Maupassant, Guy deBiblio.com
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1414203233.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1592244238.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1397355611.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9353440319.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0554316587.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9791041918249_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
193588167BB1935 . Paris: Librairie de France 1935. Gr.-8°. X 444 S. Titelblattvignette. 8 kolorierte Phototypien. 49 Zeichnungen. Halbleder auf 4 Bünden. Rückentitel in Goldbuchstaben. Marmorierter Einband. Vorsätze marmoriert. Kopfschnitt beschnitten. leicht lichtrandig; gut erhalten =Oeuvres complètes illustrées de Guy de Maupassant Vorliegend Ex. Nr. 380 von 600. Guy de Maupassant 1850-1893 französischer Schriftsteller und Journalist. unknown
5777396like new. unknown
45440350like new. unknown
1895860P32Paris: Paul Ollendorff 1895. Leather. Very Good. 7" by 4.5". None. An early edition of the first novel written by Guy de Maupassant a popular work praised by Leo Tolstoy. In the original French.The fifteenth edition.Bound by J. P. Gray & Son.'Une Vie' normally translated as 'The Humble Truth' was the first novel written by Guy de Maupassant. It's a lauded novel with Leo Tolstoy calling it the best French novel since 'Les Miserables'.Maupassant serialised this novel in 'Gil Blas'. In a quarter morocco binding with cloth to the boards. Externally smart. Light rubbing to the leather and extremities. Spine is a little faded. A few light marks to the spine. Spots to the endpapers. Internally firmly bound. Pages are age-toned with the occasional spot. Very Good Paul Ollendorff hardcover
feb72290Used. For more details please contact me unknown
1376003341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
101566931X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19482092902140310252Shisaku-sha 1948. Soft Cover. Fine. Number of books: 1 Shisaku-sha paperback
19502090502128704220Oyamashoten 1950. Soft Cover. Fine. Size: 46 size Number of books: 1 Oyamashoten paperback
0353803197.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016363982.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0267682549.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1909feb19532Alcalay 1909. Used. 1909; Romanian Edition of Un fiu criminal- Protectorul; For more details please contact me Alcalay unknown
1909feb09839Librariei Alcalay 1909. Used. 1909; Romanian Edition of Ulcica; For more details please contact me Librariei Alcalay unknown
19811194Kentfield CA: The Upstairs Press. 1981. Limited Edition. Softcover. Very Good. The folder shows signs of rough handling at the edges. It's puckered around the title label from shrinkage as the glue dried. Light creasing to the front and the rear head edge.; Contains two short stories printed accordion-style both originally published in 1884. Printed first Idyll depicts two Italian strangers both from Piedmont Italy traveling by train to France. She is going to her new employment as a wet nurse and he indigent is hoping to find construction work. After alternating conversation and silence she who had not nursed a child in days offers her breast to the man. He had not eaten in two days. Printed next is The Legacy. A married couple discovery that that their mutual friend a single gentleman had died and had left his legacy of one million Francs to only the wife of the couple. The husband accuses the wife of adultery which she denies and they decide to split the money to avoid a public scandal. After resolving the legacy the husband weeps in private still believing his wife was an adulterer. French author Henri René Albert Guy de Maupassant 1850-1893 was celebrated for his mastery of the short story form writing in humanist terms and producing at least 300 short stories. Both stories are printed letterpress printed in brown ink on the recto only of a single long leaf accordion folded to create 19 pages. Unpaginated. The text is laid loose in a 9 1/2" x 7" double-flapped folder of two sheets of folded cream stiff paper with a pasted down title label. The statement "Fifty-one copies comprise this edition; this is copy number 49" faces the colophon. The colophon states "All work beginning with the translation and ending with numbering was done by l'e´minence grise who is The Upstairs Press" The Upstairs Press is a device of the press showing the press name in a cloud and a rope ladder leading up to more clouds. The French "l'e´minence grise" translates to 'the gray eminence.' Design composition printing and all else were by Mildred Sherrod Bissinger proprietor of the Press. The accordion folded text is in Fine condition. Overall with the folder the condition is Very Good. OCLC finds 8 copies in institutions but its scarce in the market.; Large 8vo 9" - 10" tall; 19 pages . The Upstairs Press paperback
82629Milano Bietti s.d. 196. Volumi 4 in 16° massimo mezza pelle editor. con titoli oro ai dorsi cofanetto illustrato. Pp. XVIII 650 586 694 548 XV ottimo esemplare nell'edizione di lusso Milano, Bietti unknown
19992-880446917XMondadori 1999. Paperback. New. Italian language. 7.01x4.41x1.97 inches. Mondadori paperback
19932-8804363606Tutte Le Novelle 1993. Paperback. New. Italian language. 7.24x4.72x1.89 inches. Tutte Le Novelle paperback
1907220471907. Literature Art Chertkov Vladimir et al. 1907 represents one of the most visually forceful Tolstoyan critiques of militarism produced in the decade before World War I and reflects the transnational pacifist networks surrounding Leo Tolstoy during his final years. Edited by Tolstoy's close associate Vladimir Chertkov and illustrated by Czech artist Emile Holarek the volume integrates literary excerpts from Tolstoy Guy de Maupassant Charles Mackay and others with allegorical and documentary imagery condemning war religious nationalism and state violence. It supports research in peace movements Christian anarchism visual propaganda prewar European dissent and radical religious publishing.<br /> <br /> Chertkov Vladimir and Holarek Emile. War. Christchurch Hants: The Free Age Press 1907. First edition. Illustrated red wrappers. Folio. A stark and visceral anti-war publication composed of allegorical and documentary drawings by Czech artist Emile Holarek interwoven with selections from the writings of Leo Tolstoy Guy de Maupassant Charles Mackay and others. Edited by Tolstoy's disciple and English publisher Vladimir Chertkov this rare example of early twentieth-century pacifist propaganda was part of a broader Tolstoyan publishing initiative launched in exile. The book is accompanied by a loosely inserted handbill letter of endorsement from Tolstoy dated 24 December 1900 praising The Free Age Press's accessibility to working-class readers and emphasizing the moral necessity of copyright-free literature.<br /> <br /> Through uncompromising graphic allegory and scathing textual commentary War presents the horrors of militarism the spiritual hypocrisy of religious nationalism and the corrupt symbiosis between church and state. Holarek's etchings expose the machinery of violence in both sweeping and intimate terms-from the image of a demonic figure herding anonymous soldiers into the jaws of a beast titled The Victims of Moloch to scenes of devastated civilian families The Mobilization of the Reservists and emaciated corpses After the Battle. These are juxtaposed with images of societal sanctification of war The Commander's Reward The Christian Army critiques of militarized science Science for Science's Sake and depictions of unequal moral accountability The Murderer of Many vs. The Ordinary Murderer. One image entitled Christians portrays Jesus turning away as crusaders kings and soldiers offer their weapons in his name. The result is an indictment of nationalism cloaked in divine justification and a fervent call for Christian anarchism and pacifism reflecting the radical ideals that animated Tolstoy's final decades. Poems by Isabella Fyvie Mayo and Charles Mackay further elevate the volume's literary and emotional impact.<br /> <br /> Heavy chipping and closed tears along page edges and corners affecting margins but not illustrations or text. A 5" closed tear to the first leaf and partial separation of text block from wrappers. General soiling and toning throughout. Most pages disbound. With printed red wrappers intact but fragile featuring Holarek's signature illustration of Moloch. Includes rare laid-in printed letter from Tolstoy praising the press's mission. Overall a good only copy of a scarce politically urgent Tolstoyan production that remains one of the most graphic critiques of early twentieth-century Christian militarism in visual print. unknown
