[Hemingway, Ernest]; Cowley, MalcolmBiblio.com
3 992 résultats
1928002087Brentano's 1928. Soft cover. Very Good. Orange and white covers 8-7/8" tall 64 pp. Light wear and discoloration but generally a nice copy. Includes a fantastic article by Earl Derr Biggers who comments on the increasing brutality of the murder mystery genre but the real monetary value for this issue lies in Malcolm Cowley's article "The Hemingway Legend." "This is the first real pen-picture of Ernest Hemingway that has ever appeared in print. Mr. Hemingway does not give interviews. He does not talk for the press and he is about the hardest man to get hold of in all of Europe." With a portrait by Waldo Pierce. Malcolm Cowley may be partly responsible for Hemingway's rise to fame; well maybe not but he was certainly a critical proponent of the Hemingway "legend" -- the machismo the fantastic stories of his life and adventures etc. and this early article about Hemingway includes the tale of Hemingway attending a boxing match as a reporter and getting so mad at the victorious boxer that he climbed into the ring and knocked him out with one punch. A lovely critical biographical and mythological article spanning pp. 25-29. Brentano's paperback
78431No place dated in pencil by the recipient 1976. Fine. 12mo. Thanking him for his "generous letter." unknown
195867269Hollywood:: Warner Bros. Pictures Inc. 1958. Fine. 8 x 10 inches. Warner Bros. Pictures, Inc., unknown
195867247New York:: AFI Gallery 1958. First edition. publisher's printed portfolio enclosing sheets as issued. . Fine. Folio. Four illustrations by Leonard Baskin laid in portfolio. AFI Gallery, unknown
1931EH315New York: G. P. Putnam's Sons 1931 Preface by George Bernard Shaw. First edition first printing. Signed and inscribed by Hemingway to his cousin Ruth White Lowry on the front free endpaper with reference to the previous owner Hemingway bibliographer Captain Louis Henry Cohn: "Dear Ruth: - This is really a 2nd hand book because it was the gift of Captain Louis Henry Cohn the great bibliographer - Pauline didn't like it but Shaw and Terry and Capt. Cohn and Lawrence Stallings all did so you may find something in it - I have not read it - They must have been very sure how great they were or very careful to have kept all the letters and been able to find them - Ernest." Publisher's red cloth with front board and spine lettered in gilt red topstain; lacking dust jacket. Very good with toning to spine and board edges heavy dimming to spine gilt some very light scratches to rear board small House of Books ticket Captain Cohn's bookshop to rear pastedown. Overall a uniquely inscribed copy with exceptional provenance. From the personal library of Hemingway's cousin Ruth White Lowry. This book is a collection of correspondence between the great Irish playwright George Bernard Shaw 1856 - 1950 and leading English actress Ellen Terry 1847 - 1928. In 1892 Ellen reached out to Shaw then a 36-year-old music critic to get his opinion on the career prospects of a musical protégé of hers. This began a roughly 30-year correspondence between the two which was marked by flirtation genuine affection and Shaw's repeated attempts to lure Ellen away from Henry Irving's productions at Lyceum Theatre to star in theatrical productions of his own work. With praise from its New York Times review: "It represents the very flower of the minds and hearts-the select harvest of sentiment and wit-of two of the most remarkable personages of our generation." Captain Louis Henry Cohn 1889- 1953 born in Brooklyn New York earned his military rank by fighting in the French Army during World War I. In 1930 Cohn wrote a letter to Hemingway asking him for permission to compile a bibliography of his works. Hemingway begrudgingly agreed and in 1931 the book A Bibliography of the Works of Ernest Hemingway was published: in a note from Hemingway to Cohn which was later included as the frontispiece of the bibliography Hemingway wrote "I think it all balls to publish bibliographies of living writers". Later Cohn and his wife Marguerite opened House of Books a successful bookshop specializing in modern first editions. Under the House of Books imprint Cohn published an edition of Hemingway's short story "God Rest You Merry Gentlemen" 1933 limited to 300 numbered copies and a facsimile of Hemingway's "Bastard Note"-a legal disclaimer page included in the second printing of A Farewell to Arms with a humorous note to the printer in Hemingway's hand-limited to 93 numbered copies. Signed. First Edition. Hard Cover. Very Good. New York: G. P. Putnam's Sons hardcover
1779Urbana: University of Illinois Press 1971. 8vo. pp. 243. Original russet boards lettered in gilt on spine. Corners very slightly bumped but a near fine copy in a near fine dustwrapper a little sunned at spine. 27 illustrations accompanying text. First edition. MALCOLM BRADBURY'S REVIEW COPY WITH HIS SIGNED BOOKPLATE TO FFEP. With the original review slip laid in dated 19.4.72. Bradbury's bookplate is dated '1971' which suggests he must have placed it in the book some time after his receipt of it. This US edition of the book the true first was sent to him on 19 April 1972 in time for his review to appear in time for the publication of the UK edition on 27 April that year. A very nice copy. Urbana: University of Illinois Press, 1971 hardcover
196925781<p>Hemingway Reference Hanneman Audre. Ernest Hemingway: A Comprehensive Bibliography. Princeton: Princeton University Press 1969. Second Printing of the First Edition. A Very Good Plus copy with a previous owner's name and address on the front flyleaf and faint spotting to the top edge of the text block in a Very Good dust jacket with a small chip to the heel of the spine and small moisture spots to the top edge of the front and read panels. This bibliography of Hemingway's writings and related materials includes for the first time all of his books pamphlets stories articles newspaper contributions juvenilia library holdings of his letters and manuscripts items written about Hemingway between 1918 and 1965 and short excerpts from reviews of each of Hemingway's novels. First editions of books and pamphlets both American and English with bibliographic descriptions are given. </p> Princeton University Press, hardcover
193081394San Marco: Venezia Calle Vallaresso 1930. Wraps. fine. 4 1/2" x 3 1/2". Cream decorated covers. With ties at spine. Small menu from Harry's Bar. Harry's Bar opened in 1931 by bardender Giuseppe Cipriani and it was a favorite bar and hangout of Ernest Hemingway. Venezia Calle Vallaresso unknown
192353298Paris: no date but circa 1923. clipped together up upper left corner with an old brass clasp. Preserved in a custom cloth chemise and clamshell box. Both sheets creased horizontally with two short closed tears at folds; slight creasing to extremities; second leaf has a triangular chip in the lower right corner about 1"; not affecting text; very good. 4to. The first leaf is titled in typewriting and signed; the second leaf consists of a 17-line poem beginning "Among and then young./ Not ninety-three./ No Lucretia Borgia.and concluding There and we know./ Hemingway./ How do you do and good-by. Good-by and how do you do./ Well and how do you do." hardcover
198428803<p>A Fine copy in a Very Good plus price-clipped dust jacket with light wear at the spine. Fuentes traces Hemingway's life in Cuba and the same settings in which Harry Morgan of Having and Not Having Santiago of The Old Man and the Sea and Thomas Hudson of Islands in the Gulf acted. Here is the unpublished correspondence the aggressive annotations on books and magazines the war objects and trophies that Hemingway accumulated for twenty-two years and the memories that remain in the memory of fishermen smugglers and veteran fighters of anti-submarine operations. Characters and settings that were previously known as fiction and that have now emerged into reality at the hands of Norberto Fuentes with his unmistakable narrative pulse and his meticulous almost obsessive investigation. In the words of another Nobel Prize winner the prologue Gabriel García Márquez: "The end result is this fierce and clarifying report that brings us back to the living and slightly childish Hemingway that many of us thought we could only glimpse between the lines of his master stories." </p> Lyle Stuart, hardcover
201128707New York:: Knopf 2011. First Printing of the First US Edition. A Fine unread copy in a Fine bright unclipped dust jacket. The author has written a compelling history of Hemingway's relationship with his beloved 38-foot Wheeler power boat Pilar that served as his sea mistress allowing him to relax fish escape the pressures of notoriety and even hunt German submarines during World War Two. The Pilar serves as the perfect motif by which Hendrickson examines Hemingway's life friends lovers and writing endeavors. Knopf, unknown
201129185<p>New York:: Knopf 2011. First Printing of the First US Edition. A Fine unread copy in a Very good plus bright unclipped dust jacket with an abrasion to the bar code on the rear panel. The author has written a compelling history of Hemingway's relationship with his beloved 38-foot Wheeler power boat Pilar that served as his sea mistress allowing him to relax fish escape the pressures of notoriety and even hunt German submarines during World War Two. The Pilar serves as the perfect motif by which Hendrickson examines Hemingway's life friends lovers and writing endeavors.</p> Knopf, hardcover
201123569New York:: Knopf 2011. First Printing of the First US Edition. A Near Fine copy with a discreet remainder dot to the bottom edge in a Fine bright unclipped dust jacket. The author has written a compelling history of Hemingway's relationship with his beloved 38-foot Wheeler power boat Pilar that served as his sea mistress allowing him to relax fish escape the pressures of notoriety and even hunt German submarines during World War Two. The Pilar serves as the perfect motif by which Hendrickson examines Hemingway's life friends lovers and writing endeavors. Knopf, unknown
198528495<p>New York:: Harper & Row 1985. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. This evocative sympathetic biography illuminates the events that informed Hemingway's vigorous life: an accident-prone youth and early rivalry with his father; his experiences in World War I the Spanish Civil War and World War II; his stormy relationships with writers and women; his sudden fame slow decline and suicide. Based on previously unavailable information and exclusive interviews Hemingway enriches anyone's understanding and appreciation of America's most important twentieth-century writer.</p> Harper & Row, hardcover
199928742<p>New York:: Norton 1999. First Printing of the First Edition. A Fine tight unread copy in a Fine bright unclipped dust jacket. Michael Reynolds discovered the truth about Hemingway's activities during the war years which included running a counterintelligence operation in Havana. The postwar period was the most productive of Hemingway's writing life when he authored the Pulitzer Prize-winning The Old Man and the Sea and received the Nobel Prize. Even as Hemingway graced the cover of Life magazine his physical and mental health deteriorated while his public image as hunter and sportsman continued to demand the strenuous life. In 1961 he committed suicide leaving behind the stuff of which American myths are made.This is the final volume in Reynolds' five volume biography of Ernest Hemingway.</p> Norton, hardcover
199228893Oxford:: Blackwell 1992. First Printing of the First UK Edition. A Fine tight copy in a Fine dust jacket. Michael Reynolds's evocation of Hemingway's life continues in this volume finding the American writer in Paris in 1926 and following him through the dissolution of his first marriage and the beginning of his second.We witness the emergence of the public version of Hemingway and the development of a mature and major literary talent. Most significantly Reynolds reveals the radical difference between the two versions of Hemingway's male heroes. The now accepted version of these actors tough self-reliant lapidary figures is shown to be a distinct break from the earlier figures who are vulnerable wounded survivors living precariously in a doomed world in which they have little control. Blackwell, unknown
199229009Oxford:: Blackwell 1992. First Printing of the First UK Edition. A Fine tight copy in a Fine dust jacket. Michael Reynolds's evocation of Hemingway's life continues in this volume finding the American writer in Paris in 1926 and following him through the dissolution of his first marriage and the beginning of his second.We witness the emergence of the public version of Hemingway and the development of a mature and major literary talent. Most significantly Reynolds reveals the radical difference between the two versions of Hemingway's male heroes. The now accepted version of these actors tough self-reliant lapidary figures is shown to be a distinct break from the earlier figures who are vulnerable wounded survivors living precariously in a doomed world in which they have little control. Blackwell, unknown
199726311New York:: Norton 1997. First Printing of the First US Edition. A Fine copy in a Fine dust jacket. This fourth volume in Reynolds' five volume biographical series covers Hemingway's life and works from A Farewell to Arms to For Whom the Bell Tolls against the historical backdrop of the Cuban Revolution African safaris his residence in Key West and the Spanish Civil War. He experimented in fiction and nonfiction pushing his limits as a writer in such works as Death in the Afternoon Green Hills of Africa and To Have and Have Not. In this "masterpiece in the making" Reynolds brings us so close to Hemingway that "you can all but smell Hemingway's whisky breath coming off the pages" Norton, unknown
195226027<p>Princeton:: Princeton University Press 1952. Fourth Printing of the Third US Edition. A Fine tight copy in a Very Good plus unclipped dust jacket with edge wear and a closed edge tear to the lower spine. A very important work on Hemingway's writing craft where Baker shows and explains how Hemingway went about the creation of his short stories and novels. This is an invaluable resource for researchers and especially apprentice writers. In this third edition Baker has thoroughly revised his original 1952 edition and provides a new final chapter covering the last nine years of Hemingway's life. The checklist of Hemingway's works has been brought up to date as of 1963.</p> Princeton University Press, hardcover
199423303<p>Toronto:: Doubleday 1994. First Printing of the First Canadian Edition. A Fine tight unread copy in a Fine bright unclipped dust jacket. First Canadian edition. In 1992 Burrill discovered 25 stories Ernest Hemingway wrote while he was a journalist for the Toronto Star and here published in book form for the first time. Hemingway worked for the Star from 1920 to 1924 crafting what became his inimitatable style of terse and direct prose. Burrill also provides the first extensive biographical study to focus on Hemingway's connection with the city of Toronto.</p> Doubleday, hardcover
198923356<p>Cambridge:: Blackwell Publishing 1989. First Printing of the First Edition. A Fine copy in a Fine dust jacket. This second volume in Reynolds' five volume Hemingway biography focuses on the writer's journeyman period in Paris where he honed his writing craft through his interactions with the other expatriates the French milieu and the literary and cultural history of Europe. Reynolds exhaustively chronicles the particular literary influences on Hemingway oftentimes even recounting the reading lists that the writer received from particular individuals. "Reading The Wasteland with Ezra Pound at one's elbow is no bad way to pick up a thing or two" he dryly observes at one point. He also pays close attention to Hemingway's conversations with and studying the literature of Pound James Joyce and particularly Gertrude Stein. Reynolds not only uses his extensive source material with a critical eye but provides a wealth of information about the social political and literary backgrounds of a time and place that were in many ways the dawn of the 20th century's intellectual tradition.</p> Blackwell Publishing, hardcover
197481875N.p.:: Autolycus Press 1974. First edition; Copy No. Twenty-one of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. A few small areas of rubbing to the boards. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
197481874N.p.:: Autolycus Press 1974. First edition; Copy No. Six of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. Spine a little sunned and slightly rubbed at its corners. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
197481873N.p.:: Autolycus Press 1974. First edition; Copy No. One of 86 copies. publisher's blue illustrated boards in slipcase with applied photographic illustration on the front panel. Spine a little sunned and slightly rubbed at its corners. 8vo. Introduction by Michael Murphy. Printed on blue paper. Laid in is a photocopy of the colophon of Copy No Nine annotated and initialed by editor Michael Murphy indicating that "Only 40 copies bound for sale and distribution." [Autolycus Press, hardcover
196884596Caldwell Idaho: The Caxton Printers Ltd 1968. First Edition. Quarto 28.5cm; oatmeal cloth-covered boards with titling stamped in brown on spine and front cover; photographic endpapers; dustjacket; 343pp; black and white photographic halftone frontspiece portrait with halftones throughout. Light tanning to spine and board edges; Very Good. Dustwrapper price-clipped with trivial surface wear tape mend to verso of upper spine panel and creases and rubbing to spine ends flaps and extremities; Very Good. Pictorial recollection explores the life of Ernest Hemingway created by his friend Lloyd R. Arnold with a foreword by his grandson John Hemingway. 84596. The Caxton Printers , Ltd unknown
