5 520 résultats
1930583860Paris: Edward Titus Black Manikin Press 1930. Hardcover. Near Fine/Near Fine. First edition. Translated by Samuel Putnam. Introduction by Ernest Hemingway. One of 1000 copies. Near fine perfectbound wrapper with some waviness small crease and tiny bump at two corners in near fine red wraparound band with some wear and in fair only unprinted original glassine missing both flaps and with a large chip in very good publisher's plain card slipcase not shown with tone and some wear. Edward Titus, Black Manikin Press hardcover
199025884<p>Wiltshire :: Crowood 1990. First Printing of the First UK Edition. A Fine tight unread copy in a Fine bright dust jacket. This book is the first to detail Ernest Hemingway's trail through wartime Europe including his participation in the D-Day landings and his presence on the front line at the Battle of the Bulge; It also chronicles his tangled personal life and the impact his first-hand experience of war had on him both as a writers and as a man.</p> Crowood, hardcover
1925514020Berlin: Im Propylaen-Verlag 1925. Softcover. Very Good. First edition. Small quarto. 88pp. plus ads. Illustrated reproducing art and photographs in black-and-white including two photographs credited to Ernest Hemingway. Text in German. Yellow pictorial wrappers Fragile spine is worn covers are lightly dust soiled else a very good copy with text fresh and clean. Contains the first appearance of "Stierkampf Part I" "The Undefeated" part I by Ernest Hemingway translated into German by B. Bessmertny Hanneman C166. Also prints contributions by Andre Derain "Gedanken eines Malers" Paul Nikolaus Jules Laforgue "Warnung" et al. Im Propylaen-Verlag unknown
1925514019Berlin: Im Propylaen-Verlag 1925. Softcover. Very Good. First edition. Small quarto. 88pp. ads Illustrated in black-and-white reproducing numerous photographs and works of art; Text in German. Yellow pictorial wrappers Contemporary ink rubberstamp name and address on front cover at lower margin. Eroded along most of fragile spine covers are lightly dust soiled else a good to very good copy with the text fresh and clean. Contains the first appearance of "Stierkampf II" The Undefeated by Ernest Hemingway translated into German by B. Bessmertny. Hanneman C167. Also prints contributions by Carl Sternheim Walter Cohen Carl Zuckmayer et al. Im Propylaen-Verlag unknown
1955414395Westport Conn and New York: A.E. Hotchner and Ernest Hemingway and Anne Meyerson Typing & Mimeographing 1955. Softcover. Near Fine. Quarto. P.3 22 1 19 1 4 2 34 1 27. Typed leaves on rectos only bradbound into black leatherette wrappers stamped in gilt with Meyerson's information. The gilt title on the front wrap is covered with a typed label that reads "Ernest Hemingway's 'Love and Death' "; a title label on title page also covers a previous typed title; Ink number "16" on title page near fine.<br /> <br /> A play that includes scenes from The Snows of Kilimanjaro For Whom the Bell Tolls A Farewell to Arms and The Good Lion a fable written in Venice in 1950 which was published in Holiday magazine. It would be difficult to determine the original title stamped on the front wrap and on the title page without damaging the labels although on the front wrap the title begins with "T" and ends with "y." We speculate that this is likely the earliest draft of "The Hemingway Hero" for which scripts exist bearing an earlier title and that the title "The Heroes of Hemingway" is a possibility here.<br /> <br /> Laid-in is a letter from Hotchner to producer and director Fletcher Markle: "Herewith the script of LOVE AND DEATH. I am very enthusiastic about your casting suggestion and I'm sure Hemingway would be. I agree that Welles would add considerably to the overall value." He goes on to state that "I shall do my best to shake loose THE FIFTH COLUMN for I am certain that that and THE UNDEFEATED will go splendidly at 90-minute length." He concludes "My regards to your wife Mercedes McCambridge whose talents as an actress I have always admired." Our thanks to Ira Steingroot for identifying Markle and McCambridge.<br /> <br /> We have no evidence that the play was ever produced theatrically. Hotchner was a close friend of Hemingway's and seems to have created a cottage industry adapting Hemingway's works and television plays of The Snows of Kilimanjaro 1960 The Fifth Column 1960 and For Whom the Bell Tolls 1959 all directed by John Frankenheimer as well as several others all appeared with scripts by Hotchner. Although the title here indicates that this script was prepared for the stage it seems likely that it was later adapted into several "teleplays."<br /> <br /> OCLC locates three copies of The Hemingway Hero all with different pagination. It locates no copies with this title or pagination. A.E. Hotchner and Ernest Hemingway [and] Anne Meyerson Typing & Mimeographing unknown
1976546150United States: Paramount Pictures 1976. Unbound. Near Fine. Poster. Measuring approximately 14" x 36". Gently rolled a bit of faint spotting else near fine. Advertising poster for the 1977 American film directed by Franklin J. Schaffner and starred George C. Scott Hart Bochner Claire Bloom Gilbert Roland and David Hemmings. Adapted from Ernest Hemingway's posthumously published 1970 novel of the same name and nominated for an Academy Award for Best Cinematography. Paramount Pictures unknown
1996563499Ketchum / Sun Valley Idaho: The University of Idaho / The Hemingway Society 1996. Unbound. Very Good. Poster. Measuring 24" x 36". Illustrated with a large metallic silver image of Hemingway. Folded twice not as issued and a bit of additional creasing and edgewear very good. The University of Idaho / The Hemingway Society unknown
1958546162United States: Seven Arts / United Artists 1958. Unbound. Near Fine. Poster. Measuring approximately 28" x 22". Gently rolled light edgewear with faint creases backing tape along the edge of verso that extends slightly over the edge and poster name in ink near fine. Advertising poster for the 1958 American film noir crime film directed by Don Siegel and starring Audie Murphy Eddie Albert Jack Elam Richard Jaecke and Gita Hall in her film debut. The third adaptation of Ernest Hemingway's 1937 novel To Have and Have Not. Seven Arts / United Artists unknown
1927341756Dijjon: Maurice Darantiere 1927. Softcover. Fair. First edition. 12mo. 92pp. Paper wrappers. Fair only with chipped front wrapper that has been professionally restored extensive chipping at the spine and first six pages also chipped. The first issue of Pound's short-lived literary magazine that includes "Part of Canto XX" a poem from Ernest Hemingway and contributions from Richard Aldington Guy Hickok and John Rodker. Interestingly Hemingway's name is mistakenly listed as "E.W. Hemingway" on the cover when his middle name was Miller and his one-line poem "Neo-Thomist" is also misspelled and hand corrected by Pound in each of the 500 copies that were printed. Laid in is a postcard advertising the magazine and a small slip from New York newspaper man John M. Price. He not only inspired Pound to start the magazine but was in charge of distributing the first issue in States and seeking out contributions for future issues. Maurice Darantiere unknown
1930372878New York: Alfred A. Knopf 1930. First edition second printing. Illustrated xxi 378 vi 1 pp. 8vo. Grey linen stamped and printed. Spine and top edge sunned some light soiling from handling partially unopened very good with Bennett Schneider Book Seller ticket at rear. First edition second printing. Illustrated xxi 378 vi 1 pp. 8vo. Inscribed by Hemingway to his Kansas City Cousin Ruth Lowry: "Dear Ruth: The girl who wrote this was very lovely looking and a pretty good poet - was married to one of the most horrid citizens I have ever known now divorced. Think one has a Guggenheim fellowship - what a mine of information the fellow is- / Ernest-"<br /> <br /> The "lovely looking" "pretty good poet" who wrote this Genevieve Taggard 1894-1948 was an acquaintance of Hemingway's known to him from his travels in expatriate and leftist circles. Elsewhere he called her "a good poet" with a "very good heart" Maris Kathryn "Buried twice" TLS Sept. 27 2024. The "horrid citizen" Hemingway refers to is author Robert L. Wolf 1895-1970 a Jewish radical from a wealthy Cleveland family who was married to Taggard from 1921-1934 so the inscription must have been made after this date. Wolf lived in Paris from 1926-1928 where he was part of Hemingway's social circle and known for his amorous affairs and his struggles with mental illness. Wolf's letters to Taggard during this period mostly detail the agony of their failing relationship but Taggard has suggested that he also blamed his failure to produce novels to the responsibilities of marriage and fatherhood.<br /> <br /> The recipient of the inscription is Ruth White Lowry 1884-1974 Hemingway's Kansas City Cousin. Hemingway was familiar with the city having spent time there as a cub reporter for the Kansas City Star. After returning from Europe Ernest and his second wife Pauline spent time in Arkansas with Pauline's family; they needed somewhere with a good hospital where Pauline could give birth to their son so he went up to stay with Ruth and her husband Malcolm in their large house in Mission Hills where he worked on A Farewell to Arms writing pages 156-260 there in the mornings and swimming in their swimming pool in the afternoon and drinking bootleg Scotch at the country club. It was there that Pauline suffered a life-threatening cesarean section that informed the childbirth scene at the end of his novel. They returned in 1931 so that Pauline could give birth to their second child under the care of the same attending doctor and it was in the Lowry's house that Hemingway finished Death in the Afternoon. Alfred A. Knopf unknown
1923206319New York/London 1923. Ownership signature to title page; marginal tear to final leaf of ads in rear; wrappers only slightly soiled and with a small horizontal tear to spine; a very nice copy. Large 8vo 56pp; original illustrated wrappers. The "Exiles' Number" of the great little magazine edited by Margaret Anderson Jane Heap and Ezra Pound featuring the first publication of Hemingway's "In Our Time" the title story of his first substantial book as well as his poem "They All Made Peace What is Peace" which Ezra Pound later included in his Active Anthology. Also includes written contributions by Gertrude Stein E.E. Cummings Mina Loy George Antheil H.D. and Robert McAlmon along with illustrations by Fernand Léger Joan Miro and Dorothy Shakespear. The covers front and rear were designed by Léger. unknown
1936225910New York 1936. 56 pp. 1 vols. 4to. Stapled in printed wrappers. Wrappers and text browned and somewhat brittle. Preserved in a quarter blue morocco slipcase with chemise. 56 pp. 1 vols. 4to. An important issue reporting the landslide "Victory for F.D.R." It also contains a contribution by John Peale Bishop. "Homage to Hemingway" at p. 39. Bishop recalls a meeting with Hemingway in the summer of 1922 when Ezra Pound took him to Hemingway's room in Paris. Hanneman H290. Hanneman H290 <br/><br/> unknown
1958517278Paris: Paris Review 1958. Softcover. Near Fine. First edition. Octavo 145pp. Pictorial wrappers. A fine copy. Includes the first appearance of "The Art of Fiction XXI" an interview with Ernest Hemingway conducted by George Plimpton. Also prints contributions by Philip Roth W. S. Merwin George P. Elliott W. D. Snodgrass Robert Bly Louis Simpson and others. Paris Review unknown
1962612142New York: Paperback Library Inc 1962. Softcover. Near Fine. First edition paperback original. 222pp. Near fine with light general wear. A biography of Hemingway "the wanderer whose compulsion to know to feel drove him time after time to the brink of self-destruction. Paperback Library Inc unknown
1946619710New York: Arco Publishing Company 1946. Hardcover. Near Fine/Near Fine. First edition. Introduction by Ernest Hemingway. Quarto. 417pp. Front hinge starting and a chipped corner of first page reattached else near fine in very good spine sunning dust jacket with small chips at several corners along with scattered creases tears and nicks. A collection of writings about the post-World War future divided into regions of the world and featuring many of the leading thinkers of the day including with Bertrand Russell Thomas Mann and Albert Einstein as wells are writers such as Hemingway Theodore Dreiser Carl Sandburg and Witter Bynner. Arco Publishing Company hardcover
1938591973New York: League of American Writers 1938. Softcover. Very Good. First edition. Foreword by the editorial committee. Small octavo. 82 3 pp. Printed wrappers a bit toned with rubbing along the spine top corner a little bumped staples a little rusted very good. A telegram from Hemingway Vincent Sheean and Louis Fisher precedes the letters and was sent to American writers this book represents the responses. Among the letter writers are Hemingway again Dashiell Hammett Langston Hughes William Faulkner John Steinbeck James Weldon Johnson Sherwood Anderson and Countee Cullen along with hundreds more. Although not signed by him this was Malcolm Cowley's copy with a few notes in his hand; including the tally of responses handwritten on the titlepage: "414 answered 406 for; 7 neutral 1 against." A nice copy. League of American Writers unknown
1938609379New York: League of American Writers 1938. Softcover. Very Good. First edition. Foreword by the editorial committee. Small octavo. 82 3 pp. Printed wrappers. Creases on wraps small stain on front cover with a long stain along the spine about very good. A telegram from Hemingway Vincent Sheean and Louis Fisher precedes the letters and was sent to American writers this book represents the responses. Among the letter writers are Hemingway again Dashiell Hammett Langston Hughes William Faulkner John Steinbeck James Weldon Johnson Sherwood Anderson and Countee Cullen along with hundreds more. League of American Writers unknown
19328887New York: Charles Scribner's Sons 1932. First Edition First Printing. Hardcover. Very Good. 6 1/2 X 9 1/4 Inches. 515 PP. First printing copy with the publisher "A" and seal on the copyright page. Hinges starting. PO name to FFEP. An acceptable copy of the true first printing. Gold gilt to spine is rubbed but not as worn as typically seen. Light wear to gutters. <br /> <br /> Death in the Afternoon reveals Hemingway's belief that art should confront life at its most intense and unfiltered using bullfighting as a vehicle to explore courage ritual mortality and the search for meaning. Rather than simply describing a spectacle Hemingway examines how people create beauty and dignity in the face of real danger turning a cultural tradition into a meditation on what it means to live authentically. The book blends journalism philosophy and personal reflection in a way that shaped modern nonfiction demonstrating that factual writing could be as emotionally charged and stylistically innovative as fiction. Through its stark honesty and lyrical precision it expands our understanding of Hemingway's artistry and of how humans grapple with the inevitability of death. Charles Scribner's Sons hardcover
19496243Norfolk CT: New Directions 1949. First Edition. Hardcover. Very Good/Very Good. 5 3/4 X 8 1/2 Inches. 457 PP. First edition of this collection that includes Hemingway Steinbeck Warren Faulkner Joyce Welty Wharton Waugh Chekov Porter and Grahem Greene among other luminaries. Original price of $4.00 intact on front flap. A hint of foxing to top gutter. Light wear to dj edges and spine. Light chipping to DJ edges and one small chip to rear panel. A scarce book in jacket. New Directions hardcover
1961V40684Hamburg (Spiegel Verlag) 1961 (= Erste Ausgabe). 4°, illustirerter Originalumschlag (Klammerheftung), 66 S., Abbildungen, Werbung 1
201206063Paris, Imprimerie nationale andré sauret , 1948 ; in-8, 362 pp., br. N°1081/3000 lithographie originale de Pierre-Yves trémois sous boitage.
201206062Paris, Imprimerie nationale andré sauret , 1948 ; in-8, 362 pp., br. N°660/3000 lithographie originale de Pierre-Yves trémois sous boitage.
2004LFA-126741840Revue pour la protection du patrimoine historique et esthétique d'Arles (Bouches-du-Rhône) : 72 pages, format 150 x 210 mm, illustrée, brochée, bon état
1956752351956 P., NRF, Gallimard, 1957, in 4° cartonnage décoré de l'éditeur d'après la maquette de Paul BONET, jaquette rhodoïd et étui, 1050 pages.
37906Louisville KY: Contre Coup Press 2011. Hardcover. Fine. Hardcover. One of 24 copies. Signed by the illustrator on the colophon. This is a particularly fine press production of one of Hemingway's stories and is uncommon in commerce with OCLC showing only seven copies. It is one of the more elaborate works of Tim Hawley's now defunct Contre Coup Press a fine press publisher specializing in limited edition books and broadsides often created on vintage printing equipment. This edition includes a previously unpublished 8 page afterword. The press was run by Timothy Hawley for its entirety and known for its beautiful typography and unique typographic interpretations of rare manuscripts. The vintage printing equipment utilized included the Vandercook SP20 and hand set typography using various vintage typefaces. The press's books often featured typographic interpretations of rare manuscripts or literary works such as this one of Hemingway's finest Nick Adams stories. It was inspired by his affinity for nature and need for solace after returning from World War I. It was written in 1924 when Hemingway was just 25 years old and originally published in 1925 in the author's collection of stories In Our Time. The creator of the engraved illustrations was Nick Baute. He is the owner and operator of the Hound Dog Press in Louisville KY. In operation since 2008 HDP specializes in custom invitations greeting cards stationery posters art prints and design. All work is produced on vintage letterpress equipment that ranges from 1892-1960 and they continue to hand-set metal and wood and hand carve wood and linoleum blocks to illustrate their prints. <br /> <br /> From the colophon: This book was set by hand in the Luteria typeface. The book was printed by hand on a Vandercook SP20 press. The book was bound at the Campbell-Logan Bindery in brown decorated paper boards with a brown cloth spine with a white paper title label. The wood engravings were designed and cut by Nick Baute and were printed directly from the blocks. Each book is signed in pencil by the artist and is accompanied by a portfolio of four of the engravings printed on Johannot a mouldmade paper and also signed by the artist. They are housed in a letterpress printed orange paper portfolio. There were a total of 24 copies printed on Yale a wove paper and 12 copies were printed on Arthur's Prairie a laid paper all handmade at the Twinrocker paper mill. This is one of the 12 copies printed on Arthur's Prairie laid paper." In fine condition. Measures 7.5 x 11.5 inches. 33 pages plus separate suite of 4 prints of the engravings. 33 pages : illustrations ; 30 cm suite of 4 loose-leaf of print. Contre Coup Press hardcover
