957 résultats
19601380436Cambridge Massachusetts: Department of Printing and Graphic Arts Harvard Library 1960. Limited Edition 55/600. Hardcover. Quarto unpaginated. In Very Good condition with a Good Plus clam shell case. Housed in gray cloth case with black leather spine. Case spine cracking along exterior gutters. Spine black with gilt lettering. Sage green pictorial paper boards. Mild shelfwear and soiling. Textblock clean. Printed on hand-made paper and containing an extra 13 loose lithographs in folder each signed or initialed by Stein in pencil. Signed flat on limitations page by Stein and Philip Hofer contemporary librarian at Harvard. Shelved case 11. 1380436. Shelved Dupont Bookstore. Department of Printing and Graphic Arts, Harvard Library hardcover
1872FANuvDRA14Paris: Au Bureau De L'Éclipse c1872. 1872. folio. hand-coloured lithographed title 1 also mounted on upper cover & 31 hand-coloured lithographed plates loosely laid in patterned paper portfolio hand-coloured lithographed title mounted on upper cover spine & corners quite worn cloth ties wanting edges of some plates a bit tatty. Jules Renard known as 'Draner' was a leading French illustrator in Paris from 1861 on and contributed to all of the major French periodicals. Much of his work as here was satirical. Colas 894. Hiler p. 744. Lipperheide 2330. Hardcover. Paris: Au Bureau De L'Éclipse, [c1872]. Hardcover
190079398Chaumot Nièvre Chaumot 1900. Fine. Chaumot Nièvre Chaumot 4 juin 1900 13.80 x 21.30 cm une feuille Autograph letter signed by Jules Renard addressed to Gabrielle Réval. One and a half pages written in black ink on letterhead paper from ""Gloriette"" the writer's residence in Nièvre. Transverse fold lines inherent to mailing. Fine letter to this fellow writer alluding to Poil de Carotte: ""Je suis au moins aussi content que vous. Certes je n'avais pas oublié le manuscrit où Poil de Carotte était si bien compris - et aimé - j'avais oublié la signature."" ""I am at least as pleased as you are. Certainly I had not forgotten the manuscript where Poil de Carotte was so well understood - and loved - I had forgotten the signature."" He mentions Gabrielle Réval's book: ""Et tant mieux ; car j'ai lu les Sèvriennes et non le livre d'une amie de Poil de Carotte. L'auteur seul a plu le lecteur seul a été touché. Il y a de belles réussites vous le voyez madame."" ""So much the better; for I read the Sèvriennes and not the book of a friend of Poil de Carotte. The author alone pleased the reader alone was moved. There are beautiful successes you see madam."" Jules Renard already enjoyed considerable success at this time: ""Il me répugnerait de jour au vieux maître sachez pourtant que j'ai déjà reçu bien des livres écrit bien des lettres en quelle proportion par politesse je ne sais plus mais aucune ne fut plus spontanée que celle dont vous me remerciez aimablement."" ""It would repel me to play the old master know however that I have already received many books written many letters in what proportion out of politeness I no longer know but none was more spontaneous than the one for which you thank me kindly."" The highly laudatory letter alluded to here is preserved at the Jean Jaurès Media Library in Nevers and was written by Renard a few days before ours: ""Ce n'est pas l'auteur des Sévriennes que je remercie c'est vous. C'est grâce à vous que j'ai lu par cette froide fin de mai entre la première rose de mon jardin et les dernières flammes de ma cheminée un beau Livre."" ""It is not the author of the Sévriennes that I thank it is you. It is thanks to you that I read during this cold end of May between the first rose of my garden and the last flames of my fireplace a beautiful Book."" Gabrielle Réval was one of the co-founders of the Prix de la Vie heureuse which would later become the Prix Femina. unknown
100099118Latomus - Universa / Wetteren. Bon état de conservations couvertures défraîchies bonne tenue quelques rides sur le dos ternissures sur les couvertures intérieurs propres. in8. Sans date. Broché. 40 volumes. iconographie en noir et blanc 4 fascicules par année Latomus - Universa / Wetteren unknown
170018827Amsterdam: Louis Renard 1700. Other. In excellent condition. 490 by 569mm 19¼ by 22½ inches. Copper engraving hand colored in outline and wash when published. A fine and large and decorative sea chart depicting West Africa with its coastline from Gambia in the north towards Angola and the Congo in the southern part. The antique sea chart is equipped with two compass roses and three sailing ships for decoration. Along the coastline with engraved bays place names and small islands. This rare map was published around 1700 in Louis Renard's famous sea-atlas. Louis Renard received the copperplates of Frederic De Wit´s maritime atlas. Louis Renard did only minor modifications to the plate of map he addedapud L. RenardÂ’ below the engraved titles. Louis Renard unknown
196043198Cambridge Massachusetts: Department of Printing and Graphic Arts. Harvard College Library 1960. One of 100 copies specially bound signed by the Artist and Translator with an extra suite of 13 original lithographs each signed or initialled by the artist in pencil. 13 mounted lithographic plates by Walter Stein several additional offset lithographs in text. 1 vols. Oblong 8vo. Original quarter black calf and sage green paper boards. Fine in original black calf-backed drop box some light rubbing to spine of box. Stein Walter. One of 100 copies specially bound signed by the Artist and Translator with an extra suite of 13 original lithographs each signed or initialled by the artist in pencil. 13 mounted lithographic plates by Walter Stein several additional offset lithographs in text. 1 vols. Oblong 8vo. The Artist and the Book 1860-1960 #292 p. 197 Department of Printing and Graphic Arts. Harvard College Library unknown
1960250268Cambridge. Mass: Dept. of Printing and Graphic Arts Harvard College Library 1960. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. illustrations by Walter Stein 61 pp. Oblong 8vo. Original quarter calf in original quarter black calf folding linen case. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case." illustrations by Walter Stein 61 pp. Oblong 8vo. With note in Phil Hofer's hand on colophon "Special Copy with sheet of proof lithographs for Bob and Deirdre Pirie." The Artist and the Book 1860-1960 #292 p. 197 Dept. of Printing and Graphic Arts, Harvard College Library unknown
173913984Amsterdam: Renard 1739. Copper-engraved sea chart with full orginal colour in very good condition. A highly decorative sea chart of the English Channel by the master-engraver Renard.<br/> <br/> The marine atlases of 17th and 18th century Holland were best sellers. The nation that led the world in overseas commerce also led in the arts of engraving and cartography. Plus there was a large audience of mariners and mariners' parents who needed to study the obscure straits and recently discovered island groups their sons were seeing. Louis Renard 1678-1746 was from a Huguenot family. He moved from France to the Netherlands and became a book dealer and publisher in Amsterdam in 1703. Louis Renard first published Atlas de la Navigation et du Commerce qui se fait dans toutes les parties du monde in 1715. It was re-issued unchanged by the Ottens in 1739. The charts were printed from plates made by Frederick de Wit in 1675 Orbis Maritimus ofte Zee Atlas. These were corrected by Renard using primarily van Keulen.<br/> <br/> Koeman Atlantes Neerlandici Ren 1. Renard unknown
190731944Paris: Fayard 1907. Fine. Fayard Paris 1907 13 x 18 cm broché First edition one of numbered copies on Hollande the only large paper copies. Beautiful autograph inscription by Jules Renard on half-title page. Spine and covers faded in the margins as usualtwo small tears on foot of the joints otherwise a very good copy with edges preserved. Fayard unknown
190078958Paris: Paul Ollendorff 1900. Fine. Paul Ollendorff Paris 1900 14 x 19.50 cm relié First edition on ordinary paper of the theatrical adaptation of the author's masterpiece. Bradel binding in full moiré-patterned paper smooth spine mustard morocco title-label covers with marginal restorations preserved binding signed by Thomas Boichot. Handsome copy attractively bound. Signed autograph inscription from Jules Renard to Xanrof. Paul Ollendorff unknown
170019204Amsterdam: Louis Renard. 1700. Other. In excellent condition. 484 by 567mm 19 by 22¼ inches. 484 by 567mm 19 by 22¼ inches. Copper-engraving hand colored in outline and wash when published. Large and decorative sea chart showing West Africa with the Canary and Cap Verden Islands in the Atlantic Ocean. The map is equipped with two compass roses and several sailing boats. Published around 1700 in Louis RenardÂ’s famous sea-atlas. Louis Renard received the copperplates of Frederic De Witt´s sea-atlas and did only minor modifications in the engraved titles. The image of the map is orientated with the North to the East. Louis Renard. unknown
170014955Amsterdam: Louis Renard 1700. Other. 430 by 535mm 17 by 21 inches. 430 by 535mm 17 by 21 inches. Copper-engraving hand colored in outline and wash when published. Large and decorative sea chart showing West Africa with the Canary and Cap Verden Island in the Atlantic Ocean. Published around 1700 in Louis Renards famous sea-atlas. An execellent copy of this rare map. Louis Renard unknown
77431Paris Boulet 1799. Oblong broadsheet over 48.5 x 60.5 cm. Colour etching finished by hand. Framed and glazed. Simple modern green wooden frame. = A fine lively powerful illustration of a lion fighting a snake. After an original drawing by the British artist James Northcote 1746-1831 whose illustrations of lions and tigers are among his most captivating. Northcote was a pupil of the great British portrait painter Sir Joshua Reynolds 1723-1792 first president of the Royal Academy of Arts. The French engraver Renard about whom little else is known - he is not listed by Bénézit - enhanced Northcote's original by a skilful use of shades. Published by the firm of Boulet rue Chabannais in Paris. Some spotting but hardly visible. A small defect in the upper margin otherwise very good. unknown
189878088Paris: Librairie Charpentier et Fasquelle 1898. Fine. Librairie Charpentier et Fasquelle Paris 1898 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with the famous bookplate of Jules Renard designed and engraved by Henri de Toulouse-Lautrec. Librairie Charpentier et Fasquelle unknown
190278085Paris: Charpentier 1902. Fine. Charpentier Paris 1902 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with Jules Renard's celebrated ex-libris designed and engraved by Henri de Toulouse-Lautrec. Charpentier unknown
77430Paris Boulet 1799. Oblong broadsheet over 48.5 x 60.5 cm. Colour etching finished by hand. Framed and glazed. Simple modern green wooden frame. = A fine lively powerful illustration of an angered tiger attacking a porcupine in vain - being deterred by the porcupine's sharp and painful spines. After an original drawing by the British artist James Northcote 1746-1831 whose illustrations of lions and tigers are among his most captivating. Northcote was a pupil of the great British portrait painter Sir Joshua Reynolds 1723-1792 first president of the Royal Academy of Arts. The French engraver Renard about whom little else is known he is not listed by Bénézit enhanced Northcote's original by a skilful use of shades. Published by the firm of Boulet rue Chabannais in Paris. Some spotting but hardly visible. A small defect in the upper margin otherwise very good. Very rare. We found no auction records. unknown
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br /> <br /> A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown
200031376Gien Loiret France: Commissaire Priseur. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 46 pages 292 lots. -- with a bonus offer-- . Commissaire Priseur) paperback
199952287Saint-remy-en L'eau France: Editions Monelle Hayot. New. 1999. Hardcover. 2903824266 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. 240 page monograph with many lovely color and black and white illustrations. -- with a bonus offer-- . Editions Monelle Hayot hardcover
19296209New York: E. P. Dutton & Co. Inc 1929. First edition in English. 8vo 337pp. MGM vault copy with stamps and labels to front endpaper and spine of jacket. Publisher's purple cloth lettered in orange in illustrated jacket. Pushing at spine ends else nicely preserved in original jacket heavily chipped and partially split along folds and lacking the front inner flap which is provided in facsimile under the Mylar protector. <br /> <br /> Wonderful association copy of this horror/mystery novel originally published in French Les mains d'Orlac in 1920 and here translated into English by Florence Crewe-Jones. In 1935 MGM released the film Mad Love based on the Crewe-Jones translation the original drafts of the screenplay written by director Karl Freund and Guy Endore author of The Werewolf of Paris. Though not a box office hit the film is considered today by critics to be one of the more influential horror movies of the 1930's.<br /> <br /> <br /> The book itself is scarce in jacket and this copy is quite interesting for its association with MGM studios. <br /> <br /> Barron Fantasy and Horror 4-125. Hubin pg 342. Locke Spectrum of Fantasy pg. 182. . E. P. Dutton & Co., Inc unknown
1715M4877Amsterdam 1715. Excellent. Size : 495x570 mm 19.5x22.375 Inches Coloring: Original Hand Coloring Category: ; Maps Central America unknown
166803Melbourne: Edition Renard 2003. 1. Bond George FOR A BRIEF ACCOUNT OF THE COLONY OF PORT-JACKSON in New South Wales; . . . 2005. A small archive including trial bindings preliminary printings design trials digital photographs of various original editions etc.; 2. Clark John Heaviside ABORIGINAL LIFE IN OLD AUSTRALIA . . . 2003. A collection of material relating to the second Edition Renard publication with three trial bindings for the new edition publisher's notes and various samples trial printings production guides etc.; 3. Phillip Arthur THE VOYAGE OF GOVERNOR PHILLIP TO BOTANY BAY. 2008. b0lang2057 A collection of material relating to the production of this edition including binding copy blocks etc.; 4. Smith James Edward A SPECIMEN OF THE BOTANY OF NEW HOLLAND. Written by James Edward Smith the figures by James Sowerby. 2005. An archive of material including two trial bindings in large and small format of preliminary printings in black & white various preliminary printing trials a preliminary printing of the Special Edition as submitted for the National Print Awards where it won two Silver Medals complete with trial binding for the Solander box and sundry additional materials; 5. Tench Watkin NARRATIVE OF THE EXPEDITION TO BOTANY BAY. First published in 1789 . . . 2004. An archive including proof printings two trial bindings a framed coloured portrait of Tench and various associated materials. As a collection:. Edition Renard unknown
197591938n. l.: Moulin de Larroque 1975. Fine. Moulin de Larroque n. l. 1975 19 x 20 cm En feuilles sous chemise et étui First edition one of 35 numbered copies on ""mousse d'épave"" paper this being one of the 10 hors commerce copies.Illustrated with original colour engravings by Ania Staritsky who also designed the original layout of the work.A rare and very fine copy complete with its chemise and slipcase in old-rose full cloth.Pencil signatures of Philippe Jones and Ania Staritsky on the colophon.Our copy includes a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky signed by her.Framing his manuscript an autograph inscription signed by Jean-Claude Renard to Claude Nardin who was a collaborator of Ania Staritsky. Moulin de Larroque hardcover
1929133042New York: E.P. Dutton 1929. First Edition. First Edition in English and first edition in hardcover preceded by the French edition "Les mains d'Orlac" in 1920. With the publisher's wraparound band. <br /> <br /> A seminal horror novel rare in dust jacket written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "Orlacs Hande" The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Near Fine in a Very Good dust jacket with the publisher's wraparound band "The Dutton Prize Mystery for November". The jacket's deco design is bright and striking with some toning to the spine jacket and band a chip at the crown affecting a portion of the title "The Ha" and part of "n" a portion of the publisher name at the heel the "Du" in "Dutton" and a few tiny chips nicks and closed tears. <br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. E.P. Dutton unknown
197591954n. l.: Moulin de Larroque 1975. Fine. Unique copy Moulin de Larroque n. l. 1975 19 x 20 cm En feuilles sous chemise et étui First edition one of 35 numbered copies printed on ""mousse d'épave"" paper ours one of 10 copies hors commerce. Illustrated with original colour engravings by Ania Staritsky who also designed the original layout of the work in collaboration with Claude Nardin. Rare and very fine copy complete with its chemise and slipcase in full grey cloth spine of the chemise slightly faded. Manuscript pencil signatures of Jean-Claude Renard and Ania Staritsky at the colophon. Our copy contains a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky signed by her. Fine signed autograph inscription from Ania Staritsky to her friend and collaborator Claude Nardin: ""Pour Claude-le-Normal avec toute l'amitié d'une gâteuse. Staritsky."" Unique copy exceptionally enriched with a second manuscript text by Jean-Claude Renard an engraving not retained for the work and a page of the limitation statement signed by Ania Staritsky and differing from that of this copy. Moulin de Larroque hardcover
