5 520 résultats
159 p. 180mm. Softbound. Priced Pyramid paperback. Slightly worn. Second printing. Short stories. Includes: The Light of the World, by Ernest Hemingway; Bury your Own Dead, by Bessie Breuer; You Touched Me, by D.H. Lawrence; The beaut from Montana, by Frank Scully; Your body is a Jewel Box, by Kay Boyle; Homefolks, by Thomas Wolfe; Sex Education, by Dorothy Canfield Fisher; Queen in the Parlour Car, by Joseph E. McDougall; Something Jolly, by Dorothy McCleary; June, by Harry Roskolenko; The woman at the Store, by Katherine Mansfield; and The Women on the Wall, by Wallace Stegner. LIT BX 7
2005Q-0806136995University of Oklahoma Press 2005-10-10. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Oklahoma Press hardcover
194415631944. Paris Editions du Centre 1944 n°1- Broché 21 cm x 29 cm 153 pages - Quatre ills hors-texte en couleurs dont un dessin de Max Jacob et un dessin de Christian Bérard - tirage num. sur vélin crèvecoeur des Papeteries du Marais - Manque au dos sinon bon état
19572052113Bannister Publishing Company 1957. Soft cover. Very good/No jacket. Cover edges are lightly tanned but legibility is not affected. Text block and inside edges are tanned but readability is not impacted. Pages are unmarked. Bannister Publishing Company unknown
198566508U.K.: Penguin 1985. Near fine books in near fine slipcase. 8vo. Complete 10 volume set in two-piece slipcase. Includes concertina pamphlet containing information on featured authors. All books seemingly in unread condition. Slipcase with slight bumping/soiling and faded side panel. Very bright set. Penguin unknown
1985108772Penguin Books. 1985. Penguin Books. London. 1985. First edition thus ten facsimile paperbacks of the first ten Penguins plus concertina booklet in matching triband folder. All books in fine condition in a two-piece display box which is alightly soiled and split along one edge of outer portion but holding. paperback
A9780521121590Paperback / softback. New. At the end of the nineteenth century Emilia Pardo Bazan was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazan's growth into maturity as a novelist during the late 1880s and the 1890s. paperback
ria9780521121590_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; At the end of the nineteenth century Emilia Pardo Bazán was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazán's growth into maturi paperback
B9780521121590Paperback / softback. New. At the end of the nineteenth century Emilia Pardo Bazan was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazan's growth into maturity as a novelist during the late 1880s and the 1890s. paperback
6597120Cambridge University Press CUP pp. 204 . Papeback. New. Cambridge University Press CUP unknown
1946483461946. Fine. 1946 13.50 x 21 cm en feuilles HEMINGWAY BLANCHOT Maurice. Autograph manuscript on Hemingway 1946 16 pages 1/2 in-8 135 x 21 cm loose leaves Author's autograph manuscript 16 and a half 8vo pages published in number 17 of L'Arche July 1946 and reprinted with slight modifications in La Part du Feu 1949. Complete manuscript written recto-verso very densely spaced with numerous deletions corrections and additions. In order to examine the problems related to the translation of a literary text into another language Maurice Blanchot looks at the contemporary American novel and its perception in Europe. Many good critics complain about American literature: they find it less than original and of middling interest for a culture that moved over fifty years ago beyond naturalism. They make fun of young writers who think they're being modern by imitating Faulkner Dos Passos or Steinbeck while for Americans themselves these writers are more of yesterday than tomorrow. Thus the critic for whom the oddities of language particular to any literary work survive translation takes the example of a novel by Ernest Hemingway. In For Whom the Bell Tolls Robert Jordan discovering the importance of the moment he is living repeats the word now' in several languages. Maintenant ahora now heute. But he is somewhat disappointed by the mediocrity of this vocabulary and looks for other words. . He tries to find in language links between these words and what they mean for him his meeting with Maria who is also his meeting with his final hour his meeting with death. The word Todt seems to him the most dead of all the word Krieg the one that resembles war most closely. Or is it just that he knew German less well than the other languages This reflection fascinates Blanchot: This impression of Robert Jordan's can give us food for thought. If it's true that a language seems more expressive and more real to us when we know it less if words need a certain ignorance to keep their virtue from being revealed this paradox should hardly surprise us since translators come across it all the time and it represents both one of the principal challenges and one of the foremost riches of all translation. An inspired look at the work of Ernest Hemingway and the problem of translation. unknown
201711298Serafina NM 2017. Artist's book one of 4 copies on various papers hand lettered with metal pens and sumi ink original block prints with water-based inks signed by the artist on the colophon. Page size: 7.5 x 8.25 inches; 24pp; colophon. Bound by the artist: hand-sewn in red linen thread brown paper wrappers that have been printed with overall pattern of deep brown and vertical rectangular image of matador standing and saluting the crowd with his red cape and sword in his hand on the front on gold gilt ground and a horizontal rectangle image of black bull on red ground housed in cover stock brown paper with block print of matador inserting two banderillas from the 2nd stage of the corrida into the bull's shoulders. The dramatic titlepage a block engraving printed in black and red is followed by an opening page spread that has the text starting "So I went to Spain." on the verso and an image of a bull and picador with the ensuing blood The text lines are curved following the block print lines. This is the relationship between each subsequent image and text page. The curving lines and bulls curving neck as well as the muleta are all intertwined to make striking images of the ritual that Hemingway describes as a tragedy. The artist's images are often stark bold and haunting. This Spanish spectacle is centuries old but is fast losing popular support. The sport in which it is certain that the bull dies is approaching its own demise. The shock of the corrida is aptly conveyed by Paul Maurer's images. The ambivalence of Hemingway's words "If I could have made this enough of a book it would have had everything in it." which is the last text page is indicative of another time. unknown books
1976004977Knopf 1976. Book. Very Fine. Cloth. Presentation By Author. First Edition. 8vo - over 7¾" - 9¾" tall. Very fine copy in a fine jacket.Lightly toned at the extremities.Small tiny tear at lower front tip.Rare Presentation in month and year of publication."For Bob Adelsperger best wishes Mary Hemingway Chicago 7th Oct 1976."Awesome copy.Rare this nice.Beautiful copy. Knopf Hardcover books
1976200770New York: Knopf 1976. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. 1 inch open tear at top of rear panel. Knopf hardcover
0297772651.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976004977Knopf 1976. Book. Very Fine. Cloth. Presentation By Author. First Edition. 8vo - over 7¾" - 9¾" tall. Very fine copy in a fine jacket.Lightly toned at the extremities.Small tiny tear at lower front tip.Rare Presentation in month and year of publication."For Bob Adelsperger best wishes Mary Hemingway Chicago 7th Oct 1976."Awesome copy.Rare this nice.Beautiful copy. Knopf Hardcover
1976Q-0803823215Hastings House Publishers New York 1976-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hastings House Publishers, New York hardcover
1976331241Knopf August 1976. Hardcover . Good/Good. Clean and tight in slightly crooked black and gold cloth binding. Top and bottom edges lightly rubbed/faded. Deckled page edges clean with light smudge on front corner. Top edges red. Red 'needlepoint' front and rear endpapers. Interior clean with no markings. Previous owner signature on ffep. Unclipped white jacket is moderately age toned along periphery. Moderate chips and/or creases along top and bottom edges. Boldly inscribed and signed by Mary Hemingway on half title page. 2nd printing. In mylar. Knopf hardcover
2006Q-1565124820Algonquin Books 2006-10-13. Hardcover. New. In shrink wrap. Looks like an interesting title! Algonquin Books hardcover
20039000ASimon & Schuster 2003. HBDJ 2003 1st ediition with #1 present in Number line F/F 231 pages. Signed by Author. First Edition. Hard Cover. Fine/Fine. Simon & Schuster hardcover
2000Q-1555174698Cedar Fort 2000-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Cedar Fort paperback
19621763204128Little Brown and Company 1962. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket in acceptable condition. Second printing. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding with general signs of previous use. AUTHOR INSCRIPTION IN BACK OF BOOK ON FINAL FREE PAGE. CLEAN COVER AND CONTENT PAGES. Photographed with protective mylar plastic on dust jacket. See photos for more information. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Little, Brown and Company hardcover
43906702like new. unknown
Brossura editoriale in cartoncino flessibile lucido, dalla copertina illustrata in entrambi i piatti, con bandelle. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate in tonalità seppia, come i tagli. Numero pagine 160. USATO
193893957NY:: Scribner's. Very Good. 1938. Hardcover. This copy is from the personal library of the late Madeleine L'Engle 1963 Newbery Award winner for her now classic young adult fantasy novel A WRINKLE IN TIME and bears her handwritten name on the front paste-down. An early printing matching year of publication on title and copyright pages but no "A". Age darkened along the spine else very good in red cloth. Some unopened pages. No dust jacket. ; 596 pages . Scribner's, hardcover books
