4 505 résultats
<p>3 volumi legati in 2 tomi, 27, brossure coeve con dorso in tela, titolo stampato su tassello cartaceo ai piatti, p. 186; 67; 65. Testo in francese.</p>
19835681Frankfurt, Fischer Verlag, 1983. 8°, Fischer TB 17023 , 175 S., 2 kl. Striche a.Vordereinb., leichte Schnittbräunung, St.a.US., sonst gutes Ex.., kartoniert/ Taschenbuch
196975351969 Paris, 1969, In huit, 49 pp, agrafé, couverture illustrée d'un plan de Paris,
In-4 (cm 29x23), pp. 75, cartonato edit. ill., ill. b.n. e a colori nel testo. "I grandi di tutti i tempi". Pieghette e piccole abrasioni al cartonato, ordinari segni del tempo, buono.
500376833Sans date.
3105AGhrsg. v. Lemaitre. Stahlstich, Darst. 9 x 13,5 (H), Bll. 13 x 21,5 Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
1936141081Basel, Braus-Riggenbach, 1936. M. 12 Taf. u. einigen Textabb. 325 S. OKart. Schnitt angeschmutzt.
8616S.l. (Paris), 1753 In-12, pleine reliure d'époque (basane racinée), dos avec titre doré orné de fleurons dorés, tranches rouges, signet, xxiv-222 pp. Préface de l'éditeur - Préface d'Erasme adressée à Thomas Morus, son ami - Eloge de la Folie - Table des matières contenues dans l'Eloge de la Folie.
br. La tradizione liturgica a Gaeta è sempre stata un punto di riferimento essenziale per la storia della cultura italiana in ambito rinascimentale, vuoi per l'importanza della sua sede vescovile, vuoi perché nei secoli autentica porta del Regno di Napoli. Di conseguenza, il patrimonio musicale delle sue istituzioni ecclesiastiche ha sempre destato interesse proprio per la sua ricchezza musicale e artistica. In questo Mare magnum di opere, destano particolare interesse i libri corali e non solo perché testimonianti la realtà quotidiana della liturgia e dell'Officio, ma anche perché espressione di un complesso lavoro di riorganizzazione e riscrittura che la Chiesa gaetana avvia tra 1548 e 1614.
007966Paris Les Cahiers de paris 0 20 volumes in-12 Broché, couverture rempliée>
199529268Tours C.L.D 1995 In-8 année 1994 206 pp
19364259Rotterdam, Bibliotheek der Gemeente, 1936-37. 2 Bl., 56; IV S., S. (57)-84. 8°. Original-Broschur und ohne Einband.
0480-24o. O. [1. Hälfte 18. Jahrhundert]. Kupferstich. 12, 5 x 6, 5 cm (Gesamtgr.). Unter Passepartout. Etwas gebräunt. Knapp beschnitten.
1936140301-1'S-Gravenhage, Nijhoff 1936. Gr.8°. 146 S. Original-Kartonband
193694247Berlin, Wertheim-Antiquariat, [ 1936]. 23 S. Mit 11, teils ganzseit. Abb. 23,5 cm. OBroschur.
167649945Basel, Genethianis, 1676. 8vo. Contemp. full vellum. 2 small nicks to vellum at fronthinge. Engraved title-page and printed title-page. (70),336,(12) pp. The printed titlepage with engraved vignette. 2 full-page engravings (portrait of Erasmus by Holbein and Erasmus' Memorial Stone). With 78 textengravings by Hans Holbein (engraved by Casper Merian), some of which are tipped in and folded, some printed in the text. Lacks the 2 portraits of Holbein the Elder and Holbein the Younger. Some leaves in the middle with faint browning in lower part. 2 of the tipped-in engravings with a bit of repair. Printed on good paper.
181356751København, Sebastian Popp, 1813. Ubeskåret med original marmoreret stift omslag. Lidt tab af papiret øverst på ryg. (14),206,(2) pp. De første bladkanter lidt brunede, ellers ren og frisk, trykt på skrivepapir. ""Historisk=Philosophiske Samlinger. Udgivne af Det Kongelige Selskab for Norges Vel. Fierde Deels første Bind"".
184363108London, William Pickering, 1843. 8vo. In contemporary cloth, rebacked. With stains and repairs to boards. Inner hinges reinforced. Previous owner's name to verso of front board: ""G. H. Darwin / April 1869"" (Charles Darwin's son). Light foxing throughout, primarily affecting first leaves. VIII, 272, (1) pp. + 1 plate.
160015652Small 4to. Bound with orig. wrappers in a fine hmorocco. No 93 of 1600 ""sur velin teinte"". Fine wood-engravings by Pauw.
15534Uncut, orig. wrappers. No 228 of 980 ""sur velin du Marais"", a total of 1100 copies. With 44 fine coloured etchings by Laborde (enlumineur J. Saudé).
17280760# AUTEUR: Erasme # ILLUSTRATEUR: Holbein # ÉDITEUR: L'honoré François Amsterdam # ANNÉE ÉDITION: 1728 # COUVERTURE: 1/2 basane mouchetée - dos à nerfs très orné - pièce de titre en maroquin rouge - tranches rouges - chiffres et date en queue # DÉTAILS: Petit in 8° relié 2ff (frontispice, titre) + 1ff ( privilège) + 1ff (avertissement) + 6ff ( préface du traducteur) + 4ff ( préface d'Erasme adressée à Thomas Morus, son ami) + frontispice ( Erasme-Morus-Holbein) + 340pp + 10ff ( table). 75 gravures in-t, 6 gravures dépliantes ht. de Holbein. Traduit par Mr Gueudeville, avec les notes de Gérard Listre, les belles figures de Holbein: le tout sur l'original de l'académie de Bâle. Pièce qui représentant au naturel l'HOMME tout défiguré par la SOTISE, lui apprend agréablement à rentrer dans le bon Sens dans la Raison. Nouvelle édition revue avec soin mise dans un meilleur ordre. # PHOTOS visibles sur www.latourinfernal.com
194280031942 Paris, La Tradition, 1942 ; in-4° en feuilles, couverture rempliée crème titre en rouge, sous chemise et étui cartonnés gris, dos de la chemise jaune avec titre en rouge; 192, (1)pp., (1)f.( achevé d'imprimer). Titre imprimé en noir et rouge, titre courant et numérotation des pages en rouge.
17877A Amsterdam, Aux Dépens de la Compagnie, 1734; in-12,plein veau, dos à nerfs orné, titre et tomaison dorés sur maroquin, tranches rouges, (ii),419pp. 7 gravures hors texte dont le frontispice. Titre imprimé en noir en rouge. TOME 2 seul. ETAT: Frottements, mors fendus, petits manques en coiffes, coins émoussés, dorures un peu estompées, sinon couverture correcte, intérieur en bon état (rousseurs éparses).
1520375736Basel: Froben 1520. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Eighteenth-century marbled boards ink label. Some toning to spine. Very good fresh copy. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Ignorantiam esse superbiae matrem. Eruditionem contra modestiam parere.<br /> Ignorance is the mother of pride; it is from learning on the contrary that modesty is born.<br /> <br /> First edition of Antibarbari Erasmus' manifesto "defending the arts against the scruples of the barbarians" Tracy. Erasmus argues for the primacy of poetry among the liberal arts for the importance of critical understanding of the writers of classical antiquity and for appropriating what is good in their work. He is also scornful of rote learning and blind repetition of earlier scholarship where "cuckoo calls to cuckoo".<br /> <br /> In Petro summus erat ardor fidei in Hieronymino summa doctrina: alterius animum alterius studia imitar. In Peter there was the ardour of faith at its highest; in Jeronme there was learning at its best. It is for you to imitate the spirit if the one and the scholarship of the other.<br /> <br /> This was a work of very long ripening. Erasmus began the earliest version circa 1490 when he was a newly ordained monk but that manuscript was left behind in his wanderings. Decades later when he came across his earlier work he was at the center of intellectual controversy following publication of of his edition of the New Testament. He revised his Antibarbari to assert the humanist position and Froben published it in May 1520. There were six editions of the work in the early 1520s Froben himself published another edition later the same year and ten editions in his lifetime.<br /> <br /> "it is ignorance rather than erudtion which makes men insolent"<br /> <br /> FIRST EDITION OF A KEY WORK BY ERASMUS. VD16 E1997; Valentina Sebastiani Johann Froben Printer of Basel 170; Bibliotheca Erasmiana p. 9; Adams E-463; Bezzel 157. The standard modern text iwith translation by Margaret Mann Phillips˜The Antibarbarians" is in the Toronto Collected Works vol. 23 1978 Froben unknown
152253365Mainz: J. Schöffer 1522. First Mainz edition. Octavo. 562 2: colophon blankpp. Collation: A-Z8 Mm8 chi2 O4/O5 reversed complete. Title within historiated woodcut border. Woodcut initials throughout. Text in italics. Printed side-glosses. Errata at final text leaf. Contemporary beveled wooden boards backed in tooled pigskin; spine with raised bands. Brass catch and clasp with expert restoration of leather thong. Contemporary manuscript musical scores used as pastedowns at front and back. Seven leather stubbs affixed at front edge as indexes. Occasional faint smudging mostly at margins else text crisp and fresh. A very good copy in a well-preserved sixteenth-century binding with a notable provenance.<br /> <br /> Scarce very early collective edition of the Latin "Paraphrases" of the Pauline Epistles prepared by the celebrated humanist scholar theologian and educational writer Desiderius Erasmus of Rotterdam 1466-1536. Preceded by the Froben collective editions of 1520 and 1521 this first and only edition of the Pauline Epistle Paraphrases to be printed at Mainz was issued by Schöffer in two parts each with full title and separate register and pagination; our volume contains the first part only: the Epistles to the Romans; Corinthians 2; Galatians; Ephesians; Philippians; Colossians; and Thessalonians 2.<br /> <br /> "In the vast and sustained labour he devoted to the New Testament Erasmus saw the culmination of his commitment to scholarship. and nothing else he wrote not even the Moriae encomium was to have so great an influence on posterity. The first edition of the New Testament appeared in 1516 and was followed in his lifetime by four more 1518/10 1522 1527 1535 each newly revised. Each consisted of the Greek text Erasmus' translation thereof and a copious apparatus of notes Annotations published as a separate volume. Beginning in 1517 he also published a Paraphrase of all parts of the New Testament save Revelation. Written in smooth and comprehensible Latin it was usually fuller than the original text. If offered his own interpretatiton but often avoided the provocative statements found in the Annotations. From the outset the translation the Annotations and to a lesser degree the Paraphrases drew criticism originally from conservative theologians who found heresies in his humanist philology but soon also from Lutherans and Catholics who denounced him for departures from their respective doctrines" Bietenholz. The Paraphrases were composed between May 1517 and January 1524. "Erasmus began with the Pauline Epistles. The paraphrase of Romans was published in quarto by Dirk Martens in Louvain in November 1517 and reprinted by Erasmus's friend Johann Froben in January of the following year; it sold well and was soon reprinted in octavo. Corinthians was published by Martens in February 1519 and reprinted in Basel by Froben in March; Galatians appeared later that year with editions from both publishers. The remaining Epistles followed in 1520 and 1521 the last to appear being Hebrews. In the autumn of 1521 Erasmus moved from Louvain to Basel and from that time Froben published the first editions of the remaining Paraphrases" Mynors. <br /> <br /> Our edition was printed by Johann Schöffer the son of Peter Schöffer who was the principal workman of Johannes Gutenberg. Apart from those of the Pauline Epistles the only other complete Paraphrase of Erasmus to be published by Schöffer was that on the Gospel of Matthew also in 1522. He did in 1521 however issue a series of four brief excerpts from the Paraphrases in German translation which appear to highlight provocative exegesis by the great scholar of Rotterdam concerning for example the hypocracy of the Pharisees Matthew 23 or the exhortation to "Take My yoke upon you and learn from Me" Matthew 11.29.<br /> <br /> Provenance and annotations: Contemporary manuscript entry at the title-page of the Benedictine monastery library at Amorbach; contemporary 50-word manuscript note in Latin at the free endleaf facing the title which discusses the present work. Early manuscript note in German at the final blank endleaf. Early leaves with light rubrication in red ink; about twenty leaves with contemporary annotations throughout. Later stamps of the Leiningen Palace Library at the bottom margin of the title and very faintly at the pigskin covers. Bookplate of United Theological Seminary Dayton Ohio noting the gift of Dr. Walter N. Roberts with their vertical entry stamp Mar 28 1963 at the dedication leaf lightly over the left-hand edge of the text but not impairing legibility. Full title and imprint: Paraphrases Eras. Rot. In omnes epistolas Pauli apostoli germanas : et in eam quae est ad Hebraeos incerti autoris cum ijs quae Canonicae uocantur diligenter recognitae excusaeque & ita binos in tomos digestae ut cuique secare in formam enchiridij siuelit liberum sit.<br /> <br /> References: P.G. Bietenholz Encounters with a Radical Erasmus Univ. Toronto 2009 p.13; R.A.B. Mynors "The Publication of the Latin Paraphrases" in: R.D. Sider ed. New Testament Scholarship: Paraphrases on Romans and Galatians University of Toronto Press 1984 pp. xx-xxix; USTC 682534; Vander Haeghen p.145: Paraphrases in omnes epistolas Pauli. Moguntiae Io. Schoeffer m. augusto 1522 octavo; VD16 E-3379 Berlin; Halle; Leipzig; Wittenberg; Wolfenbüttel. This first part not in Adams but cf. E-795 the second part 378pp. J. Schöffer unknown