191 résultats
198772573San Francisco:: Chronicle Books. Near Fine in Near Fine dust jacket. 1987. Hardcover. 0877014299 . Color and black and white illustrations throughout. First American printing. Small book-plate remnant on front free endpaper else near fine in a near fine dust jacket. . Chronicle Books, hardcover books
1938133673Burbank CA: Warner Brothers 1938. Final Draft script for the 1938 film. From the library of producer Mark Hellinger who wrote the film's screenplay bound in red three-quarter leather with gilt titles and designs marbled endpapers raised bands trimmed edges and Hellinger's name in gilt on the front board. Also included is a typescript on onionskin stock with the title and credits for Hellinger and story writer Faith Baldwin on the front wrapper in holograph ink. Finally laid in is a typed letter signed by Bette Davis dated March 31 1939 on Davis' stationery thanking Hellinger for kind words regarding her film "Dark Victory" 1939 and discussing her dismay with the script for "Comet Over Broadway" and her resulting decision to part ways with the film. <br/><br/>Mark Hellinger's first screenplay for Warner Brothers. His other credits include the noir antecedent "The Roaring Twenties" 1939 screenwriter "It All Came True" 1940 producer and his notable series of foundation noir films "High Sierra" 1941 associate producer "The Killers" 1946 producer and "The Naked City" 1948 producer. <br/><br/>Based on a story by Faith Baldwin published in "Cosmopolitan" in 1937 about Eve Appleton Francis wife of garage owner Bill Appleton Litel and aspiring actress. Bill gets into an argument with an actor over Eve and accidentally kills him. Eve takes her infant daughter and tries to make her way on Broadway while Bill is imprisoned. Set in New York. <br/><br/>Bound script:<br/><br/>Noted as FINAL on the distribution page dated 3/28/38 with credits for Hellinger Robert Buckner N. Brewster Morse Fritz Falkenstein and Frank Cavett on the following page flatsigned by Walter MacEwen. Distribution page present with receipt intact. 155 leaves mimeograph duplication dated August 19 1938 and August 22 1938 screenwriters' credit page. Pages and binding Near Fine. <br/><br/>Typescript:<br/><br/>Blue wrappers. "Comet Over Broadway by Mark Hellinger / after a story by Faith Baldwin" in holograph ink on the front wrapper. Title page present with credits for screenwriter Hellinger and story writer Baldwin. 78 leaves typed watermarked "MILLERS FALLS." Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Bette Davis letter and envelope: <br/><br/>Light soil and a closed tear to the envelope. Letter folded horizontally else Near Fine. Warner Brothers unknown books
1947140197Los Angeles: Twentieth Century-Fox 1947. Revised Final script for the 1948 film here under the working title "Mary O'Hara's Green Grass of Wyoming." Copy belonging to Robert Arthur who play Ken McLaughlin with his name on the front wrapper in holograph pencil and holograph pencil annotations to his scenes throughout. Laid in are three additional pages and two film negatives. <br/><br/>A mare has been lured away by a wild stallion angering the mare's owner Beaver Greenway a horse owner with a drinking problem. Meanwhile Ken McLaughlin Arthur returns home with a new horse who has developed altitude sickness. Based on the third book in Mary O'Hara's "My Friend Flicka" trilogy. Nominated for one Academy Award. <br/><br/>Set in Wyoming shot on location in Wyoming Utah and Ohio USA. <br/><br/>Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 166 and production No. 133 dated May 16 1947. Distribution page present with receipt removed. Title page present dated May 16 1947 noted as Revised Final with credits for screenwriter Martin Berkeley. 123 leaves with last page of text numbered 117. Mimeograph duplication with blue revision pages throughout dated variously between June 25 1947 and July 18 1947. Pages Very Good with dampstaining wrapper Fair to Good complete with dampstaining pages not affected and fray at the extremities bound with three gold brads. Twentieth Century-Fox unknown books
19902312636New York: Anchor Books 1990. Reprint. Trade Paperback. Good. Reprint. Faint foxing wave. 1990 Trade Paperback. The rise and fall of British Empiricism is philosophy's most dramatic example of pushing premises to their logical--and fatal--conclusions. Born in 1690 with the appearance of Locke's Essay Empiricism flourished as the reigning school until 1739 when Hume's Treatise strangled it with its own cinctures after a period of Berkeley's optimistic idealism. The Empiricists collects the key writings on this important philosophy perfect for those interested in learning about this movement with just one book. Anchor Books paperback books
1980225358New York: Doubleday 1980. Softcover. Very Good. Very good in wrappers. Paperback soiled cover and foredges lightly rubbed at spine ends and corners. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. Doubleday paperback books
19598561bdWashington DC: The American Ordnance Association 1959. Tall octavo paperbound stiff navy blue stapled wrappers uncut 32 pp. From Foreword: The American Ordnance Association takes pride in presenting this precis the second in a series of monographs on the armament used in the American Civil War. The strategy and tactics of that conflict can be understood in their true light only when the capabilities and limitations of thefighting equipment are known. As far as ammunition is concerned the great complexity of the subject can only be appreciated by students of the many battels who try to identify some specimen offered for inspection. Practically all of the thousands of books that have been written about the American Civil War treat it from the Adjutant General’s point of view -- a concern with personnel -- or from the eminence of the strategist and tactician. Students and historians of the conflict have found no convenient source for official descriptions of the weapons their ammunition or performance. The American Ordnance Association, 1959. unknown books
19618559bdWashington DC: The American Ordnance Association 1961. Tall octavo paperbound stiff stapled tan wrappers uncut 31 pp. Fine. From Foreword: Several years before the hundredth anniversary of the American Civil War the American Ordnance Association planned a series of monographs on the weapons of that conflict. The project has a twofold purpose. First to commemorate the event in some unique but appropriate way; secondly to make available to students of the Civil War authentic data on the characteriestics of the weapons with which the battles of that war were fought. The present work is devoted to cavalry weapons -- and with good purpose. As all students of strategy and tactics know the Civil War was an historic example of mobility reconnaissance and fast maneuver. Many of its battles rank in history as classical examples which have been used as guides by military leaders of all nations. In no area is this more cogent than that of cavalry tactics. Those tactics were dependent not only upon the skill of the cavalry commander the bravery of the individual cavalryman and the condition of his mount but also upon the capabilities of the wapons with which the units were equipped. Thus a knowledge of the military characterisitcs of the cavalry weapons of the time is essential to a proper appraisal of the decisions of cavalry commanders and the outcome of those decisions. In this respect the military characteristics of all wapons of all battles of all wars are basic elements in appraising the final outcome. It has been so in all history; it was especially so in the cavalry engagements of the American Civil War. The American Ordnance Association, 1961. unknown books
19681329206Washington D.C.: Smithsonian Institution Press 1968. Reprinted. Hardcover. Octavo; pp 338; G/Fair; blue spine with white text; dust jacket has some foxing to exterior; several chips to edges; few stamped numbers to front flap; price clipped front flap; cloth lightly soiled; strong boards; text block edges have light foxing to exterior edges; interior clean; illustrated;. 1329206. FP New Rockville Stock. Smithsonian Institution Press hardcover books
1955140258Universal City CA: Universal Pictures 1955. Vintage still photograph from the set of the 1955 film "Revenge of the Creature." Featuring a comical image of the film being shot in the water at Marineland Florida while a dolphin show takes place in the background. Half of the gathered crowd watches the dolphin show while the other half has turned to watch the Gill-man attack a diver bathing suit-clad cameramen milling about to the side. <br/><br/>The captive Gill-man Ricou Browning falls in love with the girlfriend Lori Nelson of animal psychologist Clete Ferguson John Agar. When it inevitably escapes and unsurprisingly takes Nelson hostage the police are forced to shoot it. The first 3-D sequel to a 3-D film its far more successful predecessor "The Creature from the Black Lagoon" and the only 3-D film released in 1955. Clint Eastwood makes a hilarious uncredited appearance as an incompetent lab technician who insists a lab rat has been eaten by a cat test subject only to find the rat in his lab coat pocket. <br/><br/>Set in Florida and shot there on location. <br/><br/>8 x 10 inches. Just about Fine. <br/><br/>Weaver and Brunas Universal Horrors. Mystery Science Theater 801. Universal Pictures unknown books
1931126489London: Mundanus Ltd/Victor Gollancz Publisher 1931. Octavo printed wrappers. First edition. Berkeley's masterpiece which takes the reader into the mind of the murderer. "Iles was the innovator the father of those techniques so evident in much of today's crime fiction." - Pederson ed. St. James Guide to Crime & Mystery Writers 4th edition. Light tanning to edges of text block slight lean some soiling to covers crease to front cover some light rubs a good to very good copy. #126489 Mundanus Ltd/Victor Gollancz Publisher unknown books
8876pamphlet. 24 pages. Slim 8vo original blue printed wrappers. London 1876. A very good copy.<br/><br/> unknown books
196650934Berkeley: Free University of Berkeley 1966. First Edition. Quarto 28cm; photo-illustrated wrappers stapled; 64pp; illus. Trivial wear to extremities else Near Fine. Premiere issue of the official journal of the Free University of Berkeley founded by students and Free Speech Movement activists and operational between 1965-1972. Contents include contributions by Frank Cieciorka Jim Glass Joe Isom Gerald Rosenfeld Douglas Lummis David Fields and Robert Hass. OCLC notes 7 holdings. Free University of Berkeley unknown books
19035696Berkeley California: The Church; Printed by thePress of Standard Publishing Company 1903. Octavo 23.25 x 14 cm. iv 171 i pages. Advertisements. Index. Evident first edition but subsequent to an 1884 publication with different subtitle author statement and publisher. A generous church cookbook with seven hundred recipes; noteworthy among them: Squash Muffins Celery Root and Hearts of Artichoke Mussel Bordelaise Clam Patties Spanish Meat Pie Coffee Fruit Cake Lemon Cocoanut Cake Cookies with Sherry Monterey Pudding Gooseberry Pudding Pineapple Blanc-Mange Strawberry Mousse. ~ Congregationalists answered the call from President Daniel Coit Gilman 1831-1908 of the University of California to build a hall and organize a fellowship of moral vision within reach of the campus community. The "local church" emphasis of Congregationalist governance had already attracted the largest Protestant presence in San Francisco. After ten years of planning members of Berkeley First Congregational were called to new quarters by a recently cast bell on 30 September 1884 at the corner of Durant Avenue and Dana Street. Thus the early version of The Berkeley Cook Book subtitled A Collection of Choice and Tested Recipes celebrated the dedication of the 1884 church while its younger sibling of 1903 would have appeared in time to honor the building's twentieth anniversary. ~ In another twenty years they would move again to a grander brick complex on Channing Way still only a few city blocks from campus designed by the Bay Area architect Horace Gardner Simpson. It served successive generations for ninety years but in September 2016 was gutted by fire and the building's fate is undetermined as of this writing. ~ Clean and bright. Lightly wear at fore-corners and spine. Stapled in olive wrappers titled in brown. Very good. OCLC locates three copies also four copies of The Berkeley Cook Book: A Collection of Choice and Tested Recipes by the Ladies of Berkeley Oakland: Pacific Press 1884; Cook page 27; Brown 57 with different pagination; not in Cagle. [The Church; Printed by the]Press of Standard Publishing Company unknown books
19237326Berkeley California: James J. Gillick & Co. Publishers 1923. Octavo 20 x 13.5 cm. iv 240 pages. Various tables at end. Blank leaves at end of each section not used. Evident FIRST EDITION. The Priscilla Club of the First Congregational Church of Berkeley had been founded in April of 1921 by our editor Mrs. Joseph F. Furtado. A notice to that effect with a list of officers appears on page ii. There are no local advertisements included but there is a list of individuals and businesses that had contributed to the Church Building Fund in relation to the book. Many of the recipes are attributed. Narrow tideline throughout the text block; some light soiling. In publisher's decorated white oil clothwith an image of a young woman seated with a mixing bowl in her lap and whisk in her hand. Some rubbing to extremities and light soil otherwise very good. Ownership inscription "Mrs. L.T. Sprague Xmas 1923" to free front endpaper. Handwritten recipe "Crisco's Pie Crust" laid-in. OCLC locates eighteen copies; not in Brown. James J. Gillick & Co., Publishers hardcover books
1916115405New York: Charles Scribner's Sons 1916. First Edition. Octavo. First Edition. With matching dates on the title page and copyright page 1916. Very Good to Fine in publisher's green cloth with designs and titles in gilt and white lacking the dust jacket. Light shelfwear spine ends lightly bumped. A very presentable copy. Charles Scribner's Sons unknown books
1970144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional holograph annotations in blue ink throughout. <br/><br/>Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. <br/><br/>Set in Laos Cambodia and Vietnam. <br/><br/>Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1927CH814-253aCambridge MA; Oxford:: Harvard University Press; Humphrey Milford Oxford University Press 1927. First Edition third printing. Hardcover. Good. THIRD PRINTING 1927; first printing 1922. Two Volumes. 8vo. 9 1/2 x 6 3/4 inches. xxxii 276; xx 308 pp. Half-titles printer's device on title pages 367 illustrations Volume II with chronological list of Specimens index; text clean unmarked pages lightly toned. Black cloth spines titled in gilt top edges gilt added mylar dust-jackets; bindings square and tight rubbed corners bumped jackets worn. Housed in previous owner's hand-crafted slip case fashioned from book board and staples. Ownership signature of Richard M. Hewitt M. D. Rochester Minnesota 1933. A very serviceable set. CH814-253. Very Good. Printed at the Merrymount Press Boston MA. The work the outgrowth of a series of courses on printing history taught at Harvard Business School contains 367 typographical illustrations selected from important books produced throughout the history of printing; the text comprises a commentary on the historical and artistic significance of the types illustrated. Daniel Berkeley Updike was an American printer and historian of typography. In 1880 he joined Houghton Mifflin as an errand boy advancing to the Riverside Press for training as a printer. In 1896 he founded the Merrymount Press which earned a reputation for its superior designs and excellent printing. PROVENANCE: Richard M. Hewitt b. 1892 was the director of printing at the Mayo Clinic in Rochester Minnesota. Harvard University Press; Humphrey Milford, Oxford University Press, hardcover books
1915140867Berkeley CA: the Commission 1915. 23p. 6x9 inches reports tables very good pamphlet in stapled brown printed wraps. Includes section on the local labor bureau and lodging house provided for the unemployed. the Commission unknown books
1930119369London: The Kingsgate Press 1930. Octavo pp. 1-4 5-128 original pictorial blue cloth front panel stamped in gold and blind spine panel stamped in gold fore and bottom edges untrimmed. First edition. Signed by author on the title page. Children's fantasies. Seven stories plus the title story which is a short novella with eight chapters about the discovery of a magical cupboard in the attic. 1933 gift inscription on front free endpaper. Free endpapers a bit tanned a couple of very tiny spots to cloth else a bright very good copy. #119369 The Kingsgate Press unknown books
1998184119Berkeley: University of California Berkeley 1998. 214 p wraps tape-bound packet for conference with heavier stock aqua papers for cover very good condition. Conference on globalization migrants and international labor solidarity emphasizing the Pacific Rim; with laid in a 13 p. article on Nike's labor practices in Vietnam "Smoke from a Hired Gun" by Dara O'Rourke co-sponsored by all Bay Area labor councils. University of California, Berkeley unknown books
18969706BERKELEY UNIV P 1896 1896. LIGHT GRAY WRAPPERS GOOD-VERY GOOD. Soft cover. BERKELEY, UNIV P, 1896 paperback books
39913Berkeley CA: Berkeley Women's City Club n. d. 1st edition presumed. Ca. 1934 date taken from OCLC. Yellow color printed & patterned paper wrappers. Moderate wear to wrappers chip to front fore-edge black stain to front wrapper. Otherwise a VG example. 285 7 advert & index pp. B/w illustration of the city club designed by Julia Morgan advertisements scattered throughout. 9" x 6-1/8" <br/><br/>"The Purpose of the Berkeley Women's City Club in Compiling this Book was to give an Opportunity to its Members to Exchange their Favorite and Tried Recipes rather than to Make a Comprehensive Cook Book." Rare in the trade. Berkeley Women's City Club unknown books
1941141231Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1941. Vintage French pressbook for the 1941 US film. The third film in the "Backyard Musical" series which includes "Babes in Arms" "Strike Up the Band" and "Girl Crazy." Nominated fro an Academy Award for Best Music. <br/><br/>Near Fine with light toning overall and a small closed tear to the top margin. Metro-Goldwyn-Mayer [MGM] unknown books
1970139973Los Angeles: Twentieth Century-Fox 1970. US one sheet poster for the 1970s re-release of 1943 film. Nominated for an Academy Award. <br/><br/>Considered by many to be Busby Berkeley's masterpiece though there are several high spots to choose from "The Gang's All Here" is indisputably the master film choreographer's wildest and most ambitious effort with staging and camerawork that are still somewhat unexplainable today and shot in blazing Technicolor to boot. The film also boasts Carmen Miranda's finest hour the sparkling "Girl in the Tutti-Frutti Hat." <br/><br/>Shot on location in Los Angeles California. <br/><br/>27 x 41 inches folded. Very Good plus with a red holograph ink notation to the verso pin holes and light wear along the folds. <br/><br/>Hirschhorn p. 232. Twentieth Century-Fox unknown books
1939137986Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage photograph from the 1939 film musical based on the 1937 Rogers and Hart Broadway musical play of the same name. With a printed snipe on the verso along with the stamp of Culver Pictures photo bureau a date stamp of "Dec 1939" and holograph annotations regarding layout. <br/><br/>Rooney and Garland sing "God's Country" from the finale of the musical in a scene spoofing Franklin and Eleanor Roosevelt and the FDR's fireside chats. This scene was cut from the film after Roosevelt's death and believed lost until it was rediscovered and restored in 1990s. Rooney received a Best Actor nomination for his role in the film. <br/><br/>10 x 8 inches. Very Good. Pinholes to the corners with pinholes at the corners and light wear to the margins. <br/><br/>Hirschhorn p. 167. Metro-Goldwyn-Mayer [MGM] unknown books