8 080 résultats
1685AQ22730London: Printed by the Assigns of John Bill deceas'd: And by Henry Hills and Thomas Newcomb 1685. 271pp 1. ESTC R7189 Wing A105. Bound with: Rules and articles For the better Government of His Majesties Land-Forces In Pay during this present rebellion. London. Printed by Printed by the Assigns of John Bill deceas'd: And by Henry Hills and Thomas Newcomb. 1685 36pp. ESTC R28828 Wing R2239. 8vo. Contemporary gilt-tooled speckled calf later rebacked preserving contemporary backstrip. Rubbed head-cap perished. Early manuscript shelf-marks to FEP early inscription of Hugh Scott to title page of first mentioned work dampstaining primarily confined to margins of first work more extensive in second. A scarce late seventeenth-century martial manual on the English army line infantry formations. First printed in 1676 the work is primarily devoted to the correct battlefield positioning of pikes and muskets; detailed instruction is provided for the efficient command of personnel in order to maximise damage inflicted and minimise friendly losses. The information is presented in an efficient and remarkably accessible manner the directions for the 'exercise of the musquet' for example are arranged as a list of succinct stages easily comprehended: 'Handle you Charger / Open it with your Teeth / Charge with Powder.' Successive editions each a revision on the last accommodated advances in military technology such as the introduction of flintlock firing mechanisms and the wide-spread employment of the bayonet. This copy is paired with a reissue of the regulations for the conduct of the infantry occasioned by the onset of the Monmouth Rebellion during which the ranks of the English Army swelled in response to the threat of the deposition of James II. . Printed by the Assigns of John Bill deceas'd: And by Henry Hills, and Thomas Newcomb unknown
179230870London: Printed for Benjamin and John White; Printed for the Authork and sold by Messrs. White and Son et al. 1793; 1792. 2 volumes bound as one. A New Edition To Which Is Now Added a Supplement Containing Twelve Plates. First Edition of the Supplement Printed in 1792. Illustrated with 72 fine full-page copperplate engravings printed in sepia complete. Quarto very handsomely bound in contemporary three-quarter red morocco over marbled paper covered boards the spine with raised bands gilt ruled and decorated one compartment lettered in gilt gilt rules to the turnovers marbled endleaves probably supplied at a later date. iv; 119 5; ii; 24 pp. 72 plates on 72 leaves. A pleasing copy handsomely bound at the time of publication very little evidence of wear to the binding which remains tight and strong the text-block with some of the typical mellowing of the paper at the edges the plates all with strong images and well preserved. A fine example. FIRST PRINTING OF THE EXPANDED VERSION WITH THE 24 PAGE TEXTUAL SUPPLEMENT AND THE ADDITIONAL 12 PLATES. A very fine source work expertly illustrated by engravings made from the originals. A scholarly and visually pleasing tour through centuries of English history and rule. <br> Of the author/illustrator the great antiquary and bibliographer Thomas Dibdin said “I will boldly affirm that he who wishes to be informed of the curious and interesting details connected with ancient manners and customs costumes regal and ecclesiastical antiquities must devote his days and nights to the volumes of Strutt.†Printed for Benjamin and John White; Printed for the Authork and sold by Messrs. White, and Son et al. hardcover
16511006702 volumes 4to however one volume is slightly larger than the other modern calf and boards printed in black leter and Roman types 2 1369-1417 & 2 1677-1689 pp. Last leaf in both volumes moderately worn and some repairs to one of those leafs pages in both volumes creased in the middle library plate on both front pastedowns early owners inscrpition on back of last leaf in one volume normal aging and browning; otherwise very good. This is a scarce item that was probably removed from a larger work however the sjubect is the same. Basically these acts focus on the seizure of lands during the English Civil War following the execution of Charles I in 1649 and just before the installation of Oliver Cromwell as Lord Protector in 1653. The text is primarily lists of nobility who remained loyal to the crown and whose lands were forfeited to the commonwealth for "treasons against the parliament and the people of England." John Field, hardcover
1932176499London.: Royal Geographical Society. 1932. Twenty one loose maps with tissue guards printed on sheets 49.5 x 63.5 cm in the original folio title-wrappers the maps with some edge wear and toning but on the whole in very good condition the wrappers browned and stained torn with minor loss at the foot of the title wrapper small closed edge tears now re-enforced with archival material and sound. Lacking the introductory notes by Edward Heawood. The complete suite of maps: an impressive production. The first map is a general map of England and Ireland by an unknown author 1594; nineteen county maps; and a final sheet of miniature county maps printed as a deck of playing-cards. The county maps proper vary in date from Saxton's “Southamtonia” of 1575 to John Speed's version of Norden's map of Sussex dated 1610. A contemporary reviewer dubbed it " a rich cartographical feast" allowing easy access to rare and valuable maps and comparison of maps by different cartographers for the same county. <br>The county maps reproduced include five by Christopher Saxton three by John Norden Philip Symonson's map of Eastern Kent published in 1596 a series of seven maps dating from the early years of the seventeenth century two maps prepared for Camden and two published by John Speed. . Royal Geographical Society unknown
1645AQ22725London: Printed by M. B. for Robert Bostock 1645. 2 6pp. Modern navy morocco lettered in gilt to spine T.E.G. Marbled endpapers early alternate manuscript pagination to upper corners. With a loosely inserted letterpress receipt from bookseller Frank Hammond addressed to Lord Cottesloe acknowledging payment of £12 for the book in 1961. The sole edition of a decidedly uncommon news-book account of the actions of the Army of the Solemn League and Covenant - led by veteran Scottish Army officer Alexander Leslie 1st Earl of Leven c.1580-1661 - in the summer of 1645 reporting most particularly on their taking of a royalist garrison within the moated house at Cannon Froome Herefordshire. Following the defeat of a Royalist rebellion against the Covenanting-led Scottish Government in the Spring of 1645 the Scottish army of the Solemn League and Covenant - named after the 1643 treaty between the reforming parliaments in England and Scotland- led by the Earl of Leven marched south to assist their allies. As this news-book reports a 'party of 4500 Horse Foot and Dragoons' en route to Hereford became aware of a Royalist garrison led by 'Governor Colonell Barnold' in the small Herefordshire village of Castle Froome. After the Royalist commander refused to surrender the moated house which had been reinforced with Irish volunteers after the battle of Newark Leven the 'Lieut. Generall.gave order for storming the place'. The heat of the battle is described thus from a purely Roundhead perspective: 'The Grasses were about nine foot deep and as broad and in most places full of water; The Works above the Grasses were so high that all the Ladders we could get were too short; the Enemy behaved themselves valourously but it pleased the Lord to give our Souldiers to much courage that after a hot dispute they were beate from their works after which they fled to the house where they fought desparately till a great part of them were killed. We lost about 16. and 24. are wounded; of the Enemy were killed about 70. Colonell Barnold deadly wounded Captain Briskoe Capt. Houke & thirty others taken Prisoners.' ESTC records copies at just seven locations in the British Isles Advocates Library BL Hereford Cathedral Newcastle NLS Oxford Trinity College Dublin and just three further elsewhere California State Harvard Texas and Yale. Provenance: Recently dispersed from the Cottlesloe Military Library 'probably the most extensive private collection of early printed books focused on military matters'. ESTC R200176 Thomason E.294 Wing L557. First edition. Quarto. Printed by M. B. for Robert Bostock unknown
1900329667Philadelphia: The Penn Publishing Company 1900. First American edition thus by Penn Publishing Company. Lacking original wrappers printed text begins with title page uneven tanning and soiling on title page and final printed page pages are creased with short nicked tear at lower corner; a good copy only. First American edition thus by Penn Publishing Company. OCLC lists a single holding of this Penn Publishing first edition University of Pennsylvania; association copy playwright Austin Strong's copy. English dramatist Sydney Grundy 1848-1914 was born in Manchester; he became a lawyer 1869-1876 and a playwright. His first play A Little Change was produced at the Haymarket Theatre in 1872; he was a librettist of comic operas many of his plays were adaptions and a number of his plays were performed on Broadway. <br/><br/> The Penn Publishing Company unknown
193643017AB1936. London J. Whitaker and Sons Ltd. 1936. 21.7 cm x 14 cm. X 747 pages XXXI. Original Hardcover. In protective mylar. Very good condition with only minor signs of external wear. Blue cloth boards gilt lettering and decoration on front and spine. Containing an extended list of the Royal family the peerage with titled issue dowager ladies baronets knights and companions privy councillors and home and colonial bishops with a comprehensive introduction and an index to country seats. catalogue.nli.ie hardcover
1869101523AB1869. Third Edition. London Privately Printed 1869. Large Octavo. Frontispiece Saint Anthony tutelar Saint of the Company of Grocers XVI 601 pages with many illustrations steel-engravings and one facsimile. Hardcover / Original publishers quarter morocco with gilt lettering on spine and Emblemata on cover. Top edge gilt. Only some faint signs of dampstain to the outer margins of the illustrations. Otherwise in splendid condition with only minor signs of external wear. Presentation copy from Master Ernest Woodhame to R. Graham Carritt on the occasion of his admission to the Livery of the Company in June 1927. With a bookplate of Grocer's Hall to the front pastedown. The Worshipful Company of Grocers is one of the 110 Livery Companies of the City of London and ranks second in order of precedence. Established in 1345 the Grocers comprise one of London's Great Twelve City Livery Companies. The company was founded in the 14th century by members of the Guild of Pepperers which dates from 1180. The Company was responsible for maintaining standards for the purity of spices and for the setting of certain weights and measures. Its members included London's pharmacists who separated forming the Worshipful Society of Apothecaries in 1617. The guild was known as the Company of Grossers from 1373 until 1376 when it was renamed the Company of Grocers of London. In 1428 two years after building its first hall in Old Jewry the Company was granted a Royal Charter by King Henry VI of England. One of the Great Twelve City Livery Companies it ranks second in the Companies order of precedence after the Mercers' Company. It is said that the Grocers' Company used to be first in the order until Queen Elizabeth I as Honorary Master of the Mercers' Company found herself in procession after her coronation behind the Grocers' camel which was emitting unfortunate smells; as a result the Mercers were promoted. Today the Grocers' Company exists as a charitable constitutional and ceremonial institution which plays a significant role in the election of and supporting the Lord Mayor and the Sheriffs of the City of London. The Company's motto is "God Grant Grace". The Company also provides banqueting and conference facilities at Grocers' Hall situated in Prince's Street next to the Bank of England. The earliest known Grocers' Hall was in Poultry London then known as Conningshop-lane on account of the three conies or rabbits hanging over a poulterer's stall in the lane. It was built in 1428 on land once owned by Lord Fitzwalter and let out "for dinners funerals county feasts and weddings." The roof and woodwork of the hall were destroyed in the 1666 Great Fire and afterwards a new roof was erected on the old walls while Sir John Cutler 1st Baronet paid for a new parlour and dining room. The hall was again renovated in 1681 by the future Lord Mayor of London Sir John Moore. A new hall was built on the same site between 1798 and 1802 when part of the garden was sold to the Bank of England for the expansion of nearby Prince's Street. However frequent and extensive repairs were required due to defective foundations in the building which was replaced by a fourth hall completed in 1893 on Prince's Street. The hall survived the Blitz with only minor damage to its north wing but was almost completely destroyed by a fire in 1965 apparently caused by a lightbulb left on in the grand staircase beneath an oak lintel which smouldered and eventually caught fire. A fifth and final hall was constructed nearby in 1970 also on Prince's Street which remains the Grocers' home today. The present Master Grocer for 2018-19 is James Whitmore and the Company's Clerk is Brigadier Greville Bibby. The Company is responsible for the maintenance of Oundle School at Oundle Northamptonshire which uses the Grocers' crest of a camel as its school badge and of the Elms School in Colwall Herefordshire. Reed's School's Annual Foundation Appeal has been held at Grocers Hall for over fifty years. Additionally in 1876 the Company founded the Grocers' Company School in Hackney east of the City of London for the education of "sons of the middle classes". This was transferred into London County Council's control after that authority's formation in 1889 and changed its name to Hackney Downs School; it closed in 1995. The school depicted as its school badge a camel for the Lower School and a shield with cloves and the motto of the Grocers' Company for the Upper School; the Camel and Cloves are remembered to this day by old boys of the school through the Clove Club for former pupils. The Grocers' Company now maintains close links with and is the principal sponsor of Hackney's Mossbourne Academy renowned for its excellent educational standards. The Company is also affiliated to HMS Queen Elizabeth the first of the Royal Navy's new Queen Elizabeth-class aircraft carriers and with the Coldstream Guards the British Army's oldest regular regiment. Eglinton Village in County Londonderry Northern Ireland was established by the Grocers' Guild in 1619 under the name of Muff; the local Castle Credit Union adopted the use of the Company's crest as has Eglinton Primary School. The church of St Mary the Virgin at Northill in Bedfordshire shows the Grocers' coat of arms on a stained glass window by John Oliver. The company commissioned the window in 1664. Wikipedia hardcover
174036710London 1740. Unbound. Very Good. 1 leaf with a vignette to head. Song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver Bickham. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor dampstaining; small X drawn on upper left corner. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036713London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head and engraved tailpiece illustrating the song with music and text set for voice and figured bass. Signed in the plate by the engraver G. Bickham. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; inner edge frayed; minor dampstaining; slightly foxed. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036774London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling; slightly creased; minor paper repair. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036706London 1740. Unbound. Very Good. 4 leaves with large elaborate vignettes to heads illustrating the song with music and text below set for voice and figured bass. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark; ca. 392 x 247 mm. 15.45" x 9.75" sheet size.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; inner edges slightly frayed; small tears to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming group of engravings.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036781London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass. Signed in the plate by the engraver. G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; slight dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036779London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass. Signed in the plate by the engraver G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036699London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and parallel text in Italian and English below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver Bickham jun. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn creased and dampstained; minor browning to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
1787D15093London: printed for C. Taylor 1787. First Edition. Full Leather. Near Fine. Two volumes in contemporary calf elegantly rebacked in light tan calf with dark brown morocco labels raised bands spine compartments gilt. 8 x 7 inches 20.5 x 18 cm; various paginations with 45 and 50 superb engravings respectively including engraved titles the latter count including the ten engraved landscapes largely stipple-engraved plates executed by Taylor and Ogborne mostly after designs by Samuel Shelley and Robert Smirke. Originally issued in parts the work is rarely found complete with all plates. As the publishers state "Gentlemen may bind any numbers together to make a volume and in any order they please" as a consequence of which few copies have the full quota of plates. The authors represented include Shakespeare Milton Pope Gay Burns Goldsmith and others. <br/><br/> printed for C. Taylor hardcover
174036828London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below sert for voice and figured bass with a separate part for flute. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor dampstaining; creased. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
177828314London: Printed for G. Kearsly 1778 1778. First edition all published. ESTC P2575; NCBEL II 1305. Head of the spine chipped; edges and hinges a little rubbed; very good sound copy. Folio contemporary brown smooth calf red morocco spine label five raised bands gilt lettering. Engraved title-page and 123 engraved copper plates. A complete run of 42 issues of an illustrated magazine published by George Kearsly between 1774 and 1777 intended to display and celebrate the art of copperplate engraving. Each of the 123 examples is accompanied by a leaf of explanatory text. The subjects include portraits 25 English and 16 French - all men historical events mythology and fables 40 plates including several dedicated to scenes from Telemachus and views of important castles houses and other picturesque structures and places 42 plates including two of Strawberry Hill. At least 12 engravers were involved among them Thomas Cook Thomas Ryder William Sharp William Walker Charles Grignion the Younger John Hall William Watts Valentine Green and Joseph Collyer. The final leaf of text has directions to the binder for the arrangement of the plates which the binder of this volume adhered to perfectly. The Copper Plate Magazine was a perfect candidate for breakers and grangerizers and complete volumes are uncommon today. Contemporary bookplate on the front paste-down of John Chaloner Smith and later bookplate of Robert J. Hayhurst. London: Printed for G. Kearsly, 1778 unknown
174036721London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and bass with a separate part for flute. Signed in the plate by the engraver G. Bickham jun. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor paper repairs; some dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036777London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass. Published according to Act of Parliament October 5 1737. Signed in the plate by the engraver G. Bickham Jun. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; small stains. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036768London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver G. Bickham junr. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036830London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below for voice and figured bass with a separate part for flute. The words by John Mottley Esqr. Signed in the plate by the engraver Geo. Bickham. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; creased; some repairs. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036715London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver G. Bickham junr. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark<br /> <br /> Slightly worn; minor browning to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036776London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver G. Bickham jun. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; slightly foxed. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036824London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; creased. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown