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"Poe Edgar AllanLivre Rare Book

Nouvelles Histoires Extraodinaires

Edgar Allan PoeBiblio.com

The Opal

1844158o. Some minor occasional foxing. Engraved frontispiece additional title and 7 plates. Original publisher's plum cloth sides decorated in gilt and blind spine gilt-decorated edges gilt spine lightly sunned minor wear to extremities first gathering sprung. Provenance: THOMAS HOLLEY CHIVERS 1809-1858 poet and friend of Poe presentation inscription in pencil from Poe on title-page; J.H. Whitty Poe bibliographer and scholar ink provenance note laid in.FIRST EDITION PRESENTATION COPY INSCRIBED BY POE TO HIS FRIEND AND FELLOW-POET THOMAS HOLLEY CHIVERS on the title-page: "E.A.P. to T.H.C." Contains the first printing of Poe's sketch "Morning on the Wissahiccon" pp. 249-256 which was later renamed "The Elk" when republished after Poe's death.Thomas Holley Chivers was an American doctor-turned-poet from Georgia. Poe showed an interest in the young poet and encouraged his work. The first interaction between the two was in 1840 though they did not meet until 1845 in New York. "Chivers's own poetry at this time dwelt on shrouds coffins angels and celestial reunion with lost loved ones his The Lost Pleiad 1845 featuring sonnets with such titles as 'Death' 'The Grave' and 'On Hearing of the Death of my Mother.'Not surprisingly Poe praised the volume as 'the honest and fervent utterance of an exquisitely sensitive heart' and particularly admired a poem of Chivers whose refrain was 'She came from heaven to tell me she was blest.' He often recited it with tears in his eyes according to Muddy." Silverman Edgar A. Poe: Mournful and Never-Ending Remembrance 1991 p. 259.The two became friends and Chivers was willing to give Poe lifetime financial support if he moved to the South. Poe hoped Chivers would lend his wealth as a financial backer for The Stylus and possibly even serve as a co-editor in its early planning stages. Chivers considered Poe's proposal but was not able to accept because of the death of his three-year-old daughter just over a week later. Chivers spent the last few years of his life defending the reputation of Poe who had died in 1849 though he also thought Poe had been heavily influenced by his own poetry.A VERY FINE ASSOCIATION COPY. John C. Riker hardcover

Librairie Jean-Claude Vrain · France350 000,00 $US≈ 296 135,00 €

Poe Edgar AllanABAA

The Raven and Other Poems and: Tales

1845320399New York: Wiley and Putnam 1845. First editions of both titles. Tales BAL third printing three-line copyright; Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Three quarter blue morocco gilt t.e.g. by Riviere & Son. Binder's endsheets with foxing text with slight toning and a few stray traces of foxing. First editions of both titles. Tales BAL third printing three-line copyright; Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Students all over the world know of the title poem and many know others as well: "The Conqueror Worm" "Eulalie" "Leonore" "To Helen" etc. "The most important volume of poetry that had been issued up to that time in America." - Grolier American 56 A choice set of the major books published during Poe's lifetime BAL's "reissue B" issued by Wiley and Putnam in April 1846 comprising the first edition sheets of The Raven and The Tales in either second or third printing here in BAL's third printing distinguishable by the three-line copyright notice. BAL notes that "impressions from the plates of several pages vary in an anomalous way. For instance the first three letters of the last three lines of p. 160 appear both battered and intact within the three printings." This copy has slight battering to "I" and "o" on p. 160 while the "v" is intact. The E in the running head on p. 187 is broken here as in most copies of all printings. BAL cautions "It is possible that the printings designated below as second and third are in fact two states of the same printing." This copy is textually complete in both books including the integral ads; the volume has been rebound without the separate gatherings of advertisements that followed the text. BAL 16146 16147; Heartman & Canny 92-94 97-108; Grolier American 56 Wiley and Putnam unknown books

James Cummins Bookseller · États-Unis38 000,00 $US≈ 32 151,80 €

Poe, Edgar AllanBiblio.com

The Raven and Other Poems and: Tales

1845320399New York: Wiley and Putnam 1845. First editions of both titles. Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Three quarter blue morocco gilt t.e.g. by Riviere & Son. Binder's endsheets with foxing text with slight toning and a few stray traces of foxing. First editions of both titles. Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Students all over the world know of the title poem and many know others as well: "The Conqueror Worm" "Eulalie" "Leonore" "To Helen" etc. "The most important volume of poetry that had been issued up to that time in America." - Grolier American 56 A choice set of the major books published during Poe's lifetime BAL's "reissue B" issued by Wiley and Putnam in April 1846 comprising the first edition sheets of The Raven and The Tales in either second or third printing here in BAL's third printing distinguishable by the three-line copyright notice. BAL notes that "impressions from the plates of several pages vary in an anomalous way. For instance the first three letters of the last three lines of p. 160 appear both battered and intact within the three printings." This copy has slight battering to "I" and "o" on p. 160 while the "v" is intact. The E in the running head on p. 187 is broken here as in most copies of all printings. BAL cautions "It is possible that the printings designated below as second and third are in fact two states of the same printing." This copy is textually complete in both books including the integral ads; the volume has been rebound without the separate gatherings of advertisements that followed the text. BAL 16146 16147; Heartman & Canny 92-94 97-108; Grolier American 56 Wiley and Putnam unknown

James Cummins Bookseller · États-Unis35 000,00 $US≈ 29 613,50 €

Poe Edgar AllanABAA

Tales of the Grotesque and Arabesque

1840319133Philadelphia: Lea and Blanchard 1840. First edition one of only an estimated 750 copies printed; with p. 213 correctly numbered. 2431; iv 4 5-228 pp. 2 vols. 8vo. Original purple muslin printed paper spine labels; cloth folding case. Labels chipped and darkened spines and upper board edges faded chip to rear joint of vol. 1 and 2-in. split along rear joint of vol. 2; foxed. Despite minor flaws an entirely original unsophisticated copy of a truly scarce set that today is typically found recased or otherwise restored. First edition one of only an estimated 750 copies printed; with p. 213 correctly numbered. 2431; iv 4 5-228 pp. 2 vols. 8vo. First edition; one of only 750 copies printed. The twenty-five stories in this American cornerstone include two of Poe's most important works: "Ms. Found in a Bottle" and "The Fall of the House of Usher." Poe had struggled since 1834 to collect his stories published in a variety of journals and magazines into book form. This publication was a major milestone for the author and critical praises included in the second volume by the likes of Washington Irving N.P. Willis J. F. Otis Mrs. Sigourney and notable academic reviews. Despite the enthusiasm it was a commercial failure. Poe's recent success with "The Fall of the House of Usher" published in Burton's Gentleman's magazine in 1839 impressed the publishers Lea & Blanchard. They were not however confident in assured sales and it is recorded that in lieu of any royalties Poe received 20 free copies as payment. A prophetic anonymous reviewer in the Boston Notion proposed that Poe's work was better suited to readers of the future while readers of his time would find the stories "below the average of newspaper trash. wild unmeaning pointless aimless. without anything of elevated fancy or fine humor." Indeed readers of the future finally and firmly embraced Poe as a major innovator and master of the form. Increasingly scarce in any condition but especially so in original condition. BAL 16133; Heartman & Canny pp. 49-54. Provenance: Maria W. Phelps penciled inscriptions dated Saturday August 14 1847 on front free endpapers in each volume. Possibly Maria Wilder Phelps Thayer of Boston b. 1828 wife of Boston merchant Frederick W. Thayer and mother of Harvard-educated Frederick W. Thayer inventor of the baseball catcher's mask Lea and Blanchard unknown books

James Cummins Bookseller · États-Unis32 500,00 $US≈ 27 498,25 €

Poe, Edgar AllanBiblio.com

The Raven and Other Poems. Bound With Tales.

1845139816New York: Wiley and Putnam 1845. Rare first editions of Poe's two great collections of stories and poems bound together in the original publisher's cloth. Octavo original publisher's dark green cloth elaborately stamped in blind with gilt titles to the spine publisher's advertisements at rear of each volume which are most often lacking with both volumes bound together. Wiley and Putnam issued both titles separately in paper wrappers but bound the two together for additional appeal to readers. The Raven is bound first in this copy the order varies; that work is arguably the widest read and best-known in the American canon. Tales includes "The "The Black Cat" "The Fall of the House of Usher" "The Descent Into the Maelstrom" and other tales of horror and adventure as well as the three Dupin stories contained here for the first time in book form and considered "the first important book of detective stories the first and greatest the cornerstone of cornerstones.the highest of all high spots" Queen's Quorum 1. In very good condition. Tales bears the third issue of the copyright notice. Housed in a custom half morocco and folding chemise slipcase. Rare and desirable in the original publisher's cloth. The Raven and Other Poems â€œwas published at one of the low ebbs of Poeâ€™s fortunes when his Broadway Journal was about to expire and is thus characterized by his biographer Hervey Allen: The most important volume of poetry that had been issued up to that time in Americaâ€¦ In this little volume the weary wayworn wanderer had successfully reached his own native shore in the realm of imaginationâ€ Grolier 100 American 56. Poe considered â€œThe Ravenâ€ to be his finest poemâ€”indeed he was quoted as saying it was the finest poem ever written. Dedicated to Elizabeth Barrett Barrett and first published by Wiley & Putnam in November 1845 in an edition of roughly 750 copies The Raven and Other Poems "made Poe's name known both in America and England and brought him an immortality that by no other means could he have attained" Robertson 224. Wiley and Putnam hardcover

Raptis Rare Books · États-Unis32 000,00 $US≈ 27 075,20 €

Poe, Edgar AllanBiblio.com

TALES

184547445New York: Wiley and Putnam 1845. First edition. Very good plus. Rare first printing of this selection of Poe's tales including "The Fall of the House of Usher" and "The Murders in the Rue Morgue." Included in these twelve tales are the pieces that are often anointed as the first modern detective stories: "The Murders in the Rue Morgue" "The Mystery of Marie Roget" and "The Purloined Letter" all featuring his famed character C. Auguste Dupin. It is item number 1 in QUEEN'S QUORUM which spares no fanfare: "the first important book of detective fiction the first and the greatest the cornerstone of cornerstones in any readers' or collectors' guide the highest of all highspots." The works were selected out of Poe's various magazine publications for printing as the second number in Wiley & Putnam's Library of American Books. Despite the author's private complaints and general grumbles Poe lamented the number of "analytic" stories in the collection as unrepresentative of his full capacities Wiley reader Evert Duyckink's astute choices contributed to the volume's relative success. These include "The Fall of the House of Usher" "The Black Cat" and "The Gold-Bug" along with a few philosophical dialogues and the lesser-known "Lionizing" - "perhaps as a concession to Poe's unfounded sense of himself as a humorist" Silverman. Immensely influential: one of the most important short story collections published in the United States. 7'' x 4.75''. Modern half brown goatskin with contemporary marbled boards sympathetically rebacked to style spine ruled and lettered in bright gilt. With half-title "Wiley and Putnam's Library of American Books / Poe's Tales"; bound without advertisements. Imprint of T.B. Smith and H. Ludwig on copyright page. 6 228 pages. Housed in custom quarter green goatskin slipcase and green cloth chemise. Ownership signatures of Charles L. Swasey to front free endpaper dated 1849 with shelfmark in same hand; and to title page. Some edgewear and rubbing to boards. Mild foxing to endpapers and some margins. Wiley and Putnam unknown

Type Punch Matrix · États-Unis28 000,00 $US≈ 23 690,80 €

POE, Edgar AllanBiblio.com

Tales of the Grotesque and Arabesque.

1839180683Philadelphia: Lea and Blanchard 1840 1839. The first collection of his famous tales First edition. Poe's influential first collection of tales gathers all 25 stories he had produced to date. They include two of his best-known stories "Fall of the House of Usher" and "MS. Found in a Bottle" along with the first known appearance in print of "Why the Little Frenchman Wears His Hand in a Sling". The popularity of the magazine appearance of "Fall of the House of Usher" convinced the publisher Lea and Blanchard to publish a collection on condition that Poe would retain the copyright and receive 20 copies in lieu of royalties. Poe revised the stories for book publication in a "bid for fame and while the volumes were favourably reviewed they did not sell rapidly. Yet they contained some of the greatest short stories in the literature of the world" Quinn p. 290. Though his originality divided contemporary opinion some reviewers recognised his "power for vivid description an opulence of imagination a fecundity of invention and a command over the elegances of diction which have seldom been displayed" Tasistro. Nevertheless the book proved a commercial failure which did not sell out during his lifetime and some copies sold in later years were reissued with a cancel title page. Poe's offer to the publisher in 1841 to produce an expanded second edition again forfeiting royalties was quickly declined. The publishers wrote to Poe on 28 September 1839 stating they would "print a Small Ed. say 1750 copies". However in 1880 the publisher's son Henry Charles Lea discovered that "a reference to memoranda of that time shows that the Edition consisted of but 750 copies" Quinn p. 287. BAL notes that Volume II Signature 20 occurs in several states due to the progressive loosening of type during the course of a single printing. In this copy page 213 is correctly numbered and page 219 still has the proper alignment of the "i" in "ing" line 13 up and the hyphen at the end of line 6 up. There is no priority of issue. 2 vols duodecimo in half-sheets. Publisher's 4-page adverts bound at front of vol. II. Early 20th-century brown pigskin spines lettered and framed in gilt covers ruled in gilt floral gilt roll on turn-ins patterned endpapers edges gilt. Scattered light foxing vol. I pp. 33-44 toned a couple of tears to end blanks of vol. I. A very good copy. BAL 16133; Barron 2-77; Bleiler 1313; Heartman & Canny pp. 49-54. Arthur Hobson Quinn Edgar Allan Poe: A Critical Biography 1998; Louis F. Tasistro New York Mirror 28 Dec. 1839. unknown

Peter Harrington · Royaume-Uni20 000,00 £GB≈ 22 836,00 €

Poe, Edgar AllanBiblio.com

The Raven and Other Poems

1845140947352New York: Wiley and Putnam 1845. First Edition. Very Good. First edition. vi 91 1 pp. Bound in a mourning binding contemporary black pebble calf double ruled in blind with gilt stamped monogram "J.B.F." Jessie Benton Fremont on upper board; spine lettered in gilt with blind ruled bands. All edges gilt with green nonpareil marbled endpapers. Very Good with moderate rubbing to extremities gnawing to bottom edge of textblock gift inscription from Jessie Fremont to her husband John C. at first blank "To Mr. Fremont / from his wife Jessie - / in memory of August 1847. / August 1848." Numerous literary notations in Fremont's hand throughout the endsheets contents moderately foxed and toned with spots of age staining. Page 5 is torn with loss at bottom edge and abbreviated quote from The Raven written at bottom margin "And my heart from out that shadow shall be lifted - nevermore." Chip with loss to top edge affecting 89-91 pp. Three leaves of mourning paper with various literary quotations one a full transcript of Dinah Maria Mulock Craik's "Philip My King" in Benton Fremont's hand. Lacking half-title. The much sought-after first book appearance of the iconic titular poem as well as others such as "Lenore" "Eulalie" and "To Helen." Called "the most important volume of poetry that had been issued up until that time in America" by Hervey Allen in his Poe biography Israfel vol. 2 p. Specially bound in a black mourning binding with provenance of Fremont 1824-1902. She was a woman of letters and writer whose work primarily focused on the American West. She was heavily active in politics and was an outspoken opponent of slavery. She was the wife of John C. Fremont 1813-1890 a United States Army Officer who commanded the West during the Civil War under President Abraham Lincoln. Jessie gifted this to her husband directly after the birth of their first son Benton Fremont b. July 24 1848 who sadly died a year later. She likely had this bound later in memoriam of her son as most of the notations written in her hand on the endsheets are almost all quotations relating to and about death and tragedy. BAL 16147. Wiley and Putnam unknown

Burnside Rare Books, ABAA · États-Unis14 000,00 $US≈ 11 845,40 €

Poe Edgar AllanABAA

The Raven and Other Poems

18451001883New York: Wiley and Putnam 1845. First edition in book form of Edgar Allan Poe's "The Raven" the single most famous American poem of the nineteenth century first published earlier that year in the New York Evening Mirror under Poe's own name and The American Review under a pseudonym. Partly inspired by the early lyrics of Elizabeth Barrett later Browning to whom he dedicated this volume of poems Poe composed "The Raven" in trochaic octometer with a deranged musicality all his own. The elements are familiar even to those who don't read poetry: the "midnight dreary" the silk-curtained chamber the raven perched upon the bust of Athena the relentless refrain that drives the narrator mad. "'Leave no black plume as a token of that lie thy soul hath spoken! / Leave my loneliness unbroken! - quit the bust above my door! / Take thy beak from out my heart and take thy form from off my door!' / Quoth the Raven 'Nevermore.'" Even before publication Poe knew he had a sensation on his hands. When a friend described an early reading of the poem as "fine uncommonly fine" Poe responded: "Is that all you can say for this poem I tell you it's the greatest poem ever written." Poe's fame only increased with the appearance of contemporary parodies like "The Owl" and "The Polecat": a contemporary recalls "'The Raven' became known everywhere and everyone was saying 'Nevermore.'" The publication of "The Raven" paved the way for Wiley and Putnam's publication of Poe's Tales the collection that introduced his pioneering detective fiction to a wider audience that same year. BAL 16147. A near-fine copy of a landmark in American literature. Octavo measuring 7.25 x 5 inches: 6 91 1. Early twentieth-century full russet calf boards single-ruled in gilt raised bands black morocco spine labels spine single-ruled and lettered in gilt gilt dentelles marbled endpapers. Handwritten slip tipped onto second fly leaf noting "inner gilt dentelles by Zaehnsdorf." Lacking original wrappers half title and ads. Joints expertly repaired a few light scratches to lower board. Wiley and Putnam unknown books

Honey & Wax Booksellers · États-Unis12 500,00 $US≈ 10 576,25 €

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