Hemingway ernest

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Hemingway, ErnestBiblio.com

IN OUR TIME

Hemingway Ernest; McNeil, MorrisBiblio.com

70186Wellesley Hills: Sans Souci Press 1978. First Edition. ONE OF ONLY THREE COPIES this being copy Number 2 inscribed by the publisher to the recipient with a long and very personal presentation inscription noting the placement of the three copies and the fact that the book would not be published and bound for still a month after this first issue copy which is specially bound for presentation. Signed and inscribed again on the colophon page with presentation to the recipient and the numbering of the copy as No. 2 of 3. 8vo publisher's special binding of rough sepia cloth the spine with a white label lettered in black with end-leaves wrapper and slipcase in off-white and the title-page printed in black. Typesetting by Thomas Todd the binding by Robert Burlen designed and printed by William and Raquel Freguson for William Young's San Souci Press June 1978. 138 pp. A pristine copy as mint both the book and protective box in excellent condition ONE OF ONLY THREE COPIES OF THE EARLIEST ISSUE OF THE FIRST EDITION. ONE COPY FOR THE PUBLISHER THIS COPY FOR PRESENTATION BY THE PUBLISHER TO A CLOSE FRIEND AND ASSOCIATE AND ONE COPY FOR SALE AT THE HIGHEST PRICE. What led to the eventual publication of this book is a story of significant interest and it is outlined in the long introduction by William and Dorothy Young. The typescript of the play was dated: Chicago 1920-1921 and would therefore qualify as Hemingway's first book unpublished. Later research proved that at least Acts One and Two were completed and that the play had been copyrighted on June 4 1921 thus proving that "what was apparently Hemingway's first book lay resting in some dusty corner of the copyright office in Washington."<br> 'The carbon typescript of the book was authenticated by Professor Carlos Baker the definitive Hemingway scholar. The only fragment remaining of the original manuscript descended from Leicester Hemingway to the publisher. In the Quinlan papers at Yale is a letter from Hemingway to Grace Quinlan dated November 16 1920 stating in substance that he is writing a fifty-fifty collaboration with Musselman. Professor Baker also made note of a second letter from Musselman to Hemingway which states among other matters that they must get to work over the weekend to begin the thrird act of the play. The entire matter is discussed in the introduction to the book. At one time the book was banned in California but remains as Hemingway's first authored book.' W. Young "Banned in California"<br> This is the first printing from the original typescript and is thus the first time the book apparently Hemingway's first has been available to the public. The handsome typesetting is by Thomas Todd and the binding by Robert Burlen. Design and printing were carried out by William and Raquel Ferguson. Sans Souci Press hardcover

Buddenbrooks, Inc. · États-Unis2 750,00 $US≈ 2 326,78 €

HEMINGWAY, Ernest (1899-1961)Biblio.com

The Spanish Earth F. A. I. End Papers

1938BB1363Cleveland: The J. B. Savage Company 1938. First Edition. Decorative Cloth. Fine. Exceptionally scarce First Issue with F. A. I. banner end papers one of fewer than 100 copies from a limited edition of 1000 copies of which this is number 116. Hemingway so disliked the original orange end papers showing soldiers advancing beneath the flag of the Federación Anarquista Ibérica or F. A. I one of the pro-Republican belligerents in the Spanish Civil War that after an estimated 50 to 100 copies were bound so reported by the publisher in a letter to Hanneman the endpapers were changed to plain. Illustrated by Frederick K. Russell with introduction by Jasper Wood. Small slim 8vo: 60pp with 7 full-page original charcoal drawings. Publisher's tan linen cloth front cover lettered in black and decorated in orange spine lettered in black printed throughout in black on tan Linweave paper absent the original glassine jacket fresh one added. A superlative copy covers and spine almost pristine with barest hint of toning; tightly bound text fresh and bright; superb illustrations. Hanneman A15a. Text of the narration for the sound track that Hemingway contributed to the 1938 film of the same name about the Spanish Civil War which broke out in 1936 with a military uprising in Morocco on July 17 triggered by events in Madrid. Within days Spain was divided in two: a "Republican" or "Loyalist" Spain consisting of the Second Spanish Republic within which were pockets of revolutionary anarchism and Trotskyism and a "Nationalist" Spain under the insurgent generals and eventually under the leadership of General Francisco Franco. "Late in 1936 while Hemingway was working on To Have and Have Not the North American Newspaper Alliance offered to hire him to report on the civil war being fought in Spain. The literary fruits of this undertaking in addition to the news stories Hemingway produced to fulfill his contract were the script for the narration of a pro-Republic documentary film The Spanish Earth; a relatively unsuccessful play The Fifth Column published with his collected stories as The Fifth Column and the First Forty-nine Stories; a handful of short stories about wartime Spain and his most successful novel in more than a decade For Whom the Bell Tolls." Literary Encyclopedia The Spanish Earth was published by a precocious Cleveland high-school student named Jasper Wood who was so moved on seeing the film that he convinced Hemingway to allow publication of the text. Fewer than a hundred copies were bound this first issue is a notable Hemingway rarity before Wood made the change to plain tan end papers the second issue. N. B. With few exceptions always identified we only stock books in exceptional condition carefully preserved in archival removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. The J. B. Savage Company unknown

Fine Editions Ltd · États-Unis2 749,00 $US≈ 2 325,93 €

HEMINGWAY, ErnestBiblio.com

Death in the Afternoon.

1932183551New York: Charles Scribner's Sons 1932. The first appearance of a hallmark theory of literary criticism First edition of this prolifically illustrated contemplation of bullfighting handsomely bound by the Chelsea Bindery. In this work Hemingway introduced his famous iceberg analogy of writing marking his first published statement on the theory of omission crucial to the understanding of his fiction: "If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader if the writer is writing truly enough will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water" p. 192. Hemingway spectated his first bullfight in 1923 at the festival of San Fermin at Pamplona igniting a passion he revisited for the rest of his life and inspiring the events of The Sun Also Rises 1926. Explaining the important literary and aesthetic significance that bullfighting held in his heart Hemingway writes "the only place where you could see life and death i.e. violent death now that the wars were over was in the bull ring and I wanted very much to go to Spain where I could study it. I was trying to learn to write commencing with the simplest things and one of the simplest things of all and the most fundamental is violent death" p. 2. The book affectionately called the bible of bullfighting made Hemingway "the leading exponent of the corrida outside the Spanish-speaking world" Meyers p. 117. Octavo 224 x 157 mm. Colour frontispiece after a Cubist painting by Juan Gris with captioned tissue guard bull vignette on title page and 81 half-tone photographic illustrations with facing descriptions. Finely bound by the Chelsea Bindery in black morocco spine lettered and decorated gilt raised bands single rule to boards gilt marbled endpapers roll to turn-ins gilt edges. A fine copy. Grissom A.10.1.a; Hanneman A10a. Jeffrey Meyers Hemingway: A Biography 1985. hardcover

Peter Harrington · Royaume-Uni2 000,00 £GB≈ 2 283,60 €

Hemingway, ErnestBiblio.com

In Our Time : With The Scarce Wrapper

1926112233445566781<p>The First UK printing published by Jonathan Cape London in 1926. 8vo. blue publisher's cloth lettered in white to the spine with Cape device to the foot; together in the rare printed wrapper unclipped '6s. net' to the front flap featuring lettering and decorative borders in blue; The BOOK is the second state blue cloth binding and is a Very Good example a little bumped and rubbed at edges with some minor fading to the spine ; light overall toning internally but clean overall with a couple of corner creases to a few pages; The WRAPPER toned to the folds and especially to the spine; rubbed and creased along folds with some small losses to the corners and spine. A couple of light splash marks to the upper panel; completely unrestored. The wrapper is protected in a removable Brodart archival cover. Hemingway's second published work and his first book to be published in Great Britain. Part of the 'Second Story' series. An early collection of 15 short stories with the prose bridge 'chapter' divisions and an 'L' Envoi'. Hemingway's writing career began while as a reporter for The Kansas City Star where he spent six months after graduating from High School. When the First World War broke out he enlisted in the Red Cross and later served as an ambulance driver on the Italian front. Hemingway struggled to readjust to life after the war. One of the stories included here 'Big Two-Hearted River' was based on a camping trip he took with some High-School friends and is semi-autobiographical describing the protagonist's attempts to readjust to life after the experiences of war. After marrying Hemingway moved to Paris and began to move within a circle of writers who referred to themselves as 'the lost generation' - Gertrude Stein Ezra Pound and James Joyce amongst other artists such as Pablo Picasso and Joan Miro. He began to write travel pieces and had compiled a collection of short stories before the suitcase containing his manuscripts was lost by his wife at a train station at the Gare de Lyon. All that remained were two stories and Hemingway had to start again from scratch. 'in our time' was first produced in Paris in 1924 and in this early iteration the stories it contained were more like vignettes which had initially appeared in Ezra Pound's 'The Little Review' the previous year. Many were on the subject of war bullfighting grief and loss and of the small run of 300 copies only 170 survived due to the poor printing process. After it was printed he continued to write short stories and in 1925 after combining the vignettes with the new stories 'In Our Time' was reprinted in America. It now contained fourteen short stories with the vignettes interwoven as 'interchapters' many introducing his Nick Adams character closely modeled on himself for the first time. The book is now considered to be one of Hemingway's masterpieces and certainly established him as a writer of great promise. Until very recently this example has been housed in a private collection. A nice copy of the Noble Laureate author's second published work and very elusive indeed with the wrapper. More images available on request. Ashton Rare Books welcomes direct contact.</p> Jonathan Cape, London hardcover

Ashton Rare Books ABA, PBFA, ILAB · Royaume-Uni1 950,00 £GB≈ 2 226,51 €

Hemingway ernest

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