[Hemingway] Hendrickson, PaulBiblio.com
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201123569New York:: Knopf 2011. First Printing of the First US Edition. A Near Fine copy with a discreet remainder dot to the bottom edge in a Fine bright unclipped dust jacket. The author has written a compelling history of Hemingway's relationship with his beloved 38-foot Wheeler power boat Pilar that served as his sea mistress allowing him to relax fish escape the pressures of notoriety and even hunt German submarines during World War Two. The Pilar serves as the perfect motif by which Hendrickson examines Hemingway's life friends lovers and writing endeavors. Knopf, unknown
198528495<p>New York:: Harper & Row 1985. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. This evocative sympathetic biography illuminates the events that informed Hemingway's vigorous life: an accident-prone youth and early rivalry with his father; his experiences in World War I the Spanish Civil War and World War II; his stormy relationships with writers and women; his sudden fame slow decline and suicide. Based on previously unavailable information and exclusive interviews Hemingway enriches anyone's understanding and appreciation of America's most important twentieth-century writer.</p> Harper & Row, hardcover
199928742<p>New York:: Norton 1999. First Printing of the First Edition. A Fine tight unread copy in a Fine bright unclipped dust jacket. Michael Reynolds discovered the truth about Hemingway's activities during the war years which included running a counterintelligence operation in Havana. The postwar period was the most productive of Hemingway's writing life when he authored the Pulitzer Prize-winning The Old Man and the Sea and received the Nobel Prize. Even as Hemingway graced the cover of Life magazine his physical and mental health deteriorated while his public image as hunter and sportsman continued to demand the strenuous life. In 1961 he committed suicide leaving behind the stuff of which American myths are made.This is the final volume in Reynolds' five volume biography of Ernest Hemingway.</p> Norton, hardcover
199228893Oxford:: Blackwell 1992. First Printing of the First UK Edition. A Fine tight copy in a Fine dust jacket. Michael Reynolds's evocation of Hemingway's life continues in this volume finding the American writer in Paris in 1926 and following him through the dissolution of his first marriage and the beginning of his second.We witness the emergence of the public version of Hemingway and the development of a mature and major literary talent. Most significantly Reynolds reveals the radical difference between the two versions of Hemingway's male heroes. The now accepted version of these actors tough self-reliant lapidary figures is shown to be a distinct break from the earlier figures who are vulnerable wounded survivors living precariously in a doomed world in which they have little control. Blackwell, unknown
199229009Oxford:: Blackwell 1992. First Printing of the First UK Edition. A Fine tight copy in a Fine dust jacket. Michael Reynolds's evocation of Hemingway's life continues in this volume finding the American writer in Paris in 1926 and following him through the dissolution of his first marriage and the beginning of his second.We witness the emergence of the public version of Hemingway and the development of a mature and major literary talent. Most significantly Reynolds reveals the radical difference between the two versions of Hemingway's male heroes. The now accepted version of these actors tough self-reliant lapidary figures is shown to be a distinct break from the earlier figures who are vulnerable wounded survivors living precariously in a doomed world in which they have little control. Blackwell, unknown
199726311New York:: Norton 1997. First Printing of the First US Edition. A Fine copy in a Fine dust jacket. This fourth volume in Reynolds' five volume biographical series covers Hemingway's life and works from A Farewell to Arms to For Whom the Bell Tolls against the historical backdrop of the Cuban Revolution African safaris his residence in Key West and the Spanish Civil War. He experimented in fiction and nonfiction pushing his limits as a writer in such works as Death in the Afternoon Green Hills of Africa and To Have and Have Not. In this "masterpiece in the making" Reynolds brings us so close to Hemingway that "you can all but smell Hemingway's whisky breath coming off the pages" Norton, unknown
195226027<p>Princeton:: Princeton University Press 1952. Fourth Printing of the Third US Edition. A Fine tight copy in a Very Good plus unclipped dust jacket with edge wear and a closed edge tear to the lower spine. A very important work on Hemingway's writing craft where Baker shows and explains how Hemingway went about the creation of his short stories and novels. This is an invaluable resource for researchers and especially apprentice writers. In this third edition Baker has thoroughly revised his original 1952 edition and provides a new final chapter covering the last nine years of Hemingway's life. The checklist of Hemingway's works has been brought up to date as of 1963.</p> Princeton University Press, hardcover
199423303<p>Toronto:: Doubleday 1994. First Printing of the First Canadian Edition. A Fine tight unread copy in a Fine bright unclipped dust jacket. First Canadian edition. In 1992 Burrill discovered 25 stories Ernest Hemingway wrote while he was a journalist for the Toronto Star and here published in book form for the first time. Hemingway worked for the Star from 1920 to 1924 crafting what became his inimitatable style of terse and direct prose. Burrill also provides the first extensive biographical study to focus on Hemingway's connection with the city of Toronto.</p> Doubleday, hardcover
198923356<p>Cambridge:: Blackwell Publishing 1989. First Printing of the First Edition. A Fine copy in a Fine dust jacket. This second volume in Reynolds' five volume Hemingway biography focuses on the writer's journeyman period in Paris where he honed his writing craft through his interactions with the other expatriates the French milieu and the literary and cultural history of Europe. Reynolds exhaustively chronicles the particular literary influences on Hemingway oftentimes even recounting the reading lists that the writer received from particular individuals. "Reading The Wasteland with Ezra Pound at one's elbow is no bad way to pick up a thing or two" he dryly observes at one point. He also pays close attention to Hemingway's conversations with and studying the literature of Pound James Joyce and particularly Gertrude Stein. Reynolds not only uses his extensive source material with a critical eye but provides a wealth of information about the social political and literary backgrounds of a time and place that were in many ways the dawn of the 20th century's intellectual tradition.</p> Blackwell Publishing, hardcover
197481875N.p.:: Autolycus Press 1974. First edition; Copy No. Twenty-one of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. A few small areas of rubbing to the boards. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
197481874N.p.:: Autolycus Press 1974. First edition; Copy No. Six of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. Spine a little sunned and slightly rubbed at its corners. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
197481873N.p.:: Autolycus Press 1974. First edition; Copy No. One of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. Spine a little sunned and slightly rubbed at its corners. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
196884596Caldwell Idaho: The Caxton Printers Ltd 1968. First Edition. Quarto 28.5cm; oatmeal cloth-covered boards with titling stamped in brown on spine and front cover; photographic endpapers; dustjacket; 343pp; black and white photographic halftone frontspiece portrait with halftones throughout. Light tanning to spine and board edges; Very Good. Dustwrapper price-clipped with trivial surface wear tape mend to verso of upper spine panel and creases and rubbing to spine ends flaps and extremities; Very Good. Pictorial recollection explores the life of Ernest Hemingway created by his friend Lloyd R. Arnold with a foreword by his grandson John Hemingway. 84596. The Caxton Printers , Ltd unknown
196929289Caldwell:: Caxton 1969. Limited Edition. A Fine copy in white buckram hardcover binding with leather inset panel in a Near Fine matching custom slipcase. Original prospectus laid in. This special edition was limited to 950 copies as is signed by Hemingway's son John. The author documents Hemingway's life and events at his home in Ketchum Idaho. Included are 160 photographs that show Hemingway at ease in his retreat in Sun Valley before it became a popular destination for neo-celebrities. Arnold was one of Hemingway's closest friends in Ketchum and provides a unique perspective of the man who wore many personas. Caxton, hardcover
19385748<p><strong>First Russian translation of Hemingway's '<em>The Old Man at the Bridge'</em>.</strong> One of 15 000 copies printed.</p><p>This issue includes the story by Ernest Hemingway '<em>Starik u Mosta'</em> '<em>The Old Man at the Bridge'</em>; 1938.<br />It is devoted to the Spanish Civil War. Hemingway published it as a short story in '<em>Ken Magazine'</em> # 4 May 19 1938 not as a news article. And almost immediately the story was translated into Russian this magazine was signed for printing on September 8. The translation was prepared by <strong>Tat'yana Ozerskaya</strong> 1907-1991. She also translated novels by Jack London Theodore Dreiser Margaret Mitchelland Robert Stevenson.</p><p>Libman #6712.</p> Goslitizdat, Khudozhestvennaia literatura paperback
194851442New York:: The Quadrangle Press 1948. Revised edition. publisher's illustrated boards in dust jacket. Edges of boards slightly tanned; light foxing to verso of jacket with light edgewear and one short tear to the rear panel. Folio. Illustrated. With a Memoir by Ernest Hemingway. The Quadrangle Press, hardcover
194966554Key West:: Southern Bell Telephone and Telegraph Company September 1949. publisher's printed wrappers stapled. Some old ink and pencil notations on wrappers; light soiling; contents fine. 8vo. Containing Pauline Hemingway's listing. Southern Bell Telephone and Telegraph Company, unknown
194517650Lyon:: Chez Marc Barbezat 1945. original printed wrappers. Some light dust-soiling to the wrappers; very nice. Folio. Chez Marc Barbezat, unknown
195876699New York:: Leo Feist Inc.; The Selznick Co. 1958. First edition. publisher's printed wrappers. Fine. 8vo. Arranged by Johnny Warrington. With Lyric by Paul Francis Webster. Music by Mario Nascimbene. Arrangements for trumpet saxophone guitar trombone violin etc. Accompanied by a Dot Ultra High Fidelity 45 rpm in sleeve. FEIST Dance Hits. Leo Feist Inc.; The Selznick Co., unknown
195348872London:: Herbert Jenkins 1953. First English edition. publisher's cloth in dust jacket. Small bookplate; otherwise fine in a jacket with some creasing and two lengthy tears. 8vo. Profusely illustrated from photographs. With a Foreword by Ernest Hemingway. Translated from the French by Edward Fitzgerald. Herbert Jenkins, hardcover
1923EH312New York: Alfred A. Knopf 1923 Two volumes. Foreword by Lady Gregory. Later American edition "Third and Popular Edition". Signed and inscribed by Hemingway to his cousin Ruth White Lowry on front free endpapers of both volumes. Volume I: "Dear Ruth: - These good solid books are to throw after the American Poetry book at the head of strikeout any one sic who criticizes the management -- Ernest."; Volume II: "Dear Ruth - This is the second solid volume to throw after the first - Ernest."; Ruth Lowry's ownership signature in pencil on front pastedown of Vol. I. Publisher's dark blue cloth with title labels to spines printed in black; lacking dust jackets. Very good set with some toning to spines and labels light wear to spine ends light rubbing to front board of Vol. I Bennett Schneider bookseller tickets to both rear pastedowns and Bennett Schneider bookmark laid in to Vol. II. Overall a lovely set inscribed twice by Hemingway. From the personal library of Hemingway's cousin Ruth White Lowry. Wilfrid Scawen Blunt 1840 - 1922 was an English poet diplomat and outspoken critic of colonialism. Blunt married Lady Anne Noel the granddaughter of Lord Byron in 1869 and together they ran the Crabbet Arabian Stud a prominent horse breeding farm in Sussex which imported exceptional Arabian horses from the Middle East. Blunt's marriage to Lord Byron's granddaughter was emblematic of his broader aspiration to emulate Byron: much like the renowned Romantic poet Blunt was a strikingly handsome womanizer a social outcast and a world traveler who fought for idealistic causes. Some of the chapter titles in My Diaries illustrate the sweeping range of Blunt's interests and adventures: "A Visit to Greece in 1888" "Egypt under Tewfik in 1889" "A Visit to Tunis and Tripoli" "Satan Absolved - The Boer War" "Literature and Politics" "The French Invade Morocco" and "The War with Germany Declared." Blunt published many works in his lifetime including The Love Sonnets of Proteus 1881 The Future of Islam 1882 and Satan Absolved: A Victorian Mystery 1899. Blunt and Hemingway were similar in personality and lifestyle in that they are both remembered not only for their literary contributions but also for embracing a comprehensive life and valuing the wisdom gained from experiences. . Signed. Later American Edition. Hard Cover. Very Good. New York: Alfred A. Knopf hardcover
2070Fort Lauderdale FL: S.i. 1984. First Edition. Self-published draft of the Pulitzer Prize-winning journalist's play set in Hemingway's home in Cuba during the 1950's. In addition to working for South Florida's Sun Sentinel de Groot was also a member of the award-winning team that covered the Kent State shootings in 1970. de Groot's depiction of Hemingway relied more on "the man and his exploits" than his literary legacy and the play was a result of his life-long fascination with the author. The play premiered at the Colony Theater in Miami Beach in 1987 starring veteran Miami-based actor William Hindman as Hemingway. Ten years later the play ran for 73 performances at the Douglas Fairbanks Theater in New York directed by John Henry Davis and starring Len Cariou as Hemingway. Rare; we find no copies for sale in the trade and while OCLC notes 2 later editions of the play 1988 by Lime Tree Productions and 1989 by the Hemingway Western Studies Center Boise State University this self-published edition is not found in the holdings of any member institution. Quarto; printed sheets rectos only comb-bound into illustrated card wrappers; vi878pp. Inscribed by de Groot to a rare bookseller on the title page and dated 1988. Holograph date of "Jan.'88" in ink to upper right corner of title page and front wrapper else Fine. Laid in is a 1-page TLS from de Groot to the recipient discussing rights to the play changes to the script and the play's premiere in Miami FL along with an inquiry regarding signed Hemingway books for sale. Together with the original mailing envelope and a Fine copy of the 8pp program for the play's premiere at the Colony Theater in Miami Beach FL. S.i. unknown
1927EH316New York: Alfred A. Knopf 1927 Second American edition first edition published in 1920. Presentation copy signed by Hemingway on front free endpaper with "Hemingway" in Hemingway's hand; the first part of the inscription "7/28 - 1928" / From Ernest" is in another hand likely the recipient Hemingway's cousin Ruth White Lowry whose ownership inscription tops the same page. Blue cloth-backed patterned cream boards printed in blue and green; lacking the original dust jacket. About very good with light rubbing to front spine joint titles on spine almost completely faded some light staining to upper edges of boards with some pages mildly affected toning to edges and corners rubbed to boards. Overall an excellent association copy. From the personal library of Hemingway's cousin Ruth White Lowry. bib Poems is T. S. Eliot's second volume of poetry published three years after his debut volume Prufrock and Other Observations 1917. Poems contains new work such as "Gerontion" "The Hippopotamus" "Whispers of Immortality" and "Sweeney Among the Nightingales" as well as poems from Prufrock including "The Love Song of J. Alfred Prufrock" "Portrait of a Lady" and "La Figlia Che Pianga." T. S. Eliot 1888 - 1965 is recognized as perhaps the greatest modernist poet whose groundbreaking works "The Love Song of J. Alfred Prufrock" The Waste Land 1922 and Four Quartets 1936 - 1942 had a seismic impact on the literary landscape. Eliot was also extremely influential as a literary critic having changed the lens through which poetry was viewed and understood with essays like "Tradition and the Individual Talent" 1919. In 1948 he was awarded the Nobel Prize in Literature. Ernest Hemingway never met T. S. Eliot yet he returned to the poet continually throughout his career both to mock and draw literary inspiration from him. Both writers were "discovered" and mentored by Ezra Pound who had a remarkably discerning eye for literary greatness Pound also helped nurture the talents of James Joyce Robert Frost and H.D. In 1922 Pound brought Eliot's The Waste Land to Hemingway's attention and provided him with special insight into the poem's autobiographical foundations. While Hemingway respected Eliot's ability as a poet he often disparaged Eliot as a person mocking him for his effete character. His ambivalent feelings toward Eliot can be summed in a line from a 1950 letter he wrote to his friend Harvey Breit "Eliot's a damned good poet and a fair critic; but he can kiss my ass as a man and he never hit a ball out of the infield in his life." the latter remark was a reference to Yogi Berra who like Eliot was from St. Louis. It has been theorized that Hemingway's short story "Mr. and Mrs. Elliot" was a jab at T. S. Eliot and his wife deriding their sexual relationship. In the essay "Ernest Hemingway and T. S. Eliot: A Tangled Relationship" 2012 J. M. Flora explores Hemingway's complex feelings towards Eliot noting thinly veiled critiques that Hemingway made about Eliot in some of his works including Death in the Afternoon 1932 and A Moveable Feast 1964 while pointing out the clear influence of Eliot's poetry particularly The Waste Land 1922 in sections of The Sun Also Rises 1926 Green Hills of Africa 1935 Across the River and Into the Trees 1950 and Hemingway's short story "Hills Like White Elephants" 1927. Flora writes "Hemingway became adept at mocking the poet. Regardless he continued to read to ponder and to remember Eliot's poetry and his criticism. Hemingway became Eliot's irreverent disciple." This copy of Poems was dated July 28 1928 by Ruth White Lowry one month after Ernest and Pauline's second child Patrick was born at the Lowry home outside Kansas City. The couple stayed at Ernest's Aunt Arabell's home in Mission Hills leading up to the birth before moving to Ruth's and her husband Malcolm's home because of tension between Ernest and Arabell. Around the time that this copy was dated Hemingway was likely at the Folly Ranch in Sheridan Wyoming working intensely on A Farewell to Arms. . Signed. Second American Edition. Hard Cover. Very Good. New York: Alfred A. Knopf hardcover
196129453New York:: Simon & Schuster 1961. First Printing of the First US Edition. A Fine tight copy in a Very Good plus unclipped dust jacket with light edge wear to the extremities. On May 13 1950 Lillian Ross's first portrait of Ernest Hemingway was published in The New Yorker. It was an account of two days Hemingway spent in New York in 1949 on his way from Havana to Europe. This candid and affectionate profile was tremendously controversial at the time to the great surprise of its author. It remains the classic eyewitness account of the legendary writer. Simon & Schuster, unknown
196178432No place 1961. Fine. 12mo. A ms. note adds: "Mary hopes to answer your sweet letter soon." unknown
