Voigt, UweAntiquariat.de
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2008908826Würzburg : Ergon, 2008. 368 S. Broschiert.
161062508Florence In officina Iuntaru Barnardi Filiorum 1560. Small folio. 18th century full vellum with gilt labels to spine. Wear to capitals and small worm tracts towrad opper hinges. Corners a bit bumped. A very nice and sturdy binding. Marbled edges. Some browspotting throughout. Small wormholes to blank margin of final leaf far from affecting imprint. Woodcut vignette to title-page and to verso of colophon-leaf. 10 308 12 ff. <br/><br/><em>The rare first edition of Vittore's main work his great edition translation and commentary on Aristotle's Poetics which is arguably the most important and influential commentary on the work ever published profoundly shaping our understanding and interpretation of Aristotelian literary theory. Petrus Victorius or Piero/ Pietro Vittore/Vettore 1499-1584 is not only the “first great editor of the Poetics†McMahon he is also considered "the greatest Greek scholar of Italy" Whibley “the leading Italian scholar of his time†Encycl. Britt. “the last great figure from that period in the domain of Greek studies†Willamowitz and “the foremost representative of classical scholarship in Italy during the sixteenth century which for Italy at least may well be called the “saeculum Victorianumâ€.†Sandys. His magnum opus and without doubt most influential work is his edition with commentary of Aristotle’s Poetics which is of seminal importance in several respects. It is crucial to our understanding of Aristotle’s great work shaping the way that all later scholars have read it. The understanding of Aristotle’s work on poetry came to define the way that we have understood literature and fiction ever since the Renaissance and Victorius is the leading interpreter. ““From the sixteenth century to Romanticism European literary theory used the term marvel or wonder It. meraviglia ammirabile Fr. merveille Sp. maravilla to designate everything that was on the conceptual margins of the poetics of probability and imitation. The discovery and complete reception of Aristotle’s Poetics between the fifteenth and sixteenth centuries resulted in the dissemination of an idea of poetry as the imitation of the actions of men whose main part was the plot or the structuring of actions ordered according to the laws of necessity credibility and probability. This formed the basis of Neo-Aristotelian poetics which determined the ways of thinking about literature and fiction for more than four centuries.†Vega p. 280. Especially the idea of “wonder†in Aristotle’s Poetics came to be one of the founding ideas of modern literary theory. And especially here Victurius’ reading is groundbreaking playing a central part in the reception and understanding of the work over the centuries to come. “A single editorial decision in just one passage and what is more in a complex fragmentary unfinished text like the Poetics affects the entire work…†Vega p. 284. “The text of the Poetics that can be read in the editions and translations of the sixteenth century and a large part of the seventeenth with one exception as we shall see NB. This exception is Victorius does not include the term alogon in the passage that deals with wonder. It does not appear in the first Greek edition the famous Aldine princeps of 1508 or in the Latin translations of the end of the fifteenth century; it is not in the edition and translation by Alexander Paccius or Pazzi the one most widely read in the sixteenth century neither does it appear in the edition with commentary by Francesco Robortello nor in Vincenzo Maggi’s Enarrationes nor in the vernacular commentaries of Ludovico Castelvetro and Alessandro Piccolomini. What is more a detailed revision of the history of the text reveals that no manuscript of the Poetics and no direct or indirect testimonies not even in the Arabic branch of its transmission have ever included the term alogon.†Vega p. 282. It is Victorius who is solely responsible for the reading that is generally accepted today as well. “The moment when the idea of irrationality alogon appears for the first time in Aristotle’s text can be identified without hesitation as 1560 which is the date when the edition translation and commentary on the Poetics by the philologist and Hellenist Pier Vettori or Victorius was printed on the presses of Giunti in Florence. Vettori is the one who first edits alogon even though no testimony provides him with this reading and he does so fully aware of his choice and its implications†Vega pp. 287-89. “The success of Victorius’ reading while not immediate was extraordinary.†Vega p. 287 Antonio Viperano accepts the reading “alogon†with all it involves De poetica libri tres Ricciboni adapts it in his edition of Aristotle’s Poetics Tasso embraces it Discorsi dell’arte poetica Discorsi del poema eroico and it is implicit in Alonso López Pinciano’s Philosophia Antigua Poetica. Vossius in 17th century Germany makes abundant glosses on alogon in his books on poetics and the commentators and translators of the “Poetics†in France preferred Victorius’ reading in every case. “Victorius’ conjecture seems to have convinced all editors and commentators who reproduce it without question in every case.†Vega p. 289. The influence of Victorius’ interpretation of Aristotelian literary theory that he presented in his magnum opus i.e. the present work was not limited to the use of specific words that changed the reception history of Aristotle’s Poetics. His entire view of poetry through an interpretation of Aristotle was highly original and came to define the way we understand literature in general. Victorius was one of the first to put forth the belief that heroic poetry should present a Platonic idea of perfect virtue contributing to the centuries long doctrine of the perfect hero as perfect exemplar and he was one of the first to revive Aristotle’s idea of purgation from tragedy still widespread today and to also understand the existence of a purgation from poetry. “He viewed poetry as a moderator of minds “By reading poetry men “become moderate in temper and their turbid motions are extinguished.†Poems “purge our minds of blemish and spotâ€. Vettori realized that Aristotle’s reference to catharsis should be applied to tragedy alone but he added that similar purgations could be achieved by other kinds of poetry effective however on other passions than pity and fear and with the aid of other instruments.†Hathaway pp. 292-93. Apart from his overall interpretation of Aristotle’s literary theory and his groundbreaking reading of the most central passages of the Poetics Victorius was also the first to determine that the Aristotelian text that has come down to us is not complete. “Victorius was the first to see that the treatise now known as the Poetics is only the surviving portion of a larger work.†Bywater p. XX. “during his lifetime five medals were struck in his i.e. Victorius’ honour and his portrait was painted by Titian… His fame was not limited to his own land or his own time. His scrupulous care and unwearied industry are lauded by Turnebus who declines to be compared with him even for a moment; the epiteths doctissiums optimus and fidelissimus are applied to him by the younger and the greater of the two Scaligers while Muretus calls him eruditorum coryphaeus; and similar eulogies might be quoted from Justus Lipsius. Dacius … and Graevius. He is described as having climbed the “hill of virtue†and taken his place on its summit between Cicero and Aristotle. In his funeral oration Salviati says of him in the personification of Italia: “Now no more shall distant peoples cross the snows of the Alps to see Victorius or men of mark arrive from every land to hear him; or princes hold converse with him. Now no more shall the works of scholars in all parts of the world be sent here for his approval; or youth learn wisdom from his lips.†Sandys pp. 139-40. “No one said a contemporary of his in a funerary laudatio ‘left Aristotle in a cleaner state purgatior’.†Baldi. _____________________________________________ Adams: 1905; Brunet V: 1179; Graesse I: 213 â€Ã©dition excellente quant à la critique†and noting that some copies bear the dates 1563 and 1564. Sandys: A History of Classical Scholarship Vol. II 2003 pp. 135-140. Hathaway Baxter: The Age of Criticism: The Late Renaissance in Italy. Cornell University Press 1962. A.Philip McMahon: On the Second Book of Aristotle's Poetics and the Source of Theophrastus' Definition of Tragedy Authors. In: Harvard Studies in Classical Philology 1917 Vol. 28 1917 pp. 1-46. Christopher Rowe: Petrus Victorius and Aristotle’s Eudemian Ethics Cambridge University Press online 2025. Vega Maria José: Wonder and the Irrational. The Invention of Aristotle’s Poetics in the Sixteenth Century. In: Nous Polis Nomos. Berlin Academia Verlag 2016. Baldi: Il greco a Firenze e Pier Vettori 1499–1585 Alessandria 2014 117. </em> hardcover
Thèse - In-4 - Tapuscrit - 1959 - 56 pages
14570Thèse - In-4 - Tapuscrit - 1959 - 56 pages
150565845Venetiis: 1505-1507. later old quarter vellum over marbled baords. Some old ink annotations and a neat repair to one corner of the first leaf; neat old marginal annotations in Latin to the Aristotle. Some inoffensive scattered marginal stains; contents very attractive. 4to. hardcover
20111085629Leiden ; Boston, Mass. : Brill, 2011. VIII, 689 S. ; 25 cm. Originalhardcover.
3 delen: samen x + 696pp., in-4, [pro manuscripto proefschrift tot het behalen van de graad van doctor in de Wijsbegeerte en Letteren (klassieke filologie) aan de Katholieke Universiteit Leuven, promotor: prof.Verbeke]
336pp., 26cm., in de reeks "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" Jg.42 nr.94, stempeltje, goede staat, F59621
xi + 308pp., dans la série "Fondements de la politique. Série Essais", 22cm., brochure originale, petit cachet sur la page de titre, sinon en très bon état, F105406
79pp., reprint of the 2nd edition, in the series "Philosophia Antiqua. A Series of Monographs on Ancient Philosophy" volume 1, 25cm., softcover, pages still uncut, very good condition, F105590
xcvii + 321pp. dans la série 'Corpus Latinum Commentariorum in Aristotelem Graecorum' volume I, 26cm. brochure originale (qqs. traces d'usage), trois références bibliographiques manuscrits sur la feuille de garde blanche, texte frais, bon état, [Etude en français, l'édition du texte en latin], F106234
xcvii + 321pp., 25cm., br.orig., dans la série "Centre de Wulf-Mansion. Corpus Latinum Commentariorum in Aristotelem Graecorum" tome I, étude en français & texte en latin, pages non coupées, très bon état, F83536
1968F105590Leiden, E.J. Brill 1968 79pp., reprint of the 2nd edition, in the series "Philosophia Antiqua. A Series of Monographs on Ancient Philosophy" volume 1, 25cm., softcover, pages still uncut, very good condition, F105590
1995F105406Paris, Presses Universitaires de France 1995 xi + 308pp., dans la série "Fondements de la politique. Série Essais", 22cm., brochure originale, petit cachet sur la page de titre, sinon en très bon état, F105406
1975F58395Leuven, 1975 3 delen: samen x + 696pp., in-4, [pro manuscripto proefschrift tot het behalen van de graad van doctor in de Wijsbegeerte en Letteren (klassieke filologie) aan de Katholieke Universiteit Leuven, promotor: prof.Verbeke]
1980F59621Brussel, Paleis der Academiën 1980 336pp., 26cm., in de reeks "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" Jg.42 nr.94, stempeltje, goede staat, F59621
1957F106234Louvain/ Paris, Publications Universitaires de Louvain/ Nauwelaerts 1957 xcvii + 321pp. dans la série 'Corpus Latinum Commentariorum in Aristotelem Graecorum' volume I, 26cm. brochure originale (qqs. traces d'usage), trois références bibliographiques manuscrits sur la feuille de garde blanche, texte frais, bon état, [Etude en français, l'édition du texte en latin], F106234
Faint staining to front wrap. Spine a bit sunned. ; 211 pages
15367, Meppel, Boom, 1979, Geillustreerde kartonomslag, 120 x 200mm., 211pp.
1974100124475Indiana University Press 1974 224 pages 12 954x1 778x19 812cm. 1974. Broché. 224 pages.
viii + 439pp., 24cm., publisher's hardcover, dustwrapper (few signs of use), text and interior clean and bright, good condition, F105418
xi + 402pp., in the series "Peripatoi. Philologisch-historische Studien zu Aristotelismus" volume 14, 24cm., publisher's hardcover in grey cloth, very good condition, F105543
xi + 317pp. + frontispiece and 4 plates out of text, 1st edition, in the series "Peripatoi. Philologisch-historische Studien zum Aristotelismus" Volume 1, 24cm., publisher's hardcover in grey cloth, text and interior clean and bright, good condition, F105493
x + 362pp., in the series "Cambridge Classical Studies", 23cm., publisher's hardcover, dustwrapper, text and interior clean and bright, good condition, F105386
263pp., in the series "Schriften zur Geschichte und Kultur der Antike" volume 22, 24cm., softcover, text and interior clean and bright, good condition, F105492
