992 résultats
17512605210193Chez Briasson David Le Breton Durand A Paris; Amsterdam 1751 - 1777 1751. First Edition. Hardcover. Very Good. 0x0x0. The Organization of Enlightenment Thought: The Revolution in Ideas. A first edition of this foundational encyclopedia of 18th century knowledge. A massive thirty-five volume set. Large folios volumes 39.5 x 25 cm. Bound in 18th-century French calf. Spines gilt with raised bands. One volume non-uniformly bound in light calf. <br> The set includes: Encyclopedie Paris: 1751-57 & Neuchatel 1765. 17 volumes; Recueil de planches. Paris: 1762-72. 11 volumes 1 2 part I 2 Part II 3 5 6 7 8 9 10 11; Supplement a l'Encyclopedie. Paris & Amsterdam: 1776-77. 5 volumes including the Suite de recueil de planches; Table Analytique. Paris: 1780. <br> Profusely illustrated with engraved plates. <br> Diderot's famous Encyclopedie was initially a modest translation of Chambers's Cyclopaedia. It grew as a project into a massive project which attempted to collect human knowledge from a rationalistic perspective instead of by nature or theology. In organizing knowledge from a position where human reason was paramount the supremacy of the Church was imperiled. As a result the Encyclopedie was widely controversial and placed on the Index Librorum Prohibitorum by the Catholic Church. In discussing fundamental philosophical issues such as on political authority and natural rights articles in the Encyclopedie shifted the basis of governmental authority from the divine right of Kings to radical concepts popular consent was the basis of legitimacy and the ideals of a social contract. The work was banned by the King of France. It spread the foundational ideas of the French Revolution and enlightenment thinkers. "No encyclopaedia perhaps has been of such political importance or has occupied so conspicuous a place in the civil and literary history of its century. It sought not only to give information but to guide opinion." "It was a war machine; as it progressed its attacks on both the church and still more on despotic government as well as Christianity itself became bolder and more undistinguished and it was met with persecution and opposition unparalleled in the the history of encyclopedias." - Encyclopedia Britannica 11th ed p. 1483. "A monument in the history of European thought; the acme of the age of reason; a prime motive force in undermining the ancien regime and in heralding the French Revolution" Printing in the Mind of Man 200. Refs: Grolier/Horblit 25b; Norman 637; PMM 200. <br> Includes: 17 v. : ill. ; 41 cm. supplement 4 volumes plates 11 volumes plates supplement 1 volume. Table Analytique 1 volume. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Chez Briasson, David, Le Breton, Durand, A Paris; Amsterdam (1751 - 1777) hardcover
1783B63912PQHN58Amsterdam 1783. 8vo. Jan Helders Abraham Mars Contemporary half calf gold-tooled spine with one brown and a green morocco title label lettered in gold and fleurons in the remaining compartments sprinkled paper sides. With an engraved title page including a vignette by H.L. Meyling a letterpress title page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title page also dated "1783" but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789 accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning" dated 1789 signed by Pijpers in brown ink. Further with 3 extra added engraved plates 2 full-page and 1 half-page plus 1 repeated in an earlier state with no lettering depicting scenes from the play by various Dutch artists A. Fokke H.L. Myling W. Immink A. Hulk Jacobsz 1 dated 1784. And finally with 6 engraved plates by various French artists made for the original French edition. The engraved title is richly coloured and highlighted with gold incl. the lettering by a contemporary hand. The 6 French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. 16 76 2 pp. Splendid copy luxuriously extra-illustrated 5 years after the original publication of the first edition of Pijpers's Dutch adaptation of Marmontel's 1771 Zémire et Azor a version of the fairytale Beauty and the beast. It is signed in brown ink by the author and on the last page by G. de Visscher one of the delegates of the Amsterdam theatre as a warrant of authenticity with the privilege to the printers Helders and Mars dated "Amsteldam den. 6 Augustus 1783". STCN notes that some copies like ours have 2 additional folia: an illustrated typographical title page with Pijpers's roundel portrait on a monument dated "1783" in letterpress but the engraving itself dated 1789 and a poem by Pieter Pijpers entitled "Op Myne afbeelding" dated 1789. Apart from these extra leaves our copy is embellished with 6 plates with scenes of the play from the original French edition of Marmontel's play published in Paris 1771 here all beautifully coloured and with 3 extra plates by Dutch artists probably made to illustrate a third edition; a second edition appeared in 1786.Zémire and Azor was a comic opera in 4 acts composed by the Belgian composer André Grétry with a French text by Jean François Marmontel 1723-1799 based on Jean Marie Prince de Beaumont's 1756 La belle et la bête and P.C. Nivelle de la Chaussé's 1742 Amour pour Amour. The opera was first performed on 9 November 1771 stayed in the French repertory until at least 1821 and enjoyed worldwide success. The story unfolds as follows:After being shipwrecked the "Persian" probably Armenian merchant Sander and his servant Ali find themselves in a strange palace. A banquet has been laid though there is no sign of the owner and the two help themselves to the feast. When Sander plucks a rose from the palace garden to give to his daughter Zémire the beast-like Azor appears. He is the owner of the palace and says Sander must pay with his life for stealing the rose unless he can persuade one of his daughters to take his place. When she hears what has happened Zémire agrees to sacrifice her life for her father and Ali leads her to the palace where she almost faints at the fearsome sight of Azor. However Azor proves to be a kind host showing Zémire her family in a magic mirror and even allowing her to visit home again so long as she promises to return. After a stay with her family Zémire decides to return to Azor and finds him in despair because he believes she has abandoned him. She protests that she cares about him and the magic spell on Azor is lifted now he has found love. He changes from a beast to a handsome prince and claims his kingdom with Zémire at his side.The Dutch poet and playwright Pieter Pijpers 1749-1805 from Amersfoort was a Roman Catholic in the Dutch Patriot party. He had to flee to Belgium after the Patriots' failed Democratic revolution of 1787 but was awarded many high positions after the Batavian revolution of 1795. He devoted himself to his literary work at his mansion Puntenburgh at Amersfoort.With the circular morocco bookplate of P. May with his interlaced monogram in gold and the blind stamp of a private Dutch collection on the endpapers.With generous margins and many deckles intact. In very good condition with only occasional very minor spotting and a water stain in one of the blank guard leaves protecting the coloured plates. Corners bumped and back board rubbed. Desirable extra-illustrated Dutch Beauty and the beast incorporating lavishly coloured Dutch and French plates.l Van Aken Cat. Ned. Toneel II p. 351 mentioning only a title vignette; Moderne Encyclopedie van de Wereldliteratuur vol. 7 p. 239; STCN 8 copies only 3 with engr. title. unknown
1765CLL-872Paris, J. Merlin, 1765 3 volumes in-8 de (2) ff., XVI pp., (1) f. de table, 345 pp. - (3) ff., 376 pp. - (5) ff., 312 pp., maroquin rouge, triple filet doré gras et maigre en encadrement sur les plats, fleuron doré aux angles, dos lisses ornés de caissons de fleurons dorés, pièces de titre et de tomaison de maroquin vert, filet doré sur les coupes, roulette dorée, gardes de papier doré étoilé, tranches dorées (reliures de l'époque).
176526951Paris Merlin 1765 3 volumes in-8, veau blond, encadrement de trois filets dors sur les plats, dos sans nerfs orns petits fers pousss or portant une pice de titre en maroquin rouge et une pice de tomaison en maroquin havane, roulette dore sur les coupes; doublures et gardes de papier peigne, tranches dores (reliures de l'poque). Portrait par Cochin grav par Saint-Aubin, frontispice rpt chaque volume et grav par Duclos d'aprs Gravelot, et 23 figures de Gravelot. Premier tirage, avec l'errata chaque volume. Exemplaire imprim sur papier de Hollande, en reliure de l'poque.
176526954A Paris chez J.Merlin 1765 3 volumes in-12, maroquin rouge, plats encadrs de trois filets dors avec petits fleurons or aux angles, dos sans nerfs orns de filets et fleurons dors, roulette or sur les coupes; encadrements intrieurs orns d'une roulette dore, doublures et gardes de papier bleu, tranches dores (reliures anciennes).Edition orne d'un portrait grav par Saint-Aubin d'aprs Cochin, d'un titre grav par Duclos d'aprs Gravelot (rpt dans chaque volume), et de 23 figures de Gravelot, graves par Baquoy, Legrand, Le Mire, Le Veau, de Longueil, Pasquier, Rousseau et Voyez. Bel exemplaire reli l'poque, vraisemblablement par Derme.
1808144276Edinburgh: Mundell Doig and Stevenson 1808. hardcover. fine. 4 volumes. Handsomely bound in contemporary straight grained green morocco with gilt designs on covers & spines a.e.g. Housed in a red cloth folding box. Edinburgh: Printed for Mundell Doig and Stevenson 1808. A fine set.<br/> <br/> Each volume has a detailed fore-edge painting of various London city scenes.<br/> <br/> Mundell, Doig and Stevenson unknown
183318021Paris: Chez Maurice Schlesinger 1833. First Edition. Used; Like New/Used; Like New. 1er Concerto pour le Piano avec accompagnement d'orchestre dedié à Monsieur F. Kalkbrenner par Fréd. Chopin. Op. 11. Disbound upright folio. 44 pp. PN M. S. 1409. From the collection of Alfred Cortot with his green stamp to the lower right of the title. Occasional fingerings and other annotations in pencil. Notes on the verso of the last page in pencil in French indicate that this copy belonged to pianist Antoine François Marmontel and suggest that the fingerings may be in his hand. Translated from the French: "This copy belonged to Marmontel judging by the dedications of the pieces bound in the same volume. Perhaps the notes in pencil are from Marmontel." Toning and foxing; wear to the spine; overall very good. 10 x 13.25 inches 25.5 x 34 cm. Grabowski & Rink 11-1-Sm. A historic copy having been owned by two of the most important pianists in history. <br style="">Pianist teacher and musicologist Antoine François Marmontel became Professor of Keyboard at the Paris Conservatory in 1848 succeeding Pierre Zimmermann and beating out his former teacher Charles-Valentin Alkan. He achieved renown as a pedagogue; among his many notable students were Georges Bizet Vincent D'Indy and Claude Debussy. Marmontel was the author of a large number of pedagogical works as well as musicological works which are among the best sources for the history of the piano and pianists.<br style="">One of the 20th century's most influential — yet inimitable — classical figures Alfred Cortot was born in 1877 in Switzerland to a French father and a Swiss mother and he based his long career as a pianist conductor and teacher in Paris. Cortot was one of his era's most renowned interpreters of Chopin his best recordings setting an enduring standard for poetry in motion. In 1925 the pianist made the first electrical recording of classical music for the Victor label in New Jersey featuring music by Chopin and Schumann. Among his hundreds of subsequent recordings was the first complete version of Chopin's Preludes Op. 28. In holding up Cortot as a paragon of Chopin playing even decades after his death The New York Times described his method as combining "lucidity with spontaneity. It is almost modern in its lack of sentimentality and attention to structure; yet it is unmistakably Romantic in its insistence on freedom and variety. Each line is suffused with subtle detail with interior contours and dynamic shadings. But these are not indulgent ornaments; they reveal rather than cloud the music's intentions." <br style=""><br style="">The Piano Concerto No. 1 in E minor Op. 11 was composed in 1830 when Chopin was twenty years old and was first performed on 11 October of that year at the Teatr Narodowy the National Theatre in Warsaw Poland with the composer as soloist during one of his "farewell" concerts before leaving Poland. The first of Chopin's two piano concertos to be published it was therefore given the designation of Piano Concerto "No. 1" at the time of publication even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2. Chez Maurice Schlesinger unknown books
1808144276Edinburgh: Mundell Doig and Stevenson 1808. hardcover. fine. 4 volumes. Handsomely bound in contemporary straight grained green morocco with gilt designs on covers & spines a.e.g. Housed in a red cloth folding box. Edinburgh: Printed for Mundell Doig and Stevenson 1808. A fine set.<br/><br/> Each volume has a detailed fore-edge painting of various London city scenes.<br/><br/> Mundell, Doig and Stevenson unknown books
1824110148Paris Castel de Courval 1824-1825 30 vol. Relié 31 tomes en 30 vol. in-8 formant une série de 225 x 870 mm, dans des reliures uniformes en demi-cuir de Russie vert, dos à quatre nerfs ornés de pointillés dorés, alternance de frises, dentelles, roulettes et fleurons dorés aux dos, plats de papier maroquiné vert encadrés d'une large dentelle dorée, gardes de papier jaune, non rognés. Collection complète de cette importante encyclopédie littéraire qui tient à la fois du dictionnaire critique et de l'anthologie en reprenant un certain nombre d'extraits tirés des savants des Lumières. Petites marques d'usure à quelques coiffes, sinon exemplaire bien conservé intérieurement et dans d'élégantes reliures de l'époque formant une série des plus décorative.
1824110148Paris Castel de Courval 1824-1825 30 vol. Relié 31 tomes en 30 vol. in-8 formant une série de 225 x 870 mm, dans des reliures uniformes en demi-cuir de Russie vert, dos à quatre nerfs ornés de pointillés dorés, alternance de frises, dentelles, roulettes et fleurons dorés aux dos, plats de papier maroquiné vert encadrés d'une large dentelle dorée, gardes de papier jaune, non rognés. Collection complète de cette importante encyclopédie littéraire qui tient à la fois du dictionnaire critique et de l'anthologie en reprenant un certain nombre d'extraits tirés des savants des Lumières. Petites marques d'usure à quelques coiffes, sinon exemplaire bien conservé intérieurement et dans d'élégantes reliures de l'époque formant une série des plus décorative.
17786957Paris, Aux dépens de l'Académie & de Lormel, 1778. In-8 carré (174 x 232 mm), 60 pp. Maroquin brun aux armes, encadrement de filets et fleurs de lys, dos à nerfs orné, roulette sur les coupes, doublure et garde de tabis bleu ciel, tranches dorées (reliure de l'époque).
7495226Short description: In Russian. Manstein, Christoph Hermann von. (Manshteinov's) contemporary notes about Russia in historical, political, and military relations. Derpt: In the University Printing House of M. Grencius, 1810. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU7495226
7495252Short description: In Russian. Marmontel, Jean Francois. Velisariy,. In St. Petersburg: Under the Governorate of the Province, 1803. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU7495252
7495257Short description: In Russian. Marmontel Jean Francois. The New Marmontelev Novels published by N. Karamzin. Moscow: In the Printing House of S. Selivanovsky 1822. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU7495257 unknown
7495252Short description: In Russian. Marmontel Jean Francois. Velisariy. In St. Petersburg: Under the Governorate of the Province 1803. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU7495252 unknown
46400376, Paris, Lacombe, 1777; 2 vol. in-8, veau fauve, encadr. fil. dor., dos lisses ornés, pièces de maroq. rouge et noir, tr. jasp. (Reliures de l'époque). "EDITION ORIGINALE et PREMIER TIRAGE du frontispice et de 10 figures de Moreau le Jeune. Épopée en prose commencée pendant le tumulte de l'affaire de Bélisaire, dans laquelle Marmontel reprend les armes en faveur de la tolérance. Le but de l'auteur était de dénoncer à l'humanité les plus grands crimes que le faux zèle ait commis au nom d'un Dieu de la paix. """" Quelle fut la cause de tant d'horreurs dont la nature est épouvantée? Le fanatisme il en est seul capable; elles n'appartiennent qu'à lui"""" écrit-il dans la préface. Voir Chinard. L'Amérique et le rêve exotique pp.386-88. Certains chapitres des Incas ont fortement influencé Chateaubriand et Mickievicz. Très bel exemplaire, de la bibliothèque Jean de Bry (ex-libris). Voir Ex-libris francs-comtois par Mercier n° 124.- Meyer-Noirel B 2617.- Gauthier. Marques des bibl. francs comtoises n° 365. LITTERATURE XVIII e S. ILLUSTRÉS XVIII e S. PHILOSOPHIE."
17773400<p>A scarce edition of Marmontel's block-buster published in the same year as the first edition. MMF list no less than ELEVEN Paris editions of 1777 all printed by Lacombe with the present edition listed as the second with its imprint clearly claiming a Paris and Lacombe publication: 'A Paris Chez Lacombe Libraire rue de Tournon près le Luxembourg'. However ESTC includes this edition as a piracy 'probably printed in Dublin' with a false Paris address. This would account for the error on the title page where the masculine word for volume is made feminine: 'Tome Première / Tome Seconde' a mistake no French printer or compositor would make.</p><p>Critic novelist and playwright Marmontel began life as the son of a poor tailor before coming to Paris on the advice of Voltaire to pursue a career in literature. His <i>Contes moraux</i> 1755-1765 fictional tales praising philosophy and the practice of virtue were enormously popular in France and throughout Europe particularly in England where there were numerous translations. But it was his historical romance <i>Belisaire</i> with its plea for civil toleration of Protestants that brought him most lasting fame and became one of the most controversial novels of its time condemned both by the Sorbonne and the archbishop of Paris. <i>Les Incas ou la Déstruction de l'Empire du Perou</i> is Marmontel's answer to the censure he received for <i>Bélisaire</i>. In this novel he describes the cruelties in Spanish America and demonstrates that they are entirely the result of the religious intolerance of the invaders. <br /></p><p><i>Two volumes 8vo 175 x 110 mm pp. xxxii 253; iv 5-310 1 including half-titles and several contents leaves after the text in both volumes marginal wormhole through the endleaves and first few pages of Vol. I also with considerable staining in a couple of the preliminary leaves of Vol. I otherwise generally clean although clearly read some later pencil markings </i></p><i>in contemporary plain calf blind tooling to the covers along the spine flat spines ruled in gilt with red and olive green morocco labels lettered and numbered in gilt the corners a little bumped the library stamp of 'J.M.M-OConnor' on both half titles and the endleaves of Vol. I: generally an attractive set</i>. Chez Lacombe, Libraire, rue de Tournon, près le Luxembourg
177338792à Paris: De l'imprimerie de Grangé 1773. Fine. De l'imprimerie de Grangé à Paris 1773 22 x 29 cm relié First edition admirably and finely illustrated with 3 figures 15 headpieces and 10 tailpieces all by Eisen and engraved by de Launay the younger Helman Masquelier Née and Ponce. Printed on deluxe paper. Contemporary full mottled calf binding. Decorated spine with raised bands gilt rolls at head and foot. Red morocco title label. Triple gilt fillet frame on covers. All edges gilt. Fragile headcap with lacks same at foot. Very beautiful mottling on covers green red beige. Despite small defects handsome copy in a luxury binding and of great freshness. The volume besides the preliminary pieces with essays on the dramatic genre by Marmontel brings together three tragedies from 17th-century French theatre: Sophonisbe by Du Ryer Scevole by Mairet and Venceslas by Rotrou. This first volume was to be followed by several others but the project did not come to fruition. Very fine publication. 18th-century engraved bookplate Laus de Boissy library. A second 19th-century bookplate: library of Count Alexis de Priest. De l'imprimerie de Grangé hardcover
1765FGN12-D-13Paris: Chez Merlin 1765. Leather. Very Good. 7" by 4". None. Three volumes of Jean-Francois Marmontel's Contes Moraux. In the original French. Pages 317-320 have been misbound after page 324 to volume I. Illustrated throughout with twenty three plates across all volumes as well as engraved title pages. Collated complete. Volume III is the only volume to have a title page with publication details. From the library of Sir Richard Paul Jodrell 1745-1831 a classical scholar and playwright. Jodrell's bookplate is to the front pastedown of all volumes and his signature is to the recto of the front endpapers. Mermontel's Contes Moraux were a famous series. The appreciation for this work was due to the delicate finish of the style but mainly in the graphic and charming pictures of French society under King Louis XV. In full calf bindings with gilt stamping to the spines. Externally very smart with small amount of rubbing to the head and tail of spines. Minor rubbing to the joints and to the extremities. Handling marks to boards. Bookplate of previous owner to front pastedown of all volumes Sir Richard Paul Jodrell. His signature to the recto of front endpapers to all volumes. Internally all volumes are firmly bound. Pages are generally bright with light scattered spots throughout. Frequent marginal annotations and some notes to endpapers by prior owner light and not affecting text. Small ink spills to page 313-16 to volume I. Very Good Chez Merlin hardcover
177711043Paris: Lacombe 1777. First Edition — Primera edición. Hardcover — Tapa dura. 194x120mm. 7¾x4¾". Paris Lacombe 1777. En 4º menor 194 x 120mm. 2 volúmenes. -I: Frontispicio xii-338 pp. 1 h. 5 láminas. -II: 4 380 4 pp. 5 láminas. Encuadernación de la época en plena piel lomera cuajada de adornos dorados y tejuelo en marroquén con letrerÃa también dorada. Atractivo ejemplar de la primera edición de esta obra prohibida y condenada por la Inquisición. Ilustrada con un frontis y 10 bellas láminas grabadas al cobre es un libro de tipo histórico escrito contra la actuación de los españoles en Perú en particular y el colonialismo en general; su acercamiento a la naturaleza y a favor de los indÃgenas americanos ejerció como influencia en otros autores contemporáneos y contribuyó de manera decisiva a consolidar la leyenda negra contra España. La obra tuvo una gran divulgación llegándose a imprimir más de treinta ediciones diferentes y la adaptación de varias obras de teatro. Libro muy bello bien impreso y estimado. Muy buen ejemplar vestido con una elegante encuadernación francesa de época. Referencias: Palau 152444; Brunet III col. 1440 Lacombe hardcover
1827117452London UK: Whittaker Treacher Arnot / Hunt and Clarke 1827. Leather Bound. Near Fine. 24mo 5 - 5.75'' tall. Leather Bound. Condition: Near Fine. Whittaker Treacher Arnot / Hunt and Clarke London UK 1827. Volumes I to XXIV 1827 to1831. Dark red leather spines and board tips with marbled paper Schrottel boards. Portraits of each diarist. Nice Firm Clean copies ! Light general wear. Bindings hinges text pages near fine. No foxing except for near portraits. Size: 24mo 5 - 5.75'' tall. Brilliant entertaining autobiographies by: I. Colley Cibber comedian. II. Hume William Lilly astronomy Voltaire. III IV. Jean-François Marmontel history opera poetry novels. V. Robert Drury sailor Madagascar captive. VI. George Whitefield Methodist Voyage from London to Savannah. James Ferguson astronomer instrument and globe maker. VII. Mary Robinson actress. Charlotte Charke aka Cibber Charlotte Secheverell Charles Brown actress playwright novelist and noted transvestite. VIII. Lord Herbert of Cherbury Prince Eugene of Savoy. IX X. Augustus Von Kotzebue dramatist writer Siberian exile. XI. Captain John Creichton Scottish soldier. William Gifford critic editor poet satirist. Thomas Ellwood religious writer. XII. Lewis Ludvig Holberg writer essayist philosopher historian and playwright. XIII. James Hardy Vaux swindler thief transported to Australia thrice. XIV XV. Edward Gibbon historian member of Parliament. XVI XVII. Benvenuto Cellini artist. XVIII. James Lackington bookseller. XIX. Theobald Wolfe Tone Irish revolutionary United Irishmen father of Irish republicanism leader of 1798 Irish Rebellion. XX. Bubb Dodington English politician and nobleman. XXI XXII. Margravine of Bareith Frederica Sophia Wilhelmina sister of Frederick the Great. XXIII XXIV. Carlo Osvaldo Goldoni comic writer Italian playwright and librettist. Biography History::Britain RBR15 RBR15 Whittaker, Treacher, Arnot / Hunt and Clarke hardcover
177338792De l'imprimerie de Grangé | à Paris 1773 | 22 x 29 cm | relié
176353707Paris etc.: various publ. 1763-1788. 38 parts in 4 vols. 8vo 20x13 cm. Contemporary half leather spines gilt with ribbons; with red and green morocco title-labels; marbled covers. Titles with title-vignette; woodcut headpieces. - 1 NN Voltaire. Le dépositaire. Lausanne Grasset 1772. 84 pp. Barbier I882. First edition. - 2 Monsieur D M Voltaire. Les Guebres ou la Tolérance. Genève Grasset 1769. 48 pp. brown spots. One of the 1769 editions but without 'Préface' and 'Épitre' but with mention Genève. Not mentioned in Quérard I964. - 3 Voltaire. Les lois déminos ou Astérie. Genève se trouve à Toulon 1763. 60 pp. - 4 Voltaire. Irène. 1783. 34 pp. - 5 Voltaire. Brutus. Marseille chez Mossy 1774. 52 pp. - 6 Hume trad. Voltaire. Le caffé ou l'Écossaise. Nouv. éd. Ruault 1777. 50 pp. - 7 Sedaine. Le philosophe sans le savoir. Avignon 1772. 54 pp. - 8 M.D.B. Nadir ou Thomas Kouli-Kan. Alex. & Ant. Jombert 1780. 60 pp. - 9 l'abbé Le Blanc. Aben-Saïd empereur des Mogols first ed. 1736. Prault fils 1737 1787. 60 pp. - 10 Dorat. Adelaide de Hongrie. Monory1774 à la date de l'originale. 62 pp. - 11 Marmontel. Venceslas 1759. La Haye se vend à Marseille Mossy 1777. 56 pp. - 12 NN Mme de Graffigny. Cénie. 1750. Mossy1776. 60 pp. - 13 Scarron. Dom Japhet d'Arménie. 1653. Mossy 1776. 68 pp. - 14 Destouches. Le tambour nocturne. Nouv. éd. Didot l'Ainé. 66 pp. - 15 idem. Le philosophe marié. Didot l'Ainé 1778. 82 pp. - 16 Idem. L'homme singulier. Ruault 1778. 86ii pp. - 17 idem. Le glorieux. 1732. Delalain 1781. 104 pp. - 18 Montfleury père et fils. La fille capitaine. Nouv. éd. Compagnie Librairies Associés 1771. 66 pp. - 19 NN Dorat. Le célibataire. 1775. Didot l'Ainé 1778. 72 pp. - 20 Gresset. Le méchant. Didot Ainé 1778. 78iipp. -21 De Chamfort. Mustapha et Zéangir. 1776. Didot l'Ainé 1778. 54 pp. 22-24: Publisher: Avignon L. Chambeau 1773-74: 22 Diderot le fils naturel 54 pp. 23 Nivelle de la Chaussée. La gouvernante. 24 De Campistron. Le jaloux désabusé. 56 pp. - 25-29: Publisher: Paris Duchesne: 25 A. Collalto. Les trois jumeaux Venitiens 1773 en quatre actes. 1777. 26 De la Noue. La coquette corrigée. 1756. 1774. 27 NN Nivelle de la Chaussée. Le préjugé à la mode. 1776. 64 pp. 28 Poisson. Le Mercure gallant. 1776. 60 pp. 29 Delaunay. Le complaisant. 1732. Nouv. éd. 1776. - 30-38: 'Nouv. éditions' published by Ruault 1777-84: 30-31 Boursault. Esope à la cour & Esope à la ville ou les fables d'Ésope. 1780-86. 68 & 92 pp. 32 Rochon de Chabannes. Les amans généreux. 52 pp. 33 De Boissy. Les dehors trompeurs. 72 pp. 34 A. Montfleury. La femme juge et partie. 56 pp. 35-36 Colardeau. Astarbé & Caliste 1760. 1777. 44 & 46 pp. 37 De la Harpe. Jeanne de Naples.46ii pp. 38 Le Mierre. Guillaume Tell. 36 pp. -- Nice spotless convoluut. various publ. hardcover
176725776Paris: Chez Merlin 1767. 8vo 19.9 cm 7.8". 4 x 340 6 pp.; 4 plts. <br><br>First edition early state featuring the frontispiece and three copper-engraved plates designed by Gravelot. Quickly translated into numerous languages following its initial publication Marmontel's controversial philosophical novel was written in great part in the hope that its retelling of the story of Gen. Flavius Beisarius of the Byzantine Empire would convince Louis XV to become himself the longed-for Philosopher-King. Chapter 15 however in which Marmontel advocates freedom of opinion and religious tolerance inspired extensive commentary by Voltaire and others and brought on condemnation by both the Sorbonne and the Archbishop of Paris though it may ultimately have helped the Huguenot cause.<br>Â Â Â Â Merlin also printed a duodecimo edition in 1767; in the present edition "Fragmens de philosophie morale" is found on pp. 273340 followed by the Addition and Approbation.<br>Â Â Â Â Provenance: Front pastedown with large round gilt-stamped armorial leather bookplate of notable 19th-century book collector Edward Hailcrone; smaller round cream-colored leather gilt-stamped I.T. bookplate with motto Inter folia fructus of 19th-century bookseller and bookcollector James Toovey; and paper bookplate of Sir Montague Shearman.<br>Â Â Â Â Binding: Contemporary crimson morocco covers framed in gilt triple fillets; spine gilt extra with gilt-stamped leather labels board edges and turn-ins with gilt rolls. This volume complete in itself seems at one time to have been part of a set of Marmontel's works and bears an unnumbered spine label reading "Oeuvres de Marmontel. <br>Â Â Â Â <br>Â Â Â Â Brunet III 1440; Cohen de Ricci Guide de lamateur de livres à gravures du XVIIIe siècle 688; Graesse 406; Tchermezine 455. Binding as above with edges extremities and joints showing minor rubbing. Front pastedown with bookplates as above; front free endpaper with affixed slip of early cataloguing; rear pastedown with small chip out of paper. Light spots of foxing slightly heavier around plates. All edges gilt. Chez Merlin hardcover books