Hemingway ErnestABAA
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1932170128012New York: Charles Scribner's Sons 1932. First Edition. Hardcover. Very Good. First edition first printing with an "A" and publisher's seal on copyright page in dust jacket with publisher's price of $3.50 intact. Very Good with light mottling to cloth pages toned and text block slightly sunken. In a Very Good dust jacket which is very fragile along the folds with partial splits tenuously holding some repaired from the verso and chipping at edges. Presents well. Charles Scribner's Sons hardcover books
19331501503Scribner's 1933. 1st Edition. Hardcover. Fine/Very Good. Charles Scribner's Sons New York 1933. Fine first edition in a very good dust jacket. First Edition. First Printing/First Issue of the First Edition with the Scribner's "A" and the Scribner's Seal on the copyright page Hanneman A12a. Scribner's hardcover books
19331501503Scribner's 1933. 1st Edition. Hardcover. Fine/Very Good. Charles Scribner's Sons New York 1933. Fine first edition in a very good dust jacket. First Edition. First Printing/First Issue of the First Edition with the Scribner's "A" and the Scribner's Seal on the copyright page Hanneman A12a. Scribner's hardcover
5731 Relié, demi-chagrin bleu minéral, dos lisse avec 'DU MONDE ENTIER' et son numéro, auteur et titre dorés, plats de papier décoré, évocateurs contre-plats et gardes volantes 'au Neptune/Poseidon' tête jaune, couvertures et dos conservés. Etui. Reliure de bonne facture, monogrammée A.L.(?) au second plat. Dos uniformément passé. 19,1 x 12,7 cm, 188-[4] p. Paris, NRF-Gallimard, 1952. Edition originale
5731 Relié, demi-chagrin bleu minéral, dos lisse avec 'DU MONDE ENTIER' et son numéro, auteur et titre dorés, plats de papier décoré, évocateurs contre-plats et gardes volantes 'au Neptune/Poseidon' tête jaune, couvertures et dos conservés. Etui. Reliure de bonne facture, monogrammée A.L.(?) au second plat. Dos uniformément passé. 19,1 x 12,7 cm, 188-[4] p. Paris, NRF-Gallimard, 1952. Edition originale
1932WRCLIT85089New York: Charles Scribner's Sons 1932. Large octavo. Gilt cloth. Color frontis by Juan Gris. Photographs. First edition. A light thumb-tip size smudge to fore-edge very slight tanning to endleaves otherwise about fine and bright in good moderately chipped pictorial dust jacket with narrow piece area of 'Death' at crown of spine detached chip from blank portion of spine panel and several other chips and creased tears at edges. GRISSOM A10.1.a. Charles Scribner's Sons hardcover books
1935WRCLIT71741New York: Charles Scribner's Sons 1935. Cloth. Almost inevitable modest sunning to the cloth through the dust jacket but a very good copy in moderately edgeworn price- clipped dust jacket with crease in front flap some handsoiling to the spine panel and a streak of rubbing to the rear panel. First edition. Decorations by Edward Shenton. Hemingway's second book-length work of almost non-fiction a first person narrative of big game hunting in Africa. The first printing consisted of 10550 copies and this copy is in the normal form of the dust jacket with the mid rear-panel green band. HANNEMAN A13a. Charles Scribner's Sons hardcover books
1937WRCLIT84982New York: Charles Scribner's Sons 1937. Black cloth spine stamped in gilt and green. Slight darkening at endsheet gutters a few minor spots of dulling to upper board otherwise a better than very good copy in faintly edge-worn metallic-finish dust jacket with narrow rub toward crown of spine. First edition. One of 10130 copies making up the first printing. The sourcework for the 1944 Howard Hawks classic film adaptation starring Lauren Bacall Humphrey Bogart Walter Brennan Hoagy Carmichael et al. The screenplay was co-credited to William Faulkner and James Furthman. HANNEMAN A14a. GRISSOM A14.1.a. Charles Scribner's Sons hardcover books
192934239New York: Grosset & Dunlap Publishers 1929. Hardcover. Near Fine/Near Fine. Hardcover. Hemingway Ernest.<br /> A FAREWELL TO ARMS.<br /> New York: Grosset & Dunlap Publishers 1929.<br /> <br /> Hanneman A8d. Black cloth 7¼" × 5¼" with the distinctive red decorative border on the title page and the embossed Grosset emblem on the upper cover. Printed red paper labels appear on both the front board and spine; deep dark red top-stain. A slight bump to the head of the spine else a superb truly stunning copy. Neat contemporary name on the front free endpaper. The rare "correct silver black and red" dustwrapper shows only the faintest touch of archival restoration-far better than typically found.<br /> <br /> This 1929 Grosset & Dunlap issue is far scarcer than the true first trade edition Hanneman A8a. Almost all Grosset reprints are miscatalogued and are actually much later-and noticeably taller-printings approx. 5¾" × 8½". This example is the Grosset & Dunlap issue from their "Novels of Distinction" series.<br /> <br /> Grosset's Novels of Distinction volumes were produced with unusually high-quality cloth bindings. The dust-jacket flaps typically list the then-current titles in the series. The rear jacket panel carries a Hemingway biography and photograph along with a contemporary review of the novel. A special series logo is blind-stamped on the front board and repeated on the jacket spine as can be seen here.<br /> <br /> An excellent and exceptionally rare copy especially in the proper dustwrapper. Grosset & Dunlap Publishers hardcover
1932239159New York / London: Charles Scribner's Sons 1932. First edition first printing. Publisher's full black cloth facsimile of author's signature stamped in gilt to front board spine decoratively stamped in gilt in original Roberto Domingo dust jacket $3.50. Light rubbing with some minor spots of wear extremities overall very good or better in good only put very presentable dust jacket with several chips and tears and moderate to heavy archival tape repairs to jacket verso in mylar cover. Full color illustrated frontispiece by Juan Gris with numerous black and white photographs. xii 517 1. 9.5" x 8.5" A STORY CONTINUED FAR ENOUGH<br /> <br /> Hemingway is quite clear: bullfighting is not a sport. Sports are always games which bullfighting never is; it is a tragedy where both the bull and matador must act with courage in the face of their opponent and ultimately come to an unjust end upon the bull's loss. It is this intimacy with death and the dignity of its participants that fueled Hemingway's Spanish bullfighting obsession appearing here in 1932 and in The Sun Also Rises.<br /> <br /> Complete with over eighty black and white photographs Hemingway combines his awe for Spanish culture with one of the most meticulous analyses of bullfighting covering its history stars technique and moral implications. Follow Hemingway in realizing "all stories if continued far enough end in death" as he draws the American public into his great love. <br /> <br /> This copy is a first edition first printing with all first printing points present. <br /> <br /> Girssom A.10.1.a; Hanneman A10a. Charles Scribner's Sons unknown
193969282E-365: Charles Scribner's Sons. Very Good in Very Good dust jacket. 1939. First Edition; First Printing. Hardcover. Hardcover. 8vo. Published by Charles Scribner's Sons New York. 1938. 597 pgs. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities DJ is lightly chipped and worn to the extremities. Bound in red cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Published here along with 49 of his short stories; four of them appearing for the first time including "The Snows of Kilimanjaro." The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid movingly portray the effects of war on soldiers civilians and the correspondents sent to cover it. ; 8vo 8" - 9" tall; 0 pages . Charles Scribner's Sons hardcover
1938022819Cleveland: The J.B. Savage Company 1938. First edition first issue; #88 of 1000 copies. With the pictorial FAI endpapers in the first 100 or so copies which were removed at Hemingway's request in later copies in the series. Lower corner of cover just nudged ownership inscription on pastedown faint spot on title page. Lacking glassine jacket. Near Fine condition. Hanneman A15.A. The J.B. Savage Company unknown
1995BRG-45_2_345Scribner 1995-06-01. paperback. Very Good. 5x0x8. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. Scribner paperback
1996BRG-31_7_531Scribner 1996-06-10. hardcover. Very Good. 6x1x9. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. Scribner hardcover
1933145590New York: Charles Scibner's Sons 1933. Hardcover. Near fine. Octavo. Unclipped dust jacket over black cloth with gold paper labels on spine and front board. Gold paper labels particularly fresh. Attractive first state jacket with a small old repair to the top of the spine. Top edge died red foredge uncut and a bit dust stained. Internally crisp and unmarked. Housed in a fold over box. An attractive copy of Hemingway's fourth collection of short stories including the classic Nick Adams story Fathers and Sons. 1933 Charles Scibner's Sons hardcover
15908Ernest Hemingway's A Farewell to Arms October 22 1956 Screenplay by Hecht Ben. Los Angeles: The Selznick Company 1956 Hardcover. Original screenplay. 3 191 leaves. A relatively early pre-production script for the second adaptation of Hemingway's great novel of the First World War. The film starred Rock Hudson and Jennifer Jones under the direction of King Vidor after John Huston left the project. While many versions of this script exist this text would seem to be the one David O. Selznick presented to John Huston when the director was assigned to the picture. Selznick apparently began working with Huston about October 25 1956 three days after the date on the title page of this script. There is a "foreword" dated November 5 1956 as well suggesting this script was printed in late 1956 during the pre-productin process.A fine copy in fine canary yellow printed studio covers. Bound with brad brads. There is a printed cover sheet with a detachable receipt as the first page of the script. The script is numbered so that the studio could keep track of the script. The receipt is still attached. While the cover indicates the order of colors for revision pages this copy does not have any revised pages. he production script was 173 leaves; the post-production as-film script was 152 pages suggesting that this early version has considerable content not available elsewhere.<br/><br/>A Farewell to Arms Original Screenplay for the 1957 film Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American. unknown books
1926122368New York: Charles Scribner's Sons 1926. First edition of Hemingway's first novel one of 1250 printed. Octavo bound in full morocco gilt titles and ruling to the spine raised bands double gilt ruled to the front and rear panels gilt signature of Hemingway to the front panel marbled endpapers all edges gilt. In fine condition. An exceptional presentation. Ernest Hemingway's first novel and third published book was preceded by Three Stories and Ten Poems and the collection of stories In Our Time. "Hemingway was planning a carefully engineered campaign for breaking his contract with Boni and Liveright and maneuvering to place his novel The Sun Also Rises with Scribner's. The vehicle was. the satirical novel The Torrents of Spring which was clearly calculated to cause problems with his publisher since it was a deliberate parody of Sherwood Anderson Boni and Liveright's best-selling author. Boni and Liveright had the option on his next three books one of which had to be a novel. If however they turned down the book that Hemingway submitted next he was free of his obligations to the publisher and could go elsewhere." Hemingway wrote Ezra Pound that he "had written 'a funny book'. It was a satire on America he claimed 'Probably unprintable but funny as hell. Wrote it to destroy Sherwood Anderson and various others. It's first really adult thing have done. Jesus Christ it is funny. It is a regular novel only it shows up all the fakes of Anderson Gertrude Stein Sinclair Lewis Willa Cather Hergo Joseph Hergesheimer and all the rest of the pretentious faking bastards. I don't see how Sherwood will ever be able to write again" Mellow Hemingway. Charles Scribner's Sons hardcover books
192649884New York: Charles ScribnerÕs Sons 1926. First edition; one of 1250 of the authorÕs first novel. Hardcover. Near fine/No dust jacket. A Romantic Novel in Honor of the Passing of a Great Race. New York: Charles ScribnerÕs Sons 1926. First edition; one of 1250 of the authorÕs first novel. 143 pp. Hardcover. 12mo. Professionally rebound in full black morocco. Gilt lettering and devices to spine gilt sinuous whorl pattern to front and rear boards; top edge sanded smooth and matte silvered; new gilt flecked rice paper pastedowns and endpapers; fore edge untrimmed; original cloth from front board and spine bound in at back. A very handsome copy in a unique art binding. Near fine/No dust jacket. Insurance required to ship this item. Charles ScribnerÕs Sons hardcover books
1927mon0003155802C. Scribner's Sons 1927-01-01. Hardcover. Very Good. 1.8110 8.5827 6.8898. First edition first printing with perfect ""3"" on that page. In scarce first state dust jacket without reviews. Dust Jacket is in a removable clear plastic Brodart protector shows moderate wear tear chipping rubbing front flap detached chipped corners. Cover shows minor wear rubbing and slightly bumped corners. Bookplate of former owner on the front pastedown slight creasing on the front free endpaper. Pages are tanned. C. Scribner's Sons hardcover
19396176<p><strong>First Russian translation</strong>. <strong>All of Hemingway's lifetime Russian editions printed before WWII are rare. </strong>One of 10 000 copies printed.</p><p>The partial translation of the author's collection of short stories 1938 and also the translation of '<em>On the American Dead in Spain' </em>New Masses XXX February 14 1939 and '<em>War Is Reflected Vividly In Madrid'</em> New York Times April 25 1937. <br />The main translator Ivan Kashkin 1899-1963 was a pioneer in the study of Hemingway in the Soviet Union. He and his colleagues specialized in the translation of the 20th-century American authors. Hemingway wrote about this Russian publication: '<em>So long Kashkin and good luck I appreciate your care and integrity in the translation very much. Give my best regards to all the comrades who work on the staff. Comrade is a word I now know quite a lot more than when I first wrote to you'</em> Gilenson B. Hemingway in the Soviet Union 1974. Hemingway called Kashkin 'the best critic and translator I ever had' and gave his surname to one of the heroes of '<em>For Whom the Bell Tolls'.</em> <br />This edition was the last Hemingway's separate book published in the USSR until 1956. It was the end of the love of the Soviet authorities for his prose. The reason was the original publication of the novel '<em>For Whom the Bell Tolls'</em> printed in 1940. Communists in Spain France and the USSR never liked this book and the publications of Hemingway's fiction almost completely stopped in Russia.</p><p>Libman # 6720.</p><p>OCLC locates one copy of this edition only: in the University at Albany.</p> Khudozhestvennaia literatura hardcover
1926122368New York: Charles Scribner’s Sons 1926. First edition of Hemingway's first novel one of 1250 printed. Octavo bound in full morocco by the Harcourt Bindery gilt titles and ruling to the spine raised bands double gilt ruled to the front and rear panels gilt signature of Hemingway to the front panel marbled endpapers all edges gilt. In fine condition. An exceptional presentation. Ernest Hemingway’s first novel and third published book was preceded by Three Stories and Ten Poems and the collection of stories In Our Time. “Hemingway was planning a carefully engineered campaign for breaking his contract with Boni and Liveright and maneuvering to place his novel The Sun Also Rises with Scribner’s. The vehicle was… the satirical novel The Torrents of Spring which was clearly calculated to cause problems with his publisher since it was a deliberate parody of Sherwood Anderson Boni and Liveright’s best-selling author. Boni and Liveright had the option on his next three books one of which had to be a novel. If however they turned down the book that Hemingway submitted next he was free of his obligations to the publisher and could go elsewhere.†Hemingway wrote Ezra Pound that he “had written ‘a funny book’… It was a satire on America he claimed ‘Probably unprintable but funny as hell… Wrote it to destroy Sherwood Anderson and various others… It’s first really adult thing have done. Jesus Christ it is funny… It is a regular novel only it shows up all the fakes of Anderson Gertrude Stein Sinclair Lewis Willa Cather Hergo Joseph Hergesheimer and all the rest of the pretentious faking bastards… I don’t see how Sherwood will ever be able to write again†Mellow Hemingway. Charles Scribner’s Sons hardcover
1933142401New York: Charles Scribner's Sons 1933. First edition of Hemingway's third collection of short stories. Octavo original black cloth. Fine in a very good dust jacket. Housed in a custom half morocco slipcase. A very nice presentation. Written when Hemingway was at the height of his creative powers the stories in Winner Take Nothing glow with the mark of his unique talent. Hunters wives old men of wisdom waiters fighters women loved women lost: they are all here living on the raw edge making love facing the inevitable reality of death. The characters the dialogue the settings the remarkable insight could have come only from Hemingway's imagination. As an introduction to his work or as an overview of the themes he developed at greater length in his novels it is a stunningly successful collection. Charles Scribner's Sons hardcover
19501448Maeght Éditeur, Paris 1948 à 1956. 4 volumes in-folio (380 x 280 mm) reliés dans un cartonnage toilé bleu nuit de l'éditeur imprimé sur le 1er plat et le dos, entièrement non rogné. Réunion de 4 numéros choisis par l'éditeur, en tirages originaux. DÉTAILS : N° 14-15 (Nov-Décembre 1948): 8 LITHOGRAPHIES ORIGINALES EN COULEURS - N° 29-30 (Mai 1950): 2 LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE - N° 57-58-59 (Juin 1953): 12 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 à double page et la célèbre composition "Nocturne" en quintuple page - N° 87-88-89 MIRO ARTIGAS (Juin-Juillet-Août 1956): 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 à double page. This is a compilation of four issues of Maeght's legendary periodical "Derrière Le Miroir" devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 14-15 (Nov-Decembre 1948): "Joan Miro" ; 29-30 (Mai-Juin 1950): "Miro" ; 57-58-59 (Juin-Juillet-Aout 1953)"Miro", one of the two most important issues of the collection, including the famous lithograph "Nocturne" ; and 87-88-89 (Juin-Juillet-Aout 1956): "Miro Artigas". Texts are in French. An internally bright copy whose contents are complete and intact first printings (25 lithographs) with the wrappers bound in that contain in total twenty-four original color lithographs.
19909027836Norwalk: Easton Press 1990. Hardcover. fine. Bound in publisher's original full brown genuine leather with black and gilt-stamped decorations on the front and back covers and spine four raised bands. a.e.g. Sewn-in ribbon bookmark and silk moire end papers. <br/><br/> Easton Press hardcover books
1926895P17London: Jonathan Cape 1926. First edition. Cloth. Very Good/Good. 7.5" by 5". None. The first U.K. edition of the first short story collection of Ernest Hemingway uncommon to see in the original dust wrapper. The first U.K. edition first impression in the second state blue cloth.In the original price-clipped dust wrapper.'In Our Time' is an anthology of short stories and vignettes by Ernest Hemingway exploring the themes of loss grief alienation and separation.This is an early work by Hemingway and is his first collection of short stories.'In Our Time' contains a total of fifteen stories including 'Indian Camp' 'The Doctor and the Doctor's Wife' 'A Very Short Story' 'Mr. and Mrs. Elliot' 'Cat in the Rain' 'Cross Country Snow' and more.Bookplate to the front paste down 'Amar Sin Fronteras'. In the original publisher's cloth binding in the original price-clipped dust wrapper. Externally smart. Light bumping and fading to the head and tail of the spine and to the extremities. Spine is a little faded. Bookplate to the front paste down stamp to the recto of the front endpaper. Dust wrapper is edge worn heavier to the head of the spine. Tear to the head and tail of the front joint. Dust wrapper is edge worn mostly to the spine with spotting to the wraps. Label to the tail of the spine. Internally firmly bound. Pages are bright and clean. Very Good Jonathan Cape hardcover
