image" p.268. Recalling how a character in "Happy Days" set in the 'fifties could only find images of naked or near naked women in National Geographic African scenes could "Adventures" have provided pin-ups suited to its era! But the naked black man may have been a step too far. Any information welcome. White space of image on file slightly clipped. Place and date not stated. [London, circa 1932.] unknown
34730LONDON ENITHARMON PRESS 1995. FINE COPY IN CREAM HESSIAN BOARDS. LIMITED TO 150 COPIES THIS BEING NUMBER 95. SIGNED BY TED HUGHES. LONDON, ENITHARMON PRESS, 1995 hardcover
36489LONDON THE CHISWICK PRESS 1905. FIRST EDITION QUARTO FINELY BOUND IN HALF LEATHER RAISED BANDSpp xxviii 337. WITH 6 PLATES AND FACSIMILIES OF BYRON'S LETTERS. TIGHTLY BOUND AND VERY CLEAN. A HANDSOME VOLUME. VERY SCARCE. LONDON, THE CHISWICK PRESS, 1905 hardcover
44617LONDON MACMILLAN AND CO. 1893. FIRST EDITION. VERY FINELY BOUND IN CRUSHED BROWN MOROCCO RAISED BANDS ON THE SPINE MARBLED ENDPAPERS INNER DENTELLES GILT DECORATION TO THE BOARDS AND BANDS. INTRODUCTION BY ANNE THACKERAY RITCHIE.ONE HUNDRED ILLUSTRATIONS BY HUGH THOMSON. A VERY HANDSOME COPY. LONDON, MACMILLAN AND CO., 1893 hardcover
25837'Boulogne s/m June 18 1883'. See his entry in the Oxford DNB. 2pp 4to. On first leaf of bifolium. Forty-three lines of neat text. In fair condition lightly aged and worn with a few small closed tears. The author 'Sir' is unnamed but is presumably the 'Editor' referred to in the text. Signed 'Wm Ballantine'. By recipient at head of first page: 'Letter from Mr Sergeant sic Ballantine / United Club -'. Begins: 'I have to acknowledge the receipt of what purports to be a specimen of a new family paper called "The English Resident" & which it is supposed will supply a want existing especially amongs the English sojourners of all descriptions in different French places of resort. & notably at this one of the most favourable watering places of the British people - Those who favoured me with the number in question were aware that for many years of a busy life there has rarely been a year during which upon more than one occasion I have not sought health and recreation uponits shores. I have had abundant opportunities of appreciating its advantages & recognizing its wants and I welcome very heartily the probabl advent of a newspaper which appears to be conducted upon principles likely to render it a very popular addition.' The second half of the letter is in much the same highfallutin tone see reference to 'the freedom and elasticity of Boulogne air' with Ballantine feeling that is is 'impertinent on my part to offer hints to an Editor so evidently experienced as the Gentleman who has supplied news in the number that I have had the pleasure of reading'. See Image of second page. 'Boulogne s/m June 18 1883'. unknown
48851936-65; Wigmore Street and Hampstead London. The collection is in good condition with very occasional minor creasing staining and loss. Majority of items quarto. Milne was a leading Fellow of the Society a Chairman of Council in 1959-61 and Vice-President. The collection provides a valuable insight into the day-to-day workings of the Society from the first letter discussing the R.I.B.A. and whether the Society might set up 'a somewhat similar organisation with similar prestige could be built up for industrial artists' to the last letter commending G. C. H. Chubb on his inaugural address as Chairman of Council 'I hope you will be able to interest industrial Companies etc to associate themselves with the R.S.A.'. Most items are signed 'Oswald P. Milne'. An important aspect of the correspondence concerns repairs and redecorations to the Society's premises at 19 John Street Adelphi which Milne appears to have superintended and for which it seems from a letter of 3 January 1940 he was made a presentation by the Society. In these letters he liases with J. W. Falkner & Sons Ltd acting on the Society's instructions and discussing the builders' quotations and other practical aspects of the work. Milne also gives his opinion 1 April 1942 on the competing claims of Messrs Vanstone and Veale and Sanders for acting as Surveyors on the work. Also present is an initialed carbon of the letter 19 May 1942 to which this letter responds from the Acting Secretary discussing the 'thorny problem'. 'A good deal of unpleasantness is being caused . It would appear that Vanstones do not propose to give way in the matter and Veale and Sanders do not propose to admit the claim.' 1936-65; Wigmore Street and Hampstead, London. unknown
36435LONDON JOHN HOPKINS UNIVERSITY PRESS 1992. 1ST ENGLISH EDITION. A VERY GOOD COPY IN A VERY GOOD DUSTWRAP. VERY SCARCE. LONDON, JOHN HOPKINS UNIVERSITY PRESS, 1992 unknown
36484PARIS EDITIONS DU TRIANON 1926. THREE VOLUMES LIMITED TO 420 COPIES THIS BEING NUMBER 110. SMALL QUARTO CARD COVERS ILLUSTRATED BY PAUL BAUDIER AND EMILIEN DUFOUR. pp. 357 276 223. A VERY GOOD CLEAN SET. PARIS, EDITIONS DU TRIANON, 1926 unknown
8598Between 1914 and 1919. All from 41 Courtfield Road London SW7. The fifty-two items in various formats are in very good condition. Texts clear and complete. On lightly-aged paper. A cordial correspondence regarding the business of the Society Holdich's close association with which is not noted in his entry in the Oxford DNB. On 21 February 1917 Holdich writes to 'accept the honour of appointment to the office of Vice President of the Society of Arts'. On 7 November 1914 of his 'opening address to the Society' he writes: 'I am not particularly well satisfied with it - . I have not been able to keep clear of technical matter altogether but I have done my best to be intelligible.' A letter of 23 February 1917 proposes the awarding of an Albert Medal to 'Wilbur Wright the real original flying man'. On 13 July 1914 he writes: 'The enclosed will amuse you! I am charmed to think that I should be one of the "only artists known in India". What a benighted country it is!' And on 21 October 1914 regarding an address by Wood: 'I have suggested one or two verbal ammendments for your consideration because I do not think that we are justified in taking anything but the most confident view of our winning through this war. I believe that all associations similar to ours will "maintain their labours" and carry on as usual. I do not see why they should not - nothing has happened yet so far as our Society is concerned which we can fairly call "passing through tribulation" '. A letter of 23 June 1915 is accompanied by a pamphlet relating to the 'Professional Classes War Relief Council' and one of 18 February 1918 by a letter to Holdich from E. Merry Acting Secretary The Decimal Association Between 1914 and 1919. All from 41 Courtfield Road, London SW7. unknown
60901875 1883 1887; all three from Booton Rectory Norwich. All three letters 12mo and closely written. All three with rusted pinholes at head. A valuable correspondence in which one of Victorian England's leading critics describes his response to the work of one of the age's foremost historians. LETTER ONE 1 page 26 lines good: He thanks Kinglake for sending his 'new volume' of 'The Invasion of the Crimea'. 'I am reading it with great delight. The work to me is unique both in military & literary history. I never read a book before which gave a description of a battle in all its parts so as to convey a true picture of what a battle really is.' Continues in the same vein laying on the praise. 'Many of the passages are full of pathos & grandeur & when I read them aloud in our domestic circle thehy stirred the hearts of old & young alike.' Concludes 'If the work were far less distinguished for its intellectual beauties it would deserve immortality for its fearless honesty. An author who loves nothing better than truth is rare.' LETTER TWO 2 pages 33 lines good: Another paean of praise beginning 'I find your new preface delightful for its contents & the vigour & felicity of the language. Newspapers write more & more in superlatives & exaggerate everything for the sake of effect. I suppose we have all felt this in the accounts of the Egyptian Campaign .'. Discusses Lord Bury and 'one of the most comical instances on record of a man digging a pit for another & falling into it himself. I never saw Lord Bury but once & then only for an instant but I know his father & the family calibre. With sundry good qualities to be a little weak a little vain & a politician for what you can get runs I think in the blood.' Returns to Kinglake's 'volume' in the last paragraph with yet more praise. LETTER THREE two pages 27 lines with some wear at foot affecting a couple of words of still-decipherable text: He has read Kinglake's letter 'with a pride & pleasure greater than you yourself probably feel at the completion of your masterly work. The modes of treating history were hacknied & did not seem capable of much novelty. I know scarce anything inn fiction more original than yours & the originality has everywhere tended to one end . I look upon your history as absolutely unique . <If> it had been a war far less memorable in its consequences it would have been rendered memorable by its historian .'. 1875, 1883, 1887; all three from Booton Rectory, Norwich. unknown
1990DADAX0899424090Catholic Book Publishing 1990-01-01. leather_bound. New. 7.30x5.30x8.30. Buy with confidence. Excellent Customer Service & Return policy. Catholic Book Publishing hardcover
