2 367 résultats
A9780521450423Hardback. New. Telemachus was the most widely-read work in 18th-century France excepting the Bible. It was also among the most influential since its attempt to combine monarchism with republican virtues was of obvious importance for Montesquieu and Rousseau. It is also a commentary on Louis XIV's rule. hardcover
1804106551804 reliure plein veau brun raciné (binding full calfskin) in-octavo, dos long (spine without raised band) - compartiments or à fleuron (floweret) avec des petits fers isolés en remplissage et des feuillages exécutés aux filets courbes aux angles - pièce de titre sur fond grenat (label of title) - manque de dorure dans le bas du dos (blurred gilding on the tail of the spine), plats décorés or (gilt decoration), coins émoussés (corners blunt), filet sur les coupes (gilt line on the cuts) et dentelle intérieure, toutes tranches dorées (all edges gilt), illustrations : 12 gravures (full page engraving), cicatrices de mouillures marginales in fine (lights waterstains at rear), XXIV+403 pages, 1804 à Paris Chez Bossange Masson et Besson,
A9783382309398Hardback. New. hardcover
176894Venise: chez Guillaume Zerletii 1768. Two volumes. 8vo. 230 x 155 mm. 9 x 6 inches. xlviii 272 pp.; 262 2 pp. Engraved frontispiece two engraved title-pages folding map and 24 vignettes. Bound in contemporary paste-paper boards soiled but sound; some staining to lower right corner of some of the leaves. With faults an acceptable copy. Appears to be the first edition printed by Zerletti who published a more expensive edition in 1788. This is the first appearance of the engravings by Giovanni Volpato 1740-1803 a professional engraver from Bassano who worked with the Remondinis' publishing house. "In 1762 he was brought by Bartolozzi to Joseph Wagner's shop in Venice" and worked with several printers until 1772 when he moved to Rome to run his own shop and open a school of engraving. In 1786 he published a book with 36 plates entitled Principi del Disegno. Raphael Morghen was among his many pupils in Rome. The in this edition of Les Aventures de Télémaque Volpato's his engravings are in the classical style and some of them demonstrate his skill capturing the moment and highlighting the action of the scene. He is best remembered for series of plates after the frescos in the Vatican. Hind Short History of Engraving and Etching p. 209. Claudia Lazzaro Eighteenth Century Italian Prints from the Collection of Mr. and Mrs. Marcus S. Sopher 1980 p. 37. See Morazoni p. 229 for a description of the 1788 edition by Zerletti. 94. chez Guillaume Zerletii unknown books
174447745London: Printed for Joseph Collyer in Ivy-Lane near Pasternster-Row 1744. 1st Printing. Disbound now housed in an archival mylar sleeve. VG - VG. 10 pp. Printer's ornament to t.p. 12-3/8" x 7-1/2" <br/><br/> Printed for Joseph Collyer in Ivy-Lane, near Pasternster-Row unknown books
176894Venise: chez Guillaume Zerletii 1768. Two volumes. 8vo. 230 x 155 mm. 9 x 6 inches. xlviii 272 pp.; 262 2 pp. Engraved frontispiece two engraved title-pages folding map and 24 vignettes. Bound in contemporary paste-paper boards soiled but sound; some staining to lower right corner of some of the leaves. With faults an acceptable copy. Appears to be the first edition printed by Zerletti who published a more expensive edition in 1788. This is the first appearance of the engravings by Giovanni Volpato 1740-1803 a professional engraver from Bassano who worked with the Remondinis' publishing house. "In 1762 he was brought by Bartolozzi to Joseph Wagner's shop in Venice" and worked with several printers until 1772 when he moved to Rome to run his own shop and open a school of engraving. In 1786 he published a book with 36 plates entitled Principi del Disegno. Raphael Morghen was among his many pupils in Rome. The in this edition of Les Aventures de Télémaque Volpato's his engravings are in the classical style and some of them demonstrate his skill capturing the moment and highlighting the action of the scene. He is best remembered for series of plates after the frescos in the Vatican. Hind Short History of Engraving and Etching p. 209. Claudia Lazzaro Eighteenth Century Italian Prints from the Collection of Mr. and Mrs. Marcus S. Sopher 1980 p. 37. See Morazoni p. 229 for a description of the 1788 edition by Zerletti. 94. chez Guillaume Zerletii unknown
180547106Clermont: Lanriot 1805. hardcover. very good. Portrait folding map and 24 fine copperplates. 2 volumes. 12mo contemporary mottled calf gilt leather spine labels top edge gilt; some foxing. Clermont: Lanriot An 13 1805. Very Good.<br/> <br/> Lanriot unknown
1731122921-13Amsterdam: Zacharie Chatelain 1731. Hardcover. Good. Two volumes 12 mo in full period calf. xviii 368; x 477 pp. Ffeps and frontispieces excised. Wear to the leather along edges and joints. Bindings are sound. Boards are firmly attached. Texts are clean. Ships wrapped in bubble wrap and packed securely in a box. Amsterdam: Zacharie Chatelain hardcover
184052<p><strong>Nouvelle édition avec des notes géographiques et mythologiques. 332 pp. 6 gravures h.t. Théodore Lefèvre Éditeur Paris s.d. c.1840 </strong></p><p>--- Three-quarter leather and marbled covers. Some wear at corners and spine ends. Tight binding. Previous owner name written on the title page.</p> Théodore Lefèvre hardcover
1763LCI-6679Paris, Chez Jean-Thomas Hérissant 1763 1 in-16 plein cuir 304 [p.p] LES PRÉMISSES DE L'INSTRUCTION : Précieux exemplaire (1763) du traité De l'éducation des filles par Fénelon. Dans son souverain format de poche de 11 cm, le texte s'émancipe pour poser les bases de la reconnaissance intellectuelle des femmes. Si sa reliure en plein cuir d'époque porte les marques du temps (coiffe détériorée, mors fendu sur le bas), l'ouvrage se distingue par un bloc-livre d'une fraîcheur absolue et irréprochable. Un jalon historique majeur pour toute collection engagée.
ria9783382309398_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1841870F10London: Willoughby and Co 1841 . Cloth. Good. 9" by 6". Not Stated. A scarce mid nineteenth century edition of Hawkesworth's translation of Fenelon's classic didactic novel about Telemachus the son of Ulysses. First published anonymously in France in 1699 and first translated by Hawkesworth in 1768 Fenelon's didactic novel fills in a missing part of the plot of Homer's 'Odyssey' recounting the educational adventures of Telemachus the son of Ulysses as he is accompanied by his tutor the goddess Minerva in disguise.The novel proved unpopular with the French royalty upon its publication as Louis XIV believed that it criticised his reign which at the time was rife with war taxes and famine of the peasantry.With an engraved frontispiece and title page and numerous vignette illustrations throughout. The portrait frontispiece has been neatly hand-coloured by a prior owner.Undated; dated 1941 via Jisc.With eight pages of advertisements to the rear.A scarce edition of this mythological tale. In the publisher's original cloth binding. Bumping to back strip head and tail. Front hinge strained but firmly held. Front free endpaper to page viii detached and loosely inserted otherwise firmly bound. Pages lightly age toned to perimeters but otherwise bright. Frontispiece hand coloured by a prior owner. Good Willoughby and Co hardcover
72628Paris Flammarion 1920. Gr.8° 204 S. zahlr. farb Textillustr. von antiken Orig. Broschur teilweise unbeschnitten mit Transp.OU. Min gebrauchspurig schönes Exemplar. Préface de Léon Gautier Introduction par Henry Jouin. Nombreuses illustrations. - François de Salignac de La Mothe-Fénelon 1651-1715 in Cambrai französischer Erzbischof und Schriftsteller. Im Sommer 1689 wurde er wohl auch auf Vorschlag von Madame de Maintenon deren geistlicher Berater er inzwischen geworden war von Ludwig XIV. zum Erzieher seines 7-jährigen Enkels und eventuellen Thronfolgers des Duc de Bourgogne berufen. Für seinen fürstlichen Zögling schrieb Fénelon wie schon so häufig Fürstenerzieher vor ihm beispielsweise Bossuet mehrere unterhaltende und zugleich belehrende Werke: zunächst eine Sammlung von Fabeln sodann die «Aventures d’Aristonoüs» und die «Dialogues de morts» vor allem aber den umfänglichen 1694–96 verfassten Abenteuer- Reise- und Bildungsroman «Les Aventures de Télémaque fils d’Ulysse» 1733 in Deutsch erschienen als Die seltsamen Begebenheiten des Telemach. 010 Paris, Flammarion, 1920 unknown
20092-1594516588Paradigm Pub 2009. Paperback. New. 208 pages. 8.80x6.00x0.50 inches. Paradigm Pub paperback
2070110176.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18384877Perpignan: Jean-Baptiste Alzine 1838. Small octavo full brown leather binding with gilt spine lettering on red morocco label xxiv 402 pp. frontispiece 12 etchings. some rubbing along edges some foxing otherwise a very good copy. François de Salignac de La Mothe-Fénelon 1651-1715 archevêque de Cambrai théologien écrivain et pédagogue était un homme influent à la cour de Louis XIV. En 1689 il est nommé précepteur du jeune Louis de France duc de Bourgogne 1682-1712 sur proposition de Madame de Maintenon dont il était le conseiller spirituel. Pour son élève François Fénélon écrit plusieurs œuvres instructives par l'intermédiaire de fables telles que Les aventures d'Aristonoüs suivi d'un roman éducatif de voyages et d'aventures intitulés Les aventures de Télémaque fils d'Ulysse.</p> <p>Cet ouvrage écrit et développé entre 1694 et 1696 mènera à la disgrâce de François Fénélon dès sa circulation en 1698 au sein de la cour puisque son roman bien que pseudo-historique et utopique fut perçu comme une critique du Roi Soleil lui-même. En effet dans Les aventures de Télémaque fils d'Ulysse Télémaque Louis de France duc de Bourgogne suit son tuteur Fénélon appelé Mentor à travers différentes villes-états de l'Antiquité et est confronté à la guerre et la pauvreté des problèmes qui selon Mentor Fénélon est dû aux conseillers ambitieux et sans scrupules qui entourent les dirigeants de ces états. Fénélon met en garde son élève contre les politiques économiques mercantiles les politiques étrangères conflictuelles et agressives ainsi que le goût pour la démesure et l'extravagance. Les aventures de Télémaque fils d'Ulysse sont perçus comme une attaque voire une satire contre Louis XIV et à sa manière de gouverner. </p> <p>François Fénélon perdit son poste de précepteur en 1699 ce qui conduit à la publication anonyme et sans autorisation conduisant à sa disgrâce et à son bannissement de la cour.</p> <p>Cette publication contient un Discours sur la poésie épique et sur l'excellence du poème de Télémaque Les aventures de Télémaque fils d'Ulysse du livre I à X suivi des Aventures Aristonoüs.</p> <p>François de Salignac de La Mothe-Fénelon 1651-1715 archbishop of Cambrai theologian writer and teacher was an influential man at the court of Louis XIV. In 1689 he was appointed tutor to the young Louis de France Duke of Burgundy 1682-1712 at the suggestion of Madame de Maintenon for whom he was spiritual advisor. For his student François Fénélon wrote several instructive works through fables such as Les aventures d'Aristonoüs followed by an educational novel of travel and adventure entitled Les aventures de Télémaque fils d'Ulysse.</p> <p>This work written and developed between 1694 and 1696 led to the disgrace of François Fénélon as his novel though pseudo-historical and utopian was perceived as a criticism of the Sun King himself. Indeed in Les aventures de Télémaque fils d'Ulysse Telemachus Louis de France Duke of Burgundy follows his tutor Mentor Fénélon through different city-states of Antiquity and is confronted with war and poverty problems which according to Mentor Fénélon are the results of the ambitious and unscrupulous advisers surrounding the leaders of these city-states. Fénélon warns his student against mercantile economic policies conflicting and aggressive stances regarding foreign affairs and developing a taste for excess and extravagance. Les aventures de Télémaque fils d'Ulysse were seen as an attack even a satire against Louis XIV and the way he governed. </p> <p>François Fénélon lost his position as tutor in 1699 due to the publication albeit anonymous of his novel and fell from grace before being banished from court.</p> <p>This publication is composed of a Discours sur la poésie épique et sur l'excellence du poème de Télémaque Les aventures de Télémaque fils d'Ulysse from book I to X followed by Les aventures Aristonoüs. Jean-Baptiste Alzine unknown
1997Q-1557251819Paraclete Press 1997-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Paraclete Press paperback
173244462London, J. Brotherton, 1732. Small 8vo. Contemp. Ful, calf. Spine gilt, but worn. Engraved frontispiece. (14),468,(12) pp. 1 engraved folded map and 21 engraved plates. Some leaves frayed at margin and internally with traces of use.
174553973No place, Daniel Bartelemy & Fils, 1745. Small 8vo. Contemp. full calf. Spine gilt and with gilt lettering. 2 engraved frontispieces. (8),XXXIII,(7),505,(45) pp., 1 folded engraved maps and 23 engraved plates. Clean and fine, printed on good paper.
174553973No place Daniel Bartelemy & Fils 1745. Small 8vo. Contemp. full calf. Spine gilt and with gilt lettering. 2 engraved frontispieces. 8XXXIII750545 pp. 1 folded engraved maps and 23 engraved plates. Clean and fine printed on good paper. unknown
173244462London J. Brotherton 1732. Small 8vo. Contemp. Ful calf. Spine gilt but worn. Engraved frontispiece. 1446812 pp. 1 engraved folded map and 21 engraved plates. Some leaves frayed at margin and internally with traces of use. unknown
15694A Eleuteurople, chez Pierre Philalèthe, 1700. 9 x 16, 346 pp., reliure plein cuir d'époque, dos orné à 4 nerfs, bon état (coiffe supérieure légèrement abîmée et mors fendu sur 1 cm, papier vieilli, 1 cachet du collège jésuite Saint Stanislas à Mons).
26367PARIS, Froment et Lequien - 1828. - Complet des 2 tomes - In-8, 21 x 13 cm - 1/2 Reliure - Dos ornés avec titres dorés - Portrait de Fénelon (peint par VIVIEN, gravé par LEROUX) en frontispice du tome I - Nombreuses planches gravées hors texte, protégées par serpentes - XL + 318 pages et 424 pages - rousseurs d'usage - bon exemplaire - Envoi rapide et soigné
1721R76915s.l., 1721 xxxii + 183 + [9]pp. + frontispice gravé (portrait de Fenelon), 17cm., nouvelle édition (imprimé suivant la copie d'Amsterdam), vellum, tranches marbrés, 2 cachets (sur page de titre et au verso du portrait), qqs.rousseurs et taches d'humidité, qqs.annotations d'époque dans la marge du texte, texte toujours bien lisible, R76915
26979Paris, veuve Etienne, 1740. 1 vol. in-12, veau fauve, dos à nerfs orné de fleurons dorés, pièce de titre en maroquin brique, roulette dorée sur les coupes, tranches rouges. Reliure de l'époque. Bon exemplaire. viij-419 pp., (4) pp.