(Bible in English)Biblio.com
42 311 résultats
1811320096Philadelphia: Mathew Carey No. 122 Market-Street 1811. 4 1080 72pp. Complete with 50 illustrations plate at p. 916 is detached and tattered at edges and plate at 932 is detached and with considerably trimmed. Early entries on the family register by the Mingle family. Sectional titles for the OT and NT 1811 Apocrypha and Brown's Brief Concordance as issued. 4to. Contemporary calf. Worn upper cover nearly detached. Foxing. Early inked stamp of P.A. Johnson Bookseller & Stationer Morristown N.J. on front pastedown and with ownership inscription on ffep: "Henry Mingle's Bible bought of Peter A. Johnson in Morristown October 28 1812. 4 1080 72pp. Complete with 50 illustrations plate at p. 916 is detached and tattered at edges and plate at 932 is detached and with considerably trimmed. Early entries on the family register by the Mingle family. Sectional titles for the OT and NT 1811 Apocrypha and Brown's Brief Concordance as issued. 4to. In 1804 Carey first published a new edition of the quarto Bible from standing type and including the Apocrypha. A consummate promoter and bookseller Carey re-issued the Bible on a variety of paper stocks and with various numbers of engraved maps and plates over the next decade. An 1809 advertisement listed 34 variations of his "Family Bible" priced between $3.50 and $12 however none of those listed include more than 30 engraved maps and plates suggesting this issue with 50 engraved maps and plates and including the Old Testament New Testament Psalms Apocrypha and Brown's Concordance to be among the most deluxe version yet issued by Carey. We find no record of Carey's quarto bible with 50 plates as here.<br /> <br /> With an early Morristown New Jersey bookseller stamp and provenance to the Mingle family of Warren County New Jersey. Hills 174; O'Callaghan 1810.1. See Clarkin 622 8 plates and 623 1 map 10 plates; this issue not recorded Mathew Carey, No. 122 Market-Street unknown
1791345231Worcester: Isaiah Thomas 1791. First Edition of Isaiah Thomas's Folio Bible. 50 engraved plates. Folio. Contemporary calf red morocco lettering piece. Expert repairs at top and bottom of spine. Housed in a morocco backed box. First Edition of Isaiah Thomas's Folio Bible. 50 engraved plates. Folio. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution"--Wright Early American Bibles pages 74-88. Evans 23186; Hills 29; ESTC W4497 Isaiah Thomas unknown
1814313413New York: Collins and Co 1814. Third Collins edition. Text in two columns separate title for New Testament. Folio. Contemporary diced morocco marbled endpapers. Some scuffing and wear to boards leaves browned. Third Collins edition. Text in two columns separate title for New Testament. Folio. This copy without the plates sometimes found in this edition. The family records between the Old and New Testaments detail the ancestors and decendents of William Hartman Woodin 1821-1886 of the Jackson & Woodin railroad manufacturing concern of Berwick Pennsylvania. His grandson of the same name was Frankling Roosevelt's secretary of the treasury in 1933. O'Callaghan p 117. Provenance: W.H. Woodin stamped in gilt on spine; genealogical records between OT & NT Collins and Co unknown
1769254985Cambridge: John Archdeacon Printer to the University 1769. 2 vols. 12mo. Bound in contemporary green morocco covers with outer dog-tooth roll border surrounding floral roll border spines in five compartments with raised bands a.e.g comb-marbled endleaves light rubbing to extremities binder's blanks removed from both volumes. 2 vols. 12mo. Archdeacon was University Printer from 1766 to 1793. Darlow & Moule 889; t95018. Provenance: Mary Carlton contemporary bookplate; Nancy Barr gift inscription "given her by her aunt Mary Carlton" John Archdeacon, Printer to the University unknown
181816976Pittsburg: Cramer and Spear 1818. Small 8vo. 792pp. Original publisher's sheep. Signatures sprung from use but attached; pages generally very soiled and with some contemporary markings; old repair to the spine else the binding is in good condition. Ownership name of Dan Smith dated 1828 and later 'Dan Smith His Book'. The New Testament has a separate title page. <br /> <p><br /> In this copy there is a short note pinned to its verso listing the births of members of the McNees family in the late nineteenth century. <br /> <p><br /> This is the first Bible printed west of the Allegheny River and the first Bible in English printed west of the Allegheny Mountains. <br /> <p><br /> Note: this is a well used copy but in good condition. Rare. <br /> <p><br /> Hills 349; Not in Darlow and Moule<br /> <p>. Cramer and Spear unknown
1790374001New York: Hugh Gaine 1790. 336pp. Text printed in two columns printer's device on the title. 12mo. Contemporary sheep minor wear. Tear to front endpaper else very good. 336pp. Text printed in two columns printer's device on the title. 12mo. The second NT printed in New York preceded only by the prior edition by Gaine dated 1789 known in but one extant example at NYPL and evidently from the same setting of type as this edition. The complete Bible was not published in New York until 1792. Evans 22359; Hills 27; ESTC W4679 Hugh Gaine unknown
184233603Cambridge: printed for the British anf Foreign Bible Society 1842. 1 vols. Small 8vo 2 1/4" x 3 3/4" x 5/8". Brown cloth blind-stamped panel binding gilt lettered spine a.e.g. Owners' inscriptions. Some minor rubbing to extremities else fine. 1 vols. Small 8vo 2 1/4" x 3 3/4" x 5/8". <br/><br/> printed for the British anf Foreign Bible Society hardcover
1794302622Boston: Printed at Boston by Alexander Young and Thomas Minns For J. Boyle B. Larkin J. White Thomas and Andrews D. West E. Larkin W.P. Blake and J. West. Sold by them at their respective book-Stores 1794. A-U6 W6 X-Z6 Z6 verso blank. Text printed in two columns. 1 vols. 12mo. Recent half calf. Small hole in top of title page margin not affecting text title leaf with tissue repair at gutter and fore edge margin 4 other leaves with small repairs to margins. Very good. A-U6 W6 X-Z6 Z6 verso blank. Text printed in two columns. 1 vols. 12mo. This rare edition of the New Testament printed in 1794 at Boston for a consortium of booksellers aimed to provide a distinctly American printed Bible as an alternative to the British printings being imported and thus included the Great Seal of the United States prominently displayed on the title page. Thus suggesting that even at the dawn of the American republic certain clauses of the Bill of Rights were subject to fluid interpretation. This is an early appearance of the Great Seal of the United States and is the only instance where it was used in conjunction with a patently religious work. Copies are recorded at AAS and Duke. Evans 26664; Hills English Bible in America 48; ESTC W4683 AAS Duke Printed at Boston, by Alexander Young and Thomas Minns, For J. Boyle, B. Larkin, J. White, Thomas and Andrews, D. West, E. Larki unknown
1803373879Boston: Printed by Manning & Loring for Thomas & Andrews and Manning & Loring 1803. 333 1; 287 1pp. Titles within ornamental border. 8vo. Contemporary calf covers with gilt roll tool border flat spine gilt in six compartments marbled endpapers gilt roll tool along the turn-ins minor wear and rubbing. Minor browning staining and offsetting. Bookbinder's ticket on front pastedown T. H. Burnton Exeter NH. 333 1; 287 1pp. Titles within ornamental border. 8vo. A lovely early American binding by T. H. Burnton in which the ornamental border of the title is likely used as inspiration for the tooling on the covers. According to Papantonio and Spawn & Kinsella the binder T.H. Burnton was active in New York from 1800-6 and later removed to Providence RI; neither note a sojourn in Exeter NH. Shaw 3814. On Burnton see Papantonio 40 and Spawn & Kinsella 316 Printed by Manning & Loring, for Thomas & Andrews, and Manning & Loring unknown
1789373872Boston: John W. Folsom 1789. 31711; 265 1 xii pp. 12mo. Contemporary calf minor wear. Provenance: Anna Duryee inscription on front endpaper dated 1791. 31711; 265 1 xii pp. 12mo. The Psalms unrecorded by Evans are an edition of Mycall's revision with all references to Great Britain and the King removed to make it more palatable to the nascent United States first printed in 1781. A scarce edition with only a handful of institutional holdings of either the Psalms or Hymns printed by Folsom here bound together. Evans 21687 Hymns; ESTC W4418 Psalms and W25174 Hymns John W. Folsom unknown
16017682Londini London: Impensis G.Bishop. 1601. Folio pp. xlii 378 381-914 10. 20th-century half sheep pebbled cloth boards spine divided by raised bands black morocco label. Title-page trimmed and mounted final leaf also mounted a few smaller repairs to early leaves small wormhole in blank margin some foxing and occasional light marginal dampstaining. Spine rather rubbed and darkened and sometime furbished worn at ends and joints just starting to crack at head. The second edition of Fulke’s tendentious and influential comparison of the Douay-Rheims and Bishops’ translations of the New Testament with his notes and commentary intended to refute the arguments on which the former version was based. Fulke’s work with the two texts in parallel columns the Catholic in roman type and the Church of England version in italic sold better in England than the Douai Bible ever had bringing its language to a wider readership and becoming indirectly responsible for its influence on the coming King James version. ESTC S107069. Impensis G.B[ishop]. hardcover
1789101717Philadelphia: William Young 1790 i.e. 1789. First edition thus. 12mo. 816 pp. with separate New Testament title-page. Collation: A-2L¹². Contemporary sheep; covers worn with some loss to leather exposing boards front joint split and holding by one cord rear joint with old sewed repair contents toned and dust-soiled a few gatherings worn at fore-edge touching text U1 "Song of Solomon" torn and damaged with loss to text and old paper repairs FIRST EDITION OF THE SECOND ENGLISH BIBLE PRINTED IN THE UNITED STATES and the first English Bible printed after the adoption of the Constitution. It follows Robert Aitken's Bible published in Philadelphia 1781-2. Printing of Young's 12mo Bible which Hills states was advertised for use in schools was already underway when Aitken's 1789 application to Congress for an exclusive right to publish Bibles in America was rejected. Evans notes that "this edition was published in 1789 although dated 1790" and quotes from the publisher's advertisement: "this edition has two strong recommendations to preference it is cheaper than any imported edition; and it is composed entirely of American manufacture." Young followed with a 24mo edition with metrical psalms in 1790.Rare: ESTC locates three copiestwo at AAS NYPL. Complete and in its original binding.PROVENANCE: contemporary birth records on verso of New Testament title-page for Vannosdoll family; Catherine Pellar early ownership inscription on title-page REFERENCE: ESTC W4491; Evans 22345; Herbert 1348; Hills 25 24mo issue; Rumball-Petre America's First Bibles Appendix no. 13 "Second Protestant Bible in English"; Sabin 5168; not in Darlow and Moule William Young hardcover
1763306680Birmingham: John Baskerville Printer to the University 1763. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. 1146 pp. 1 vols. Folio. Bound in full dark blue straight-grained morocco covers tooled in gilt with wide Greek key and drawer handle border with floral cornerpieces narrow gilt filet-bordered rectangles tooled all over with drawer handle and sunburst tools and semé off small dots with central gilt-stamped L with crown spine with six double raised bands titled in one compartment stamped with owner's name "Frederic Powys" in another and the rest richly gilt a.e.g. pink endsheets by Staggemeier and Welcher with their circular pink paper label on front pastedown. Front joint and headcap with conservation repairs of the highest quality light foxing to text. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. 1146 pp. 1 vols. Folio. The 1763 edition of Baskerville's Bible has always been recognised as his masterpiece and is one of the high-points in the history of printing in Britain. This beautiful and monumental binding can be closely dated because Thomas Powys formerly MP for Northamptonshire was created Baron Lilford in 1797 and Staggemeier & Welcher are recorded in partnership on Villiers Street as of 1799. By 1810 Welcher was in business alone at that address. The Hon and Rev. Frederic Powys whose name appears on the spine was the third son of the first Lord Lilford; he married in 1807. Whether the binding was commissioned for his taking holy orders or on the occasion of his marriage can only be conjectured. A landmark of printing in a splendid binding. Nixon p. 184; Gaskell Bibliography of John Baskerville 26; Ramsden p. 135. Provenance: Frederic Powys his name tooled in gilt to spine Lilford Library booklabel John Baskerville, Printer to the University unknown
1724255482London O.T.; Oxford N.T.: Printed by John Baskett . 1724. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Contemporary black gilt-panelled morocco Cambridge style. Covers worn and scuffed lower cover detached; text slightly darkened and well-thumbed but impressve and intact. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Bound between THE BOOK OF COMMON PRAYER Baskett 1724 with engraved portrait of King George and additional engraved title-page of the series of 200 engravings by J. Cole and THE WHOLE BOOK OF PSALMS Baskett 1724. the latter water-stained toward the rear. Holy Bible: ESTC T89252 Herbert 970; The Historical Part of the Holy Bible: ESTC T94971; Book of Ccommon Prayer: ESTC N32783 Griffiths p.150; The Whole Book of Psalms: ESTC T89253 Printed by John Baskett .. unknown
185039772London: Eyre and Spottiswoode 1850. 2 vols. Thick 12mo 4-1/2 x 2-3/4 inches. Bound in full crimson red contemporary morocco heavily gilt all edges gilt. Fine in original full pebbled crimson morocco box. 2 vols. Thick 12mo 4-1/2 x 2-3/4 inches. The Book of Common Prayer is inscribed "Frances Mary Henrietta Hawkesworth from her affectionate Godfather Rich. S. Hawkesworth 27th August" 18 The year has been effaced. A beautiful set. Eyre and Spottiswoode unknown
184233602Oxford: Oxford University Press 1842. 1 vols. Small 8vo 2 1/4" x 3 5/8" x 5/8". Full black pebbled morocco gilt lettered spine a.e.g. Signatures. Light rubbing to joints else fine. 1 vols. Small 8vo 2 1/4" x 3 5/8" x 5/8". <br/><br/> Oxford University Press unknown
186530602Dublin: James Duffy & Co 1865. Later edition. Hardcover. g to g. Large quarto. 2 764 222pp. Finely gold-stamped and gold-tooled contemporary black leather. All gilt edges. Striking fore edge painting of landscape with antique church complex. Silk-moire endpapers. Handwritten family registry in front. Frontispiece of Old Testament reproduction of a painting in monochrome by W. & A. K. Johnston. Frontispiece engraving in New Testament. "This New Edition of the English Version of the Bible printed with our permission by James Duffy.carefully collated by our direction with the Clementine Vulgate; likewise with the Douay Version of the Old Testament of 1609 and with the Rhemisch Version of the New Testament of 1582 and with other approved English Versions." Illustrated with 12 full-page monochrome plates in sepia-tone 2 full-page engravings as well as many b/w in-text illustrations. Some age wear and staining on binding. Wear along front joints and corners. Gutters at front and rear endpapers reinforced with fine red cloth band. Inscription on blank leaf following front endpaper: "Gift from Stephanie to Tom on the eve of their marriage October 3rd 1983." Sporadic foxing throughout. Overall good condition. James Duffy & Co hardcover
257693London. 35 albumen carte-de-visite photographs set in an album. 4to. Bound in green pebbled morocco covers with black- and silver-ruled borders set into an Indian carved and inlaid boxwood binding metal clasps and catches by Aspreys of London some loss to spine ends and a few spots of loss to inlay. 35 albumen carte-de-visite photographs set in an album. 4to. unknown
180513759London: C. Clarke 1805. Nouvelle Edition réimprimée après celle de Didot. With 12 full-page engraved plates. 255 3; vi 246 1 pp. 2 vols. 8vo. Full contemporary English straight-grain red morocco gilt classical border of Greek key and acanthus design on upper and lower covers panelled spine gilt with similar motifs a.e.g. hinges and extremities slightly rubbed occasional foxing but overall fine and attractive. From the library of Marshall Field with his engraved armorial bookplate on each pastedown. Nouvelle Edition réimprimée après celle de Didot. With 12 full-page engraved plates. 255 3; vi 246 1 pp. 2 vols. 8vo. C. Clarke unknown
1830257842Thame Oxfordshire 1830. 50 pp of manuscript hymns responses and chants with four-part vocals and organ accompaniment. Oblong 4to. Bound in full black morocco covers blind-stamped and tooled in gold to a panel design with wide rolls stamped with the initials "S.E.W." on the front cover and "W" with a crown on the rear cover. 50 pp of manuscript hymns responses and chants with four-part vocals and organ accompaniment. Oblong 4to. A musical notebook beautifully bound in the Regency style belonging to Sophia Elizabeth Wykehanm 1st Baroness Wenman of Thame Park 1790-1870. She was an early love interest of the future King WIlliam IV - when he later ascended the throne he revived the title of Baroness Wenman. Provenance: Sophia Elizabeth Wykehanm 1st Baroness Wenman of Thame Park her monogram in gilt on the binding unknown
1833238562London: Geo: Lawford Saville Passage. Printed by J. Johnson 1833. Third edition. Engraved frontispiece 183 wood-engraved vignettes and 100 wood-engraved initials after Northcote and William Harvey. 1 vols. Lg 8vo 10 1/8 x 6 1/2". Contemporary full brown morocco with elaborate giit-decorated covers incorporating gilt urns fans and clover leaves richly gilt spines with raised bands and black and red leather labels a.e.g. each volume stamp-signed on the front pastedown "Bound by J. Mackenzie Binder to the King. Third edition" Engraved frontispiece 183 wood-engraved vignettes and 100 wood-engraved initials after Northcote and William Harvey. 1 vols. Lg 8vo 10 1/8 x 6 1/2". Splendid set of Northcote in bindings by this London craftsman cf. Spawn & Kinsella TICKETED BOOKBINDERS FROM NINETEENTH-CENTURY BRITAIN #s 485 & 486 who was active from 1803 -1833. Ray 55 Geo: Lawford, Saville Passage. Printed by J. Johnson unknown
1791250188London: J. Debrett 1791. iv ii 281 1 pp. interleaved. 8vo. Contemporary red morocco richly gilt in emblematic Rococco style a.e.g. metal clasps lacking connecting pieces. iv ii 281 1 pp. interleaved. 8vo. Goldsmiths' 14607; ESTC T45338 J. Debrett unknown
1825ST20491London: R. Ackermann 1825. FIRST EDITION. 236 x 144 mm. 9 1/4 x 5 3/4". vii 1 84 pp. <br/> STRIKING DARK GREEN MOROCCO VERY ELABORATELY GILT BY CUNEO stamp-signed on lower front turn-in for Mildred B. Davey named stamped on upper front turn-in covers with geometric Art Deco frame smooth spine in compartments with triangle ornaments gilt lettering git-ruled turn-ins marbled endpapers. Housed in matching green morocco-backed clamshell box lined with fleece. Engraved map and 24 FINE DELICATELY HAND-COLORED PLATES inlaid on heavy stock as issued; original tissue guards. Verso of front free endpaper with engraved bookplate of Mildred Davey and red morocco ex-libris of Paul Edward Chevalier; front flyleaf with 19th century ink owner inscription of William Mitchell. A Large Paper Copy. Abbey Travel 210; Tooley 245; S. T. Prideaux "Aquatint Engraving: A Chapter in the History of Book Illustration" p. 229. See Peter Thorold "The British in France: Visitors and Residents since the Revolution" p. 64. A very small ink spot just intruding on very bottom edge of a handful of leaves a few vague spots of foxing to map isolated faint offsetting from illustrations but A VERY FINE COPY in all other ways--the text clean fresh and bright the plates immaculate the margins spacious the binding lustrous and sparkling.<br/> <br/> This is a lovely copy of a work with plates Prideaux considers "among the most beautiful to be found in aquatint engraving" and it comes in a handsome binding commissioned by Mildred Benson Davey and later owned by Paul Chevalier. Issued by a publisher known for his lavishly illustrated travelogues the volume takes us on a journey through the scenic French Pyrenees escorted by Englishman Joseph Hardy who adds his insights on the local population and government gives recommendations on the best mineral baths and describes in word and image the breathtaking scenery. The views are small measuring approximately 90 x 70 mm. but as Abbey notes "part of their charm is certainly in their small size." Sarah Prideaux praised their composition: "The ground is exceedingly fine and there is no line whatever. The colouring is most delicate and all the twenty-four illustrations are exquisite." We can only be impressed by the achievement of the colorist; the detail is cleanly executed the colors are luminescent and the images do not disappoint even under magnification. Thorold notes that this work was "a great success" and was later translated into French. Our copy was bound in a bold modern design at the Chicago workshop founded by in 1926 by John Cuneo 1884-1977. Cuneo hired fine British craftsmen like the Englishman Leonard Mounteney to create bibliophile-quality bindings for American collectors. After apprenticing at the bindery of G. & J. Abbott in Nottingham and studying ornamental design at the Battersea Polytechnic Mounteney worked as an exhibition finisher for Riviere before emigrating to Chicago where he initially worked with Alfred de Sauty at the R. R. Donnelley bindery before joining Cuneo's hand bindery. The present binding was a commission for Mildred Benson Davey 1890-1953 daughter of the founder of Benson & Rixon men’s clothiers. Cuneo also bound books for Chicago retail magnate Marshall Fields. Later our binding was appreciated by distinguished connoisseur Paul Chevalier whose library of beautiful volumes was uniformly characterized by outstanding workmanship and superb condition. The sale of his books in 1990 represented one of the best collections of 20th century bindings brought to auction in the past half century. Laid in is Christie's slip from Chevalier's 9 November sale where this appeared as lot 23 selling for $935. R. Ackermann unknown
1926ST20084Waltham St. Lawrence: Golden Cockerel Press 1926. No. 48 OF CLXXV COPIES. 258 x 195 mm. 10 1/4 x 7 3/4". 15 3 pp. <br/> Understated black crushed morocco by J. Franklin Mowery stamp-signed "JFM 94" on rear turn-in wraparound design of blind-stamped L-shaped panels of intersecting lines smooth spine with vertical gilt lettering leather hinges edges untrimmed. Original illustrated upper cover of dust jacket repaired at one corner bound in at rear. In a matching morocco-lipped slipcase. Title page with large woodcut of the risen Christ four large vignettes in the text four pictorial half borders and four full-page woodcuts all by David Jones printer's device in colophon. Front pastedown with bookplate of Jan van der Marck. Chanticleer 40. A pristine copy.<br/> <br/> This is a wonderfully--if understatedly--bound copy of one of the most strictly limited Golden Cockerel Press productions. The binding is the work of J. Franklin Mowery retired Head of Conservation at the Folger Shakespeare Library and past president of the Guild of Book Workers. Mowery studied bookbinding under Professor Kurt Londenberg at the Staatliche Hochschule für bildende Künste Academy of Art in Hamburg and trained as a paper conservator under Otto Wächter in Vienna before returning to the U.S. to work at the Huntington Library. According to his article "A Binder's Training" Guild of Book Workers' Journal XX 1981-82 the blind-stamping technique seen here was "particularly favored by Professor Londenberg" and often employed by Mowery for the range of design possibilities it offers. The method uses dies to stamp the patterns: "a photographic process can transfer any black and white image onto zinc plates that are deeply etched and mounted onto type-high metal blocks for heated impressions or onto wood for cold embossing." Mowery stated that lines of the design here represent the driving rain of the storm that struck Jonah's ship. Founded in 1920 with the intention to print fine editions of important well-known books as well as new literary works of merit from young authors the Golden Cockerel Press was purchased in 1924 by the illustrator and wood-engraver Robert Gibbings. "Under his direction" says Cave the Press was "transformed into the principal vehicle for the renaissance of wood-engraved book illustration that took place in the years between the wars." In addition to doing wood engravings himself Gibbings employed a stable of eminent artists including among others Eric Gill Blair Hughes-Stanton John Nash John Farleigh Eric Ravilious and David Jones. The memorable woodcuts are the work of Jones 1895-1974 who had a brief but impressive career as an illustrator before eye strain forced him to abandon engraving in 1930. In his published study of Jones' work Douglas Cleverdon says that in the short time Jones was engraving "he produced a remarkable amount of work of great variety; some witty some mystical; some boldly cut some delicately shaded; some simple to print some virtually impossible. Although he never attained . . . the greatest technical mastery in the conventional sense his prints are nearly always distinguished by their excellence of design personal commitment and absolute individuality." Our binding was commissioned by collector and self-described "radical" museum administrator Jan van der Marck 1929-2010 who championed artists that pushed boundaries--often to the consternation of the museum boards who employed him. Golden Cockerel Press unknown
1903ST19464Boston: Privately Printed by Nathan Haskell Dole 1903-05. No. 2 OF 26 COPIES OF THE HELLENIC EDITION printed on Royal Japanese vellum. 230 x 165 mm. 9 x 6 1/2". 10 volumes. <br/> SUPERB CONTEMPORARY INDIGO CRUSHED MOROCCO GILT AND INLAID covers with gilt rule border central panel framed by 20 inlaid lighter blue morocco tulips interspersed with tiny gilt stars raised bands spine with three panels inlaid with sprays of dark red and citron morocco tulips and lilies accented with small tools two panels with gilt titling SKY BLUE MOROCCO DOUBLURES featuring an indigo morocco frame inlaid with red morocco lilies at corners central panel inlaid with eight teal morocco tulips and a large red morocco lily on graceful gilt stems a sprinkling of gilt stars above them ivory watered silk free endleaves all edges gilt. LAVISHLY ILLUSTRATED by artists including A. G. Learned and E. F. Bems with decorative frame on limitations and title pages NINE FRONTISPIECES 97 HEADPIECE VIGNETTES 95 DECORATIVE TAILPIECES AND 269 THREE-QUARTER FRAMES ALL HAND COLORED and 675 black & white three-quarter frames. With engraved bookplate of George Clinton Ward on front flyleaf most now loose. Spines with just a hint of dulling a whisper of shelfwear to a couple of volumes isolated small marginal smudges from the printing process but A VERY FINE SET WITH VIRTUALLY NO SIGNS OF USE.<br/> <br/> This superb set features English translations of important Classical texts handsomely printed on Japanese vellum extravagantly illustrated and sumptuously bound. It contains "The Wisdom of Marcus Aurelius" "The Eclogues of Vergil" "Sayings of Epictetus" "Selections from Gesta Romanorum" "Odes of Anacreon Anacreontics and Other Selections from the Greek Anthology" "The Satires of Horace" "The Story of Odysseus in the Land of the Phacians Being the Sixth and a Part of the Seventh Book of the Odyssey" "Selections from Aristophanes and Lucian" "The Olympic and Pythian Odes of Pindar" and selections from the Koran translated by George Sale. The project was undertaken by writer translator and editor Nathan Haskell Dole a popular member of the Boston literary set. Educated at Philips Andover and Harvard he was much influenced by family friends like Henry Wadsworth Longfellow and Oliver Wendell Holmes Sr. He showed an early facility for languages teaching himself to read French German Greek and Latin. Our set was designed by Dole to be the crown jewel of a library combining beauty and luxury with Classical erudition. The bindings here are unsigned but are very similar to those on a copy of this work in the Phoebe Boyle sale bound by the Adams Bindery. Ralph Randolph Adams was along with Henry Stikeman and a handful or others one of the great American art bookbinders of his era. His workshop produced bindings of notable beauty and craftsmanship. The New York Times 11 October 1902 described an Adams binding as "so exquisite in design and execution that those long skeptical of the ability of Americans to bind artistically should now be convinced of their error. . . . It is to be hoped that all American binders will be encouraged to strive toward producing designs like Adams' that are in a measure original and which show more of the individual touch of the artist.". Privately Printed by Nathan Haskell Dole unknown
