NORTHAMPTON.MareMagnum
The History of Christian Spirituality
1 vol. 4to br., Pontificia Universita Gregoriana, Roma, 1982, 46 pp. Nice copy Anglais
Librairie Du Cardinal · GRADIGNAN, FR25,00 €
4 839 résultats
Second edition, small 8vo, vii, [1], 152pp., engraved frontispiece, rebound in later cloth, leather spine label, uncut.
First edition, small 8vo, iv, 151, [1]pp., engraved frontispiece, rebound in later cloth, spine labels, uncut.
First edition, 8vo, viii, 219, [1]pp., with list of subscribers, lithographed frontispiece, cont. half calf, marbled boards, calf spine label lettered in gilt.
4to, 15pp., printed in double columns, original printed wrappers (detached), spine worn.
First edition, 8vo, viii, [2], 223, [11]pp., engraved frontispiece and 3 further engraved plates, orig. boards, spine a little worn, uncut.
186p. + Frontis and full page photographs. 8vo. Original printed wraps. Front wrap torn with loss. PA69/MID STACK
First Edition, 4to, folding map-frontispiece and 11 engraved plates (some with a water-stain on lower blank margin), 12 illustrations in the text, library stamp on blank verso of title, 6pp. list of subscribers, errata leaf, xii, 398, [2], xlv, [1] pp., original boards slightly worn, uncut, printed paper label on spine, a good copy. Boyne, CLV11.
1 vol. 4to br., Pontificia Universita Gregoriana, Roma, 1982, 46 pp. Nice copy Anglais
1 vol. in-12 reliure demi-chagrin noire, dos à 4 nerfs, tranches marbrées, Colburn and Bentley, 1830, XX-348 pp. Bon état (rel. lég. frottée). Good (binding slightly rubbed) Anglais
First edition, small 4to (275 x 180 mm), viii, 410pp., large paper copy, engraved frontispiece, engraved and printed titles, folding pedigree, 3 plans, 2 engraved plates, front inner hinge shaken, orig. green embossed cloth, gilt, head of spine slightly frayed otherwise a nice copy.
Second edition, 2 vols., folio (407 x 250 mm), [2], viii, [6, list of subscribers], 3-712; [6], 713-1392, *1387-*1391, [2], 1394-1410pp., 121 engraved maps, plates and plans (including 12 folding), occasional offsetting and some light spotting, new marbled endpapers, nicely bound in modern buckram, black leather spine label lettered in gilt. Originally published in 1739 as The history of London, from its foundation by the Romans - this second edition being greatly expanded by 600 pages. Adams, London illustrated, 38; RIBA, Early Printed Books, III: 2007.
Edited with an introduction by S. Holt Monk . 16mo. pp. XXIV - 317. . Molto buono (Very Good). . . .
First edition, folio (380 x 270 mm), x, 210, [2], xxxvipp., title in red and black, 8 mounted albumen prints (145 x 200 mm) by John Cruttenden of Maidstone, images faded at edges, lithographic plan hand-coloured outline, double-page pedigree and double-page facsimile letter, fore-edge of frontispiece and title page neatly strengthened, neat repair to inner margin of leaf G3 marbled endpapers, attractively rebound in the style of a late eighteen-century panelled calf binding, gilt, with red and black morocco labels to spine. Leeds Castle was the country seat of Charles Wykeham Martin (1801-1870), an English Conservative Party politician who sat in the House of Commons in three periods between 1841 and 1870. Cruttenden had exhibited two of his images of Leeds Castle at the Photographic Society's 1861 Exhibition. Gernsheim, 458.
First edition, folio (380 x 270 mm), x, 210, [2], xxxvipp., 8 mounted albumen prints (145 x 200 mm) by John Cruttenden of Maidstone, title printed in red and black (working loose), publisher's red cloth, upper cover waterstained. Leeds Castle was the country seat of Charles Wykeham Martin (1801-1870), an English Conservative Party politician who sat in the House of Commons in three periods between 1841 and 1870. Cruttenden had exhibited two of his images of Leeds Castle at the Photographic Society's 1861 Exhibition. Gernsheim, 458.
First edition, 3 vols., folio, [4], v-xiv, [1], ii-cviii, [22], 7-714; [2], iii-xvi, 860; [2], iii-viii, 702, [1] ii-ccxxxpp., 97 engraved plates, 2 large folding maps, 13 facsimile leaves, 13 folding pedigrees, some light staining to frontis and title to vol. II with repairs, some occasional scattered foxing, several plate lightly offset, cont. full Russia leather, marbled boards, spines gilt tooled extra, slight stain to head of vol. I, a couple of short cracks to joints, lightly rubbed, a.e.g. a handsome set. Provenance: Signature of "William Hardman, Norbiton Hall, 1867" to title-page on vol. I; Bookplate of James S. Burgett to front paste-down. Upcott III, pp. 1209-1216.
First edition, 4to, viii, 88pp., engraved frontispiece and 15 engraved plates (a little foxed), a very good ex-library copy, later buckram, uncut.
First edition, 8vo (185 x 120 mm), 3 parts in one, [2], vi, [8, list of subscribers], 32, 29*-32*, 33-131, [1], iv, [5]-30, [2], 19, [1]pp., with half-title, folding engraved frontispiece (spotted and offset onto title), 2 engraved plates, one folding list of inscriptions in the church yard, cont. half calf, marbled boards, corners rubbed, head and foot of spine chipped. 'Some account of the medicinal water, near Tewkesbury' with separate title page, pagination and register, includes another part: 'Thoughts on the function and diseases of the lymphatic glands' by by James Johnstone, with a separate half title, register and pagination. Provenance: Maggs Bros. pencil not to front paste-down 'Ex Sir Thomas Phillipps Library', with Sir Thomas' Ms. press-mark in pencil to front free-endpaper.
Light sticker residue to bottom of spine. Else Fine. ; Phoenix Supplementary Volume XXIII; 336 pages; Herodotus was the first writer in the West to conceive the value of creating a record of the recent past. He found a way to co-ordinate the often conflicting data of history, ethnology, and culture. The Historical Method of Herodotus explores the intellectual habits and the literary principles of this pioneer writer of prose. Donald Lateiner argues, against the perception that Herodotus' work seems amorphous and ill organized, that the Histories contain their own definition of historical significance. He examines patterns of presentation and literary structure in narratives, speeches, and direct communications to the reader, in short, the conventions and rhetoric of history as Herodotus created it. This rhetoric includes the use of recurring themes, the relation of speech to reported actions, indications of doubt, stylistic idiosyncrasies, frequent reference to nonverbal behaviours, and strategies of opening and ending. Lateiner shows how Herodotus sometimes suppresses information on principle and sometimes compels the reader to choose among contending versions of events. His inventories of Herodotus' methods allow the reader to focus on typical practice, not misleading exception. In his analysis of the structuring concepts of the Histories, Lateiner scrutinizes Herodotean time and chronology. He considers the historian's admiration for ethnic freedom and autonomy, the rule of law, and the positive values of conflict. Despite these apparent biases, he argues, the text's intellectual and moral preferences present a generally cool and detached account from which an authorial personality rarely emerges. The Historical Method of Herodotus illuminates the idiosyncrasies and ambitious nature of a major text in classics and the Western tradition and touches on aspects of historiography, ancient history, rhetoric, and the history of ideas.
. 16mo. pp. 248. . Molto buono (Very Good). . Prima edizione (First Edition). .
45p. Hardcover Good condition
. 16mo. pp. 334. . Molto buono (Very Good). . . .
A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ] Unique copy with 12 original colored symbolical drawings sometimes (3 of them with comments in english) and 14 leaves with manuscript text (3 letters and poems) in flemish. Most of this extra-material is not signed except three letters (two dated 13-5-73 and 28-10-74) signed "Tante Han" or “Hanna”, clearly original work by "Anna Marjula", pseudonym used to protect the identity of the author (The letter "E". On an envelop is written : "These drawings illustrate the fifth conversation with the Great Mother pages 26-27". Many early jungian analysts worked with Anna Marjula (Toni Wolff, Emma Jung or Barbara Hannah), but her real name remained unknown, until now (but we knew it was a pianist). Indeed, our research allowed us to identify the recipient, Ms. Parvati Chavoix-Jodjana ("Vati") but especially the author, who hides behind the pseudonym of Anna Marjula : the famous dutch pianist and composer Hanna Beekhuis (1889-1980) ! A newspaper clipping is joined on a postcard, (that we join), titled : "Gouden medaille voor Hanna Beekhuis" and here's the translation : "Gold medal for Hanna Beekhuis: Arnhem, 3 Oct. - The Dutch composer of chamber music works and songs, Hanna Beekhuis from Ellecom, who currently resides in Zurich, has won a gold medal and an honorary diploma with "Reflet du Japon", a composition for viola and viola at an international competition held in Buenos Aires". It is known she won this medal in 1961. Hanna Beekhuis resided in Zurich, and was previously in relationship with Carl Jung (28 letters or copy of letters between Jung and Hanna Beekhuis, from 1942 until 1960, would be kept in the ETH-Bibliothek). Barbara Hannah explains in her preface that “Professor Jung had, however, once spoken to Anna of including it in a volume of case histories, and, as he died before he had collected the other cases, she was naturally disappointed”. We identify well the identical writing of "Aunt Hanna" with that present on the handwritten drawings, and with the only autograph word reproduced in the work - "Eve". Our incredible copy comes from Parvati Chavoix-Jodjana, daughter of a famous javanese dancer in France, Raden Mas Jodjana (1893-1972) and his wife Raden Ayou. Hanna Beekhuis accompanied the dancer in the 1920s. Another interesting relation with Jungian Psychanalysis is that the Jodjana were friends with Kurt Binswanger and his wife Erica since 1935. Here's some translated extract on a signed letter : “You said me that your Father has become your Guru. What is a guru ? [… ] Your father told me that he was a free thinker. I am that too but Christianity [ … ] is still in blood”. In another one : "The Jodjanas" have meant a lot to me in the course of my life, especially your father, [ … ] your mother too”. Anglais
34x26 cm. ix+1600 pages. Gilt hardcover. Cover slightly faded. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Hardcover in unclipped dust jacket.
7 S. Gr. 4°. Gestochen. Rücken fransig.
