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1940140939200Washington D.C.: The Associates in Negro Folk Education Inc 1940. First Edition. Very Good. First edition cloth issue. 224 pp. with many b/w illustrations color frontis. Black cloth with gilt lettering. Very Good sans jacket with light wear to cloth and soiling to edges foxing and offsetting to endpapers later gift inscription on front free endpaper underneath Locke's inscription horizontal crease to frontispiece that may be a production error. Signed by editor Alain Locke on front free endpaper inscribed to professor of philosophy Max Otto and his wife "in remembrance of happy Madison Wisconsin days. signed with an underscore Alain Locke May 27 1946." A nice association between two prominent American intellectuals. As an outspoken critic of religious dogma and a friend of progressive Wisconsin politician Robert LaFollette Otto weathered decades of opprobrium while teaching in Wisconsin. A gay African American philosopher educator and writer Locke is most often remembered as the "Dean" of the Harlem Renaissance; his writing on the movement in 1925 including the seminal anthology The New Negro effectively launched it. He was also the first African American Rhodes scholar. This influential anthology introduced many Black modern artists and subjects at a time when few critics were aware of them. An uncommon signed major work of Locke's. The Associates in Negro Folk Education Inc unknown books
1974133135Bloomington: N.p. 1974. First Edition. Archive of research materials used by William F. Van Wert in preparing his dissertation "The Theory and Practice of the Cine-Roman" Arno Press 1978. Included are responses to a questionnaire and an album of film stills. <br/><br/>Focusing on the filmmakers of the Rive Gauche movement which slightly preceded the French New Wave and ran parallel through the 1960s Van Wert wanted to explore the literary influence on the works of the movement's principle filmmakers an aspect he felt separated them from their "Cahiers" counterparts. He sent the directors a twenty-question survey to which he received four amicable responses from Alain Robbe-Grillet Henri Colpi and Jean Cayrol. <br/><br/>Alain Robbe-Grillet provides a generous response directly on the questionnaire with his comments in blue and red holograph ink throughout. He describes his reactions to contemporary filmmakers how Godard's works were influential but the work of Truffaut and Chabrol were absolutely not and numerically ranking the importance of each aspect of filmmaking such as the editing soundtrack and directing actors and signs his form "bien cordialement / Robbe-Grillet" at the top right corner of the first leaf. <br/><br/>Jean Cayrol responds with a two-leaf typed letter signed. Cayrol who collaborated with Alain Rensais on "Night and Fog" 1955 and "Muriel" 1963 invites Van Wert to tape a conversation in Paris because of an expressed difficulty in easily articulating his ideas in writing. <br/><br/>Henri Colpi responds with a four leaf six page autograph letter signed on his printed stationery some leaves recto and verso some recto only. Colpi was the director of the 1961 Palme d'Or winning "Une aussi longue absence" and writes the most thorough response addressing each of Van Wert's questions in detail. <br/><br/>Included are 142 original 4 x 6 inch vernacular photographs taken during screenings held by Van Wert using prints obtained from Grove New Yorker Films and others. The photos were ostensibly used as visual references by Van Wert while researching the films referenced in his book. Included are photographs from three films: "L'Immortelle" Robbe-Grillet 1963 "L'Opera mouffe" Agnes Varda 1958 and "Night and Fog" Resnais 1955. Photographs Fine housed in the photo binder used by Van Wert binder Very Good plus with minor chipping and light soiling. <br/><br/>Letters 8.5 x 11 inches to 8.5 x 11.5 inches. Very Good overall housed in a supplied binder. <br/><br/>Also included as reference are Van Wert's books "The Theory and Practice of the Cine-Roman" First Edition Near Fine with minor rubbing and a later printing of "The Film Career of Alain Robbe-Grillet" Very Good in wrappers. <br/><br/>Criterion Collection 238. Redemption Films 39. Vogel US. N.p. unknown books
196117265Wuppertal: Verlag der Kalender 1961. First edition. Paperback. Very Good. Large square paperbound quarto. 12" square. Book consists of numerous examples of Vostell's Decollage screenprints intersperced with concrete poetry by Dufresne. Text at rear in German and French by Alain Jouffrey. Contents in fine condition. Printed on thick paperstock. The front cover of this copy has some staining mostly at the lower front corner of the book and strectching upwards along the spine for about 5". See photo. A few tiny chips to edges. A gorgeous book. Verlag der Kalender paperback books
1939140939610Baltimore: The Baltimore Museum of Art 1939. First Edition. Very Good. First edition. 24 pp. Original orange stapled wraps. Very Good with a single vertical crease to wraps and all pages additional crease to back wrap corner a few ink checkmarks to margins. Contents bright with six black-and-white reproductions of paintings therein. Scarce with no other copies for sale in the trade currently a total of three copies found at auction and only 17 institutional copies found in a recent OCLC search. An important catalog of one of the first exhibitions of African American art and apparently the very first to be held in the South. The exhibition was historically significant for its contents and style as well; it was the first to frame Black art as "modern." Over 12000 visitors saw the 116 works by 29 artists including Jacob Lawrence Dox Thrash Samuel Joseph Brown Elton Clay Fax Archibald Motley James Lesesne Wells and Hale Woodruff. Over 80 years later the Baltimore Museum of Art commemorated this occasion with the exhibition "1939: Exhibiting Black Art at the BMA. The Baltimore Museum of Art unknown books
1935C1031Alain Campbell White letters to Frederick Gamage cover the years from April 4 1935 to September 15 1944. For this ten year period there are 364 dated letters and 28 incomplete letters lacking front date page. The letters are an ongoing correspondence between White and Gamage which covers all aspects of problem chess. The letters show a development of mentor White encouraging ad occasionally prodding his protégé Gamage in developing skills in problem construction. As the letters progress over this ten year period the reader can observe the relationship develop between the two men from a formal intercourse to a more comradely banter. White offered suggestions comments and themes for problems. White's vast and profound technical knowledge his artistic appreciation his ability in expressing himself and his enthusiastic and friendly encouragement were the great inspiration of many problems Gamage constructed and he was lucky enough to be among his host of correspondents. Some of the letters were multiple pages hand typed but often hand written some unsigned or just initialed usually with the location White was residing and the date written. Included with the letters are the limited edition work by Alain White on Gamage Frederick Gamage: An Artist in Chess Problems and Mike Prcic's book Frederick Gamage. The letters in the latter work have been reproduced from the original letters offered now.<br /><br />Newman Guttman was one of a few problemists to visit Frederick Gamage. After the passing of Gamage the letters from Alain White along with Gamage's other chess papers were given to Guttman. He in turn gave these papers to Edgar Holladay. Holladay came into the possession of what problemists would consider as "treasures" one-of-a-kind items from famous and well-known problemists. Robert Moore and Holladay were good friends and these were passed to him by Holladay's wife Rita.<br /><br />Serious buyers may inquire about more information regarding this collection.<br /><br />Condition:<br /><br />The letters have folds for postage some occasional stains and occasional edge wear else a very good collection. They are housed in individual archival holders held in a multiple three ring binders. Self Written books
197829227West Islip NY: ULAE 1978. First edition. Rauschenberg Robert. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. It comprises 31 pages plus the title page and 4 colophon pages printed from 37 stones for the images and 27 aluminum plates for the text numbered 11-31 I-IV. Pages measure 20-1/2 x 26-3/16 inches 52 x 69 cm. folded as issued. Printed on specially made Twinrocker paper with the watermark of the artist's and author's signatures. One of seven artist proof copies from the total edition of 42 copies. Each of the 31 pages is signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet; each page also carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box designed by the artist as issued and the publisher's specially constructed wooden case. "Long enamored of French literature and language publisher Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work Mrs. Grosman already aware of stylistic similarities between the two felt that a collaboration was fated. Two days later it was underway. During the next four years Mrs. Grosman sent aluminum offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text" Esther Sparks Universal Limited Art Editions pp. 447-459. "The title is police jargon loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city Rauschenberg responded with a portrayal of everyday life with supermarkets underwear and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality' she said" Mary Lynn Kotz Rauschenberg / Art and Life 1990 p. 148. <br/><br/> ULAE hardcover books
197827765West Islip NY: Universal Limited Art Editions 1978. First edition. Rauschenberg Robert. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. Printed on specially made Twinrocker paper with the watermark of the artist's and author's signatures it comprises 31 pages plus the title page and 4 colophon pages printed from 37 stones and 27 aluminum plates numbered 11-31 I-IV. <br/>20-1/2 x 26 3/16 inches 52 x 69 cm. folded. Copy 34 of a total edition of 36 plus 6 A.P. copies the colophon calls for six but they are numbered through 7. Signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet on each of the 31 pages each carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box designed by the artist as issued. With two of the original aluminum offset plates on which Robbe-Grillet wrote the text a set of ten proof pages on Twinrocker paper for the text before illustrations and a sheet which Robbe-Grillet used for practice before writing out the manuscript on the plates. The plates were returned to ULAE by Robbe-Grillet and proofed before Rauschenberg responded to each group of text pages by creating his iluustrations. "Long enamored of French literature and language publisher Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work Mrs. Grosman already aware of stylistic similarities between the two felt that a collaboration was fated. Two days later it was underway. During the next four years Mrs. Grosman sent offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text" Esther Sparks Universal Limited Art Editions pp. 447-459. "The title is police jargon loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city Rauschenberg responded with a portrayal of everyday life with supermarkets underwear and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality' she said" Mary Lynn Kotz Rauschenberg / Art and Life 1990 p. 148. <br/><br/> Universal Limited Art Editions hardcover books