42 311 résultats
1819ST15731bLondon: Printed for F. C. and J. Rivington and others 1819. 216 x 136 mm. 8 1/2 x 5 3/8". viii 9-223 1 pp.Translated from the Greek by William Smith. <br/> Attractive contemporary oxblood calf decorated in gilt and blind covers with a wide gilt palmette frame enclosing an intricately blind-stamped panel with additional gilt decoration raised bands spine heavily gilt in compartments black morocco label gilt turn-ins marbled endpapers and edges. Front free endpaper inscribed in ink: "Miss Filliter obtained this Book as a Prize by her uniform attention to the Study of Latin during the Half-year. / June 1828." Lower corners lightly bumped a little rubbing at extremities flyleaves faintly browned occasional trivial internal imperfections but still quite a fine copy the contents extremely clean and unusually bright and in a well-preserved binding with a great deal of aesthetic appeal.<br/> <br/> In a handsomely decorated binding this is an excellent translation of one of the most important treatises of literary criticism to come out of the ancient world. First published in 1737 our translation established the reputation of William Smith 1711-87 as a "talented classical scholar." DNB A later William Smith the lexicographer said of "On the Sublime" "there is scarcely any work in the range of ancient literature which independent of its excellence of style contains so many exquisite remarks upon oratory poetry and good taste in general." Although generally attributed to the third century Greek philosopher and critic Longinus the work probably preceded him. After unsuccessful attempts to determine if Dionysius of Halicarnassus Cassius Longinus Plutarch or another was the author scholars arrived at the solution of calling the creator "Pseudo-Longinus." Our pretty though unsigned binding combines gilt and blind decoration in a particularly pleasant way. Volumes of classics in ornamental bindings were popular school prizes in the 19th century but ours is distinguished by being presented to a young lady who excelled in Latin at a time when most women received little formal education and 40 percent of the women in England were illiterate. The condition here suggests Miss Filliter and her successors treasured and cared for the present volume. Printed for F. C. and J. Rivington (and others) unknown
1808ST15731cLondon: J. Johnson 1808. New Edition. 220 x 135 mm. 8 5/8 x 5 3/8". Two volumes. <br/> VERY PRETTY CONTEMPORARY SCARLET STRAIGHT-GRAIN MOROCCO covers with gilt-ruled frame decorated with multiple overlapping gilt door handle tools and floral cornerpieces central panel with gilt-ruled lozenge enclosed by gilt rules and blind floral rolls raised bands compartments gilt wide turn-ins ruled in gilt and with repeating flower motif in blind and small gilt circles in the centers green inlaid cornerpieces with gilt tooling blue watered silk endpapers all edges gilt. With eight plates after Henry Fuseli including frontispiece to each volume. Verso of front free endpaper with armorial bookplate of Lewis Way. ◆Spines a little sunned corners a bit worn and tending to turn inward light scuffing to extremities plates lightly foxed but the text extremely clean and the pleasing bindings with minor issues only.<br/> <br/> This is an attractively illustrated and handsomely bound edition of the finely crafted poetry of William Cowper 1731-1800 the most notable English poet before the Romantics in terms of a tendency to be confessional in one's verse. Given the fact that he was institutionalized and that he several times attempted suicide these self-revelatory poems can easily be seen as a kind of therapeutic experience and it is testimony to the complexity of his personality that so much of Cowper's verse is light conversational and epigrammatic. His poems range widely from religious reflections to translations of Homer to poetry inspired by a lady's suggestion that he could write on any topic including a sofa see vol. II p. 1. The plates here were designed by Henry Fuseli 1741-1825 a Swiss-born painter who lived mainly in England. He was best known for his paintings exploring the supernatural as well as his influence on the young William Blake. DNB calls him "A superb and intensely dramatic draughtsman . . . notorious for his sensational demonic irrational and bizarre subjects" leading "the surrealists to claim him as a forerunner." Though unsigned the bindings here are extremely attractive with tasteful gilding and luxurious touches such as wide decorative turn-ins and watered silk endleaves. This copy was previously owned by Lewis Way an Evangelical reverend who made it his mission to promote Christianity among the Jews. It was his particular belief that returning Jews to the Holy Land would fulfill a biblical prophecy and to this end he secured several audiences with Tsar Alexander I in the attempt to persuade him to the cause. His home at Stansted Park reportedly contained a library that included rare Judaica and Hebraica. J. Johnson unknown
1820ST15600London: Printed by George Eyre and Andrew Strahan 1820. 142 x 80 mm. 5 5/8 x 3 1/8". 510 pp.; 80 2 pp. <br/> VERY FINE CONTEMPORARY STRAIGHT-GRAIN PURPLE MOROCCO ELABORATELY GILT covers with frame of gilt rules and anthemion-and-flower roll central panel with arabesque corners central sunburst medallion containing the Tetragrammaton within a triangle from which the dove of the Holy Spirit descends raised bands spine panels gilt in a floral and arabesque design gilt titling turn-ins with zig-zag gilt roll orange endpapers all edges gilt. Front pastedown with large morocco bookplate of Louisa Smyth dated 25th Dec. 1821 and signed with the initials E. P. Front flyleaf inscribed: "Harriet E. Thorpe / From her affectionate / Brother-- / As a remembrance of / her dear Aunt L. Dickens. / Nov. 1841." Griffiths p. 246. ◆A breath of rubbing to corners but A BEAUTIFUL COPY with no signs of use--clean fresh and bright internally and in a sparkling ORNATE binding.<br/> <br/> Bound in somber purple but with religious imagery in bright gilt this pretty little prayer book is very typical of an era in which such luxurious volumes were popular gifts among the moneyed classes as was the case here. Miss Louisa Smyth must have treasured this Christmas gift from "E. P." as its condition clearly indicates it was seldom if ever used for daily devotions. It likely served as a perfect accessory for Louisa's Sunday finery and perhaps she carried it at her 1831 wedding to Lt. Col. Thomas Mark Dickens of the Royal Engineers. After Louisa's 1841 death the book passed to Harriet E. Thorpe wife of Louisa's nephew Rev. William Smyth Thorpe. Both families are well documented in the county of Norfolk where their eminent lineage goes back generations. Whoever inherited our prayer book from Harriet continued to care for it assiduously as it appears little changed from the days when Louisa first held it in her hands. Printed by George Eyre and Andrew Strahan unknown
1890ST16866bCambridge: Printed by C. J. Clay & Sons at the University Press ca. 1890. 203 x 133 mm. 8 x 5 3/8". 998 pp. <br/> MOST ATTRACTIVE HAZEL BROWN CRUSHED MOROCCO GILT BY STOAKLEY LATE HAWES stamp-signed on verso of front free endpaper covers framed by gilt rules and guilloche tooling central panel with delicately tooled cornerpieces featuring grapevines on a stippled background raised bands spine compartments densely gilt with grapevine motif turn-ins with richly gilt frame leather hinges all edges gilt gutter at front flyleaf expertly reinforced with tissue. With presentation inscription on front flyleaf: "Herbert Gardner Travers / from his Godmother / A. S. Burn / August 1891"; below this the ink-inscribed record of the recipient's marriage and the births of his children. Spine gently and uniformly sunned a shade lighter two hardly noticeable small abrasions to rear cover offsetting from turn-ins to free endpapers as almost always but still a fine copy in a remarkably handsome binding with few signs of use.<br/> <br/> The appealing binding on this treasured family Bible was created in Cambridge by Vere Stoakley who took over the workshop of J. Hawes on that craftsman's death in the late 1880s; he signed his work "Stoakley Late Hawes" to acknowledge this connection. The firm specialized in academic bindings to supply scholars from the university and continued in business until the 1920s. The present binding clearly is much more elaborate and beautiful than a simple scholar's binding and this is because it was a special gift presented to a beloved godson probably for his christening. Recipient Herbert Gardner Travers 1891-1958 grew up to be a decorated World War I flying ace who was awarded the Distinguished Service Cross for his five aerial victories. After the Great War he worked in the airplane industry as a test pilot and flying instructor then became a commercial pilot in 1935. He returned to the Royal Air Force at the outset of World War II and was an acting squadron leader. As recorded on the flyleaf of his Bible he married Hermia Edith Margaretta Fraser in August 1919 and over the next 12 years they welcomed children Daphne 1920 Eva 1921 Elizabeth 1924 Christina 1926 and Edward 1931. Printed by C. J. Clay & Sons at the University Press unknown
1800ST20221aLondon: T. Bensley for T. Macklin final volume Bensley for T. Cadell & W. Davies 1800 for the six volumes of the Bible 1816 for the Apocrypha. First Printing of this Edition. 480 x 385 mm. 19 x 15 1/8". One leaf in the Apocrypha 3P2 comprising two prologues of Ecclesiasticus invisibly inserted from another copy. Seven volumes comprising the regular Bible in six volumes and the Apocrypha usually not included as a seventh volume. <br/> ABSOLUTELY MAGNIFICENT CONTEMPORARY RED NEOCLASSICAL-STYLE STRAIGHT-GRAIN MOROCCO SUMPTUOUSLY GILT AND ONLAID WITH BLUE BY GEORG FRIEDRICH KRAUSS done for Prince Albert Casimir Duke of Saxe-Teschen with repeated "AST" monogram covers with very elaborate frames incorporating 11 plain and decorative gilt rules four onlaid borders of blue morocco and very elegant swirling foliate ornamentation around the central scalloped panel six pairs of raised bands each pair flanking a recessed gilt and blue metope and pentaglyph rule very handsome spine compartments with blue fan-shaped cornerpieces and central gilt-decorated blue medallions within sunburst gilt collars turn-ins with Greek key pattern in gilt striking endleaves of turquoise and green watered silk the Apochrypha endleaves slightly different. With more than 100 allegorical headpieces and tailpieces and some 70 SPLENDID LARGE-FOLIO-SIZE COPPER PLATES after Fuseli Reynolds West and others most plates printed before letters. Tissue guards perhaps later. Herbert 1442 and 1651. First volume with about 30 leaves noticeably foxed the majority of plates offset onto previous and following pages consistent inoffensive offsetting of text on facing pages other trivial imperfections but still a very impressive copy internally with the luxurious paper used for the text both fresh and clean and the engravings richly impressed and with very little foxing. Some unimportant scuffing and rubbing to the leather but all defects minor THE MAGNIFICENT BINDINGS REMARKABLY WELL PRESERVED the heavy volumes completely solid with only insignificant signs of use and THE MOROCCO AND LAVISHLY GILT DECORATION EXTREMELY BRIGHT. AN ALTOGETHER MEMORABLE COPY.<br/> <br/> The most prodigious form of Scripture in English ever published the Macklin Bible was often put into ornate bindings especially by London binders like Staggemeier and his contemporaries. But however much other sets may glisten the present magnificent example surely stands at or near the front of the line as one of the most lavishly decorated and arresting copies in existence. Its decorative extravagance also testifies to the fact that Macklin's publication was sufficiently admired outside of England to warrant the finest workmanship and the expenditure of great sums of money on artistic resources. The very large and bold type the fine Whatman paper and the series of engravings by some of the most celebrated artists of the period make this an item that is already very desirable. Like the Boydell "Shakespeare Gallery" also printed by Bensley our Macklin Bible is a vast picture book with illustrations that are grand both in size and emotional impact. But it is of course the bindings here that matter the most. Francesco Piranesi is generally given credit for inventing the Neoclassical style when he designed volumes presented to Gustavus III of Sweden during this monarch's visit to Rome in 1783-84. Quickly popular the Neoclassical style was imitated and developed by Staggemeier & Welcher in London by F. W. Standlander in Stockholm and by Georg Friedrich Krauss in Vienna. Krauss was the most prominent Continental binder working in this style of the day and Saxe-Teschen was perhaps his most important client. Products of the Krauss bindery have passed through some of the most distinguished collections over the years particularly those of Fürstenberg and Schäfer; and his bindings have consistently brought remarkable sums of money at auction. It is sufficient to say that the present group of bindings represents the most impressive collection of decorative volumes we have ever offered for sale. The collector for whom these bindings were originally executed Duke Albert of Saxe-Teschen 1738-1822 was the son of Friedrich August II of Saxony and the son-in-law of the empress Maria Theresa. After providing important military and civil service to the Habsburg empire he retired to Vienna in 1795 and afterward devoted himself to the fine arts. He founded the Albertina which now houses the greatest collection of prints in the world and he put together a great library distinguished by the highest taste and most exacting standards. The present copy has the additional distinction of containing what amounts to an extra volume: the Macklin Bible however it is bound most often appears in the marketplace without the Apocrypha appearing here as Volume VII which was not issued until 16 years after the others. It is also of some interest that the bindings of our seven volumes were decorated in an entirely uniform fashion as a close inspection shows something not typical of a set with volumes published so many years apart. The non-uniform endleaves in the final volume here may have resulted from the fact that given the physical size of the books the binder simply ran out of the cloth he had used for lining the first six volumes. The present set was offered though unsold at Sotheby's in 2003 with an estimate of £40-50000 approximately $64000-80000 and in 2005 for £30-40000 approximately $54000-72000. T. Bensley for T. Macklin [final volume Bensley for T. Cadell & W. Davies] unknown
1823ST19567-137London: George Eyre and Andrew Strahan 1823. 142 x 83 mm. 5 1/2 x 3 1/8". 22 510 pp. 1 leaf blank 81 1 pp. <br/> VERY ATTRACTIVE CONTEMPORARY RED STRAIGHT-GRAIN MOROCCO BY RUSSELL'S OF GUILDFORD their ticket on front pastedown covers with central sunburst medallion containing the Tetragrammaton within a triangle from which the dove of the Holy Spirit descends surrounded by a blind-tooled roll and multiple gilt rules foliate cornerpieces raised bands gilt-ruled compartments with floral cornerpieces gilt-rolled turn-ins all edges gilt. Housed in a very nice felt-lined cloth folding box with red morocco back gilt lettering. For the binding: Ramsden p. 144. A little soiling to leather and a couple of trivial imperfections internally but a very fine copy inside and out.<br/> <br/> This pretty little prayer book is a lovely example of provincial English bookbinding and very typical of an era in which such luxurious volumes were popular gifts among the moneyed classes. The Russell firm is recorded by Ramsden as operating in Guildford in southern England and the ticket in the present book notes that they were also booksellers stationers printers cutlers and silversmiths in addition to binders. This charming devotional work has been carefully looked after by its previous owners and comes down to us in excellent condition. George Eyre and Andrew Strahan unknown
197930923AAlabama, University of Alabama Press, 1979. Gr. 8°. 245 pages. Original-cloth with dust jacket / Original-Leinen mit Original-Umschlag. (Dust jacket slightly rubbed an with small tears on the edges / Schutzumschlag etwas berieben u. mit kleinen Randläsionen).
191733890London: June 7th 1917. 1917. Good. - Single-spaced typed letter written from the Hippodrome London and filling one side of the event letterhead10-1/4 inches high by 8 inches wide for "George Robey's Concert in aid of The Metropolitan and City Police Orphanage at the Palladium". Signed "Yours sincerely / George Robey". The edges of the letterhead are chipped & slightly darkened. There are some crosses in the left margin emphasizing one paragraph of the letter made by either Robey or the recipient. Good. <p>George Robey writes to novelist Hall Caine profusely thanking him for sending him the manuscript of an Address to be read at the charity event and for having it bound for auction. "I have asked Mr. Sutcliffe to be kind enough to let you have it first in order that you may put your signature on the title page.I will get Miss Vanbrugh who is to read the address to sign it on Sunday and also put my own name and any other people connected with the concert who may be of interest.I feel sure that in addition to helping the collection that night your generous gift will realise a large sum on its own account."<p>George Robey 1869-1954 English comedian singer and actor in musical comedy is regarded as one of the greatest music hall performers of the late nineteenth and early twentieth centuries. Hall Caine 1853-1931 was a Manx author best known as a novelist and playwright. In his day he was extremely popular and his novels outsold those of his contemporaries. His works were mainly romances but also addressed some of the more serious political and social issues of his time. London: June 7th 1917. unknown
Sao Paulo, Ministerio da Cultura de Brasil, 2008. 64 p. 4º mayor. Rústica editorial. Muy buen ejemplar. Catálogo de la exposición celebrada en ARCO en 2008. Edición bilingüe español-inglés
Sao Paulo, Sesc Sp, 2007. 139 p. 2 h. 8º mayor. Rústica editorial. Muy buen ejemplar. Edición bilingüe portugués-inglés
Busan (Corea), BusanBiennale Organizing Committee, s. a. 54 p. 1 h. Cuarto. Rústica editorial muy levemente rozada. Muy buen ejemplar. Libro en inglés. Book in english
Altkirch, Hilde Teerlinck, 2006. 2 tomos, el 1º: 82 p. 1 h., el 2º: 267 p. 1 h. 4º menor. Rústica editorial con sobrecubierta con leves faltas. Buen ejemplar. Catálogo de la exposición celebrada en el Museo de Arte Contemporánea de Vigo en 2006. Texto en francés, inglés, alemán, holandés y español
1981401051981 New York, The Cervantes Society of America, 1981 22,5 x 15 cm, 137 pp Very good condition
1978401101978 New York, Doubleday & Company, 1978 24 x 16 cm, xiv-583 pp Very good condition
1973401111973 New York, Charterhouse, 1973 23,5 x 16 cm, xv-397 pp Good condition
1961401041961 London, Oxford University Press, 1961 19,5 x 12,5 cm, 185 pp Good condition
1948AG-10068<p>Shanghai: Published by The English Monthly Publishing House printed by Kaiming Bookstore. This monthly was mainly for high school English teachers and English learners to improve their English abilities. Edited by professors at universities the first issue was published in 1945 this group comprises 10 issues: 1948: No. 31-38; 1949: No. 43 45. 12mo 71 pp; paper wrappers with a few small repairs slight tears but overall very good condition. This includes English texts selected from the writings of Pearl Buck Carl Sandberg A A Milne &c.<br /></p><p><b>è‹±è¯æœˆåˆŠ</b></p><p>ã€Šè‹±è¯æœˆåˆŠã€‹æ‚å¿—ç”±è‹±è¯æœˆåˆŠç¤¾å‡ºç‰ˆï¼Œå¼€æ˜Žä¹¦åº—å°è¡Œå°åˆ·ã€‚æ‚志创刊于1945å¹´ä¸Šæµ·ï¼Œç”±å¤§å¦æ•™æŽˆç¼–写,旨在æé«˜å›½å†…è‹±è¯æ•™å¸ˆå’Œé«˜ä¸ä»¥ä¸Šå¦ç”Ÿçš„英è¯èƒ½åŠ›ã€‚æœ¬ç»„å…±10期,13×17.5cm,有两本书皮ç¨å¾®ç ´æŸç¼ºå¤±ï¼Œå…¶ä»–å“相éžå¸¸å¥½ã€‚</p> The English Monthly Publishing House paperback
1937AG-10069<p>Translation by Examples with Exercises by Su Zhaolong. Shanghai: Published by Shanghai Ching Wen Book Company 1937 second edition. English has been realized to be an important language for the Chinese at that time this book was written mainly for high school students English language workers researchers and advanced English learners to study as a reference book they got the contribution from professors of China. It illustrated technics of translating from both English to Chinese and Chinese to English. v 165 3 pp. 12mo <i>minor loss to the left top corner of front cover and small loss from paper flaw at pp 123/4 spine and back cover partly defective right top corner of front cover creased.</i></p><p>本书于1937年由上海竞文出版社出版,è‹å…†é¾™ç¼–辑,第二版。本书为了æé«˜è‹±è¯å¦ä¹ è€…ã€æ•™å¸ˆç‰äººçš„è‹±è¯æ°´å¹³ï¼Œç”±ä¸å›½å„åœ°çš„å¤§å¦æ•™æŽˆæŠ•稿编辑而æˆã€‚本书共有164页,尺寸13.5×17cm,å°é¢å’Œè£…订处ã€å°åº•凿œ‰å°‘许缺失,其他å“相很好。</p> Shanghai Ching Wen Book Company paperback
191333208London: G. Bell 1913. First edition. With 16 colour plates by Mrs. Dudley Forsyth Miss Janet Leveson-Gower and the Arts Co. Derby and 63 Illustrations from Photographs. 201 pp. 1 vols. Large 4to. Original green cloth. Fine. Bookplate of James Boone. First edition. With 16 colour plates by Mrs. Dudley Forsyth Miss Janet Leveson-Gower and the Arts Co. Derby and 63 Illustrations from Photographs. 201 pp. 1 vols. Large 4to. <br/><br/> G. Bell hardcover
166954822London: Printed by His Majesties Printers 1669. Hardcover. Good. Two works the first in two parts small folio 30 by 18.5 cm. 273; 75 ff. Engraved collective title separate letterpress title for the Psalms half-title for The Form and Manner of Making. Bishops etc. calendar printed in red and black printed marginalia; full title for the metrical Psalms musical scores. Texts in black letter Gothic. Contemporary reversed calf suede expertly rebacked retaining original backstrip with new gilt morocco lettering piece. Marginal dampstain and erosion at 20 leaves with slight loss at fore-margin calendar leaf C4 recto; mild dampstain at top gutter in later leaves; library stamp at bottom margin leaves N2/N3 in the metrical Psalms. Good or better complete copies of both works.<br /> <br /> Early edition of what still remains the authoritative version of the Book of Common Prayer comprising the official liturgy of the Anglican Communion and other historically related Christian churches. The first prayer book published in the wake of the English Reformation appeared in 1549 during the reign of Edward VI. That work was revised in 1604 during the reign of James I and again in 1662 during the reign of Charles II. While revision and supplementation has continued into the present era the 1662 edition of which the present copy is essentially an early reprint remains authoritative as the official prayer book of the Church of England.<br /> <br /> Despite the discrepancy in dates which appear on the title pages of the present edition the Book of Common Prayer and the Psalms of David comprise a single publication as noted at the collective title and confirmed by the signatures. The metrical Psalms by Sternhold and Hopkins often bound with the Book of Common Prayer is a separate work. <br /> <br /> Provenance: Bookplate of the Royal Institution of South Wales noting the gift of Col. W.L.C. Morgan RE Bryn Briallu November 1898. Early owner's entry of "Alice: Jervoise" at top of contents leaf A2.<br /> <br /> Signatures: pi1 A-B6 C4 D6 E8 F-Z6 Aa-Xx6 Yy8 = 273 leaves / A-M6 N3 = 75 leaves. References: ESTC R36533; R172902.<br /> <br /> Full titles and imprints: 1 part 1 The Book of Common-Prayer And Administration Of the Sacraments And Other Rites & Ceremonies Of the Church According to the Use Of the Church of England Together with the Psalter or Pslams of David Pointed as they are to be Sung or Said in Churches: and the Form & Manner of Making Ordaining & Consecrating of Bishops Priests and Deacons. London: Printed by His Majesties Printers Cum Privilegio. MDCLXIX 1 part 2 - The Psalter or Psalms of David after the Translation of the Great Bible Pointed as they are to be Sung or Said in Chruches. London Printed by the Assigns of John Bill and Christopher Barker Printers to the Kings most Excellent Majesty. Anno Dom. 1676. 2 - The whole Book of Psalms. Collected into English Meeter By Thomas Sternhold John Hopkins and others: Conferred with the Hebrew with apt Notes to Sing them withall. London Printed by William Godbid and Andrew Clark for the Company of Stationers 1677. Printed by His Ma[jes]ties Printers hardcover
1822B02454 vol, in-12 (8,5 cm X 13,8 cm), XIV+296 pp + 308 pp + 380 pp + 454 pp, reliure demi cuir, dos à 4 nerfs, ornements et titre dorés sur les dos. Pièce de titre et de tomaison cuir, tranches marbrées.
1992350731992 23.5 x 16 cm, 221 pp, état quasi neuf, mis à part une petite bosse sur le bord du dernier plat (presque imperceptible)
1806325183Dublin: Printed by W. Tyrrell 1806. Second edition so stated on title page. 24pp. 8vo. Disbound; spine is notched on spine where once sewn and bound with other volumes title page and final page are foxed and unevenly tanned with narrow chip 3/8 inch by one and one-half inch along lower edge of spine in blank inner margin only light foxing to text else a very good copy. Second edition so stated on title page. 24pp. 8vo. Uncommon; OCLC locates eight holdings with only two American holdings Yale Harvard University College Cork National Library of Ireland National University of Ireland Maynooth Trinity College Dublin University College Dublin and Heidelberg Germany. Uncommon; OCLC locates eight holdings with only two American holdings Yale Harvard University College Cork National Library of Ireland National University of Ireland Maynooth Trinity College Dublin University College Dublin and Heidelberg Germany Printed by W. Tyrrell unknown
189622250New Orleans: L. N. Brunswig 1896. Hardcover. Couple spots on covers shallow chips to eges of title page else near fine. 2 volumes in 1. 16mo 3.75 x 2.5 inches 450; 189 pp. frontispiece engraving; bound in faux ivory with front cover design of inlaid silver monogram M A and inlaid floral design of copper and mother of pearl "ivory" clasps all edges gilt. <br/><br/>Lovely and scarce little devotional book. Only 1 other book with this title and New Orleans imprint appears on OCLC/Worldcat though pagination is different and later publication date. L. N. Brunswig hardcover
19912111902154611670Nikko Planning 1991. Soft Cover. Fine. The book is in fine condition. Nikko Planning paperback