259 résultats
1934193026NY LIMITED EDITIONS CLUB 1934 1934. ORIGINAL FULL TAN LEATHER T.E.G. UNCUT. PUBLISHER'S BOARD SLIPCASE. VERY GOOD-FINE; #94/1500 COPIES SIGNED BY REEVES ON THE COLOPHON PAGE; DIRECTOR FRANK CAPRA'S COPY WITH PENCIL SIGNATURE OF CAPRA'S WIFE LUCILLE ON THE FRONT FREE ENDPAPER LIMITED EDITIONS CLUB VERY GOOD-FINE. Signed by Authors. Hardcover. NY, LIMITED EDITIONS CLUB, 1934 hardcover
1934193026NY LIMITED EDITIONS CLUB 1934 1934. ORIGINAL FULL TAN LEATHER T.E.G. UNCUT. PUBLISHER'S BOARD SLIPCASE. VERY GOOD-FINE; #94/1500 COPIES SIGNED BY REEVES ON THE COLOPHON PAGE; DIRECTOR FRANK CAPRA'S COPY WITH PENCIL SIGNATURE OF CAPRA'S WIFE LUCILLE ON THE FRONT FREE ENDPAPER LIMITED EDITIONS CLUB VERY GOOD-FINE. Signed by Authors. Hardcover. NY, LIMITED EDITIONS CLUB, 1934 hardcover books
1977292470New York: Braziller 1977. hardcover. fine/fine. Chagall. Translated by George Moore. With 58 full-page single-sided color illustrations by Marc Chagall. 222 pages. Small folio natural cloth d.w. slipcase. New York: George Braziller 1977. Fine in fine dust wrapper.<br/><br/> Reprint of the illustrations published by Verve in 1961 here integrated with the text in George Moore's translation.<br/><br/> Braziller unknown books
194738218Bussum: Uitgeverij F.G. Kroonder 1947. 8vo 26.5 cm 10.25". 109 1 pp. 1 f.; illus. <br><br>This Dutch-language translation of Daphnis and Chloe is from the French of Jacques Amyot 151393 Bishop of Auxerre by Johannes Brouwer and has => four drawings by C.A.B. Bantzinger. It was printed in an edition of 1000 numbered copies on "Old Dutch" paper by G. Schut in Heelsum with typography by Johan H. van Eikeren. The title-page is in black and red.<br>Â Â Â Â The translator chose to use Dutch language analogous to Amyot's 16th French eschewing a modern rendering.<br>Â Â Â Â Searches of NUC WorldCat and COPAC locate => no copies in U.S. libraries and only the British Library copy in the U.K. Publisher's original light boards with illustration on front cover and title and author on spine all in red; faintly sunned with edges lightly worn. In glassine wrapper. Deckle edges; bolts opened at top seam. => A very good copy. Uitgeverij F.G. Kroonder hardcover books
194683391946 Monte-Carlo, Editions du Livre, 1946. In-4 (22,5 x 28 cm), , en feuillets sous couverture rempliée 198-[9] pp., frontispice, et illustrations in et ht de Suzane Ballivet, en feuilles, couverture imprimée et rempliée, chemise cartonnée et étui illustrés d'angelots, de coeurs sur fond rose, dos en demi-toile bleue (étui et emboîtage de l'éditeur). Texte établi par André Sauret d'après la traduction de P.-L. Courier. Très bel exemplaire illustré de 17 planches hors-texte (dont le frontispice) et de 27 gravures in-texte, en noir, fines et agréables illustrations de Suzanne Ballivet tirées dans les ateliers de Mourlot Frères à Paris. Tirage à 985 ex. Un des 890 ex numérotés sur grand Vélin Rénage. N° 298. Bel exemplairec
194632192Monte-Carlo, Editions du Livre, 1946. In-4 en feuilles sous couverture imprimée et double emboîtage (28,8 x 23,5 cm), 205 pages. Texte établi par André Sauret d'après la traduction de Paul-Louis Courier. Tirage limité à 985 exemplaires numérotés, celui-ci sur grand vélin Renage (n° 691), illustré de 16 compositions lithographiques originales hors-texte et 31 vignettes dans le texte, par Suzanne Balivet. Superbe étui. Exemplaire très frais, en bel état..
191434621914 1 Paris, Georges Crès et Cie, "Les Maitres du livre", 1914, gd in-12 carré relié demi-basane maroquinée à coins marron, dos à nerfs frotté et légèrement passé, couvertures et dos conservés, tête dorée, exemplaire sur papier japon impérial, n° 44.
1994Q-3791313738Prestel Pub 1994-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Prestel Pub paperback
1934015946New York: Limited Editions Club 1934. Hardcover. Some rubbing to the spine tips and book edges as often the case with this fragile binding. Very Good in a stained Good slipcase. Ruth Reeves. Quarto 8" x 11-1/4" bound in full natural lambskin goldstamped with a gold embossed medallion on the front cover. Translated and introduced by George Moore. Designed and printed on a hand-press by Porter Garnett in Pittsburgh. Copy #834 of 1500 illustrated with etchings by Ruth Reeves and SIGNED by the artist on the colophon page. <br/><br/> Limited Editions Club hardcover
1977biblio 7530594736<p>Dafhnis and Chloe by Longus. Braziller 1977. Translate by George Moore. Illustrated by Chagall with 42 plates in color of which several in double page reproducing Chagall's original limited edition of 1961. A fine copy in pictorical dust jacket in fine condition complete of slipcase.</p> George Braziller hardcover
1977biblio 7530594736<p>Dafhnis and Chloe by Longus. Braziller 1977. Translate by George Moore. Illustrated by Chagall with 42 plates in color of which several in double page reproducing Chagall's original limited edition of 1961. A fine copy in pictorical dust jacket in fine condition complete of slipcase.</p> George Braziller hardcover books
194827761Central School of Arts and Crafts 1948. First Edition. Softcover. Good Condition/not applicable. Illustrator: Anne Rees-Mogg. Inscribed by Illustrator. 'Anne Rees-Mogg was born in 1924 and died in 1984. She studied at Bristol Art School and Central School of Arts and Crafts before becoming an inspiring and dedicated teacher herself at the Regent Street Polytechnic from 1951 and Chelsea School of Art from 1964 to 1984. She was a committed advocate of artists filmmaking and was Chair and Director of the London Film-makers Co-operative between 1981 1984'. She is recorded as having illustrated two books one in 1941 and this one in 1948. Both appear to be student pieces and are likely to have been produced in very small quantities. Printed dedication 'to Elizabeth & Peter on the occasion of their Wedding 17th April 1948' which has an ink handwritten inscription alongside it 'With love from Andy'. Purchased from the family of Elizabeth and Peter longtime neighbours of the R-Ms who informed me that Andy was a nickname for Anne. A good copy in the original buff paper wrappers with an onlaid etched plate to the front wrap. Some minor wear to wrappers contents clean and sound. 24 pages 8 illustrations by A.R-M. Approx. size 10.5" by 8". Illustrator: Anne Rees-Mogg. Quantity Available: 1. Category: Literature & Literary; Inscribed by Illustrator. Pictures of this item not already displayed here available upon request. Inventory No: 27761. . Central School of Arts and Crafts paperback
1947LIQ-4147P. La Tradition 1947. In-4° en feuilles, chemise et étui.
1945LIQ-2103P. Editions du Bélier 1945. 2 volumes in-8° en ff, sous chemises et étui.
1920252811920 Aquatinte signée dans la planche et titrée, 1920, 22,5 x 17 cm.
191018994AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentaler Titelseite und 4 goldgehöhten Initialen Grüner Original Lederband Vorderdeckel reich vergoldet Titel in Gold auf dem Rücken Kopfgoldschnitt. signiert Demeter Leizig. Eines von 250 Exemplaren auf Hadernpapier. Das 10. Buch der Ernst Ludwig Presse. - Vorderer Innendeckel mit kleinem Exlibris Titelblatt mit kleinem Sammlerstempel Rücken und teils seitlich ausgeblichen innen schönes Exemplar. - Stürz 10; Rodenberg 75. unknown
1947382La Tradition, 1947, 19 X 28 cm. En feuilles 133 pp. Sous chemise souple, ainsi que chemise et étui cartonnés. Traduction de Messire Jacques AMYOT revue, corrigée, complétée, de nouveau refaite en grande partie par Paul-Louis COURRIER. Charmantes eaux-fortes originales de Marianne CLOUZOT. Un des 812 exemplaires numérotés sur vélin lana crème. Signature originale de Marianne Clouzot. Enrichi de trois tirés à part identiques, dont deux signés de la main de l'illustratrice. Taches d'humidité sur l'étui et sur le dos de la chemise cartonnée, étui sali. Inscription au stylo, la chemise souple a déteint sur les première et dernière feuille. Intérieur très frais.
19251049714<p>AUSTEN John. <b><i>Daphnis & Chloe</i></b>. Translated out of the Greek of Longus by George Thornley in 1657. With Decorations by John Austen. London: Geoffrey Bles 1925. 4to 200pp. Off-white cloth decoratively stamped in gilt. 12 color and 4 b&w plates as well as a few b&w illustrations at headings. Spine ends and corners lightly rubbed some sheets lightly foxed at edge else a clean tight copy in original pictorial dust jacket worn and chipped at folds and edges lightly sunned soiled and aged.</p><p>First John Austen-illustrated edition. The wonderful ancient Greek romance following two abandoned children raised as shepherds who slowly discover the meaning of love. John Austen's delicate Art Deco illustrations capture the romance and passion of this ancient tale bringing a wonderful new sensibility to this often-illustrated story. One of Austen's more adult and amorous works. </p> Geoffrey Bles hardcover
1947100Sans lieu (Paris?), La Tradition, 1947. Un vol. in-4 (18. 5x28) demi maroquin bleu à coins, dos à nerfs, tête dorée, couvertures et dos conservés. Dos uniformément passé.
192555130London: Geoffrey Bles 1925. 4to. 199 1 pp. Woodcut-engraved decorated title colour frontisp. 11 colour plates 4 black & white plates numerous woodcut-engraved text illustrations. Cream-coloured publisher’s cloth gilt lozenge on front cover gilt lettering on spine w/ d.j. cover art illust. by Austen lettering in blue chipping head & foot of spine minor tears to couple corners creasing dustsoiling still NF/G copy from library of Carlyle F. Streit 1904-1977 noted Cleveland Ohio furniture manufacturer and designer featuring bookplate by John Austen. First Austen illustrated edition of this Greek pastoral romance featuring the Thornley English translation drawn more from a 1605 Latin translation than the Greek original. Austen 1886-1948 was a popular English book illustrator whose early works draw more from Beardley influence but then shifted in 1925 as evidenced by these illustrations to a decidedly Art Deco technique. Geoffrey Bles, hardcover
1934LNGeLONG47New York: The Limited Editions Club 1934. 1934. 4to. pp. xxiii 2 130 1. 13 etched plates incl. frontis. title vignette & many head & tailpieces. uncut in sheep extremities rubbed. in a worn & stained slipcase. Limited to 1500 copies signed by the artist. Signed by Authors. New York: The Limited Editions Club, 1934. unknown
1925182188London : Geoffrey Bles 1925. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Marginal scattered foxing. ; 8vo 8"" - 9"" tall; 199 pages; Physical desc. : 199p. plates : illus. ; 33 cm. Subjects: Ancient Greek literature - translations into English. Classical literature. Daphnis Greek mythology - Fiction. Language: English. London : Geoffrey Bles hardcover
1995wq341Tartas Pierre de, au Centre Artistique et Culturel du Moulin de Vauboyen, Les Sillons du temps, Lyon Reliure d'éditeur sous emboîtage 1995 In-4 (25,2 x 32,5 cm), reliure d'éditeur pleine peau sous emboîtage, dos à 2 nerfs, décor estampé à froid et doré au premier plat, 146 pages, ouvrage illustré de lithographies de Paul Dauce, avec une suite des illustrations en sanguine sur Japon impérial, exemplaire sur grand vélin de Rives, exemplaire n°XLV (sur CL) ; très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. unknown
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. <br/><br/> hardcover books