191 résultats
1941490New Haven: William Edwin Rudge 1941. Updike Daniel Berkeley. Some Aspects of Printing Old and New. New Haven: William Edwin Rudge 1941. 4to. 265 x 195 mm. 10 1/4 x 7 1/2 inches. vi 73 pp. Illustrated with one half-tone portrait of the author at his desk. Bound in slate grey linen cloth title in gilt on upper board. With chapters on Gutenberg characteristics of a well-made book modern typography the educated man in the printing industry and American university presses. William Edwin Rudge unknown books
194151504New Haven: William Edwin Rudge 1941. First edition printed at the Merrymount Press 4to pp. 4 72 2; ornamented title page 1 collotype plate; a near fine copy in original dark gray cloth gilt-stamped spine and upper cover; near fine. Without a dust jacket as issued. Six essays including "The Essentials of a Well-made Book" "The Place of the Educated Man in the Printing Industry" and "American University Presses." Smith 908. <br/><br/> William Edwin Rudge hardcover books
194112811New Haven: William Edwin Rudge 1941. First edition printed at the Merrymount Press 4to pp. 4 72-74; ornamented title-page 1 collotype plate; a near fine copy in orig. dark gray cloth gilt minimal wear to extremities lower spine end bumped. Six essays including "The Essentials of a Well-made Book" "The Place of the Educated Man in the Printing Industry" and "American University Presses." Smith 908. <br/><br/> William Edwin Rudge hardcover books
196148422Iowa City: Prairie Press 1961. Broadside approximately 13½" x 9" printed in black blue and red on wove paper; old bookseller's description taped to verso and from whence the following comes else fine. "Nowhere on this broadside does it show that it was printed at the Prairie Press but it is pictured in the article "Carroll Coleman on Printing - Excerpts from a 36-Year's Correspondence with Emerson G.Wulling" Books at Iowa no. 23 1975. In a personal conversation Carroll Coleman told me that he had always admired this quote and as he had just acquired Eric Gill's "Joanna" type he decided to make the first use of it for the body of this broadside." This is a distinct edition from that of the same text which is twice folded and printed on two sides. <br/><br/> Prairie Press unknown books
196155079Iowa City: The Prairie Press 1961. Broadside 9x13-1/2 inches folded twice. Printed in black with red title and decoration at top of text in gray. Paper slightly spotted o/w VG. Printer's note reads: The Practice of Typography has been designed hand set and printed by Carroll Coleman at the Prairie Press Iowa City Iowa. The types are Eric Gill's Perpetua Titling capitals and Joanna. Mcmlxi The Prairie Press unknown books
196125130Iowa City: Prairie Press 1961. 1st. Designed hand set and printed by Carroll Coleman using Eric Gill's Perpetua Titling and Joanna types. 13.5 x 9 inches. Fine. <br/><br/> Prairie Press unknown books
200251543West New York: Mark Batty 2002. First edition 8vo pp. xxi 1 383 3; signed by the editor William S. Peterson on colophon portrait frontispiece vignette title page 31 facsimile text illustrations; gray cloth gilt title fine in a fine printed dust jacket with prospectus laid in. <br/><br/> Mark Batty hardcover books
199837600New York: American Printing History Association 1998. Small 4to 27.3 cm; 10.75". vi 181 8 pp. <br><br>One of 500 copies and no. 50 of 50 special copies signed by the designer Roderick Stinehour and bound by Judi Conant at Guildhall VT with the inclusion of => three wood engravings by Rudolph Ruzicka printed by the Merrymount Press in addition to the many reproductions prepared for this volume. The correspondence was edited by Elizabeth French Lathem and Edward Connery Lathem and the text and illustration together well exemplify the collaboration between two giants of the Book Arts during the first half of the 20th century.<br>Â Â Â Â => The wood engravings are absolutely stunning.<br>Â Â Â Â Provenance: From the library of American collector Albert A. Howard small booklabel "AHA" at rear. Quarter blue cloth with gray paper spine label over lovely marbled paper; issued without a dust jacket. The least scattering of light foxing-spots to lower fore-edges not margins of last few leaves; indeed a => bright clean copy. American Printing History Association hardcover books
200237722West New York NJ: Mark Batty 2002. 383 pp. <br><br>=> Signed by editor William S. Peterson. 1 of 40 copies. Includes tipped-in items in rear and a letter from the publisher laid in. Hardcover in slipcase. No dust jacket. Grey paper-covered boards. Spine faded. Near fine in a near fine. Mark Batty hardcover books
36495MERRYMOUNT UPDIKE Daniel Berkeley and others. NOTES ON THE MERRYMOUNT PRESS & ITS WORK. San francisco: Alan Wofsy 1975. 8vo. Cloth. First edition. "With bibliographical list of books printed at the press 1893-1933" by Juli Pearce Smith; "to which has been added a supplementary bibliography of books printed at the press 1934-1949" by Daniel Berkeley Bianchi. Limited to fiv hundred copies. Fine. unknown books
194759852New York: American Institute of Graphic Arts 1947. Hardcover. Very Good/Fair. ills 156p. Cloth. Worn dj several small chips and holes -- one a large triangular hole on front panel. 24cm. <br/><br/> American Institute of Graphic Arts hardcover books
199339018Greenbrae: Tamalpais Press 1993. 1st edition. White printed paper. Near Fine. Two folded sheets. 8-3/8" x 5" <br/><br/> Tamalpais Press unknown books
9052Cambridge Harvard University Press 1934. Together "WITH A BIBLIOGRAPHICAL LIST OF BOOKS PRINTED AT THE PRESS 1893-1933" by Julian Pearce Smith. First edition. One of 500 copies. Very good condition. <br/><br/> Cambridge, Harvard University Press, 1934. unknown books
194755079New York: The American Institute of Graphic Arts. Very Good. 1947. Hardcover. blue boards have gilt stamped spine a near fine copy in a slightly chipped but very good dust jacket. . The American Institute of Graphic Arts hardcover books
194018101New York: The Grolier Club 1940. Edition limited to 1000 copies printed by The Pynson Printers this 1 of 150 copies for the Grolier Club signed by Updike in pencil on the colophon; 8vo pp. 47 7; vignette title-page and 3 vignettes in text; fine in orig. brown cloth over beige paper-covered boards lettered in gilt on spine. 850 copies were also printed for the A.I.G.A. which were bound in wrappers and not signed. Addresses given at the Grolier Club at the opening of an exhibition on Updike and the Merrymount Press with a check-list of Updike's writings. <br/><br/> The Grolier Club hardcover books
194218086San Marino Ca: The Huntington Library 1942. 8vo pp. 2 32 2; 3 illus. on rectos and versos of 2 plates 2 facsimiles in text; fine in orig. printed orange wrappers. Attractive exhibition catalogue printed at the Ward Ritchie Press Los Angeles. <br/><br/> The Huntington Library unknown books
