3 992 résultats
192853801Chicago:: Scott Foresman 1928. Revised Edition. publisher's blue cloth. Worn and soiled; spine heavily repaired with clear tape. 8vo. Ernest Hemingway's brother Leicester's copy with his signature a drawing and annotations for example: on p. 477 to "France: An Ode" has been added in ink "r of no mean strength;" small pencil drawing of someone thumbing their nose on title page; "Learn these Godamlines" in the Milton section etc. etc. Title on front panel altered to "Twelve Centies of English Poty and Pose." Scott, Foresman, hardcover
195578427San Francisco de Paula Cuba March 26 1955. Fine. 8vo. In five typed paragraphs Mary Hemingway describes her work on taxes converting four foreign currencies hoping that she and Ernest can vacation on the Pilar logistics on his possible trip to visit them in Cuba and replying to his mention of an edition of "Collected Poems" about which she queried Ernest who "said he never made any edition of poems." unknown
181978429Ketchum Idaho October 18 1962. Fine. 8vo. Mary gossips about Marcelline's visit "Ernest disliked her so much" and profiting from his death; packing up; travel plans etc. She wants to see Papa's letters to him and regretting that she cannot give him permission to publish them and hoping to see him in November. unknown
188912200Chicago:: Rand McNally 1889. publisher's green cloth decorated in gold. Neatly rebacked retaining nearly all of spine and front panel; some spotting and smudging to preliminaries; but a very decent copy of a book with an interesting history. 8vo. This copy belonged to Clarence Hemingway the father of Ernest and has his ownership signature and the date June 13 1890 on the front free endpaper. It is easy to imagine that Ernest Hemingway spent many hours with this book. Rand McNally, hardcover
201728966<p>New York:: William Morrow 2017. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. This copy is inscribed by the author. Nicholas Reynolds has written for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD the forerunner to the KGB followed in short order by a complex set of secret relationships with American agencies including the FBI the Department of State the Office of Naval Intelligence ONI and the Office of Strategic Services OSS a precursor to the CIA. The author examines the links between Hemingway's work as an operative and as an author Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline including paranoia that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings which destroyed the life of anyone with Soviet connections. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works including For Whom the Bell Tolls and The Old Man and the Sea while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide.</p> William Morrow, hardcover
201728057New York:: William Morrow 2017. First Printing of the First US Edition. A Near Fine copy with previous owner name on flyleaf in a Near Fine clipped dust jacket. Nicholas Reynolds has written for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD the forerunner to the KGB followed in short order by a complex set of secret relationships with American agencies including the FBI the Department of State the Office of Naval Intelligence ONI and the Office of Strategic Services OSS a precursor to the CIA. The author examines the links between Hemingway's work as an operative and as an author Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline including paranoia that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings which destroyed the life of anyone with Soviet connections. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works including For Whom the Bell Tolls and The Old Man and the Sea while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide. William Morrow, unknown
201728173<p>New York:: William Morrow 2017. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. Nicholas Reynolds has written for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD the forerunner to the KGB followed in short order by a complex set of secret relationships with American agencies including the FBI the Department of State the Office of Naval Intelligence ONI and the Office of Strategic Services OSS a precursor to the CIA. The author examines the links between Hemingway's work as an operative and as an author Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline including paranoia that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings which destroyed the life of anyone with Soviet connections. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works including For Whom the Bell Tolls and The Old Man and the Sea while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide.</p> William Morrow, hardcover
193279411New York:: Charles Scribner's Sons 1932. First edition. publisher's black cloth in dust jacket. Preserved in a custom quarter red morocco clamshell folding box. Slight tanning to endsheets; a few spots of foxing to fore-edge; and some insect damage to the cloth. The dust jacket has some minor darkening but is unchipped. . Large 8vo. Illustrated. Signed and inscribed by Ernest Hemingway to Ring Lardner: "To Ring Lardner from his early imitator and always admirer Ernest Hemingway Cooke Montana September 11 193--ran off the page" Charles Scribner's Sons, hardcover
174Extremities gently rubbed and edgeworn; boards slightly bowed; jacket a bit sunned chipped and torn tape repair to verso. Very good. LMM-174. <p>Ernest Hemingway. A Moveable Feast. New York: Charles Scribner's Sons 1964. First edition with publisher's code "A-3.64H" to copyright page. <br /> Octavo. 211pp. Illustrated with b/w photos. Publisher's orange quarter cloth over hardcover paper boards lettered in gilt to spine and front board original unclipped dust jacket listing price $4.95.</p> <br /> <p>From the collection of Larry McMurtry at his home in Archer City Texas. His book with personal brand-mark bookplate.</p> . unknown
2605Spine ends worn with loss to head; light wear and toning to spine and boards; corners gently bumped; offsetting to endleaves; scattered foxing throughout; lacks dust jacket. Still very good. Ernest Hemingway. Death in the Afternoon. London: Jonathan Cape 1932. First English edition. <br /> Octavo. 358pp. Illustrated with photos. Publisher's orange cloth spine and front lettered in black brown topstain.<br /> From the collection of Larry McMurtry at his home in Archer City Texas. His book with personal brand-mark bookplate. <br /> <br /> . unknown
196428689New York:: Scribners 1964. First Printing of the First US Edition. A Fine copy in a Very Good plus unclipped dust jacket.with wear to the front panel and a faint water stain to the real panel that does not affect the binding or the text. A Moveable Feast is a memoir by American author Ernest Hemingway about his years as an expatriate writer in Paris in the 1920s. The book describes Hemingway's apprenticeship as a young writer while he was married to his first wife Hadley. Other people featured in the book include Aleister Crowley Ezra Pound F. Scott Fitzgerald Ford Madox Ford Evan Shipman Hilaire Belloc Pascin John Dos Passos Wyndham Lewis James Joyce Gertrude Stein and Hermann von Wedderkop. The book was not published during Hemingway's lifetime but edited from his manuscripts and notes by his fourth wife and widow Mary Hemingway. It was published posthumously in 1964 three years after Hemingway's death. Scribners, unknown
196426780New York::: Scribners 1964. First Printing of the First US Edition. A Fine copy in a Near Fine price clipped dust jacket. with a thin printing abrasion to the rear panel. A Moveable Feast is a memoir by American author Ernest Hemingway about his years as an expatriate writer in Paris in the 1920s. The book describes Hemingway's apprenticeship as a young writer while he was married to his first wife Hadley. Other people featured in the book include Aleister Crowley Ezra Pound F. Scott Fitzgerald Ford Madox Ford Evan Shipman Hilaire Belloc Pascin John Dos Passos Wyndham Lewis James Joyce Gertrude Stein and Hermann von Wedderkop. The book was not published during Hemingway's lifetime but edited from his manuscripts and notes by his fourth wife and widow Mary Hemingway. It was published posthumously in 1964 three years after Hemingway's death. Scribners,, unknown
193419546New York: Pierre Matisse Gallery 1934. First edition. Paperback. Good overall. Self-wrappers printed on one leaf to form six pages. An exhibition of dry points which ran from November 20 to December 4 1934. The cover image shows two men of reduced circumstances as many were at that time. The text begins with a long introduction by Ernest Hemingway and a shorter one by John Dos Passos. 8vo folded. Folded in 4 by a previous owner with some wear along folds and marking and some pencil sketching on the verso. Pierre Matisse Gallery paperback
187126199Burlington VT: Abby Maria Hemenway self-published 1871. First printing. Hardcover. Good. Contemporary 1/2 black calf leather edges and extremities rubbed gilt stamped spine remains bright despite rubbing Marbled paper over boards with light rubbing also clean. Superficial inner hinges cracked but the binding and boards are firm. Internally: paper light toned scattered light foxing most of the plates partially affected wt. moisture & foxing with some facing pages also affected. A massive volume of 1195 plus a few pages no Index issued; plus several plates steel engraved portraits and woodcuts. A solid reference copy. <br/><br/>Experienced full-time bookseller since 1994. Images may be added by request. Questions welcome. Abby Maria Hemenway (self-published) hardcover
188126200Burlington VT: Abby Maria Hemenway self-published 1881. First printing. Hardcover. Very Good. Published pebbled brown cloth hardcover with wear to extremities including part of the front outer hinge. Clean. Ex-library: removed spine label bookplate on the front paste-down page with armorial design: Fletcher Memorial Library in Ludlow VT. a few pages with library blind stamps. Otherwise a firmly bound copy paper remains bright clean and unmarked with no handling wear. A massive volume of 2000 plus a few pages no Index issued; plus several plates steel engraved portraits and woodcuts all remain bright and clean. A very nice copy overall. <br/><br/>Experienced full-time bookseller since 1994. Images may be added by request. Questions welcome. Abby Maria Hemenway (self-published) hardcover
197062444New York:: Universe Books 1970. First edition; No. 26 of 100 signed and numbered copies. Very fine; still in the publisher's tissue tattered and plain portfolio worn. . 15 x 12-1/2 inches. Hand-printed by Helmut Ackermann and signed by the Artist. Universe Books, unknown
1994C215479Annapolis MD: Naval Institute Press 1994. Hardcover Hardcover. Very Good. Octavo. xv 189pp. Original cloth very good indeed with slight bowing to boards towards fore-edge in a very good dust jacket with one repaired closed tear. Naval Institute Press, hardcover
1941BN030747New York: Partisan Review 1941. First Edition. Paperback. Very Good. Octavo. The rare first issue of this important magazine with first publication of works by the aforementioned and others. Includes "Archibald MacLeish: The Poet on Capitol Hill" by Morton D. Zabel and "The New Hemingway." Near Fine in its light-tan wrappers. Archival Mylar magazine sleeve included. Partisan Review paperback
035905823X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0140073612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
16-2945Illinois State Libraay: 1995. 32 x 24 inches. Provenance: Peter Howard Serendipity Books Berkeley. Illinois State Libraay: 1995. unknown
1998204767Cambridge: Cambridge University Press 1998. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. Cambridge University Press hardcover
200223563New Haven: Yale University Press 2002. cloth hard cover in dust jacket. no flaws or wear. clean no writing or markings no tears or chips strong binding no bumps.; ix-357pp. 199 illustrations in color b/w. detailed work on the american artists who were drawn to or active in the communist party between the great depression and the reactionary 1950s. First Edition. Hard Cover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Yale University Press Hardcover
200255801Yale University Press New Haven 2002. First Edition. Hardcover. Good Condition/Good. Size: 4to 9 3/4 - 12". x 357pp. Text contains some pencil markings. Binding firm spine cocked. Slight foxing front/rear pages but body of book mostly clean and unfoxed. Dust jacket creased and stretched with a couple of tears. Edges slightly marked. Corners bumped. Illustrated. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; United States; Modern; Politics & Government. ISBN: 0300092202. ISBN/EAN: 9780300092202. Pictures of this item not already displayed here available upon request. Inventory No: 55801. . 9780300092202 This book is extra heavy and may involve extra shipping charges to some countries. Yale University Press hardcover
443142Yale University Press. Hardcover. Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. This remarkable book is the first to examine in abundant detail the relation between visual artists and the American Communist movement during the twentieth century. Andrew Hemingway charts the rise and decline of the Communist Party's influence on art in the United States from the Party's dramatic rise in prestige during the Great Depression to its effective demise in the 1950s. Offering a full account of how left-wing artists responded to the Party's various policy shifts over these years Hemingway shows that the Communist Party exerted a powerful force in American culture even after the Nazi-Soviet Pact of 1939.The author scrutinizes the works of an array of leftist artists many of great interest but largely forgotten today. He demonstrates that American art produced within the Communist Party's orbit was far more diverse and had a much more complex relationship with modernism than has been previously understood. Refusing to march in lockstep to Party requirements artists and critics in and around the Party accepted no single aesthetic line and engaged in heated debates. Hemingway offers radical new interpretations of some familiar works reassesses the role of the John Reed Clubs and the work of artists in the federal art programs and revises accepted thinking about art in the United States during the Cold War. In short he offers a distinguished and original political history that recovers the rich artistic and intellectual legacy of the American left.A hardback book in fair used condition some wear to the dust jacket and markings to the first few pages. Yale University Press hardcover