Hemingway ErnestABAA
684 résultats
1950180904009New York: Charles Scribner's Sons 1950. First Edition. Hardcover. Very Good. First edition. "A" and seal on copyright page. First state jacket has yellow lettering to spine panel. 308 pp. Black cloth with gilt lettering. Near Fine with gift inscription to former owner on front free endpaper in Very Good price-clipped dust jacket with wear and bit of creasing along top edge chip and wear along back panel bottom edge. Hemingway's penultimate novel. Charles Scribner's Sons hardcover books
1932EH215New York: Halcyon House Charles Scribner's Sons 1932 Reprint edition second edition published in the same year as the first. Illustrated with 82 black and white photographs. Publisher's ripple-patterned black cloth stamped in gilt to front board with author's facsimile signature stamped in red and gilt to spine with illustration of a bullfighting cape behind two swords lettered in black top edge stained red color frontispiece by Juan Gris; in the original red and black dust jacket lettered in yellow and white and with Roberto Domingo's illustration of a matador fleeing a bull to front panel. A near fine copy some dimming of gilt to front board and spine else clean with a bright text block; in a very good dust jacket with some wear to extremities and a few small holes along the edge of the front panel near spine a few small chips to spine ends and corners folded slightly off-center. Overall a beautiful sturdy copy of this second edition of Hemingway's famous non-fiction text on bullfighting. Hanneman A10b. Death in the Afternoon is Hemingway's non-fiction book about the sport of bull-fighting which ranges from technical descriptions of the art of the sport to philosophical conjectures about people who are interested in or partake in bull-fighting. Hemingway first became interested in bull-fighting after attending the Festival of San Fermínin in Pamplona Spain in 1923 and became a lifelong aficionado. This technical text is enlivened by Hemingway's clear passion for the sport and keen understanding of its nuances. Although Death in the Afternoon is the author's first full book-length non-fiction piece Hemingway's love for bull-fighting can also be seen in his 1926 novel The Sun Also Rises. Hard Cover. Near Fine/Dust Jacket Included. Illus. by Gris Juan; Vandel; Rodero. New York: Halcyon House (Charles Scribner's Sons) hardcover books
19331407084Charles Scribner's Sons New York 1933. 1st Edition. Hardcover. Near Fine/No Jacket. Near fine in original black cloth covered boards with gold blocking. First Edition. 1933 stated on the title page as well as the copyright page. Negligible rubbing at the corners and spine ends; else fine. Previous owner's name written on the front free endpaper. A tissue guard has been affixed to the front free endpaper. Charles Scribner's Sons, New York hardcover books
1933119861New York: Charles Scribner's Sons 1933. First edition first printing of Hemingway's third collection of short stories with the Scribner's 'A' to the copyright page. Octavo original black cloth with bronze title labels to the spine and front panel top edge red. In very good condition. A bright example. Written when Hemingway was at the height of his creative powers the stories in Winner Take Nothing glow with the mark of his unique talent. Hunters wives old men of wisdom waiters fighters women loved women lost: they are all here living on the raw edge making love facing the inevitable reality of death. The characters the dialogue the settings the remarkable insight could have come only from Hemingway's imagination. As an introduction to his work or as an overview of the themes he developed at greater length in his novels it is a stunningly successful collection. Charles Scribner's Sons hardcover books
193052630New York: The Modern Library 1930. First Edition. First Printing. Octavo 16.75cm; variant bound in flexible maroon cloth boards one of four variants no established priority with titling and decorations stamped in gilt on spine and front cover; maroon topstain; patterned endpapers; dustjacket; xii2591pp. Handful of tiny scuffs to front cover small check mark in marker to upper corner of front endpaper else quite fresh; Near Fine. Dustjacket is deeply price-clipped though the 95 cent price is still visible with rear panel noting 170 titles printed on the verso though our close count reveals 177 - presumably an early issue; gently spine-sunned lightly edgeworn with several tiny nicks and tears and a two splits along front joint neatly tape-mended on verso; Very Good. Early edition of Hemingway's second novel one that became synonymous with the "Lost Generation." HANNEMAN A6b; CONNOLLY 100. The Modern Library unknown books
1957WRCLIT67380Culver City: The Selznick Studio 1957. 4173 leaves. Quarto. Mimeographed typescript printed on rectos. Bradbound in bright orange production company wrappers. Near fine. An unidentified preproduction draft of Hecht's adaptation of Hemingway's novel. It was the novel's second screen adaptation to reach production. This draft still designates John Huston as director but he left the project as a consequence of budget disputes a few months later and Charles Vidor took over. Rock Hudson and Jennifer Jones starred. Duplicate from the Selznick archive. The Selznick Studio unknown books
196452192London: Jonathan Cape 1964. First English edition. 8vo pp. 192 Top edge stained red small spot on the bottom of the leaves a very good copy in dust jacket. Hanneman A46 A. A memoir. Jonathan Cape unknown books
192756259NY: Scribner 1927. First Edition first issue There were just 7650 copies issued of this first edition. 8vo pp. 232 some external wear cracking to the spine label a good tight copy. Hanneman A7. First Printing of Hemingway's second book of short stories which includes The Killers Hills Like White Elephants In Another Country Fifty Grand and Now I Lay Me. Scribner unknown books
19641810023Scribner's 1964. 1st Edition. Hardcover. Very Good/Very Good. A very good first printing correct code on copyright page in a very good dust jacket with original price still present. Previous owner's handwritten name on front paste-down some foxing at some parts of book and inside dj. Scribner's hardcover books
1925WN4499New York: Boni & Liveright 1925. Original black cloth with gilt rules and lettering upper board gilt very bright spine a little worn. Spine ends crumpled and small whitish mark at bottom of lower joint. Top edge appears to have been stained other edges untrimmed. . First Edition Third Printing. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. Boni & Liveright Hardcover books
1926WRCLIT85025London: Jonathan Cape 1926. Green cloth lettered in gilt. Spine faded tanning to endleaves and some intermittent scattered foxing Japanese bookseller's ticket in corner of front pastedown otherwise a very good copy without dust jacket. First UK edition in the presumed first form of the binding as noted by Grissom. GRISSOM A.3.2.a. Jonathan Cape hardcover books
19271406129Charles Scribner's Sons New York 1927. 1st Edition. Hardcover. Near Fine/No Jacket. First edition first issue in excess of 15.5 ounces. Original black cloth covered boards with gold blocking on the cover and spine. Previous owner's name stamped on the front pastedown and sticker affixed to the front free endpaper. Near fine; slight wear at top page ends. Charles Scribner's Sons, New York hardcover books
1929140938776New York: Charles Scribner's Sons 1929. First Edition. Good. First edition first printing first issue with matching dates of 1929 on the copyright and title page and with the Scribner's seal at the bottom of the copyright page lacking the disclaimer on page x. Good. Front free end paper is missing. Pages toned with staining to several early pages and a few corner creases. Cloth shows rubbing and light scuffing with light chipping to title labels. Charles Scribner's Sons unknown books
19642005016Charles Scribner's Sons 1964. hardcover. near fine/very good plus. First edition with publisher's mark: A-3.64H. Near fine book. Dust jacket very good unclipped with small closed tears to upper edge. Charles Scribner's Sons unknown books
1964120767New York: Charles Scribner's Sons 1964. First edition with "A-3.64H" present on copyright page. Octavo original half cloth. Fine in a near fine dust jacket. Jacket painting of Pont Neuf Paris by Hildegard Rath. A nice example. Ernest Hemingway's classic memoir of Paris in the 1920s A Moveable Feast remains one of his most enduring works. Hemingway beautifully captures the fragile magic of a special time and place and he manages to be nostalgic without hitting any false notes of sentimentality. Time Magazine listed the book on its top 100 non-fiction books written in English since 1923. Charles Scribner's Sons hardcover books
1950295482New York: Scribner 1950. First. hardcover. fine. 308 pages. 8vo re-bound in half olive green leather over marbled boards. New York: Scribner 1950. First Edition. Fine.<br/><br/> Scribner unknown books
1950295919New York: Scribner 1950. First. hardcover. fine/very good. 308 pages. 8vo black cloth d.w. New York: Scribner 1950. First Edition.<br/><br/> Fine in a first issue yellow spine un-clipped dust wrapper very lightly chipped at the edges.<br/><br/> Scribner unknown books
1950WN37912New York: Charles Scribner's Sons 1950. First with "A" and Scribner's colophon on copyright page. Book is a little canted and edges are browned. Text block is clean and tight. Dust jacket is first issue with yellow spine panel spine ends worn with loss of paper at head of spine wear on jacket edges and on upper flap joint. Jacket not price-clipped. Some soiling on white areas of jacket. First Edition. Cloth. Good/Good. 8vo - over 7¾" - 9¾" tall. Trade. Charles Scribner's Sons Hardcover books
1940140939000New York: Charles Scribner's Sons 1940. First Edition. Very Good/Very Good. First edition first printing with an "A" on the copyright page. In publisher's buff cloth stamped in black and red. Very Good with toning to spine cloth and pages. In a Very Good first issue dust jacket with $2.75 intact lacking publisher's credit on rear panel; worn and edge-torn vertical creases to the spine and splitting started to the flap folds. Charles Scribner's Sons unknown books
1067NF-a few tears and creases. unknown books
1935295511New York: Scribner 1935. hardcover. near fine. Shenton Edward. Decorations by Edward Shenton. 295pp. Thick 8vo rebound in 3/4 green calf marbled boards gilt-stamped spine. New York: Scribner's 1935. Near Fine.<br/><br/> Scribner unknown books
198711701JNew York: Scribner 1987. First Edition. Two volumes. The massive manuscript version of this book prepared for the earliest and most important readers. This was one of the copies sent to the Book of the Month Club editorial boards for their consideration of taking the book as a selection for the book club. Each volume spiral bound in printed wrappers. Stamped on the cover in red ink: SUBMISSION - BOOK OF THE MONTH CLUB INC. 8 1/2 by 11 inches. 595 pages. Scribner hardcover books
1927295515New York: Scribner 1927. hardcover. fine. Handsomely rebound in 3/4 green calf marbled boards gilt-ruled spine. New York: Scribner's Sons 1927. Fine.<br/><br/> Scribner unknown books
195618835E7 1/4†x 5 1/8†1956. Original photograph of Ernest Hemingway and actress Martine Carol with the following hand written in Spanish an unknown hand on the verso: “Ernest Hemingway y Martine Carol en ‘La Timea Pa Vigia’ San Francisco de Paula ‘La Habana Baba’ Sep-23-1956.†Also on the verso stamped in blue is “Bohemia Archivo / Martine Carol / Chez Hemingway / La Havane.†In this casual photo Hemingway and Miss Carol are standing outside in Hemingway’s garden enjoying a laugh. Miss Carol is as lovely as ever wearing a summer dress and pretty earrings. Fine. Hemingway and his wife Martha Gellhorn moved to Cuba in 1939 and in 1940 bought the "Finca Vigia" "Lookout Farm". In 1960 he left Cuba and Finca Vigia for the last time. Martine Carol 1920 - 1967 reigned as France’s cinematic sex siren in the 1950s with memorable roles in such films as Wolf Farm 1943 Adorable Creatures 1952 Sins of the Borgias 1953 Madame du Barry 1954 and Nana 1954 and the title role in Max Ophuls' Lola Montes 1955 portraying a charismatic and alluring circus performer. 7 1/4†x 5 1/8†unknown books
1957WRCLIT67361Culver City: The Selznick Studio 1957. 4173 leaves. Quarto. Mimeographed typescript printed on rectos. Bradbound in white production company wrappers. About fine. An unspecified but very close to final draft of Hecht's adaptation of Hemingway's novel. It was the novel's second screen adaptation to reach production. This draft notes Charles Vidor as director after John Huston left over budget disagreements and includes prefatory material not included in earlier drafts. Rock Hudson and Jennifer Jones starred. The Selznick Studio unknown books
