139 résultats
cm. 17 x 24, 434 pp. Accademia toscana di scienze e lettere ?La Colombaria? - Serie Studi Il volume si prefigge di esaminare, principalmente attraverso l'opera di F. Bacon (ma anche, tra gli altri, i diari di I. Beeckman), l'evoluzione che l'atomismo classico (di Lucrezio in particolare) ha necessariamente subito nel pensiero del Seicento. Si ? cos? constatato come la temperie culturale nella quale si ricercano comunemente le radici di una nuova idea di scienza risenta marcatamente anche di un linguaggio e di moduli descrittivi del reale mutuati da rinnovati e reinterpretati canoni atomistici. Mainly through the work of F. Bacon (but also amongst others through I. Beeckman's diaries) this volume sets out to examine the evolution that classical atomism (especially that of Lucretius) underwent in seventeenth century thought. It is thus seen how cultural tendencies, in which roots of a new scientific idea are commonly sought after, suffer the effect of language and expression modified by renewal and reinvigoration of atomistic rules. 789 gr. 434 p.
iv + 349pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation der Philosophischen Fakultät der Friedrich-Alexander-Universität zu Erlangen-Nürnberg), stamp at verso of title page, text is clean and bright, good condition, F109124
Complet en 2 tomes: 263,[i] + 238,[i] pp., 23cm., br.orig. (dos du 1e tome renforcé), dans la série "Oeuvres de Joseph de Maistre" Vol.VI, qqs.rousseurs, partiellement non coupé, bon état, F77276
xi + 106pp., 23cm., text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen philosophischen Fakultät der Friedrich-Alexanders-Universität Erlangen), some loss of paper at spine, stamp at verso of title page, F113434
Steffen, Barbara (ed.): Francis Bacon and the Tradition of Art. Exhibition: Vienna, Kunsthistorisches Museum, 2003. 371pp with 236 colour and 60 monochrome illustrations including 6 colour gate-folds. Hardback. 28.8x25.2cms. Examines the artist's work within a network of relationships and influences from old masters and more recent artists, including Velazquez, Rembrandt, Titian, Ingres, Degas, Schiele, Van Gogh, and Picasso. Examines the artist's work within a network of relationships and influences from old masters and more recent artists, including Velazquez, Rembrandt, Titian, Ingres, Degas, Schiele, Van Gogh, and Picasso. Text in English
cm. 17 x 24, vi-328 pp. Lessico intellettuale europeo 594 gr. vi-328 p.
8vo., First Edition thus; original series de luxe binding of full maroon leatherette, upper board elaborately blocked and lettered in gilt to an art deco design, back gilt extra, gilt top, radial corners, pictorial endpapers, marker ribbon, a near fine copy. SOLE APPEARANCE THUS IN EVERYMAN. The EL full leatherette binding (1906-c.1917) faithfully reflects the art deco movement of the period. By far the most elegant of all the EL series bindings, it is notoriously fragile and seldom found in bright, sound state as here. VERY SCARCE IN THIS CONDITION. EL 10; Seymour 46.0.
In 8°, pp. XVI+788. Legatura originale in mz pelle con titolo al dorso.
201 p. + frontis and photo illustrations. 8vo. Original gold decorated brown cloth binding. Mounted half-toned photo on front cover. Barnitz was born in York, PA in 1838. A nice copy.
pp. (1), 35, (1) [Publisher's advertisement for a life of Thomas Gray, "by the same author"]. 4to. 260 x 210 mm. Old leather backed marbled boards binding, worn and broken at joints. XLib. Still a fairly clean, wide margined copy of this interesting work which was published over the space of a decade. This Second Edition was printed from the same type used for the first edition - Gaskell. First Editions of William Mason, 14n. William Mason (1725-1797) was an English poet, editor and gardener. Born in Hull, he studied at St John's College, Cambridge. After his ordination in 1754 he held a number of posts in the church. The English Garden is especially interesting as it uses famous English authors to illustrate his ideas of garden practice. A practical garden designer, Mason was also a great friend of the poet Thomas Gray. ** PRICE JUST REDUCED!! W144
This is a very good softcover copy of the press clippings and notices for the exhibition: Francis Bacon Le Sacre et le Profane, which was shown in Paris in 2004 at Fondation Dina Vierny/ Musee Maillol. This is NOT the catalog for the exhibition. LIght soil to page edges. Text in French. About 250 pages, illustrated in color and black & white. The Revue de Presse is divided into 9 sections: daily papers, weeklies, monthlies, bi-monthlies, quarterlies, 'medias etrangers' radios- televisions, and sites-web. 12" high X 8" wide. Large heavy book. Foreign shipping will be extra. This book will be securely packed and shipped with tracking.
pp. 91 +Plus Frontis Portrait. 12mo. 160mm. Publisher's full dark brown cloth binding stamped in purple, green and gilt. Cover decorated with an intricate swirling design with grapes and leaves growing as if on a lattice. Spine lettered and decorated similarly in gilt. Front cover is clean. Colors are a little dulled but the gilt shines. Mild fraying to corners. Spine rubbed. Hardbound. Very Good. Scarce. NW59
pp. xxiv, 178. Foxed. 12mo. 185 mm. Original full cloth binding, slightly stained and worn. Original leather spine label. Written, published, and privately printed in Frederick, Maryland, by a Local Attorney, Samuel Taylor. S&S/AI 44-6274. First Edition. Hardbound. Very good. AI BX 8
8vo., First Edition thus, free endpapers browned, title lightly spotted; burgundy buckram, upper board and backstrip lettered in gilt, all edges uncut, a very good, bright, clean, crisp copy. First published in Germany earlier in the same year. SCARCE IN THIS CONDITION.
XLV + 294pp.+ 2pp.facsimiles out-of-text, softcover, dustwrapper, in the series "Baconis Operis Maioris" volume 7, text in latin, good condition, F34937
Book is in excellent condition with one bumped corner, very light scuffing. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. Very dense with a great many specific works from most authors , 524 pages on bright white paper, authors discussed include: Francis Bacon, with (12 works) John Donne (35 works), Ben Jonson, Robert Burton, Phineas Fletcher, Giles Fletcher, Thomas Hobbes, Robert Herrick (50 works), George Herbert, Izaak Walton, Thomas Carew, Edmund Waller, Sir William Davenant, Sir John Suckling, Richard Crashaw, Jeremy Taylor, Richard Lovelace, Abraham Cowley, Andrew Marvell, Henry Vaughan et al.
8vo., First Edition, with coloured frontispiece and coloured and monchrome plates; cloth, gilt back, a very good, clean copy in the dustwrapper.
This is a near fine softcover copy bound in printed gray flexible fabric with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Andrea Rosen Gallery in New York from September 10 to October 24, 2015. Essays by Iris Muller-Westermann and Alex Bacon. Illustrated in black & white. Checklist. 9" high X 7" wide, about 40 pages. This book will be securely packed and shipped with tracking.
Lyon, Pelagaud 1874. 2 volumes in-12 brochés 321 + 378 pages. Petit manque angulaire sur le haut de la couverture du tome 1 ; rousseurs éparses.
pp.200 con 272 illustrazioni, di cui 89 a col. fuori testo e le restanti in b/n nel testo Monografia dedicata alla vita e alle opere di Francis Bacon. Testo in inglese. Dimensione vol. cm 31,5x24
Caen, Imp. L. Jouan & R. Bigot - Rouen, Lestringant - 1932 - In-8 - Broché - LVIII & 302 Pages y compris Table - Propre
Sehr gutes Exemplar. - Inhalt: Andreas Mahler -- Commençant sans projet‘7„beginning without project“. -- Der Essay als ,neue‘ Form -- Karin Westerwelle -- Montaigne und die Form des Essays. Zum Ideal freier Rede -- Martin Lange -- Montaigne zwischen Öffentlichkeit und Privatheit -- Überlegungen zur Form der Selbstdarstellung in den Essais -- Jörn Steigerwald -- Montaignes Launen und Fantasien oder: Vom Erschreiben des Essays {Essais 1.20; III.5) -- Judith Frömmer -- Montaignes Cäsar. -- Über kommentierende Selbstdarstellung und Selbstentstellung in „L’histoire de Spurina“ (11.33) und „Observations sur les moyens de faire la guerre de Julius Cæsar“ (11.34) -- Anita Traninger -- Essai und discours. -- Montaigne, die Praxis der Lektüre und die Academie du Palais -- Bernd Häsner -- Der ànward turn of dialogue, die Essais Montaignes und der Buchdruck -- Nicola Glaubitz -- Programm und Projekt. -- Wissen, Verzeitlichung und Politik in Francis Bacons Essay -- Of Innovations -- Anne Enderwitz -- „So good that he is good for nothing“. -- Francis Bacons Umwertung der Werte -- André Otto -- Auf den Abwegen des Schreibens. -- „Collateral! truths“ eines .improperen1 Ichs in Thomas Brownes -- Religio Medici -- Annette Simonis -- Essayistische Schreibpraktiken zwischen Kunst und -- Wissen (-schäft) -- Wolfram Nitsch -- Fortbewegung und Denkbewegung im Essay. -- Fahrzeuge bei Montaigne und Valery. ISBN 9783447114653
238pp., 22cm., in the series " Die Deutsche Bibliothek", softcover, VG, ISBN 3-631-35646-3
8vo,., First Edition, with portrait frontispiece (original tissue guard present), plates and facsimiles in the text, neat contemporary signature on front free endpaper; brown cloth, upper board blocked in gilt, gilt back, uncut, a very good, bright, clean, crisp copy. With 32pp publisher's catalogue bound in at end. SCARCE IN THIS CONDITION.
A clean, unmarked book with a tight binding. 276 pages. 7 3/8"w x 9 7/8"h. For exhibition held at the Tate London 22 April - June 1964. 20 color plates and illustrations of almost every work that was exibited. Includes workd by Nicholson, Hartung, Willem de Kooning, Bacon, Asger Jorn, Nicolas de Sta?l and others.